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Lot 84

Dinky 941 Foden (Type 2) 14-ton "Mobilgas" Tanker - red including cab, chassis, tanker and Supertoy hubs with black treaded tyres, silver trim, black metal gantry, filler caps and side steps, with tow hook - overall condition is Excellent (some small chips on wheelarches and very slight wear to side decals) still a lovely bright example in a Good Plus to Excellent blue and white striped lift off lid box with harder to find (dual numbered 504/941 end) - see photo.

Lot 86

Dinky 943 Leyland Octopus "Esso Petroleum Company Ltd" Tanker - red including cab, chassis, tanker and Supertoy hubs with treaded tyres, silver trim, black metal gantry, filler caps and side steps, with tow hook - Excellent Plus (very minor wear to decal on side steps) still a lovely bright example in an Excellent blue and white striped lift off lid box.

Lot 88

Dinky 923 Big Bedford "Heinz 57 Varieties" - red cab and chassis, yellow back and Supertoy hubs with grey treaded tyres, silver trim - Excellent Plus (couple of very small chips around rear door hinges) in a generally Good Plus blue and white striped lift off lid box (does have some small stains on side) - see photo.

Lot 9

Corgi 211 Studebaker Golden Hawk - powder blue, gold side flashes, silver trim (extra silver super detailing added), flat spun hubs - overall condition is generally Near Mint in an Excellent Plus blue carded picture box, a lovely bright example with colour folded leaflet - see photo.

Lot 90

Dinky 981 Horse Box "British Railways Express Horse Box Hire Service" - maroon, silver trim, red Supertoy hubs with black treaded tyres, with "20" correct rear decal - Excellent Plus a lovely bright example in a generally Excellent blue and white striped lift off lid box with harder to find (dual numbered 581/981 end) - also comes with correct inner packing pieces (very small stain on lid) - see photo.

Lot 91

Dinky 581 (980) EXPORT ISSUE Horse Box "Express Horse Van Hire Service" - maroon body, silver trim, red Supertoy hubs with black treaded tyres - this unboxed example is generally Excellent Plus a lovely bright example - see photo.

Lot 93

Dinky 513 Guy (Type 1) Flat Truck with Tailboard - two-tone green, silver trim, ridged hubs with smooth tyres, with tow hook - Near Mint (small chip on rear bottom edge of tailboard) still a lovely bright example in a Good Plus buff lift off lid box with paper labels, with correct "G" stamp on end.

Lot 94

Dinky 512 Guy (Type 1) Flat Truck - blue cab and chassis, red back, silver trim, mid-blue ridged hubs with smooth tyres, with tow hook - Excellent (couple of small chips on edges) in a generally Good to Good Plus blue lift off lid box with slightly grubby paper label - see photo.

Lot 95

Dinky 425 Bedford TK Coal Lorry "Hall & Co Ltd" - red cab, back, interior and plastic hubs with grey treaded tyres, silver chassis, black front bumper - Excellent a lovely bright example of a harder to find interior colour variation, comes complete with 6 x coal sacks and red plastic scales all contained in a generally Good yellow and red lift off lid box with detailed picture - see photo.

Lot 96

Dinky 434 Bedford TK Crash Truck "Top Rank Motorway Service" - white cab, chassis, back and jib, grey platforms, silver trim, dark green plastic hubs with treaded tyres - with harder to find light turquoise interior - overall condition is generally Excellent (couple of small marks on rear edges of jib) in a generally Excellent yellow and red lift off lid box with detailed picture, lovely bright example.

Lot 97

Dinky 914 AEC Articulated Lorry "British Road Services" - red cab with very pale grey interior, silver trim, with pale grey trailer, green plastic "British Road Services" canopy, red tailboard - Excellent Plus (couple of very small marks on side protruding edges) in a generally Good Plus yellow and red carded box with detailed picture - also comes accompanied with correct instruction leaflet.

Lot 98

Dinky 25x Commer Breakdown Lorry "Dinky Service" - tan body and chassis, mid-green back and jib with metal tow hook, silver trim, red ridged hubs with smooth tyres - Good Plus still a lovely bright example in an Excellent Plus orange lift off lid box with paper label - see photo.

Lot 99

Dinky 452 (31c) Trojan "Chivers Jellies" Van - green body, mid-green ridged hubs with smooth tyres, silver trim - Near Mint (couple of very minor marks on rear edges) in a generally Good Plus displays well, yellow and red carded picture box with harder to find (dual numbered 31c/452 end flaps) - see photo.

Lot 1254A

Two boxed tin plate models to include JNF M300 Nr 67F Friction Mercedes in cream and Arnold Mercedes car in silver (poor box)

Lot 156

KATSUKO NAKASHIMA (BORN 1946): HARE NO UTSUWABy Katsuko Nakashima, signed Katsuko Nakashima (at the accompanying wooden plaque) Japan, 20th centuryIn this large, decorative, and unconventional vessel, Katsuko Nakashima employs underglaze cobalt blue and overglaze decoration with gold and silver coating to depict elements of the sky, such as clouds, rain, and thunder.With a wooden plaque signed by the artist, inside an inscribed cardboard box. Condition: Very good condition. Provenance: Dutch collection. Weight: 5 kg approximately Dimensions: Length 74 cm, height 21 cmKatsuko Nakashima, born in Osaka, Japan, in 1946, is an accomplished ceramic artist. Graduating from Osaka University of Arts in 1968, she established her own studio in Shigaraki in 1970. With a career spanning several decades, Katsuko Nakashima has made significant contributions to the field of ceramic art and has exhibited her work in various countries, captivating audiences with her mastery of the medium and artistic vision.

