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Lot 102
A silver Sandringham pattern flatware serviceE Viner, Sheffield 1932 / 1933Placings for twelve, comprising: table forks, soup spoons, six table spoons (two 1935), dessert forks, dessert spoons, coffee spoons, with twelve table knives and dessert knives, thread edge, William Yates Ltd, Sheffield 1973, with steel blades, with a canteen box, weight excluding knives 120oz. (90)For further information on this lot please visit Bonhams.com
Lot 131
A George III silver wine funnel and standJohn Emes, London 1798 Together with: two decanters; Irish cast tongs; two bottle stoppers; olive tongs; a pill box; a spoon; a plated vesta, weight total of weighable silver 9oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 134
A cased set of Victoria silver and mother-of-pearl fruit knives and forksPlacings for eighteen, comprising: thirteen pairs, Henry Wilkinson & Co, Sheffield 1858 / 1859, five pairs, Frederick Elkington, Birmingham 1845, with spiral carved mother-of-pearl handles, in a fitted box with two lift-out compartments.For further information on this lot please visit Bonhams.com
Lot 135
An Old English pattern silver flatware serviceDeykin & Harrison, Birmingham 1929 - 1936Placings for twelve, comprising: table forks, dessert forks, dessert spoons, six table/serving spoons, six grapefruit spoons, twelve soup spoons, C W Fletcher & Son Ltd, Sheffield 1930/1935, twelve egg spoons and two sauce ladles, Francis Howard Ltd, Sheffield 1925; together with twelve table knives and dessert knives, Francis Howard Ltd, ivorine handles and stainless steel blades, five-piece carving set, in original fitted canteen box, weight 109oz.For further information on this lot please visit Bonhams.com
Lot 228
A set of four Victorian silver saltsHenry Hyde Aston, Birmingham 1864 Diameter 7cm; together with two Edwardian cigar cases; a rattle; a spoon; three silver-mounted cut-glass bottles; a cigarette box, weight of weighable silver 20.5oz. (12)For further information on this lot please visit Bonhams.com
Lot 229
A silver salverWilliam Hutton & Sons, Sheffield 1925 Diameter 30.5cm; together with a flask; a dish; two cream jugs; a pot; a box; an inkwell; a pair of casters; a set of six teaspoons; twelve further items of flatware; two base metal bracelets, weight total of weighable silver 80oz. (Qty)For further information on this lot please visit Bonhams.com
Lot 99
A part canteen of 'King's Husk' pattern silver flatwarepredominantly George Adams, London 1847 Husk heel, initialled, nine table forks, six table spoons, nine dessert forks (six Mary Chawner, 1838/1839), twelve dessert spoons, (one 1842, eight Mary Chawner 1838/1839), eight teaspoons (seven 1845, one Mary Chawner, 1836), six salt spoons (two 1841), two bastings spoons (one Mary Chawner, 1838), together with nine pairs of plated King's pattern table and dessert knives, and a small quantity of varying silver items and others, with a modern canteen box, weight 136oz.For further information on this lot please visit Bonhams.com
Lot 157
A LATE VICTORIAN DUTCH SILVER HEART SHAPED DRESSING TABLE BOX, E.T. Bryant, London import mark 1896, all over chased with 18th century style figures in landscape, the hinged lid opening to a gilded interior, 2 1/2" high, 3ozs 17dwts (Est. plus 21% premium inc. VAT)Two tiny splits to inner sides of hinges, otherwise generally good, top right crimping a little bent, no holes
Lot 158
A GEORGE II SILVER CREAM PAIL, maker Samuel Herbert & Co., London 1753, of plain flared cylindrical form with four reeded bands, the overhead swing spectacle pierced handle with circular box hinges, 3 1/2" high over handle, 2 1/2" diameter, 2ozs 2dwts (Est. plus 21% premium inc. VAT)Maker's mark mis-struck, old scratch inscription to base, no splits, quite thin gauge, a very small engraved stag armorial quite rubbed but visible
Lot 160
