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Lot 7221

A 1950 dated Civil Defence jacket and trousers with insignia, together with a 1952 dated British MKIV helmet

Lot 7325

A replica helmet in the 17th Century Cromwellian lobster tail form with stand

Lot 1125

A British WWII 1940 MkII steel helmet painted white with circumferential black band. Hand painted lettering "RAFAFS" presumably for Royal Air Force Auxiliary Fire Service above a hand painted badge for a medical branch. Complete with liner and chin strap.

Lot 1126

A WWII British MKII steel helmet and liner, 1939. With hand painted badge of the National Fire Brigades Association and circumferential red stripe denoting Company Officer. Complete with liner, chinstrap and oval pad.

Lot 1127

A British lightweight Parachutist's helmet as issued to airborne troops in the Falklands War. Made by Thetford Moulded Products Ltd, size medium, named to Reece. This was a new ballistic nylon paratroop first seen in the Falklands War, 1982. Note the early PVC cheekpieces of that period. With DPM camouflage cover named to Taylor.

Lot 1128

A British GS Mk6 ballistic nylon helmet circa 1990, named to Lance Corporal Challender. Presumed Royal Army Medical Corps. Complete with DPM cover, Red Cross patch, goggles, liner and harness. Part of a private collection being sold.

Lot 1129

An Argentine M38 helmet bearing a hand painted roundel of the colours of the National flag. This is a Swiss export M18/40 steel helmet used as the general service helmet by the Argentine Army 1930's-60's. Complete with liner and chinstrap. Dated 1960, Berne. Part of a private collection being sold.

Lot 1130

A Relic condition British MKII steel helmet recovered from the battlefield below the monastery at Monte Cassino, Italy, in 1976. Together with a photocopy from ATB13 magazine recording the discovery, with a photograph and caption of the helmet. Possibly worn by a British, Indian or Gurkha soldier. Battle damaged. Part of a private collection being sold.

Lot 1131

A British general service Mk6 ballistic nylon helmet, circa 1990. Complete with liner and 3-point harness. Size large, fits head imperial 7½"/58-59cm.

Lot 1132

A British 1940 WWII MkII steel helmet with painted RAF monogram & badge to front. With traces of painted formation sign to side. Service number '963835' under brim, worn by David Kossoff whilst serving in the RAF as Mosquito ground crew. With oval liner pad. Part of a private collection being sold.

Lot 1133

A British WWII MkII steel helmet, 1942, with Royal Signals flashes. Painted with late war brown roughened camouflage paint for Normandy Campaign. Complete with liner and chinstrap. Part of a private collection being sold.

Lot 1134

A 1941 WWII British Mk II steel helmet worn by a member of the Royal Engineers, service number 2041698, in the North Africa Campaign. With sand camo, complete with liner and chinstrap. Part of a private collection being sold.

Lot 1135

A collection of 20 British NATO era helmet nets, mainly for British MkV steel helmets, circa 1970's.

Lot 535

A small quantity of screws, tools, brass coal helmet and other items

Lot 1111

A 19th Century brass rail and mesh fender on ball feet, width 80cm, also a set of three brass fire irons and a brass helmet shaped coal scuttle. (5)

Lot 243

A Royal Naval Air Service jacket with peaked cap and flying helmet from Lieutenant P.C Hogarth R.N.A.S, together with a Goldfish bow tie, cravat and table cloth with his R.A.F sight log book covering the training period in Scotland during 1944. NB - Peter Charles Hogarth was born on the 30th June 1924 in Shifnal Shropshire. He qualified for the Goldfish club after ditching his aircraft off Greenwell point and then paddling ashore on the incoming tide.

Lot 229

37 original release Star Wars figures some with capes, accessories and blasters to include Bobba-Fett with missile, Princess Leia with helmet, C3PO, R2D2 and others.