Lot 188

A LACQUER SUZURIBAKO DEPICTING SHISHI AND HOTEIJapan, 18th-19th century, Edo period (1615-1868)Of rounded rectangular form, bearing a roiro ground, the cover finely decorated in gold and colored takamaki-e with e-nashiji to depict two ferocious shishi standing foursquare in dynamic poses, well detailed with scrolling bushy manes and tails, muscular bodies, sharp claws and fangs, and large bulging eyes with black pupils ringed in red. The interior is decorated in gold, silver and black hiramaki-e to depict Hotei standing beside his large treasure sack detailed with paulownia sprays and phoenixes in gold takakami-e, supporting himself on a cane and holding a fan in his left hand, wearing a loose-fitting robe, his face with a cheerful expression framed by large earlobes. The baseboard fitted with plain brush holders and a suzuri (inkstone). The interior with gold fundame edges.SIZE 4.5 x 25.4 x 23.5 cmCondition: Good condition with some wear, minor rubbing to gilt, small nicks to interior of the cover, occasional light scratches. Some discoloration to the silver-lacquered robe of Hotei.Provenance: Dutch collection.With a red-lacquered wood storage box.

Lot 189

A SUPERB GOLD LACQUER SUZURIBAKO DEPICTING RAIKO'S DREAMJapan, early 18th century, Edo period (1615-1868)Published & Exhibited: Cornell University, Herbert F. Johnson Museum of Art, Scattered Gold and Midnight Gloss: Japanese Lacquer from the Anbinder Collection, 31 March - 8 July 2007.Of rounded rectangular form with a flush-fitting (inrobuta) cover with rounded gold fundame chiri-i (edges) and silver rims. The exterior bearing a densely sprinkled hirame ground finely decorated in gold, silver, and black hiramaki-e and takamaki-e with a Japanese samurai's bow (yumi), arrows (ya), quiver (ebira), and three-fingered gauntlet (mitsugake) under a large curtain.The interior of the cover bearing a roiro ground similarly decorated and with iro-e kirikane to depict two birds in flight over densely painted waves above a seashore with pines, other trees, a small pavilion, and craggy rockwork, and below thick clouds.The interior of the box fitted with a board (ita) with an oblong inkstone (suzuri) and rectangular waterdropper (suiteki) of shibuichi with gilt floral design, and a rectangular tray, each bearing a dense gold hirame ground similarly decorated with waves, grasses, and a pine tree.SIZE 4 x 19.2 x 21.4 cmCondition: Good condition with minor wear, the interior tray with a small age crack, the interior of the box with few small nicks, the interior of the cover with minor signs of warping, the sides of the box with minor touchups to lacquer.Provenance: Heian Art, 18 December 2000, Kyoto. The Paul and Helen Anbinder Collection, acquired from the above. Paul Anbinder (b. 1940) is a retired editor who was a director at important publishers including Random House and Hudson Hills. Helen Anbinder (1942-2022) was an education administrator who ran the Inter-village Continuing Education Program for Ardsley, Dobbs Ferry, Hastings, and Irvington, New York. The couple were avid museumgoers and collectors of art. They donated many books and prints from their collection to their alma mater Cornell University and the Herbert F. Johnson Museum of Art.With a wood storage box (tomobako).The archery equipment and curtain depicted on the cover of the present suzuribako allude to Minamoto no Mitsunaka (912-997), a noble and skillful archer who held high office under the Emperor Reizei. The interior of the cover depicts Hamamatsu (on the Pacific coast) with pine trees and birds, where Mitsunaka's son Minamoto no Yorimitsu (Raiko, 948-1021) was believed to have fallen asleep during a hunting expedition, when Jie Hua, the daughter of the great Chinese archer Yang Yaojing appeared to him in a dream. On awakening, Raiko found that Jie Hua had left her father's bow and arrow beside him.

Lot 192

A LACQUER BOX AND COVER WITH MINOGAME DESIGNJapan, 19th centuryThe lacquer box and cover of rectangular form with chiri-i edges, the exterior covered in roiro, decorated with kirigane, takamaki, and hiramaki-e, depicting a pine tree at a shore partly covered in clouds, a family of three minogame near the bottom. The interior lacquered in nashiji, the rims with gold fundame, and two silver-applied loop handles in the form of origami cranes.SIZE 22.5 x 20.1 x 6.5 cmCondition: Overall good condition with minor wear and traces of use, light surface scratches, chips, a crack to the edge, the cover slightly warped.Provenance: Ex-collection Claudio Perino, a collector with a keen interest in Japanese, Chinese and Far Eastern cultures. His collection consists of over 2000 works of art, partly loaned to the Museum of Oriental Arts (MAO) in Turin, Italy and to the Museo delle Culture (MUSEC) in Lugano, Switzerland. An exhibition of Kakemono scroll paintings was on view in the MUSEC until end of April 2021.