A LATE GEORGE III IRISH SILVER SUGAR BASKET, maker possibly George West, Dublin 1795, the navette bowl engraved with two vacant eliptical panels hung from swags of husks, the overhead reeded swing handle with circular box hinges, on a swept pedestal foot, 7" wide, 7ozs 17dwts (Est. plus 21% premium inc. VAT)One vacant panel a little thin so may have engraving polished out, hinges good, handle stands up, foot mis-shapen and 2cm split
Lot 163
A GEORGE III SILVER TRAVELLING BOUGIE BOX, maker either Joseph Preedy or James Phipps 1st, no date letter, of plain cylindrical form, the hinged cover with sliding crescent, engraved with a (worn) armorial and with side clip, 2 1/4" diameter, 2ozs, together with a Georgian style cream jug, Sheffield 1919, 3 1/4" high, 3ozs 11dwts (2) (Est. plus 21% premium inc. VAT)Bougie has very worn armorial, no city or date mark, scratch weight to base. Jug good
Lot 169
A GEORGE III SILVER VINAIGRETTE, maker Nathaniel Mills, Birmingham, no date letter, of plain ribbed oblong form with silver gilt pierced and engraved hinged grille, 1 1/2" wide, together with a plain oblong snuff box, Birmingham 1910, 1 3/4" wide, 1oz 9dwts total (2) (Est. plus 21% premium inc. VAT)Vinaigrette good, no engraving. Snuff a little tired and scratched
Lot 299
AN IVORY OBLONG BOX, probably Indian 19th century, with stamped and pierced metal spandrels and angles, 10" x 7" x 3 1/2", together with an ivory box in the form of a book, 7" x 4 1/4" x 1 3/4" (2) (Est. plus 21% premium inc. VAT)Box lacks one spandrel, the other three have red velvet(?) beneath but very worn, NOT silver/white metal it is base metal, lock does not work and so does not close correctly, lid and base made out of two pieces each, one front metal angle missing and front stud, fai. Book is generally good, the top is not and does not appear to have been hinged, a little shrinkage
Lot 117
Victorian sapphire and diamond floral star brooch, set with a central round cut sapphire and old cut and rose cut diamond set rays, with diamond set floral detail and a round cut sapphire between each star ray, mounted in silver on gold, with a detachable brooch fitting, both tested as 15 ct, estimated total diamond weight 0.85ct, estimated total sapphire weight 0.50ct, in fitted box signed D & J Wellby Ltd Garrick St. London, measures 3cm in diameterCondition Report: Gross weight approximately 5.89 gramsOverall good condition, small area of solder on the pin, light surface scratches throughout, four diamonds have small chips, claws throughout are very worn with some missing.Empty box weight 50g, measures 12 x 6.5 x 2.5cm
Lot 14
Four antique pendants, including an oval moss agate pendant on a fine curb link chain, an Edwardian amethyst seed pearl pendant, floral purple paste set heart pendant, all stamped 9 ct and an opal and diamond bow pendant mounted in silver and 9 ctCondition Report: Gross weight approximately 15.17 gramsEdwardian pendant missing one amethystEmpty box weight 20.25 grams, measures 8 x 5 x 2.5cm
Lot 204
Mixed group of items, 9 ct yellow gold flat curb link chain, silver box with a tortoiseshell lid, makers mark J & RFLD and a ladies gold plated Seiko watch Condition Report: 9 ct gross weight 20.4 gramssilver gross weight 36.3 gramswatch is not currently workingEwbank's do not guarantee the working order or accuracy of any lots sold.
Lot 224
A mixed group, including a Masonic Medal for Havant Lodge, pin fitted section marked 'Original Member 1925' in gold and white enamel, on pale blue ribbon, mounted in silver, hallmarked London 1924, 9.6 x 4cm, in a box, with an Open faced Waltham pocket watch, in a gold plated case, Vintage wristwatch in a base metal case, with two sports medals, one in silver and the other in silver giltCondition Report: Medal weight 36.4 grams Empty Masonic medal box weights 43.2 grams, 10.2 x 6.2 x 2cmsports medals gross weight 41.2 grams Waltham pocket watch is working at time of inspection, but has not been tested for time keeping, glass is scratched other vintage watch is not working and is in a base metal caseEwbank's do not guarantee the working order or accuracy of any lots sold.