Lot 257

A silver plated candelabra, a shaped teapot, a cream helmet, a milk jug, a tazza and a flower vase, 8 3/4" high

Lot 243

The important Great War M.C. group of four awarded to Lieutenant T. R. Conning, 2nd Battalion, Royal Welch Fusiliers, a ‘happy-go-lucky’ subaltern of ‘natural jollity’ who was one of ‘the most popular officers with the men of the Battalion’ - and who appears in much of the literature that emerged from the ranks of his regiment, not least Dunn’s The War the Infantry Knew and Siegfried Sassoon’s Memoirs of an Infantry Officer: a close friend of Sassoon’s, news of his death in action in May 1917 is also said to have been among the catalysts that prompted the war poet to make public his famous anti-war statement - ‘Finished with the War: A Soldier’s Declaration’ Military Cross, G.V.R., unnamed as issued, with Royal Mint case; 1914-15 Star (2 Lieut. T. R. Conning, R.W. Fus.); British War and Victory Medals (Lieut. T. R. Conning); Memorial Plaque 1914-18 (Thomas Rothesay Conning), remnants of adhesive to reverses, nearly extremely fine (5) £5,000-£6,000 --- Provenance: Dix Noonan Webb, March 2015 (subsequently reunited with Aucott’s medals). M.C. London Gazette 1 January 1917: ‘For distinguished service in the Field.’ Thomas Rothesay Conning was born in London in January 1892, the son of a commercial clerk. His father having died towards the end of the same decade, Thomas’s mother Elizabeth married Edwin Aucott, who ran the St. James’s Tavern on the corner of Denman Street and Shaftesbury Avenue and, following his death in 1913, Alphonse “Papa” De Hem, a retired Dutch sea captain who ran “The Macclesfield”, a popular pub and oyster bar just off Shaftesbury Street - which establishment continues to flourish to this day as the “De Hems” bar and restaurant. In his Memoirs of an Infantry Officer, in which Conning appears under the pseudonym ‘Dunning’, Sassoon refers to the former speaking about ‘the eccentric old ladies who lived in mother’s boarding house.’ Thomas, who attended Archbishop Tenison’s Grammar School, was residing with his mother at the St. James’s Tavern in Denman Street when he attested for the 16th Battalion, London Regiment (The Queen’s Westminster Rifles) in September 1914. The Battalion went to France at the year’s end and he was advanced to Acting Corporal in February 1915. Royal Welch Fusiliers: wounded - second close call Commissioned Second Lieutenant in the Royal Welch Fusiliers in May 1915, Conning was posted to the 2nd Battalion that November, the commencement of a distinguished career that included appointments as Bombing Officer, Lewis Gun Officer and Acting Adjutant; a period, too, that witnessed his growing friendship with Siegfried Sassoon and many other stalwarts of the 2nd Royal Welch Fusiliers - thus a spate of references to him in related literature, not least Dunn’s The War the Infantry Knew, in which he is described as one of ‘the most popular officers with the men in the battalion.’ One of Conning’s first significant actions occurred in the Cambrai sector on 8 April 1916, when he was wounded in a trench raid - only the second occasion on which the battalion had employed the Bangalore torpedo. On 22 June 1916, the enemy exploded the Red Dragon Mine, causing 2/R.W.F. around 100 casualties, including over 50 killed. As recounted by Captain H. M. Blair in Dunn’s history, Conning was fortunate to survive: ‘About half an hour after midnight I began a round with my Sergeant-Major, Pattison. The trenches had been knocked about in places by shelling during the day. A perfect network of saps ran out for a considerable distance between deep mine-craters. In one of the saps I met Conning, the Bombing Officer. He told me he could not spare more than two-thirds of the complement of bombers, but I insisted on having the full number. I had an uncomfortable foreboding of impending trouble. I cannot say why, I was neither worried nor depressed, but the feeling grew as time went on. It was a lovely peaceful night. Perhaps it was the almost uncanny stillness, too quiet to be natural in that unpleasant part of the line. Anyhow, I was filled with a haunting unrest. I sent my Sergeant-Major to have boxes of bombs placed on the fire-steps and the pins pinched ready for use, boxes of reserve S.A.A. too were to be ready to hand. It was nearly 1.30 a.m. when my Sergeant-Major reported again. Conning had made up the complement of bombers; we all went for a last look round. Everything was quite in order, so we strolled towards the company dug-out to have a drink before turning in. A few yards from the dug-out somebody, Conning I think, looked at his watch; it was twenty minutes to two. He said he was dead-beat and, if I did not mind, he would prefer to turn in at once, so we postponed the drink. He and another, whose name I forget, went off in the direction of C Company. Conning's change of mind saved his life, at the time, and mine. After they left us I went back with Pattison to the far end of one of the saps and spoke to the sentry and Lance-Corporal Morris. There was stillness everywhere. I had just stepped off the fire-step into the sap - Pattison was about 5 yards from me - when I felt my feet lifted up beneath me and the trench walls seemed to move upwards. There was a terrific blast of air which blew my steel helmet Heaven knows where. I think that something must have struck me then on the head - it was said in hospital that my skull was fractured - anyhow, I remember nothing more until I woke to find myself buried up to the neck and quite unable to move hand or foot. I do not know how long I had been unconscious. I was told afterwards that there was a heavy bombardment of our trenches lasting nearly an hour after the explosion of the mine, but I was quite unaware of all that. I awoke to an appalling shindy going on, and gradually realized that heavy rifle and machine-gun fire was taking place and that bullets were whistling all round. Several men passed within a few feet of me. I saw them distinctly by the light of the flares. I remember hoping they would not trip over my head. The men were shouting to each other, but I was too dazed to appreciate that the language was German. When I heard a hunting-horn I was certain I was having the nightmare of my life-pegged down and unable to move, with a hailstorm of bullets all round, and men rushing about perilously near kicking my head. The firing died down, and I realised it was no nightmare but that I was very much awake ... ’ For his own part, Conning quickly rallied, collecting reinforcements from the support line and manning the crater’s edge until order - and the line - could be restored. Carnage on the Somme - Robert Graves wounded At High Wood on the Somme on 20 July 1916, Conning assumed command of ‘D’ Company amidst ‘a hopeless mix-up of bush fighting’. The Company suffered casualties from the onset - ‘small opposing parties, scrapping and bombing, pursuing and pursued all over the north-east of the wood.’ By nightfall, however, Conning had overseen the construction of a new trench, but with a determined enemy counter-attack the following day, 2/R.W.F. was compelled to withdraw to the southern edge of the wood - among the casualties was the poet Robert Graves, who commanded ‘B’ Company: ‘The German batteries were handing out heavy stuff, six-and eight-inch, and so much of it that we decided to move back fifty yards at a rush. As we did so, an eight-inch shell burst three paces behind me. I heard the explosion, and felt as though I had been punched rather hard between the shoulder-blades, but without any pain. I took the punch merely for...