Lot 196

A FINE LACQUER KOGO (INCENSE BOX) AND COVER WITH KABUTO AND BAMBOO HANAKAGOJapan, 19th centuryOf circular form, with a slightly domed cover and supported on a short foot, with silver rims. The exterior and interior of rich nashiji, top of the cover finely decorated in gold and colored takamaki-e as well as kirikane and inlays of mother-of-pearl with a kabuto with kuwagata maedate as well as a bamboo hanakago (flower vase) bearing leaves and reeds.DIAMETER 7.9 cmCondition: Excellent condition with minor wear.Provenance: Collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985), thence by descent within the same family.

Lot 199

A LACQUERED BENTO BOX SET WITH TRAYJapan, early Showa Period (1926-1989). Comprising five stackable tiers, two covers, and a tray, each bearing an attractive deep chestnut brown ground and lacquered in takamaki-e depicting gold and silver banana leaves with kirigane details, the interior in red lacquer with a gold rim.Condition: Very good condition, minor wear to the gold lacquer, natural age cracks with associated lacquer flaking, few small chips. Provenance: Dutch collection.Weight: ca. 3.9 kgDimensions: Height 49 cm (stacked and with tray)With two wood tomobako (storage boxes). (3)

Lot 200

A RARE LACQUER BUNKO (DOCUMENT BOX) WITH INTEGRATED SUZURIBAKO (WRITING BOX)Japan, 18th century, Edo period (1615-1868)Of rectangular form, with silver rims and a flush-fitting cover. The exterior lacquered in nashiji and finely decorated in gold and silver hiramaki-e to the cover with two confronting ho-o (phoenixes) with wings and tail feathers continuing over to the sides which are similarly decorated with various floral and foliate mon, some of which are variations of the kiri (paulownia) mon. The interior lacquered in nashiji and fitted with a removable compartment holding two boards similarly decorated with flowers and grasses and fitted with a suzuri (ink stone) and moon-shaped silver waterdropper (suiteki).SIZE 10.5 x 22.5 x 18.1 cmCondition: Good condition with some wear, small dents and few minor tears to silver rims, few minor age cracks.With a wood tomobako inscribed 梨子地鳳凰蒔絵、御硯箱 "Nashiji-ji hoo makie, on-suzuribako" [Suzuribako in the nashiji lacquer finish, with the design of Hoo birds].The kiri mon is one of the five major family crests in Japan, and one of the two imperial crests, along with the kiku (chrysanthemum) mon. More than 140 designs of the kiri mon exist. Originally, the paulownia seal was the private symbol of the Japanese Imperial Family, from as early as the sixteenth century. The Toyotomi clan, led by Toyotomi Hideyoshi, later adopted the paulownia seal for use as the crest of his clan. After the Meiji Restoration, the seal was eventually adopted as the emblem of the Japanese government.Both the ho-o bird and the paulownia (kiri) tree are imperial symbols of Japan. According to legend, the ho-o, a bird similar to the phoenix that represents the eternal rebirth of the soul, only settles on the Kiri tree. In the hope of attracting this auspicious bird that blesses people with wisdom, health and happiness, the trees are planted in courtyards and gardens.

Lot 202

SUZUKI KONYU II: A LACQUER SUZURIBAKO DEPICTING A GIBBON REACHING FOR THE REFLECTION OF THE MOONBy Suzuki Konyu II (b. 1945), signed to the tomobako Konyu with seal Suzuki Japan, Kyoto, second half of 20th century, Showa period (1926-1989)Of rectangular form with an overhanging cover and silver rims. The exterior bearing a roiro ground, exquisitely decorated to the top of the cover in shades of gold takamaki-e and hiramaki-e with mura-nashiji, e-nashiji, and kirikane to depict a gibbon hanging from a gnarled pine branch growing from a craggy cliff above sinuous waves and a cluster of pine leaves. The ape is reaching to grab the reflection of the moon, subtly lacquered in silver togidashi-e. The interior bearing a roiro ground and fitted with a rectangular inkstone (suzuri) and a metal waterdropper (suiteki) of circular form, further with two writing brushes and an inscribed ink cake.SIZE 3.1 x 15.2 x 16.8 cmCondition: Excellent condition with minor wear.With a wood storage box (tomobako) inscribed to the top of the cover Enko mizu wo sukuu makie, suzuribako ('Suzuribako box in makie lacquer, with the design of a gibbon scooping water') and signed to the back of the cover KONYU with seal SUZUKI.The present suzuribako refers to a Buddhist story in which a monkey attempts to seize the reflection of a moon in a well; it fails when the branch from which it is hanging breaks. The monkey stands for unenlightened people who cannot distinguish between reality and illusion.