Lot 225
A jewellery box containing costume jewellery, including a floral bangle, another similar oval bangle, a dragon brooch, a moonstone ring, size L, rings, chains and hoop earrings, all in silver, with a silver gilt locket, carved nephrite jade pendant, Ronson and Mario Valentino lighters and other itemsCondition Report: Silver gross weight 126 grams
Lot 226
19th C cut steel floral necklace, with concealed clasp, 34cm in length, with matching brooch, a pair of earrings with later clip on earring fitting, a ring, size G, two loose links and another similar brooch, 3 x 2.8cm, all in a fitted box, with red paste Bohemian jewellery, including a ring, size K 1/2, two pairs of drop earrings, a star brooch, bracelet, all in silver gilt and a brooch and a clip in base metalCondition Report: cut steel necklace each floral panels each measure approximately 2.1 x 2.1cm, clasp is opening and closing securely. fitted box does not look original to necklace, measure approximately 22 x 4.5 x 3.2 cm, gross weight including the cut steel jewellery is 309 gramsRed paste marquise shaped drop earrings are missing some stones, drop approx 3.5cm. Red paste round earrings drop measures 3cm, good condition.Red paste ring in good condition, slightly mis-shapen shankRed paste rounder star brooch is missing a few stones, 2.9cm in diametersRed paste bracelet is missing several stones, 6.2cm in lengthRed paste star brooch in good condition 4.7cm
Lot 228
Jewellery box containing antique and vintage costume jewellery, including a cut steel buckle, two Victorian paste set star brooches, two similar horse shoe brooches, a French chain link coin purse, blue and white enamel brooch, compass, propelling pencil, a S.Mordan & Co case, agate fob, oval signet ring size K, oval bangle, open faced pocket watch, ladies wrist watch, all in silver, with a cross pendant, buckle bangle, two elasticated bangle all in gilt metal and other itemsCondition Report: silver gross weight 193.9 gramsJewellery box measures 7.6 x 5.2 x 9.4cm, jewellery box and jewellery gross total weight 1231 gramsEwbank's do not guarantee the working order or accuracy of any lots sold.
Lot 230
Large box of costume jewellery, including a single 9 ct gold hoop earring, an abalone shell brooch, a Albert chain, charm bracelet, fancy link chain necklace, cubic zirconia and faux pearl ring, size G 1/2, black enamel pendant on a snake chain, all in silver, with a Sarah Cov ring, size M 1/2, bee brooch, cufflinks, beaded necklaces, bangles, Emporio Armani watch on leather strap, Ice watch, storm watch and other items Condition Report: 9 ct weight 0.1 gramssilver gross weight 70 grams Ewbank's do not guarantee the working order or accuracy of any lots sold.
Lot 230A
A selection of mainly costume jewellery including a pair of emerald stud earrings in stamped 18 ct, a paste ring stamped 9 ct, a tie pin stamped 8 ct, a marcasite ring tested as silver, a marcasite and malachite brooch stamped silver, a pair of Vogue Bijoux green and white paste clip-on earrings, a pair of cufflinks stamped Chanel, a pair of clip on earrings by Deanna Hambro, a pair of clip on earrings by Ciner, a Limoges France porcelain painted portrait brooch, together with other costume items, a glass trinket box, a coin pendant, set with a Silver Jubilee coin, a 1921 One Dollar coin, and another coinCondition Report: 18ct gross weight 1.11 grams9ct gross weight 2.11 grams8ct gross weight 1.17 gramssilver gross weight 15.83 grams
Lot 234
Mont Blanc Meisterstuck LeGrand Solitaire Barley sterling silver ball-point pen, herringbone pattern case and lid, mother of pearl star to the top of the cap, small brilliant cut diamond set in the clip, in original box along with outer box, paperwork and diamond certificateCondition Report: Pen measures 15 cmWeight approximately 57.49 gramsBox measures 17.5 x 17.5 x 4.5cm, empty box weight 442.4 gramsThe pen is currently working, there is a small amount of tarnishing at the base of the lid and would benefit from a polish. The lid is not removable and twists to expose and close the ball-point pen.Case in good condition, indentation mark in top lining from the pen below. Outer case has small dents and scratches to the surface. Tears marks to the corners where previously opened.