Lot 620

A German Second World War Army Photograph Album. A small format photograph album containing 168 images of an RAD man who subsequently joined the army. The album was put together after WWII and chronologically has been put together in the wrong order, the RAD service of the soldier is at the end of the album and not at the beginning as it should be, if put together during the war. Unidentifiable unit, good shots mainly of the invasion of Russia, damaged Russian cities, good close-ups of vehicles both German and Russian, German graveyards, winter scenes, camp life, Christmas celebrations in the field, transportation by railways. The RAD service shots marching carrying flags. One very good shot of the soldier wearing his RAD greatcoat and wearing a steel helmet with a decal to the side, the RAD decaled helmets are rare, good condition £60-£80

Lot 1320

AN ASSORTMENT OF MOTORBIKE CLOTHING TO INCLUDE A GIVI HELMET AND THREE PAIRS OF BOOTS TO INCLUDE 'HARLEY DAVIDSON'

Lot 313A

CAST METAL MILITARY HELMET WALL DECOR

Lot 264

A late Victorian ivory handled plated twelve place fruit knife and fork set in mahogany case (marked), together with a plated squash form hot water jug, plated soup ladle and pair of plated salts with gilt washed interiors and one with glass liner, together with a pair of plated candlesticks, plated two branch candelabra, sugar helmet, bone-handled fish knives and forks, various small cutlery, etc. and an EPNS hors d'oeuvres tray with glass dishes (by Adie Brothers)

