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A William IV silver table snuff box of rectangular form with engine turned decoration, the hinge lid with cast foliate scroll thumbpiece, the gilt interior with engraved inscription `Presented with 200 Sovereigns by the Noblemen, Gentlemen & Graziers of Kent & Sussex to Mr Thos Paine Hilder of Kingsnorth...`, London 1836 by Charles Rawlings & William Summers, length approx 9cm.
A George V silver three piece dressing table set, engine turned with banded decoration, comprising a hand mirror and two hair brushes, Birmingham 1914 and 1915, together with an Edwardian rectangular cut glass box with silver cover, Birmingham 1906, and a pair of circular glass jars with silver covers, and a small collection of silver and plated items, including a salver.
An Edwardian silver oval box with hinge lid, Birmingham 1906, a silver novelty inkwell in the form of a bell, Birmingham 1935, a silver and tortoiseshell heart shaped trinket box with hinge lid, Birmingham 1910, a silver and cut glass globular scent bottle, London 1925 and a small collection of silver items.
A 9ct gold heart shaped pendant locket with a 9ct gold neckchain, a single row necklace of cultured pearls spaced with larger cultured pearls at intervals, on a gold and red gem set clasp, a coral bead bracelet, various cufflinks, a Victorian jewellery box, a green and colourless paste set bracelet, a 9ct gold bracelet spaced with small cultured pearls at intervals, a group of silver jewellery, including necklaces, bracelets, rings and bangles, and sundry.
An Edwardian silver waist belt buckle with scroll pierced decoration, Chester 1903, a silver handled button hook, two shoehorns, a decorative spoon, the bowl formed from a shell, a blue stained agate hinge lidded box, a ceramic trinket box, a rectangular mosaic paperweight and five brass models of insects.
A collection of miscellaneous items to include: a 9 carat gold mother of pearl charm in the form of a tambourine; a carved jade charm; a pique work cross; an Art Nouveau style silver and enamel brooch by Charles Horner, Chester 1909; and a Georgian silver snuff box with engraved leaf decoration, (5)
A Victorian coromandel dressing box, retailed by Parkins & Gotto, 248 & 250 Oxford St., the fitted interior with mother-of-pearl-handled implements, glass jars, five silver-mounted glass boxes, probably by Thomas Whitehouse, London 1868, with fitted jewellery drawer beneath, and mirror and stationery compartment to cover, monogrammed, 31cm wide CONDITION REPORT: Some scratches and scuffs to exterior of box. Key works but is not the original (is a 20th century one). Some small dents and general, mainly light wear to silver covers. Cover of one of the larger glass bottles has a repair and the other is squashed and split. Some minute chips to glass bottles.
A graduated rock crystal rivière necklace, early 19th century, a series of graduated, cushion cut, black dot rock crystals, each one set in a closed back, cut down collet, all joined by eyelets with a concealed box clasp and loop for a central pendant drop. Later safety chain fitted. Tested as sterling silver backed in 9ct gold CONDITION REPORT: No obvious damage. Clasp secure. 393mm in length. 6.7mm to 8.3mm in width. Later safety chain fitted. Tongue and box at a slight angle, requires adjusting.
A diamond set three row tonneau-shaped clasp, with a central row of three cushion cut and two old European cut diamonds, grain set to milligrain box settings, with two outer rows of graduated old European and old Swiss cut diamonds. All later mounted to a box clasp with a pierced backplate CONDITION REPORT: Scratch to the table of the centre diamond. Requires cleaning. 25mm x 13mm excluding eyelets. The setting edge tests as platinum with silver solder to the box. The rest of the clasp, box, tongue and eyelets are later, and have been made to fit the setting plate; they test as approximately 9ct white gold. VS2, SI1-SI2 range, H/I/J range; estimated total diamond weight of approximately 2.60ct. Scratch visible under 10x magnification - image available on request.
A George III silver swing handled cake basket, by Arthur Annesley, London 1760, of oval form, the wirework frame decorated with applied hops, wheat ears and insects, the swing handle formed of trailing vines, scratch weight '44=3', 35.5cm long, 43oz Arthur Annesley's early career is not well documented. His only mark was entered as a largeworker in 1758. Four years later, in April 1762, The Gentleman's Magazine recorded that he was working as a goldsmith, but had been declared bankrupt at Newcastle Court. There are a number of pieces from this period recorded, including a 1758 sugar box made to the designs of John Linnell that resides in the V and A. There are examples of other baskets by him, often lighter than the one offered above. A very similar, even heavier, 1761 example was sold at Christie's, New York in October 1989. After his bankruptcy, it appears that he promptly moved to Rotterdam where pieces are found bearing his mark (AA with a star) up until 1778. One of the earliest recorded Dutch pieces by Annesley is another basket of 1764. It was sold at Christie's in November 2009 and is a little larger, with slightly more elaborate but very similar decoration to this example. CONDITION REPORT: Tarnished. Surface scratches. Doesn't fit utterly flat, foot rim quite knocked and mishapen. Two, possibly three sections of tendrils and leaves are missing. Two ears have tips missing. One leaf has a tip lost, others bent. Some spots of solder visible, that haven't tarnished as much. Please view images on our website.
An Edwardian silver and enamel box, by Nelson Dawson, London 1902, of rectangular form, the cover with enamel panel depicting a galleon in seas with mermaids and bearing the motto 'A dieu nous donne bonne adventure', 13cm long 11cm wide 5.5cm high Nelson Dawson was a painter before he became a goldsmith. He took up metalwork in 1891 although it is not known where he studied. He attended lectures on enamelling given by Alexander Fisher and apparently passed on the technique to his wife, Edith, originally an artist herself, whom he married in 1893. By 1896, they were producing metalwork and jewellery from their home, The Mulberry Tree in Chelsea. He was principally the designer and draughtsman, his wife, chief enameller, and the pieces were executed by craftsmen in workshops nearby. They built up a good following, including a commission from Queen Victoria, and by 1900 had established themselves at larger premises at Swan House, Chiswick and a workshop in Hammersmith Mall, where they employed up to twenty craftsmen, including Edward Spencer who was Dawson's chief assistant. The Fine Art Society held an exhibition of their work in December 1900 which included 125 pieces of jewellery. The Artificers' Guild was founded in 1901 with the Dawsons and Spencer named as principals. At this stage, all the silver or gold produced carried Nelson Dawson's own makers mark, N.D. He agreed to work exclusively for the Guild for the next five years, but it failed financially and he resigned in 1903, after apparently not being able to work successfully with Edward Spencer. The Guild was sold as a going concern to Montagu Fordham, a successful businessman who had previously been the director of the Birmingham Guild of Handicraft. The Dawsons continued to design metalwork and jewellery with Edith working on most of the enamels. They gave up metalwork to concentrate on their painting in 1914. CONDITION REPORT: General wear to the silver including small dents to the lid. Exterior hall marks are rubbed. Enamel has some internal fractures consisting of a few fine lines. Very small piece of enamel missing to gap between second right hand large sails (might have been always absent). Please view additional images (upon request).
A selection of silver oddments including two cut glass trinket boxes with silver covers, a boxed Royal Mint National Trust medallion, a nail parer with loaded silver handle to/w an unmarked Indian hairbrush, an EP conical candle snuffer and an Elkington & Co EP basting spoon with matching butter knife (box) Condition Report Rectangular box and lid probably a marriage
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205709 item(s)/page