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Collection of Police badges from Gloucestershire, including mounted Gloucestershire Constabulary helmet badges and buttons, and a Guernsey Police helmet badge. Together with mounted badges from the Gloucestershire Regiment including Royal Gloucestershire Hussars badge and pin badge, two Egypt Gloucestershire badges and two Egypt Gloucestershire pin badges including an Egypt Good Luck pin badge, and Egypt Gloucestershire cap badge and back badge mm R. Gaunt Birmingham. (20)
Silver Crown of Queen Victoria. Dated 1890 in silver pendant mount. This silver Crown features Queen Victoria's "Jubilee" bust facing left on the obverse. The reverse shows the famous St George slaying the Dragon, designed by Benedetto Pistrucci.ObverseVeiled and draped "Jubilee bust" of Queen Victoria. "JEB" on truncation VICTORIA D:G:BRITT:REG:F:D:ReverseSt George slaying dragon with hair streaming beneath his helmet, initials B.P. in exergue for the engraver Benedetto Pistrucci. Weight 30 .6 grams
A Silver Crown of Queen Victoria. Dated 1889. This silver Crown features Queen Victoria's "Jubilee" bust facing left on the obverse. The reverse shows the famous St George slaying the Dragon, designed by Benedetto Pistrucci.ObverseVeiled and draped "Jubilee bust" of Queen Victoria. "JEB" on truncation VICTORIA D:G:BRITT:REG:F:D:ReverseSt George slaying dragon with hair streaming beneath his helmet, initials B.P. in exergue for the engraver Benedetto Pistrucci. Weight 28.06 grams
A Man in armour watercolour on paper 39.5 x 27cmFootnote: The present watercolour is a copy after the painting on panel in the National Gallery, London, where the composition derives from the figure of St George in armour in Giorgione's 'Castelfranco Madonna' altarpiece. Both the watercolour and the National Gallery painting eliminate the Saint's helmet and crop the composition so that the flag at the top of the staff is no longer visible. Another 19th century copy of this composition, in oil, is in the Victoria and Albert Museum.
Portrait of King Charles I, standing half-length in armour, his arm upon his helmet inscribed with indistinct initials and the date 1632 lower right oil on canvas, unframed 127 x 102cmFootnote: After the painting by van Dyck, dating from 1635-6, in the Duke of Norfolk’s Collection at Arundel Castle.
1st Nottinghamshire (Robin Hoods) Rifle Volunteer Corps Victorian green cloth helmetA good example complete with blackened metal cross piece, spike and rose bosses supporting ad leather backed chin chain. To the front, a helmet plate of crowned Maltese cross, lions between the arms; bearing title circlet, the centre with reversed and interlaced RH cypher. The interior with leather sweatband. Remains in good condition, with some age wear and stitching faults to the chin chain. GC
Victorian Watercolour of an Officer of the Army Service Corps in the Manner of Richard Simkin.This is an unsigned watercolour depicting a mounted Officer wearing full dress uniform. He can be seen wearing home service blue cloth helmet, dark blue tunic with white facings, his Charger with regimental pattern saddle cloth. Colour and detail good. Mounted into a card mount. Overall size 11 x 12 inches.
A collection of Naval and civilian blazer badges and other badges, an album of efemera, German eagle helmet plate, Airfix Skyking Vanguard construction kit in its original box, together with a BAC 167 Strikemaster model kit in original box, a Douglas combined protractor and parallel rule for navigation use, a video on the Hawker Hunter and another file of aviation orientated ephemera including; Air Ministry Sea survival pamphlet, photographs of Martin Baker aircraft ejector seats, buccaneer aircraft pamphlet, souvenir pennants and other aircraft ephemera and photographs. (B.P. 21% + VAT)
A group of Volkstadt porcelain figures emblematic of the arts, a figure of venus and a tall figure emblematic of painting, 12cm - 21cmQty: 6Condition report: Tallest figure missing a wing from her helmet, a small chip to the top corner of her canvas. All other figures appear to be in good condition.