Lot 359A

A collection of five 20th Century wrought iron saddle racks plus various tack racks and a copper coal helmet and shovel

Lot 120

An 18th Century Lille pottery box and cover of leaf shape with all-over floral spray decoration, the top painted with shield and crowned helmet armorial, inscribed to base within a wreath "Lille 1763", 10 cm x 8.8 cm x 3.5 cm high

Lot 54

An early 19thC Keeling Factory X porcelain helmet shaped cream jug, painted with flower and basket design, numbered 1122, 12cm high.

Lot 60

An early 19thC Newhall porcelain helmet shaped cream jug, pattern number 171, with pink rose and basket decoration, circa 1795-1805, 11cm high.

Lot 61

A late 18thC Newhall porcelain helmet shaped cream jug, pattern number 67, with scale border and rose swag design, circa 1780, 10cm high.

Lot 62

A late 18thC Newhall porcelain helmet shaped cream jug, pattern number 172, with rose spray decoration, 9cm high.

Lot 238

A collection of various vintage Star Wars figure and vehicle accessories. To include: Bib Fortuna battle staff, Lowgrays headdress, Princess Leia Organa Boushh helmet and a Skiff Guard Vibro Axe.

Lot 100

A Victorian copper kettle, acorn finial, 29.5cm; a planished copper helmet shaped coal scuttle, swing handle, 37cm; a 19th century copper skillet pan, engraved "Mare", 31cm diameter (3)

Lot 725

A TRAY OF SPORTING EQUIPMENT TO INCLUDE FOOTBALL, TABLE TENNIS NET ETC TOGETHER WITH A SMALL SELECTION OF VINTAGE GARDENING TOOLS TO INCLUDE A HOSE REEL AND A CABERG CRASH HELMET

Lot 89

Copper and brass miniature diving helmet in the style of Siebe Gorman & Co, h17cm

Lot 165

COAL BUCKET HELMET & SPARK GUARD

Lot 170

FOLD AWAY SPARK GUARD & A COAL BUCKET HELMET & TRAY

Lot 314

[BOOK OF HOURS]. A Decorated Prayer Book. (France: Second half of the 17th century or later).  11 x 9 inches (267 x 235 mm). 15 unnumbered leaves (f. 1-12 vellum; f. 13-15 paper; f. 16-17 missing). Single column, about 11 lines per page, in neat hand. Decoration unfinished on ff. 2r, 4v "“ 9r, 11v- 12v. (Quire 1 [f. 1-6] detached, some discoloring and warping.) Near contemporary leather and paper binding, coat of arms is affixed to upper cover depicting a knight 's helmet above a green painted shield, presenting a rooster resting atop a castle, flanked by two lions and three fleur-di-lies painted in gold-yellow on a red field (Spine perished, overall wear).A unique manuscript which appears to have been created some time reigns of either Louis XIII [1601-1643] or Louis XIV [1638-1715] of France. The special deference paid to 3 Counter-Reformation saints [The St. Fidelis of Sigmaringen [1577-1622], St. Felix on Cantalice [1515-1587], and St. Joseph of Leonessa [1556-1612]] helps place the prayer book somewhere in the 17th or very early 18th century and calls to mind the religious and political chaos which plagued Europe 's long 17th century. The manuscript 's repeated attempts to link Bourbon supremacy with the legendary rule of St. Louis IX [1214-1270], also reflect this uncertainty. While the book 's decoration shares some similarities with Baroque ornamentation, and the style of its script matches Getty Ms. 11a, another decorated book attributed to Louis XIV, this manuscript is distinctively more rugged. Meaning it is unlikely this book was executed for someone in the immediate orbit of the royal court.Complete contents and information available on request.  For condition inquiries please contact lesliewinter@hindmanauctions.com