Lot 204

A LACQUER MINIATURE KODANSU (CABINET) WITH SCENES FROM SHITAKIRI SUZUME (THE TALE OF THE TONGUE-CUT SPARROW)Japan, 19th centuryOf rectangular form with recessed gold fundame edges, bearing a rogin-nuri ground finely decorated in iro-e togidashi-e and e-nashiji to depict scenes from Shitakiri Suzume, with elaborately dressed humanoid sparrows leading the elderly man into the bamboo grove to meet his sparrow friend, and others dancing and playing musical instruments to entertain the man while he enjoys a feast, the top of the box with a fan and a chest filled with treasure including jewels, coral, and shells. The top of the box with a silvered-metal handle and the hinged door with silvered-metal fittings chased and incised with foliate designs against a ring-punched ground. The door opening to three drawers decorated with clouds and mountain peaks designs on nashiji, the interior of the door decorated in gold and silver hiramaki-e and takamaki-e with mura-nashiji and hirame to depict the man's farmhouse.SIZE 10.6 x 8 x 11 cmCondition: Very good condition with minor wear, light surface scratches, minor age cracks.Provenance: Collection of Drs. Edmund and Julie Lewis, no. 98 (label to base). Bonhams, Property from the Collection of Drs. Edmund and Julie Lewis, Part I, 11 September 2019, lot 562. A private collection in New York, USA, acquired from the above. Drs. Edmund Jean and Julia Breyer Lewis are renowned experts in nephrology who met professionally and later married in 1997, and have since continued to collect Japanese art together, actively seeking the best they could find from the finest dealers in the field. Known for their keen scholarship and high aesthetic standards, for the past three decades Ed and Julie have focused on collecting lacquer art, painting, and Buddhist sculpture from Japan. As they traveled widely their desire to collect Buddhist art grew, and they have expanded their collection to include important Pan-religious sculptures from Greater Asia.Shitakiri Suzume, translated literally into 'Tongue-Cut Sparrow', is a traditional Japanese fable telling of a kind old man, his avaricious wife, and an injured sparrow. The story explores the effects of greed, friendship and jealousy on the characters.

Lot 205

A SUPERB LACQUER MINIATURE KODANSU (CABINET) DEPICTING THE NUNOBIKI FALLS WITH EN-SUITE LACQUER STANDJapan, 19th centuryOf rectangular form with recessed edges, bearing a gold-lacquered ground finely decorated in gold hiramaki-e and takamaki-e with kirikane to depict waterfalls gushing between craggy rocks below thick clouds, the door with a boat adrift in the water, the scenery further with thatched-roof houses and pine trees. The kodansu with silver fittings chased and incised with foliate designs against a ring-punched ground, the handle with a sliding lock mechanism. The hinged door opening to reveal three drawers with silver handles and decorated in gold hiramaki-e and takamaki-e with e-nashiji, gyobu nashiji, and kirikane against a reddish-brown ground to depict mountains, rocks, trees, and waves, the interiors of rich nashiji with gold fundame edges, the interior of the door similarly decorated. The kodansu is supported on a separately carved four-legged stand similarly decorated with gyobu nashiji to the sides, legs, and shaped apron.SIZE 8.2 x 7.8 x 10.6 cmCondition: Very good condition with only very minor wear.With a red-lacquered wood storage box (tomobako)The scenery embellishing this box is a classic motif of Japanese literature and art. The word nunobiki means "stretched cloth," here realized as a silken cascade descending across the top and door. Nunobiki Falls is a set of waterfalls near downtown Kobe, considered one of the greatest 'divine falls' together with Kegon Falls and Nachi Falls. The Nunobiki Falls comprises four separate falls: Ontaki, Mentaki, Tsutsumigadaki, and Meotodaki.Auction comparison: Compare a lacquer kodansu depicting the Nunobiki Falls, dated 19th century, at Christie's, 21 March 2012, New York, lot 919 (sold for 35,000 USD).

Lot 214

A PAIR OF LARGE LACQUERED TRAYS WITH FANS, MEIJIJapan, Meiji period (1868-1912) Each rectangular tray with rounded edges, executed in gold, red and silver takamaki-e, hiramaki-e as well as e-nashiji on a black lacquer ground with overlapping fans depicting birds, trees, and flowers, including a chrysanthemum flower garden, stylized bell flowers, an imperial cart taking shelter under pine trees, a blooming plum tree, and flying cranes. The rims decorated with gold scrolling foliage.With an original red lacquered wood storage box, inscribed. Condition: Excellent condition, with minor wear, minimal nicks and few surface scratches. Provenance: Dutch collection. Weight: 4,148 g (excl. the box) Dimensions: 58 x 41 x 7.5 cm and 60.5 x 43 x 7.5 cm