Geschlossener Helm, Historismus im Stil um 1570 Zweiteilig geschlagene Kalotte mit hohem, geschnürltem Kamm. Zweiteiliges, aufschlächtiges Visier mit getrennten Sehschlitzen. Kinnreff mit zwei Sperrhaken, die zwei angenieteten Halsreife mit gebördeltem und geschnürltem Rand. Oberflächen geschwärzt. Visier und Kinnreff nicht bewegbar. Höhe 32 cm. Zustand: II - A close helmet, historicism in the style of circa 1570 The skull forged in two pieces with a tall, roped comb. The pivoted two-part visor with separate eye slits. The chin guard with two hook-and-eye closures, the two riveted neck lames with turned and roped edges. Blackened surfaces. Visor and chin not opening. Height 32 cm. Condition: II -
Kürassier-Mantelhelm, deutsch, im Stil um 1620 Zweiteilig gearbeitete Kalotte mit schmalem, gebördeltem Kamm. Aufschlächtiges Visier mit spitz zulaufendem Augenschirm. Die Gesichtsplatte mit getrennten Augenschlitzen und stilisierter Mundöffnung. Aufschlächtiges Kinnreff mit seitlichen Hakensperren, spitz zulaufender Kragen mit gebördeltem Rand. Umlaufend Futternieten aus Messing. Höhe 33 cm. Gut gearbeitete Replik des Historismus. Zustand: II - A German cuirassier's close helmet reproduction in 1620s style Zweiteilig gearbeitete Kalotte mit schmalem, gebördeltem Kamm. Aufschlächtiges Visier mit spitz zulaufendem Augenschirm. Die Gesichtsplatte mit getrennten Augenschlitzen und stilisierter Mundöffnung. Aufschlächtiges Kinnreff mit seitlichen Hakensperren, spitz zulaufender Kragen mit gebördeltem Rand. Umlaufend Futternieten aus Messing. Höhe 33 cm. Gut gearbeitete Replik des Historismus. Condition: II -
Prunk-Sturmhaube aus Kupferguss nach Vorbild der Renaissance, deutscher Historismus um 1860 Einteilig gearbeiteter Helm aus Kupferguss mit Reliefdekor in antikisierendem Stil. Auf der Kalotte seitlich Schlachten- und allegorische Szenen, auf dem Kamm Trophäendekor. Hohl gegossener Augenschirm und Nackenschutz. Die Außenseite versilbert und stark patiniert. Höhe 30 cm. Hochwertige Arbeit einer Kunstgießerei nach dem Vorbild der italienischen "a la antiqua"-Paradehelme der Spätrenaissance. Zustand: II A splendid German historicism burgonet in copper die casting, modelled after the Renaissance, circa 1860 The helmet forged in one piece in copper casting, with antique-style relief décor. Battlefield and allegorical scenes on the sides of the skull, trophy décor on the comb. Hollow-wrought peak and neck guard. The exterior silver-plated and heavily patinated. Height 30 cm. Outstanding workmanship, made by an art foundry after the Italian "all'antica" parade helmets of the late Renaissance. Condition: II
Edward VII large cream jug of helmet shape, having card cut rim, leaf capped scrolled handle and raised body band, supported on three cast lions mask twist and shell feet, 11cm tall, London 1907 by The Goldsmith & Silversmith Company (marks partially erased but stamped with maker's name and address under), 140gms
A Victorian Bachelor's three piece tea service Roberts & Belk, Sheffield 1888, comprising teapot, twin handled sugar basin and helmet milk jug, all of oval outline verticle fluted detail to body, the handles with ribbed detail; together with a sugar basin, Edward Barnard & Sons Ltd, 1891 of squat circular form with fluted body and cast shell and gadrooned border with scroll handles and a caddy spoons with cherubic decoration(Height of teapot: 15.5cm, combined weight: 27oz)
A WWI Hertfordshire Yeomanry slouch cap, together with a sergeant's tunic, a pair of corduroy riding breeches for Sgt. A R Marshall, a soler and puttees, topi helmet, War Department binoculars, belt pouch, pistol holster and saddle pouches and a brass and leather tent pole clothes hook and further items (qty.)Condition report: See additional images. No labels on tunic.Split and repair to crotch. Hole darned to back of leg, pocket seam pulled and split in seam. Stitching rotten in places overall. Dirty, used, but still wearable. Jacket, dirty stained holes to armpits, stitches frayed. Metal hooks rusted and surrounding fabric stained.
