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Lot 403
Ca. 500-300 BC. A striking Chalcidian helmet made of hammered tinned bronze, with a sharply flaring neck-guard, a short slender nose guard running to broad arching eye openings; the brow shows two slender eyebrows. The articulated crescentic cheek pieces with contoured edges are attached with hinges; a hole for the attachment of a chin strap is visible on each cheek piece. Chalcidian helmets are named after similar helmets depicted on pottery vases from the Euboean city of Chalcis. This type of ancient Greek helmet was a lighter and less restrictive form of the Corinthian helmet. The hinged cheek pieces were anatomically formed to fit closely to the face and tended to curve upward towards the eye, where large circular openings provided a wider field of view than the Corinthian helmets. Excellent condition; custom-made stand included. For more information on Chalcidian helmets, see Everson, T. (2004). Warfare in Ancient Greece: arms and armor from the heroes of Homer to Alexander the Great. The History Press, 116-124.Size: L:360mm / W:210mm ; 1.12kgProvenance: Part of private London Arms & Armour collection; formerly in an old German collection formed since the 1980s.
Lot 417
Ca. 100 BC - 100 AD. A stunning helmet crafted from bronze, characterized by a rounded bowl with hinged C-shaped cut-outs for the ears. The neck guard of the helmet flares outward, extending the protection down the back of the wearer's neck. The horizontal raised ribs that adorn the occipital area of the helmet, served a dual purpose: not only did they add an element of visual interest to the piece, but they also provided additional structural reinforcement to the helmet. Additionally, the front of the helmet is adorned with stylized wings of Jupiter's thunderbolt, a motif that symbolizes the god's power and might. Roman helmets were an essential part of a soldier's protective gear, serving to safeguard their heads from various weapons and projectiles. These helmets were typically made from bronze, iron, or a combination of the two metals, and featured a wide range of styles and designs, depending on the historical period and geographic region. Cf. Christie's, The Axel Guttmann Collection of Ancient Arms and Armour, part 1, London, 6 November 2002, Lot 95. Robinson, R., The Armour of Imperial Rome, New York, 1975; Junkelmann, M., Römische Helme, Mainz, 2000, pp.138-141. Some repairs. Size: L:270mm / W:250mm ; 905gProvenance: From a collection af a European collector; formerly in F. Breydel collection, Belgium, 1970s.
Lot 471
Ca. 500-300 BC. A helmet comprising of hammered gilt bronze. The domed crown with front with medial ridge, with contoured double curve above the brow continuing as an occipital rib around the helmet, with pronounced arched brows and narrow flared neck guard. The crown domed with a mask-like front featuring eyes that have been carefully cut out. The round sections are each accentuated with a separately applied moulded bank. A tear-drop shaped nose guard is reaching down, moveable articulated crescentic cheeky guards with contoured edges are attached by hinges on the sides, rounded, and tapering towards the thin allowing binding. The Chalcidian-Type helmet started to replace the Corinthian-type helmet on the battlefield in the 5th century BC due to its restrictive attributes. The new versatile Chalcidian form of battle helmet enabled the owner to adapt on the battlefield. The Chalcidian helmet enabled greater sensory perception as the helmet was lighter and made in with senses in mind. By the time of the Peloponnesian War (434-402 BC) the Chalcidian helmet was the most widely distributed helmet in the Greek ranks. Good condition, heavily restored. Cf. The Walters Art Museum, Baltimore, accession number 54.2468. The British Museum, London, accession number: 1919, 1119.6. Bonhams, 7th October 2021, lot no 72. Literature: R. Hixenbaugh, Ancient Greek Helmets: A Complete Guide and Catalog, New York, 2019. Ohly, D., Die Agineten, Die Ostgiebelgruppe, Munich, 1976; Pflug, H., 'Chalkidische Helme' in Antike Helme, RGZM Monographien 14, Mainz, 1988, pp.137-150. With Restoration. Size: L:320mm / W:250mm ; 920gProvenance: Private UK collection; ex German art market pre-2015.