Lot 216

ICHIGO ICCHO: AN ILAID LACQUER RYOSHIBAKO (DOCUMENT BOX) AND COVER WITH BIRDSBy Ichigo Iccho (1898-1991), signed Iccho Saku Japan, early - mid Showa period (1926-1989)Of rounded rectangular form, with a domed cover, and an interior tray, overall covered with a lustrous roiro ground, the cover and sides finely decorated in gold, silver, and orange takamaki-e with sparse gold hirame and superb iridescent inlays and gold foil, depicting a pair of birds amid bamboo. One side signed ICCHO SAKU (Made by Iccho)With an original wood box describing the Ryoshibako, signed and sealed by the artist, and with a leaflet containing information about the artist, such as his awards and achievements. Condition: Excellent condition with hardly any wear. Provenance: Dutch collection. Weight: 2,720 g Dimensions: 17.5 x 32.5 x 42 cmIchigo Iccho, a maki-e artist, and master of Wajima lacquerware, is renowned for his exquisite works. His pieces, particularly the highly regarded Natsume, feature bold yet still delicate maki-e designs. He gained recognition in major exhibitions like Nitten, showcasing his unique sense of color and strong compositional abilities. Ichigo Iccho's meticulous attention to detail make his tea utensils highly sought after and valued.

Lot 219

KOZEN: A LACQUER NATSUME (TEA CADDY) WITH CHERRY BLOSSOMS BY A CASTLE WALLBy Fushiyama Kozen (born c. 1940), the tomobako signed Kozen with seal KozenJapan, second half of 20th century, Showa period (1926-1989)Of typical form with a flush-fitting cover, bearing a lustrous roiro ground finely decorated in gold and silver hiramaki-e and takamaki-e with two flowering cherry trees in front of an old castle wall, with some blossoms superbly inlaid with mother-of-pearl. The interior and countersunk base of densely sprinkled silver lacquer.HEIGHT 7.6 cmCondition: Excellent condition with minor wear.The wood storage box (tomobako) inscribed and signed Kojo no haru, sakura, chu-natsume, KOZEN saku ('A middle-sized natsume tea caddy, with the design of cheery blossoms at an old castle in spring, made by Kozen') with the seal KOZEN.Fushiyama Kozen (born c. 1940) is a Japanese Wajima-nuri lacquer artist in Ishikawa Prefecture. He graduated from the Art Department at the University of Seoul. In 1969, he studied lacquer art under Sato Teiichi (1899-1972). In 1971, he won a prize at the Nihon Dento Kogeiten (Japan Traditional Crafts Exhibition).

Lot 222

A FINE GOLD LACQUER BOX WITH BOYS LOOKING AT A SCROLL PAINTING OF DARUMA, 19th CENTURYJapan, 19th century Of almost square form, the nashiji ground finely decorated on the cover with gold, silver, black and red takamaki-e and hiramaki-e as with kirikane, depicting two boys in festive attire, one is standing holding a fan, while the other is reclining on a box on the ground, both boys look mesmerized at a scroll painting of Daruma placed before them. The underside of the cover with leafy chrysanthemums. The interiors with mura-nashiji and gold fundame edges. Condition: Very good condition with minor wear, tiny chips to the interior rims, and a small shallow crack to one side of the cover. Provenance: French private collection. Weight: 31,6 g Dimensions: Size 8 x 8.5 x 0.8 cm

Lot 223

A FINE GOLD LACQUER BOX WITH BOYS PLAYING, 19th CENTURYJapan, 19th century Of rounded rectangular form with a slightly domed cover, finely decorated in gold, silver and maroon takamaki-e with kirikane on a nashiji ground, depicting two boys riding hobby horses and one holding a banner, all below a large pine tree and clouds. The interiors and base with fine dense nashiji, the interior edges of gold fundame. Condition: Very good condition with minimal wear and very few tiny nicks along the edges. Provenance: French private collection. Weight: 37,2 g Dimensions: Size 7.5 x 6.5 x 3 cm

Lot 224

A LACQUER KOGO (INCENSE CONTAINER) WITH LANDSCAPE, 19th CENTURYJapan, 19th centuryThe small box and cover of rectangular form with rounded corners and metal rims, finely decorated in gold and silver takamaki-e and hiramaki-e with aogai inlays, kirikane, gold foil and sprinkled gold flakes, depicting a landscape with a large willow tree before a bridge over a meandering river, with neatly painted waves and thick clouds. The interior and underside of nashiji. Condition: Good condition with minor wear, light surface scratches and very few losses to the gold foil. Provenance: French private collection. Weight: 25.9 g Dimensions: 7.5 x 6 x 2 cm

Lot 45

A LOT WITH FOUR METAL BOXES, MEIJIJapan, Meiji period (1868-1912)The first a rectangular sentoku box with hinged lid inlaid with fruity branches, blooms, birds, and figures. The second a silver finished copper box with hinged lid worked in repousse and embossed with a sinuous dragon and two characters 'long life' and 'good luck' on the cover, with dragon skin and stylized floral décor on the sides and underside, the interior fitted in wood. The third a quadrangular sentoku box with hinged lid incised with lobed and fan shaped reserves and inlaid with copper and sentoku birds and flowers. The last a small parcel-gilt bronze chest-shaped box with hinged lid and clasp, cast with animals, roundels, and flames.Condition: Overall good condition with wear, dents, and minor nicks here and there. The hinged lid mechanisms damaged. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world's leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts.Weight: 1174 g in totalDimensions: Height 2.8 - 4.5 cm, length 7.3 - 11 cm

