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A collection of five bags to include a Butler & Wilson gold hard case evening bag decorated with gemstones and a gold detachable strap 13 x 19 x 4.5cm shoulder height drop 18cm, comes with a dustbag and box, a Rodo silver metal bag with metal handle, 9 x 12 x 6cm, comes with a dustbag and box, two other Rodo bags with gold metal bamboo effect handles and monogrammed interiors, 14 x 18 x 8cm and an Anello & David satin bag with a detachable strap, inside pocket and bow to the top, 15 x 17.5 x 6cm (5). Condition report: The Butler & Wilson and the silver metal Rodo bag are both in very good condition, the other two Rodo bags have ware commensurate with age, interiors are good, the Anello & David bag has small marks and stains.
NINE SILVER ITEMS, RAJASTHAN, WESTERN INDIA, 19TH/20TH CENTURY comprising three necklaces with amuletic pendants, an amulet box set with a carnelian and three finger rings, one set with an oval carnelian, a small mirror and a bracelet with openwork decoration 28cm approx. diam. of largest necklace, and smaller (7) Provenance: Private collection, Germany, acquired 1960-66 in India by the vendor while working in development assistance.
A FRENCH SILVER-GILT SNUFF BOX, PARIS, 1753 shaped rectangular, the lid chased with a vignette of Mark Antony visiting Cleopatra and her attendants, the sides and base with patterns of swirling feathery foliage and flowers, gilt interior, maker's mark rubbed, charge and discharge mark of Julien Berthe, date letter 8.5cm wide Compare with a similar silver-gilt snuff box in the Metropolitan Museum of Art, New York, the lid decorated with dancing lovers, Antoine Daroux, Paris, 1755-56, illustrated in Clare le Corbeiller, European and American Snuff Boxes, London, 1966, fig. 417.
FOUR SILVER OBJECTS, EARLY 20TH CENTURY comprising a Sinhalese cylindrical box, a small Indian box, with domed lid, and two beakers, Cutch, Western India 11cm high (larger beaker) and smaller (4) Provenance: Private collection, Germany, acquired 1960-66 in India by the vendor while working in development assistance.
A DUTCH SILVER SNUFF BOX, MAKER'S MARK BADLY STRUCK, 1892, IMPORTER'S MARK OF E.T. BRYANT, LONDON, 1892 cartouche-shaped, the hinged lid with die-stamped carousing figures, scroll sides, shell-fluted base, 6cm wide; together with a brass 'bishop's' ring, cast with classical profiles and other motifs, seal matrix on hinged lid, initialled 'CP/FS,' 5.3cm high (2)
A CONTINENTAL PORCELAIN DOUBLE SNUFF BOX, PROBABLY GERMAN, LATE 19TH CENTURY rectangular, the textured ground painted with floral sprigs, the double lids with portraits of a prince in armour and his consort to the interior, the silver-gilt mounts bearing Paris charge and discharge mark of Eloi Brichard and date letter for 1759, porcelain with spurious Sevrès mark of 1780 6.9cm long
A SILVER TIMEPIECE DOUBLE SNUFF BOX, MID 18TH CENTURY the unmarked box probably German, waisted oval, hinged lids, gilt interiors, the top lid opening to reveal the watch signed Riam London with silver dial with Roman hours and Arabic five minute indicators, the verge fusée movement with square baluster pillars, dial and movement signed, key 8cm wide
A FRENCH SILVER-GILT SNUFF BOX MOUNT WITH GLASS COVER, ALEXANDER LEFERRE, PARIS, POST 1838 cartouche shaped, corded and engraved stiff leaf border to the mount, lacking base, 7.7cm wide; together with a red leather case for a snuff box, the cover with impressed formal decoration, early 19th century, 14.5cm wide
A RUSSIAN PARCEL-GILT-SILVER AND NIELLO COMMEMORATIVE SNUFF BOX, ASSAY MASTER ALEXEI TORLOV, VELIKY USTYUG, 1773 circular, the cover depicting a line of infantrymen firing at fleeing troops on a tip of land with mountains to the background and boats at sea, the sides with a band of raised scrolls, the sides of the base with trophies of arms between piled cannonballs, the underside with a band of matching scrolls surrounding a coat of arms, base with town and assay marks only, 9.5cm diameter The arms are those of the Counts zu Windisch-Graetz, Barons von Waldstein (or Wallenstein) of Austria (J.B. Rietstap, Armorial Général, Vol.II, p.1098), perhaps for Count Josef-Niklas zu Windisch-Graetz (1744-1802), Chamberlain to Marie-Antoinette. The scene on the lid appears to depict an engagement on the southern tip of the Crimea, presumably during the Russo-Turkish war of 1768-1774. Russia had invaded the Crimea in 1771 and the following year Austria ended her alliance with the Ottomans, allying instead with Russia (and Prussia), so as to benefit from the Partition of Poland. Windisch-Graetz was probably involved in Austria's complicated diplomatic manoeuvres with Russia at this time, but his precise role in these exchanges and thus the exact significance of this box remains a mystery.
A SILVER-GILT TIMEPIECE SNUFF BOX, MID 18TH CENTURY the unmarked box probably German, cartouche shaped and double lidded, Rococo decorated with scrolls and shells on matted grounds, the main lid covering the snuff compartment, the top lid with a scene of reclining Apollo opening to reveal the watch by Charles Cabrier II of London with silver dial with Roman hours and Arabic five minute indicators, the verge fusée movement with square baluster pillars, dial and movement signed Cabrier, London, with modern key 8cm wide For another probably German timepiece snuff box with English movement by Cabrier, see Sotheby's, London, Dr Heller's Lexicon, 4 December 2012, lot 251.