Lot 495
Ca. 100-200 AD. A gold signet ring of a smooth, round band with bezel enclosing red hardstone intaglio engraved with a depiction of facing left, standing figure of Minerva (identified with the Greek Athena). She wears a long dress with beautifully flowing folds and crested helmet. In Roman mythology, Minerva is the goddess of wisdom and warfare, but also patron of arts and crafts. She is probably a goddess of Etruscan origin. Along with Jupiter and Juno, she formed the Capitoline Trinity. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.35mm / US: 7 / UK: O; 5.97gProvenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Lot 550
Ca. 100-300 AD. A stunning silver ring of a round, flat-section hoop and a gilded bezel setting embellished with four corner knobs. It is set with a carnelian intaglio of the Roman goddess Minerva (Greek Athena). Minerva was the goddess of wisdom, war, and the arts. Here she is depicted in a standing pose on a groundline, flanked by two short columns. She is portrayed robed, wearing her iconic Corinthian helmet, and holding a shield. The wearing of this type of ring was an act of veneration towards the goddess, as well as a powerful statement of the wearer’s own strength and wisdom. The heightened status of Minerva in ancient Roman culture is evident through the use of her imagery in jewelry, coins, and other artifacts. Minerva was seen as the patron goddess of Rome and a symbol of the city’s wealth. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 16.51mm / US: 6 / UK: M; 5.61gProvenance: Private London collection; British art market 1990s.
Lot 562
Ca. 100-300 AD. A gold signet ring of a smooth, round band with applied bezel set with red hardstone intaglio engraved with a depiction of facing right, standing figure of Minerva (identified with the Greek Athena). She wears a long dress, crested helmet and holds a shield and a lance. In Roman mythology, Minerva is the goddess of wisdom and warfare, but also patron of arts and crafts. She is probably a goddess of Etruscan origin. Along with Jupiter and Juno, she formed the Capitoline Trinity. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2 ; 8.43gProvenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Lot 639
CA. 100-200 AD. Nicely carved Centurion with helmet, facing left in a carnelian intaglio of 20K gold, nicely detailed. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 14.65mm / US: 3 3/4 / UK: H; 3.61gProvenance: Private London collection; Previously with I.G.; acquired from an East Coast, USA collector prior to 1979.
Lot 677
Ca. 100-300 AD. A finely engraved agate gemstone intaglio with a left-facing portrait of Minerva (Greek Athena), the goddess of wisdom and warfare. Shown in profile, she displays a naturalistic eye, a prominent nose, and closed lips, all framed by a wavy coiffure worn under a Corinthian-type helmet. This fine intaglio is set in a possibly later gold ring of a flat-section hoop, widening at the shoulders, which are embellished with an intricate foliate design. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.35mm / US: 7 / UK: O; 9.39gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Lot 706
Ca. 1-200 AD. A carnelian intaglio engraved with a standing figure of Athena Parthenos. She is depicted with a spear in her right hand, a shield at her side, and a plumed helmet of Corinthian type on her head. To her side, is a flying Nike, wearing a belted chiton and holding a wreath. This fine intaglio is set in a gold finger ring of a hoop flat on the inside and rounded on the outside with pairs of incised grooves to each shoulder. For a similar intaglio, see The Michael C. Carlos Museum, Object Number 2008.031.051; Gisela M. A. Richter, Catalogue of Engraved Gems Greek, Etruscan, Roman; Metropolitan Museum of Art, New York, Plate XXXIX, 269. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.45mm / US: 7 1/4 / UK: O 1/2; 6.93gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 721
Ca. 100-300 AD. A red stone intaglio engraved with a standing figure of Minerva (Greek Athena), the goddess of wisdom and warfare. She stands robed, turned to her right, and wears a Corinthian helmet. This fine intaglio is set in a gold hollow ring of a round-section hoop, widening at the shoulders.Size: D: 15.27mm / US: 4 1/2 / UK: I 1/2; 5.43gProvenance: Private London collection; British art market 1990s.
Lot 771
Ca. 170-145 BC. Greco-Baktrian Kingdom, Eukratides I Megas Ar. Tetradrachm, ca. 170-145 BC, Indo-Skythian imitation. Diademed and draped bust to right, wearing crested helmet adorned with bull's horn and ear; all within bead-and-reel border. Rev. The Dioskouroi on horses prancing to right, each holding spear and palm; BA?I???? ?????Y above, ??KP??I?O? below, monogram in right field. Senior A19.3T; for prototype, cf. Bopearachchi 6, Mitchiner 177 & HGC 12, 131. Very Fine.Size: 31mm; 15.28g, 1h.Provenance: Private London collection, formerly from the inventory of a UK dealer.