Lot 457

A FINE SHAKUDO NANAKO KOZUKA WITH MOUNT FUJIJapan, 19th century, Edo period (1615-1868)Of shakudo, the front bearing a nanako ground with a gilt-metal and shakudo frame, divided on the reverse by a katamigawari line, the front inlaid in gold, silver, shakudo, and copper with Mount Fuji, pines, clouds, and the moon. In a fitted wood storage box. Condition: Excellent condition, minor wear.Dimensions: Length 9.7 cm

Lot 465

NAGATA NAOHIRO: A FINE SHAKUDO NANAKO FUCHI AND KASHIRA DEPCITING SEASHELLSBy Nagata Naohiro, signed Heian Nagato Naohiro with kakihanJapan, 18th-19th century, Edo period (1615-1868)Of shakudo, each bearing a superbly worked nanako ground and worked in fine iro-e takazogan of gold, shakudo, silver, shibuichi, and copper depicting various seashells amongst seaweed. Signed underneath Heian NAGATA NAOHIRO with the artist's kakihan (cursive monogram).LENGTH 3.8 cmWEIGHT 31 gWith a padded wood tomobako storage box.The artist is listed in the Haynes Index of Japanese Sword Fittings and Associated Artists on p. 1317 (H 06626.0) and signed with a very strong and deliberate signature, as in the present piece. The kakihan is a match to the one illustrated by Haynes.

Lot 471

KONO TOYOTOSHI: A FINE SHIBUICHI FUCHI AND KASHIRA WITH DANCERS, EDO PERIODBy Kono Toyotoshi, signed Kono Toyotoshi with a kao Japan, Echizen Province, dated 1866Of shibuichi migakiji (polished ground), with flush inlay of gold, silver, copper, and shakudo depicting masked dancers. Note the fine and meticulous detail of the patterned robes. Signed Hinoe-tora haru Echi Fuku ni oite kore o horu Kono Toyotoshi (Chiseled by Kono Toyotoshi in Fukui, Echizen Province, spring 1866), with a gold seal.In a fitted wood storage box. Condition: Very good condition with typical associated surface wear. Dimensions: Length 3.8 cmLiterature comparison: For a Kozuka by Kono Toyotoshi see the Museum of Fine Arts Boston, accession number 11.23845.

Lot 472

HIDENORI: A FINE SHAKUDO NANAKO FUCHI AND KASHIRA WITH SNAKES, EDOBy Hidenori, signed HidenoriJapan, 19th century, Edo period (1615-1868)Of shakudo, each part bearing a fine nanako ground, finely worked in relief and inlaid in gold, silver, and copper with snakes amid rocks, bamboo grass, and susuki (plume grass), signed HIDENORI.In a fitted wood storage box. With a sticker reading ´Fuchi Kashira, MI HIDENORI´Condition: Good condition with typical associated surface wear. Old repair to the snake's head. Dimensions: Length 3.7 cm

Lot 78

A CLOISONNÉ ENAMEL VASE WITH ORCHIDS, c. 1930sJapan, early Showa period (1926-1989)The bulbous body rising to a waisted neck, worked in gilt wire and brightly colored enamels depicting orchids, all against a pale-beige ground. The flowers and branch are skillfully rendered with a naturalistic approach, displaying a range of color gradients. With silver colored metal rims.With a wood storage box. Condition: Very good condition with minor wear. The rims with shallow surface scratches. Provenance: Dutch collection. Weight: 2732 g Dimensions: Height 24.3 cm

Lot 80

A LARGE CLOISONNÉ ENAMEL VASE WITH PEONIES, c. 1930sInaba Shippo workshop, signed at the storage box Japan, early Showa period (1926-1989)Of baluster shape, worked in gilt wire and brightly colored enamels depicting peonies and chrysanthemums with leaves and buds, against the pale-green ground. The leaves and flowers are worked with remarkable naturalism, showing varying gradients of color simulating the exposure to the sun. With silver rims, hallmarked at the foot rim.In a signed wood storage box, the top of the cover with an inscription describing the vase, the interior of the cover with a mark of the cloisonné company in Kyoto: INABA SHIPPO. Condition: Very good condition with some minor pitting and minimal wear. The rims with shallow scratches. Provenance: Dutch collection. Weight: 4,394 g Dimensions: Height 36 cm

Lot 807

A RARE SENTOKU BRONZE MATCHLOCK TINDER BOX LIGHTER (HIUCHI) NETSUKEUnsignedJapan, 18th-19th century, Edo period (1615-1868)Of sentoku bronze, the exterior bearing an ishime ground, the lid inlaid with copper and silver plum (ume) blossoms, a small mechanism to the side revealing the interior with iron flintlock. The exterior with a small eyelet serving as the cord attachment.LENGTH 4.5 cmWEIGHT 58.9 gCondition: Excellent condition with minor wear and casting irregularities.Museum comparison:Compare to a closely related example, formerly in the Trumpf collection, in the collection of the Linden Museum, Stuttgart, accession no. OA 19374.