A PORCELAIN SNUFF BOX, GERMAN, LATE 19TH CENTURY cartouche shaped with waisted sides, the lid and sides painted with vignettes of military figures in a skirmish and outside tents reserved on a magenta scalework ground, the lid interior with a portrait of Frederick the Great, silver-gilt mount maker's marked DE 7.8cm long
AN INDIAN SILVER ROSEWATER SPRINKLER, KASHMIR, 20TH CENTURY typical form, covered in bands of foliate chasing, unmarked 25.5cm high; together with an Indian silver box and cover, heart-shaped, with foliate chasing and scrolls surrounding a vacant shield, unmarked, Kashmir, 20th century, 7cm long; and a Persian silver box and cover, decorated with interlaced scrolls on a matted ground, 875 standard, Farsi maker's mark, 20th century 419gr (13oz) (3)
A GERMAN SILVER SNUFF BOX, UNMARKED, PROBABLY BERLIN, CIRCA 1760 commemorating Frederick the Great's victories, waisted oblong, the lid applied with a gilt equestrian figure of the King against an engraved ground of cannons and bedecked halberds, applied front and back with the Prussian eagle against a similarly engraved ground 7cm long
ËœAN ITALIAN TORTOISESHELL PIQUE WORK SNUFF BOX, NAPLES, CIRCA 1765 oval, decorated in gold piqué with bunches of flowers and insects, 8.8cm wide; together with a carved amber snuff box, oval, the lid with a mythological subject, scroll work sides, possibly Eastern Prussia 18th century, the silver mounts, 5.9cm wide (2)
A FRENCH SILVER AND MOTHER OF PEARL SNUFF BOX, MAKER'S MARK APPARENTLY F?F, PARIS, 1739/30 shaped oval, the mounts chased with flowers and basketwork, plain mother of pearl base, the similarly-inset hinged lid faintly etched with a landscape, struck with a 1726-1732 charge mark and a later discharge mark 7cm wide
A SILVER SNUFF BOX, CENTRAL EUROPE, MID 18TH CENTURY cartouche shaped, the lid with a chased cluster of fruit within strapwork, the interior lid with a glazed and painted miniature of the Virgin and Child adored by St John Nepomuk, maker's mark IS, further struck D crowned, rampant beast, later Austrian control mark three times 6.2cm wide
A PAIR OF VICTORIAN SILVER SHELL DISHES, ATKIN BROTHERS LTD., SHEFFIELD, 1891 richly chased, each on three whelk supports, 14.7cm long; together with a lobed oval silver milk jug and sugar basin, The Alexander Clark Manufacturing Co. Ltd., Birmingham, 1921; and a silver pot-pourri box and cover, shaped oval, pierced and inset with coins, John Edward Wilmot, Birmingham, 1899, 14.5cm wide 822gr (26oz) (5)
A MOTHER-OF-PEARL, SILVER-GILT AND HARDSTONE SNUFF BOX, PROBABLY LOW COUNTRIES, EARLY 18TH CENTURY AND LATER cartouche-shaped, the lid set with a mother-of-pearl panel finely carved with grotesques in low relief in the manner of Jean Berain (1640-1711) with Europa and the Bull at the centre surrounded by birds, putti, urns, canopies, Caesar profiles and other motifs, circa 1720, the later base of subtly striated honey-coloured hardstone 7.7cm wide
TWO SILVER SALVERS, WESTERN INDIA, 20TH CENTURY each with chased and repousse decoration, the larger with fluted cavetto, the smaller with scalloped rim, 31.7, 30.4cm diam., together with An Octagonal Silver Box, Sri Lanka, circa 1900, the lid and sides decorated with animals and mythical figures amidst scrolling foliage, 5cm high; 14cm max. diam. (3) Provenance: Private collection, Germany, acquired 1960-72 in India and Sri Lanka by the vendor while working in development assistance.
A SILVER AMULET BOX, TIBET, CIRCA 18TH CENTURY of oval form, with scrolling repoussé decoration, set with central carnelian in brass mount, 3.7 x 4.8 x 6cm; together with an Inlaid Silver Amulet Box (gau), Tibet, circa 18th century, parcel gilt silver, with copper back plate, of octagonal form, the central panel with repoussé foliate design around an inlaid carnelian, surrounded by a border of turquoise inlay, flanked by triple loops inlaid with turquoises, 6.7 x 5.2cm (2) Provenance: Private Collection, Germany, acquired 1960-66 in Nepal by the vendor while working in development assistance.
A HUNGARIAN GILT COPPER SOUVENIR TOBACCO BOX, HERRENGRUND, DATED 1745 oval, the sides engraved with the inscription '1745 Eysen Wahr ich . Kupfer bin ich . Goldt und Silber zirt mich . Knaster trag ich.' (I used to be iron . I am copper now . Gold and Silver cover me . Tobacco I carry), the hinged lid chased with a stag hunting scene with equestrian figures, hounds and trees at sunset, silver hinge and thumbpiece 12.5cm wide The inscription refers to the method of obtaining copper in the Herrengrund mines. The local water had a high concentration of copper sulphate and iron scraps were placed in hollows where the water collected and reacted with the sulphate to precipitate copper from the solution. The copper either settled as a sludge or formed a crust over the surface of the iron. This gave rise to the legend that the water had mysterious, if not magical properties and the consequent production of various souvenirs, such as tumbler cups and boxes.
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205709 item(s)/page