![Ca. 133-48 BC. Apameia, Phrygia AE21, ca. 133-48 BC. Bust of Athena right in crested helmet. Rev. [AP]AMEO[N], [PHIL]OKPATOY[](https://cdn.globalauctionplatform.com/01b10a60-9791-4dd4-9eea-afd300b3e4cb/4f60ba78-fe7d-4188-ae58-afd300bb764a/468x382.jpg)
Lot 779
Ca. 133-48 BC. Apameia, Phrygia AE21, ca. 133-48 BC. Bust of Athena right in crested helmet. Rev. [AP]AMEO[N], [PHIL]OKPATOY[S]; above and beneath eagle alighting right on maeander pattern between two pilei, stars in lower centre and upper right.Size: 21mm; 7.52gProvenance: Private London collection.
Lot 785
Ca. 27 BC-14 AD. Augustus Ar. quinarius, ca. 27 BC-14 AD, Emerita. AVGVST; P. Carisius, legatus pro praetore, bare head right. Rev. P CARI LEG; Victory standing right, placing wreath on trophy consisting of helmet and cuirass; dagger and curved sword at base. RIC² 1a. XF.Size: 16mm; 1.75gProvenance: Private London collection.
Lot 799
AD 98-117. Trajan Ar. denarius, AD 98-117, Rome. IMP CAES NERVA TRAIAN AVG GERM; Laureate head of Trajan, right. Rev. PM TRP COS IIII PP; Victoria standing right, foot on helmet, inscribing shield on altar. RIC 65, BMC 112. Good, Very Fine.Size: 17.6mm; 3.02gProvenance: Private London collection.
Lot 329
Original vintage Soviet anti-American propaganda poster featuring an image of a vulture in a helmet sitting on a money bag with blood dripping off its talons, covering the NATO, Israel and American soldiers with its wings, the poem reads - The ominous kite... he is from that country where capital is in alliance with the military, sparing no expense, knitting a knot of criminal plans for oppression and war. - Horizontal. Fair condition, creasing, staining, foxing, tears. Country of issue: Russia, designer: M. Abramov , size (cm): 59x88, year of printing: 1971.
Lot 357
Original vintage exhibition advertising poster for War Pictures Exhibition Kriegsbilder Ausstellung of war painter Eduard Adrian Dussek Jsonzofront - Trieste Belgrade In benefit of the K. K. Austrian Military Widows and Orphan fund and the Homestead for the Blind - featuring an image of a soldier in a helmet set over a green hexagon on light background. Good condition, folds, creasing, tears, staining Country of issue: Austria, designer: Eduard Adrian Dussek, size (cm): 63x48, year of printing: 1918.
Lot 359
Original antique World War One poster for the Austrian War Loan - The Best Savings Bank: War Bonds! / Die beste Sparkasse: Kriegsanleihe! - Design by Louis Oppenheim (1879-1936) features a soldier holding out his helmet to catch falling bank notes. Fair condition, large repaired tears on top left corner, creasing, small tears, paper loss on bottom edge, staining. Country of issue: Austria, designer: Louis Oppenheim, size (cm): 59x44, year of printing: 1918.
Lot 362
Original antique World War One poster Subscribe to the Sixth War Loan - Everyone Do His To The Good End! / Zeichnet die Sechste Kriegsanleihe - Ein Jeder Leiste Das Seine Zum Guten Ende! Design by Willy Stieborsky (1881-1966) features a moustached soldier wearing a helmet and peaking over a trench with a gun while an angel looks over him from the sky above. Issued by Wiener Kommerzial Bank. Poor condition, tears, fold, creasing, staining, large paper loss in bottom left corner. Country of issue: Austria, designer: Willy Stieborsky, size (cm): 95x63, year of printing: 1910s.