Lot 235
Mont Blanc Meisterstuck LeGrand Solitaire Barley sterling silver fountain pen with an 18 ct gold nib, herringbone pattern case and lid, mother of pearl star to the top of the cap, small brilliant cut diamond set in the clip, in original box along with outer box, paperwork and diamond certificateCondition Report: Pen measures 14.5 cmWeight approximately 51.14 gramsBox measures 17.5 x 17.5 x 4.5cm, empty box weight 456.5 gramsA small amount of tarnishing at the top and bottom and would benefit from a polish. Still has Mont Blanc label attached. Piston is functioning.Case in good condition, indentation mark in top lining from the pen below. Outer case has small dents and scratches to the surface. Tears marks to the corners where previously opened, scratches on the inside and sticker residue.
Lot 240
A Jewellery box of silver jewellery including a pair of Tiffany and Co Paloma's Groove cufflinks by Paloma Picasso, silver necklace, pendant, bracelet, rings and earrings, together with a selection of costume jewellery to include a pink quartz necklace and bracelet, pearl necklaces and bracelets and other itemsCondition Report: Silver gross weight 477 grams
Lot 240A
A wooden jewellery box containing a mixed group of items, including, a gold tooth pick, a single gold dress stud, a propelling pencil, with blood stone termination, all in 9 ct yellow gold, with a gold plated W.S. Hicks New York retractable fountain pen, silver brooches, articulated fish brooch, scarf ring, cufflinks, tie slide, dress studs in base metal and other itemsCondition Report: 9 ct gross weight 4.3 gramsSilver gross weight 14.2 grams
Lot 244
Jewellery box of mainly silver rondel charms including Pandora, three charm bracelets with rondels including Links of London and Rhona Sutton and two necklaces, all marked for silver, together with costume jewellery including Butler and Wilson, Mikey, Kate Spade, Karen Millen, Danish Pilgrim and other makersCondition Report: Silver gross weight 285.8 grams
Lot 253
Collection of silver costume jewellery including A Sweet Heart pill box containing a heart, a purple paste set heart pendant and matching earrings, paste set cross pendant, bracelets and bangles, rings and charm pendant, all marked as or testing as silver, together with a Swarovski pendant, four Danish Pilgrim necklaces, two Cachet necklaces, a rope style lariat necklace and a paste set ringCondition Report: Silver gross weight 256.9 grams
Lot 264
Ornate metal layered jewellery box, containing a ladies wristwatch, enamel detail on 18 ct yellow gold case, a five row freshwater pearl and gold bead necklace, with a clasp stamped 14 ct, 47cm in length, 1960's Grosse circular brooch in gilt metal, a fancy link chain necklace, marcasite set brooch, filigree butterfly all in silver and other items Condition Report: Pearl necklace weight 27.3 gramsSilver gross weight 33 gramsWrist watch is not currently working and has half a strap, enamel detail is damaged and worn, gross weight 12.5 gramsEwbank's do not guarantee the working order or accuracy of any lots sold.
Lot 265
Red jewellery box containing silver Comedy and Tragedy mask pendant, dancing pendant, identity bracelet and two pairs of earrings, all marked as or testing as silver, together with costume jewellery including gem-set grape drop earrings, RAC pendant, necklaces, bracelets and other itemsCondition Report: Silver gross weight 32 grams
Lot 268
A large selection of costume jewellery including a quantity of silver, including a heart padlock bracelet, a bird pin, a St Christopher pendant, brooches and necklaces, all silver, along with vintage costume jewellery including a 1950's Trifari necklace, a pair of Christian Dior earrings, Giovanna Bartolini glass pendant, Kigu bangle and a Monet necklace and brooch, together with two pearl necklaces, one with a silver and paste clasp in a Quadrant Pearl Co box, bead necklaces, brooches and earrings and other itemsCondition Report: Silver gross weight 57.76 grams
Lot 271
Wooden Culpepper Spices box containing silver tie pin, pierced locket, pair of cufflinks and seven rings, all marked for or testing as silver, a pair of gilt metal shoe buckles, and a bracelet comprising of seven three pence pieces, together with costume to include necklaces, earrings, rings and other itemsCondition Report: Silver gross weight 53.4 grams
Lot 340