Lot 1092

A 1953 Coronation silver medal, unnamed as issued in original box

Lot 614

A box containing various World coins and bank notes including some silver examples

Lot 11

A 900 silver mounted shell cameo pendant brooch depicting Madonna and Child, yellow metal ropetwist wire border, 3.2cmD; together with a further 800 silver shell cameo, the mount set with marcasites; and cameo depicting a lady with a net on the seashore, pin af, 3cmD, in a 'Cameo Corner, Museum Street' box (3)

Lot 216

A large box of books mostly on the subject of antiques, to include ACC, Peter Waldron 'Price Guide to Antique Silver'; Worcester Porcelain, 18th Century blue and white porcelain, The Country House Companion; Lutyens; V&A Museum pamphlets on various silver related subjects, etc

Lot 59

A large silver cigar box, hallmarked for Chester, date marks rubbed, 15x13x6cm; together with a small chased silver pin dish, Birmingham, 1984

Lot 14

British & Foreign Silver & Copper Coinage ComprisingA bag containing £1.60 of pre 1947 GB Silver coinageA bag containing foreign silver coins including Russia, 50 Kopeks, Portugal, Cuba, Switzerland, Egypt 5 Qirsh etc.A 1794 French Honour / Glory / Religion TokenA Royal Mint cased QEII N. Trust medallionA bag of Georgian Copper CoinsA bag of holed coins ideal for bracelets5 plastic boxes, 5 metal tubes and a zip bag of pre decimal GB coins from farthing to half crown and a number of higher grade decimal & pre decimal coinageA wooden box containing a selection fo foreign coins

Lot 208

World War 2 medal group of 4 - South African Interest plus 1 other Comprising:1939/45 Star, Italy Star, War medal and silver Africa service medal awarded to 607467 C D Egerer together with an United Guard Lodge certificate dated 21st May 1924 to Mr EgererA war medal in box of issue from the RASC & ACC records to Mr C Lester.

Lot 748

Meccano in wooden box A wooden box marked "Outfit number 9" contains 3 sections of mainly blue and yellow and some silver meccano includes cogs, wheels etc.

Lot 77

Great Britain Decimal & Pre Decimal, Marie-Therese, Thalers & Tokens Including Cornish Interest. Comprising7 high-grade £5 mainly encapsulated crown-sized coins.A proof 1960 and a 1972 crown.2 x Marie-Therese Thalers - 1 possibly a copy.A 1980 Isle of Man Crown.Boxed pewter? Scorrier House Cornish Penny.A silver 1897 Royal Mint small-size commemorative medallion.A blue bank bag containing in excess of 5 1/2kg of bronze British pennies.A wooden cigar box containing a quantity of pre-decimal coinage.A small bag of 1998 uncirculated Isle of Man coinage.

Lot 90

GB & world coins and military badges Comprising:Silver coins including a Yugoslavia 1932 50 Dinar silver crownsize coin plus other miscellaneous silver / redeemable coins.GB pre 1920 coins face value 46 pence including a reasonable 1859 Gothic florinGB pre 1947 coins face value 63 pence including a quantity of silver 3d coinsUnusual GB 1797 copper coin converted to a box plus other early GB copper/bronze coinageA tin containing a mixture of GB and world coinageA bag containing five military cap badges including Royal Berkshire and Northamptonshire

Lot 94

"The British Empire Collection" - 24 superb sterling silver stamp replicas A cased set of 24 lightly toned sterling silver stamp replicas with examples of various British Empire issues from Queen Victoria to Queen Elizabeth II. An attractive set. Lock on box requires minor attention. NB. No paperwork available.

Lot 97

British & Foreign coinage including silver and early Irish 1/2d all from 1723 to recent .Comprising a box of coins in bags and loose.Bag 1: In excess of 90 pence of mostly pre 1947 silver G.B. and Empire coinageBag 2: Various coinage including Fiji 1/2d, 1d.Bag 3: Various foreign silver coinage. Noted: Egypt 5 Piastres 1917, French, Swiss and USA coinageBag 4: Various redeemable coinage including Canada, USA, Germany, SwitzerlandBag 5: Early G.B. copper coinage including Ireland 1723 1/2d F-VF grade, 1806 1/4d & 1/2d and 1826 1/4d.Box contains various G.B. and world coinage in bags and loose.