Lot 440
Original vintage movie poster for Bodas de Oro / Czerwone i zlote / The Red and the Gold, a 1969 Polish comedy directed by Stanislaw Lenartowicz, starring Jadwiga Chojnacka and Zdzislaw Karczewski, the film tells the story of an old man who escapes the retirement home, impersonates his fellow who never went to see his bride after World War One. The poster features an image by a Cuban poster artist Eduardo Munoz Bachs (1937-2001) depicting a soldier in a helmet set over bright colourful background. Silkscreen printed. Good condition, creasing, staining. Country of issue: Cuba, designer: Bachs, size (cm): 76x51, year of printing: 1971.
Lot 32
A Barry Sheene limited edition replica helmet, by Arainumbered 216/550 Astro-R type, size L (7¼-7â…œ, 50-60cm) with Arai helmet bag and accompanying pamphlets together with two Barry Sheene replica helmets by Arai. (3)Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com
Lot 1160
Helm aus Eisen in der Art eines 'Kabuto'-Samurai-Helmes. JAPAN, Meiji-Periode (1868-1912). Mit Seitenschutz, Helmzier (Schrauben nicht original) und Befestigungsband, um den Helm am Kopf zu fixieren. Gewicht: 2180 g.| Iron helmet in the style of a 'Kabuto' samurai helmet. JAPAN, Meiji period (1868-1912). With side guards, helmet decoration (screws not original) and fastening strap to fix the helmet to the head. Weight: 2180 g.
Lot 1625
MALER/IN 17./18. Jh., "Minerva", die Göttin mit Federhelm und Schild von Putten umgeben in Landschaft sitzend, mit Malerpalette und Globus schützt sie auch Kunst und Wissenschaft, Öl/Holz, HxB: ca. 43x47 cm (57x63 cm mit Rahmen). Craquelé, Berieb und Farbabplatzer an den Rändern. alt restauriert und retuschiert. Mit Rahmen (Kanten part. beschädigt). | PAINTER 17./18. Century, "Minerva", the goddess with plumed helmet and shield surrounded by putti sitting in a landscape, with painter's palette and globe she also protects art and science, oil/wood, HxW: approx. 43x47 cm (57x63 cm with frame). Craquelé, rubbing and paint chips on the edges. old restored and retouched. With frame (edges partially damaged).
Lot 27
An early 20th century English officer's home service helmet, circa 1910, for the West Suffolk Regiment Volunteer battalion, with a braided strap and surmounted by a gilt spike, together with a portrait of W.J. Perkins Jnr., in full dress uniform, inscribed and dated December 1913, 15 x 9cm, a War of 1914-1918 despatch from General Sir G. F. Milne, for gallant and distinguished services, to Capt. W.J. Perkins O.B.E., M.C., Surrey T Regiment, issued by Churchill and dated March 1919 and two othersOverall the helmet looks to be complete and original. It is dirty and marked with age/use. Some of the fabric is worn and marked, inside and out, with small holes. Slight losses to the borders. Metal parts are tarnished. Was collected from a local house clearance in Suffolk, so unrestored.
Lot 3536
Corgi, Matchbox, Lledo and similar a boxed group to include Onyx pair of 5017 Williams Renault FW16 'Damon Hill' with boxed Mini Helmet, Y-6 1920 Rolls Royce Fire Engine, 33801 Bedford OB Coach Set 'Titfield Thunderbolt' plus others similar. Conditions generally appear Excellent to Mint in generally Good to Near Mint boxes. (55+)
Lot 232
Blue-grey helmet, dark green robes. Don Quixote is the hero of the novel by Cervantes, a satirical parody of this chivalrous knight. Don Quixote leads a life of adventure, capturing many hearts along the way. The helmet color of the jugs varies from dark grey to light grey.Series: Characters from Literature. Royal Doulton backstamp. Artist: Geoff BlowerIssued: 1957 - 1991Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 242
Brown helmet, grey armor. From about 246 B.C. gladiatorial games were a popular form of entertainment for Roman audiences. The gladiators were most often slaves or prisoners condemned to fight, which they did to the death using sword, spear or trident. The most famous gladiator of the period was Spartacus, a slave who led an unsuccessful rebellion against Rome. Emperor Honorius banned the brutal games in 404 A.D.Royal Doulton backstamp. Artist: Max HenkIssued: 1961 - 1967Dimensions: 7.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
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62885 item(s)/page