AMENDED DECSRIPTION AND ESTIMATE - Cartier, A fine and rare Knife-Edge 18ct gold open face pocket watch. The two-tone silver engine turned dial with guilloche pattern, central reserve within a chapter ring with Roman numeral hour markers, outer minute track, and Breguet style blued steel hands. Fitted with a lever wind 8 adjustment 19 jewel movement signed European Watch and Clock Co Inc. French gold mark to 18ct yellow gold case. With Cartier box. Circa 1930'sCondition Report: Damage to case. Hinge not attached to one side of the case and so is loose in two parts. Some damage to inside and outside of case where hinge has become separated. Staining to inside silk lining. Some scratches to outside of case. Part has evidence of repair.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Lot 350
Sir Winston Churchill 1874- 1965 five commemorative medallions, by Gregory & Co, three medallions in 22 ct yellow gold, largest measures 5.7cm diameter, weight 137.2 grams, hallmarked London 1964, another similar, 3.8cm in diameter, weight 47.7grams, hallmarked London 1965, together in fitted blue case, smallest gold medallion 2.3cm in diameter, 8.4 grams, in its own fitted box, with two medallions in sterling silver in original fitted boxCondition Report: 22 ct gross weight 193.3 gramsSilver gross weight 106.9 grams
Lot 39
PABLO PICASSO (1881-1973)Visage de faune dated '28.6.55.' (upper right); stamped with the signature and incised 'Exemplaire avant la lettre' (on the reverse), further stamped with the goldsmith's mark and the French assay mark for gold (on the lower reverse rim)22 carat gold repoussé plate with wooden presentation box25cm (9 3/4in). diameter; 41.6 cm. (16 3/8in.) diameter with the presentation boxConceived in 1955; this unique example in gold executed in 1968 by François and Pierre Hugo. This work is the first prototype of a gold plate ever made by François Hugo in collaboration with Pablo Picasso.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo. ProvenanceAtelier François & Pierre Hugo, France.Private Collection, France (acquired from the above in 1971).Private collection, France (acquired from the above in 1995).LiteratureG. Bloch, Pablo Picasso, Catalogue de l'oeuvre gravé céramique, 1949-1971, Vol. III, Bern, 1972, no. 63 (earthenware version illustrated p. 59).D. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977 (silver version illustrated). A. Ramié, Picasso, Catalogue of the edited ceramic works, 1947-1971, Vallauris, 1988, no. 282 & 283 (terracotta and white earthenware versions illustrated p. 145).P. Hugo & C. Siaud, Bijoux d'artistes, Hommage à François Hugo, Aix-en-Provence, 2001, no. 1409 (silver version illustrated p. 148, & goldmedallion version illustrated p. 153).I was ten years old the day I met Picasso for the first time. My father had been working for him for one or two years. Picasso looked at me with his piercing eyes, wondering what a child like me could possibly be doing in a goldsmith's workshop. I was watching my father at work.The look of the great painter intrigued and scared me.'What are you doing young boy,' asked the artist?'I am watching my father at work.'A spark of interest made his eyes light up.'You could come to my studio to watch me at work too if you wanted.'I was delighted by his offer, I felt accepted. Over the years I got to know him well, to admire and discover this good, generous and funny man. During my first stay at 'La Californie', his villa in Cannes, I fell in love with his studio and his daughter Paloma. A frisson that caught the master's eye instantly.This was 1957, and from that moment on the friendship and collaboration between my father and Picasso continued to grow. When my father spoke to Picasso about a castle near to Aix-en-Provence, Picasso bought it: 'Cézanne painted La Sainte Victoire... but I bought it', he said with pride.Pablo Picasso, just like Claes Oldenburg, had a devoted admiration for gold. 'Do you think it could be possible to create an artwork in gold?', he asked. From this conversation they created the first gold plate: the smaller dimensions of Visage de faune (lot 39) were a necessity as my father did not have the money to buy more of the precious metal, and the work became the first prototype for the pieces created after by Picasso and my father. On seeing the first finished gold plate Picasso was mesmerised: he took the work in his hands and brought it to his lips like a baby. 