Various military uniform and headgear,to include a Queen's Own Oxfordshire Horse dress tunic and trousers, modern pith helmet, German Police Shako hat, leather holster on belt, 'Arma Pacis Fulcra' slouch cap (qty.) Condition report: Large moth hole in trousers., small moth hole in cuff, some threads loose, overall wear
An American Artillery blue cloth, spiked, pith helmet with plume, c.1880, 27cm wide29cm high,a Lord Lieutenant's 'fore and aft' with plumage,44cm wide15cm high (without plumage), andanother Naval 'fore and aft',42cm wide 15cm high (3) Condition report: The pith helmet with weat to the leather border edging and has lost its interior lining. The Naval 'fore and aft' and the other all have dulled braiding
A grand tour white marble bust of Mercury,19th century, the god with a downcast gaze, wearing a shallow helmet,48cm highMercury, in Roman mythology, is the god of shopkeepers and merchants, travellers and transporters of goods, and thieves and tricksters. He is commonly identified with the Greek god Hermes, the fleet-footed messenger of the gods. The present example bears stylistic similarities to the Bateman Mercury, although does not have wings to the temples.Condition report: Brim of hat broken, but fragments present. Old glue. Surface wear and dirt. Chips to edges. Scratches. General wear.Not all fragments present, see images
Large 18th Century carved pine figure of a classical female warrior wearing a plumed helmet, one arm held aloft, the other supporting a shield, above a scroll shaped base, adapted for use as a lamp, possibly of maritime origin and previously painted - now stripped to a plain wood finish, 49ins high excluding the lamp attachment, 62ins high overall
Feine feuervergoldete Bronze des Vairocana TIBET, 15./16.Jh. H. 26,2 cm Provenienz: Aus der Sammlung von Prof. Dr. med., Dr. phil. Hermann Schroeder (1902-1991) und seiner Familie - Alte orig. Rep.-Stellen, Vergoldung etwas berieben, kleine Bestoßungen A FINE GILT-BRONZE FIGURE OF VAIROCANA, Tibet, 15th/16th ct., seated in vajrasana on a lotus base with both hands placed in front of his chest in the dharmacakramudra, wearing dhoti, bejewelled, his face displaying a serene expression with downcast eyes below arched eyebrows running into his nose-bridge, elongated earlobes set with elaborate ear ornaments, his hair covered with a helmet topped with a ratna and secured with a tiara decorated with a pair of pattras and floating ribbons, resealedProperty from the collection of Prof. Dr med., Dr phil. Hermann Schroeder (1902-1991) and his family - Old original repairs, minor wear to gilding, slightly chipped
Feine feuervergoldete Bronze des Weito auf einem Holzsockel CHINA, Ming-Dynastie H. 32,2 cm o. S. Provenienz: Aus der Sammlung von Prof. Dr. med., Dr. phil. Hermann Schroeder (1902-1991) und seiner Familie - Vergoldung mit kleineren Abrieben, wenige sehr kleine Bestoßungen A FINE GILT-BRONZE FIGURE OF WEITO, China, Ming dynasty, on wood stand. Standing in a martial posture, his right hand supporting a lance while the right is showing the abhayamudra, wearing armour, tunic with flaring sleeves, scarf floating around his shoulders, his face displaying a severe expression with slit eyes below arched eyebrows running into his nose-bridge and his head topped with a helmet decorated with a bird-head to the front - Property from the collection of Prof. Dr med., Dr phil. Hermann Schroeder (1902-1991) and his family - Compare to a similarly cast gilt-bronze guardian figure of Vaisravana, identified by the tower held in his left hand, in the Nelson-Atkins Museum of Art, purchased by the Asian Art Acquisition Fund in memory of Laurence Sickman and illustrated in Masterworks of Chinese Art, pp. 86-7, where it is dated Yuan dynasty - Minor wear to gilding, very slightly chipped

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70384 item(s)/page