Lot 203

A small collection of silverware including flatware, thermometer case, cosmetics case, 3.8ozt gross, together with a silver plated spoon and an Eastern metalwares pierced box

Lot 219

A small collection of silverware, mainly flatware, together with a silver brush and hand mirror, 4.9ozt gross weighable silver, along with a box of assorted coins and a pewter dish etc

Lot 3

Hornby Dublo EDP11 'Silver King' Passenger Train Set in mint condition showing little signs of use. Box base in Ex-plus condition, lid in similar condition, one corner of lid has been glued back but was originally taped leaving deposits, top and sides are virtually scuff free. With all packing, operating instructions, plans, booklet, oil and spanner

Lot 89

Hornby Dublo 3236 West Country Class Locomotive 'Dorchester', boxed and EDL11 A4 Locomotive 'Silver King' in reproduction box

Lot 39

NINE CARAT GOLD DRESS RING AND OTHER ITEMS the dress ring set with amethyst and seed pearls, also a silver black onyx and marcasite dress ring, an 1887 crown and an oval lip box with citrine set hinged coverQty: 4

Lot 1021

A collection of six silver tone buttons with portraits of Elizabeth Taylor, owned by Taylor. The buttons are housed in a Tender Buttons box. Tender Buttons was a curated button shop in New York City that was in business from 1964 to 2019.2.5 x 1 x 1.5 inchesPROVENANCE From the Collection of Jorjett Strumme, Elizabeth Taylor's personal assistant and friend

Lot 115

An original three-piece costume ensemble for the film Mad Max: The Road Warrior (Warner Brothers, 1981). These pieces are not seen in the film, but are most likely prototypes for the film's costume design.Components of the costume include a distressed leather jacket, leather-studded-spiked-arm-cuff, and a pair of lace-up leather boots. The feature piece to this outfit is the distressed leather jacket, originally dark brown, the leather was dyed/painted black for the film, the jacket has a center zip closure with an "IDEAL" logo pull, a fold-over-collar, two welted pockets below the waist on the right and left side of the jacket. There is top-stitching and diagonal lapped seams, typically seen on leather motorcycle jackets. There is an inverted vent at the center back, as well as a western yoke on the mantle/shoulders of the jacket. The left sleeve was cut off to distress the jacket for the look of the film, and the right shoulder has a plastic shoulder guard with foam padding underneath that was painted black, this design feature is also distressed with a hole at the front of the shoulder cover, scratches, marks, and indentations throughout; there is also an assortment of pyramid studs and spikes on the shoulder cover's border. The jacket is lined but the stitching securing the lining came undone, likely by distressing the garment for production. The leather boots are a dark brown that lace up to the upper calf, at the back of the boot going up the shaft are spikes on both sides of the center seam, the pair of boots is missing a total of 9 spike embellishments. There is moderate wear and creasing to the vamps, as well as the soles. The forearm leather cuff has three buckles to fasten the accessory and is almost completely embellished with silver spikes and studs.Mel Gibson reprises his role as Max Rockatansky in this sequel film, he is traveling the apocalyptic outback where he reluctantly aids “Pappagallo” and his tribe against “The Humungus” and his violent marauders.Norma Moriceau designed the costumes for the second and third installments of the Mad Max films. Before becoming a costume designer Moriceau, a native Australian, moved to London, England, and worked as a photographer and stylist. She most notably collaborated with English designer Vivienne Westwood and Westwood's partner Malcom McLaren. Moriceau also styled and worked with The Sex Pistols, utilizing the punk aesthetic, which defined the later part of the seventies. Moriceau took the punk-style-fundamentals and applied them to the Mad Max films she worked on, she used biker wear, bondage, fetish wear, and sports equipment to create a dystopian look that still inspires looks and outfits today in terms of cosplay with fans wanting to mirror the designs in the films. Jenny Beavan, who worked as the costume designer on Mad Max: Fury Road (Warner Bros., 2015), won an Academy Award in 2015. The costumes in the film paid homage to Moriceau and her work in the 1981 and 1984 films.This lot comes with a DVD box set of the original three films, as well as a note acknowledging these pieces came from the costume designer Norma Moriceau’s archive.

Lot 895

A silver-grey silk duchess satin dress attributed to designer Valentina for Greta Garbo.A sleek iridescent slate grey cocktail dress with a blouson bodice, three-quarter-length sleeves, and box pleated skirt with pockets. Accompanied by a dove grey silk chiffon scarf and matching Salvatore Ferragamo belt (the belt measures 31.75 inches). There is no label present for the dress or scarf and no marked size.This dress is documented in the book Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010) and previously exhibited at the Museo Salvatore Ferragamo exhibition Greta Garbo: The Mystery of Style in 2010.The lot comes with a copy of Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010). PROVENANCE Lot 83 "Property from the Estate of Greta Garbo," Juliens (Sale 52) December 14, 2012

Lot 947

A sterling silver presentation box presented to Judy Garland from the American Federation of Labor Theatrical Union in October 1951.An engraved inscription on the top of the box reads, “To / Miss Judy Garland / From The / A.F.of L. Theatrical Unions / In Appreciation of her Efforts & Cooperation / in Re-Establishing Two-A-Day Vaudeville / At the Palace Theatre, N.Y.C. / Oct. 16, 1951 / Sully Pernick-Sam Suber-Henry Dunn-James Murphy.”The inside of the top of the box contains additional engraved inscriptions regarding New York’s Theatrical Industry. Garland was vocal in revisiting two performances per day a schedule popularized during Vaudeville’s heyday. 2 x 4.5 x 3.5 inches

Lot 180

SMALL SILVER PIERCED BOWL, SILVER RING BOX, SILVER MATCHBOX HOLDER AND SILVER NIB BRUSH

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