'What are you doing Pablo', asked my father?'I am tasting it, I have never tasted gold before! It has a taste!', answered the artist. And the two men settled in to a lunch of lobsters, with Jacqueline and my mother Monique watching them fondly. I was proud of my father, and happy to see Pablo with tears of joy in his eyes. It was a time of precious memories, that I have held dearly ever since. From then onwards, my father and Picasso collaborated together until the artist's death in 1973. Together they made silver plates and compotiers, sculptures, medallions and the unique gold plates. Nothing could stop Picasso's creative genius. Even after his death, his greatness lived on in the artworks he created in our atelier. - Pierre Hugo, master goldsmith. In 1946 Pablo Picasso famously made his first visit to Vallauris in the South of France, and there discovered a latent desire to create works of exceptional beauty in clay. He was driven by a desire to create sculptural objects full of the joyousness and mythological motifs that typified his Post-War output: vases, dishes, bowls, even ashtrays decorated with fauns, flute players and the animals of his arcadia. He worked slavishly; a passion for creating these objects had been unleashed. Over the years that followed Picasso would design hundreds of works alongside the talented craftsmen of the Madoura pottery, and his interest in creating objects of everyday use imbued with his unique genius never waned from this point on. A decade after his arrival in Vallauris, Picasso was introduced to the goldsmith François Hugo by their mutual friends Douglas Cooper and John Richardson. Just like his introduction to the Ramié's, this was a fateful meeting that resulted in the two artists creating exceptional objects together over the course of the next two decades. They worked together on a series of beautiful plates, vases, medallions and compotiers, many of which were related to the designs he had created for his ceramics. Picasso was fascinated by the process of creating the wax matrix for each new design, with Hugo warming the precious metal and beating it by hand into the matrix – resulting in the shimmering surface of every repoussé dish or medallion. Over the course of their collaboration Picasso created small editions of the silver dishes and gold medallions, as well as a single unique gold dish for each design. Not only is the present work, depicting the faun so beloved of Picasso during this period, one of these precious unique objects, it is in fact the first of its kind: a prototype for Picasso and Hugo's creations in gold.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 40
Pablo Picasso (1881-1973)Jacqueline au chevalet stamped with the artist's signature and numbered 'Picasso HC 5/6', stamped with the silversmith's mark, the French assay mark for silver and numbered '1428 4547' (underneath)silver repoussé plate with wooden presentation box42.7 cm. (16 3/4 in.) diameterConceived in 1956 and executed in silver in a numbered edition of 20 plus 2 épreuves d'artiste and 2 épreuves d'auteur. This work is from an hors commerce edition of 6 made for the artist only.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo.ProvenanceAtelier François and Pierre Hugo, France.Thence by descent to the present owner.LiteratureG. Bloch, Pablo Picasso, catalogue de l'oeuvre gravé céramique 1949-1971, Bern, 1972, Vol. III, no. 107 (white earthenware version illustrated p. 93).D. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977, (another version illustrated).A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947-1971, Madoura, 1988, no. 334 (white earthenware version illustrated p. 171).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 41
Pablo Picasso (1881-1973)Tête de taureau stamped with the artist's signature and numbered 'Picasso HC 5/6', stamped with the silversmith's mark, the French assay mark for silver and numbered '1413/4550' (underneath)silver repoussé plate with wooden presentation box42.5 cm. (16 3/4 in.) diameter Conceived in 1956 and executed in silver in a numbered edition of 20 plus 2 épreuves d'artiste and 2 épreuves d'auteur. This work is from an hors commerce edition of 6 made for the artist only.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo.ProvenanceAtelier François & Pierre Hugo, France.Thence by descent to the present owner.LiteratureG. Bloch, Pablo Picasso, catalogue de l'oeuvre gravé céramique 1949-1971, Bern, 1972, Vol. III, no. 82 (white earthenware version illustrated p. 69).D. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977, (another version illustrated).A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947-1971, Madoura, 1988, no. 329 (white earthenware version illustrated p. 168).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 42
PABLO PICASSO (1881-1973)Profil de Jacqueline stamped with the artist's signature and numbered 'Picasso 4/20', stamped with the goldsmith's mark, the French assay mark for gold and numbered '1412' (verso)gold medallion with wooden presentation box5.2 cm. (2 in.) diameterConceived in 1956 and executed in gold in a numbered edition of 20 plus 2 épreuves d'artiste and 2 épreuves d'auteur.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo.ProvenanceAtelier François & Pierre Hugo, France.Thence by descent to the present owner.LiteratureG. Bloch, Pablo Picasso, Catalogue de l'oeuvre gravé céramique 1949-1971, Bern, 1972, Vol. III, no. 68 (white earthenware version illustrated p. 62).D. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977, (silver version illustrated).A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947-1971, Madoura, 1988, nos. 308-309 (red earthenware and white earthenware versions illustrated p. 158).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 43
Pablo Picasso (1881-1973)Tête en forme d'horologe stamped with the artist's signature and numbered 'Picasso 4/20', stamped with the goldsmith's mark, the French assay mark for gold and numbered '1436' (verso)gold medallion with wooden presentation box5 cm. (1 15/16 in.) diameterConceived in 1956 and executed in gold in a numbered edition of 20 plus 2 épreuves d'artiste and 2 épreuves d'auteur.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo.ProvenanceAtelier François & Pierre Hugo, France.Thence by descent to the present owner.LiteratureG. Bloch, Pablo Picasso, Catalogue de l'oeuvre gravé céramique 1949-1971, Bern, 1972, Vol. III, no. 91 (white earthenware version illustrated p. 77).D. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977, (silver version illustrated).A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947-1971, Madoura, 1988, no. 325 (white earthenware version illustrated p. 166).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 44
Pablo Picasso (1881-1973)Tête géométrique stamped with the artist's signature and numbered 'Picasso 4/20', stamped with the goldsmith's mark, the French assay mark for gold and numbered '1442' (verso)gold medallion with wooden presentation box5.1 cm. (2 in.) diameterConceived in 1956 and executed in gold in a numbered edition of 20 plus 2 épreuves d'artiste and 2 épreuves d'auteur.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo.ProvenanceAtelier François & Pierre Hugo, France.Thence by descent to the present owner.LiteratureD. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977, (silver version illustrated).A. Ramié, Picasso, Catalogue of the Edited Ceramic Works, 1947-1971, Madoura, 1988, no. 344 (white earthenware version illustrated p. 176).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 236
A silver mounted specimen vase; Webb Continental cut glass decanter in presentation box; a pair of Tutbury cut glass wine glasses; a pair of Jean Claude, France frosted swan champagne flutes; a pair of unusual wine glasses the stems in the form of a dolphin; a substantial pedestal cut glass fruit bowl etc. qty.
Lot 206
SMALL SILVER TABLEWARE to include a cased pair of salt and pepper pots, Birmingham 1962, maker Adie Brothers Ltd in Boodle & Dunthorne fitted box, boxed set of six silver teaspoons Sheffield 1972, Cooper Brothers & Sons Ltd and a pair of 925 stamped silver and cut glass swan baskets with reticulated wings, 12.5 x 13cms, 4.1 troy ozs weighable
Lot 209
SMALL SILVER to include miniature cabinet items and three various boxes, the miniatures as two pepper pots in the form of bullet shape chocolate pots with screw on lids along with two chalice type goblets, all unmarked with a silver Vesta case, Birmingham 1901, hallmarked, crested front heart shaped pill box with gilt interior, unmarked and a French snuff box circa 1870, 950 grade silver, stamped to the lid edge, engine turned decoration with decorative vacant cartouche to the top, 5cms across, 2.6 troy ozs gross
Lot 34
A Victorian set of twelve silver dessert forks and knives, London 1872, with chased blades and handles, boxed CONDITION REPORT: There are several with small gaps where the blade joins the handle of the knife. Two have signs of solder at this join, old repairs. One handle has been heavily repaired, another has a small hole in the silver at the terminal. The box itself is quite tired, particularly to the interior, the fitted parts are damaged and would really need to be replaced.
Lot 552
A Chinese export silver and enamel figure of a long Eliza, modelled standing holding a basket of flowers on a bamboo pole, marked beneath, 29.5cm high, in a fitted box/see illustration CONDITION REPORT: Metal elements approx. 732gm. The body has some faults to enamel, worn away at top of sleeve cuff but overall fair. Enamel of right hand lost to fingers area. Head has area of loss to enamel under chin and extensive wear and losses to enamel hair. The removable hand has losses to enamel fingers. The basket has minor enamel losses and a few pieces of the 'fringe' are missing. Box has losses and cracks in line with age and usage.
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