Lot 760

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A Mark Watney (Matt Damon) helmet from the promotion of Ridley Scott's sci-fi film The Martian. This helmet is modelled after the one worn by Damon in the movie, playing Watney, an astronaut stranded on Mars. It is made primarily of resin with a clear acrylic visor. There are two faux cameras, one on each side of the head, and Watney's name and the NASA logo adorn the back. The helmet has been intentionally distressed to look well used on the Martian surface, and has some additional wear from use and storage, including scuffs and scratches. Dimensions: 36 cm x 39 cm x 33 cm (14¼" x 15¼" x 13") Estimate: £1,000 - 1,500 †Δ

Lot 844

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A Houston team coach helmet from Norman Jewison's sci-fi sports film Rollerball. Team coaches wore their helmets for the eponymous violent future sport.The Spalding baseball-style helmet is made of hard plastic painted white and orange - the colours of the Houston rollerball team. It also features a visor and ear coverings. There are several intentional holes, including a larger hole at the centre of each ear covering, and the back of the helmet is marked size "7 â…› - 7¼". Its interior is padded with foam for the purposes of comfort. There are signs of production use, including marks and scuffing to the paint finish, and some of the padding is missing, with some remnants left on the interior. Dimensions: 27 cm x 19 cm x 23 cm (10½" x 7½" x 9") Estimate: £1,500 - 2,500 M

Lot 849

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A 101st Airborne helmet, crew jacket and cap from Steven Spielberg's Academy Award®-winning war drama Saving Private Ryan. Members of the 101st Airborne, including Private James Ryan (Matt Damon), wore their helmets in battles across Normandy.The steel M1 helmet features a paratrooper liner and a leather chinstrap. It has a white 'spade' insignia painted on either side, and is covered in a scrim net. Also included in the lot is a light khaki zip-up jacket whose sleeves are decorated with film-title and "Rangers" patches, and a khaki cap which features the film title embroidered in brown. The lot displays chipping to the helmet's paint finish. Dimensions (helmet): 29 cm x 23 cm x 20 cm (11½" x 9" x 8") Estimate: £800 - 1,200 M

Lot 88

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.A Sardaukar guard helmet from David Lynch's sci-fi epic Dune. Sardaukar guards wore their helmets while traversing the deserts of Arrakis to protect them against the intense climate. The helmet is constructed from a welding mask with a green visor and a large black hood. The hood is made from PVC material with three ventilation holes: one near the mouth and one at either temple, each of which is covered by a rubber grate. There are minor scuffs on the exposed plastic visor and signs of repair on the top of the helmet, where the PVC has previously split. Dimensions: 60 cm x 22 cm x 25 cm (23¾" x 8¾" x 10") Estimate: £2,000 - 3,000 Ω

Lot 939

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A UK triple bill quad from the promotion of George Lucas' original Star Wars trilogy. 20th Century Fox distributed quads highlighting the special "3-in-1 Programme" shown in British cinemas in 1983.This rare poster featuring the standalone quad art of posterists Tom Jung, Tom Chantrell, and Josh Kirby under the tagline "A Once-In-A-Lifetime Spectacular!" comes from the collection of Return of the Jedi producer Howard Kazanjian. The extra white strip at the top which allows Darth Vader's helmet to be seen unimpeded confirms this as an original poster. It exhibits some creasing and edge wear, including small tears on the bottom right corner from being rolled for shipping. Dimensions: 76.25 cm x 101.75 cm (30" x 40") Estimate: £200 - 300 Ω

Lot 943

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A "Thank You" cartoon drawing, a set of three stickers and a coaster from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. This lot comes from the personal collection of renowned production manager Philip Kohler, who worked as a location manager on the film.Gifted to Kohler as a thank you for his work, the cartoon is sketched in black ink on white card and labelled "Finse 1979." The back is titled "From All The Crew On Star Wars 2" and autographed by several crew members. One sticker shows Darth Vader's helmet engulfed in flames, and the coaster features the film's title artwork. There are minor marks, creasing and discolouration present on the cartoon, with notable wear on the Darth Vader sticker. Dimensions (drawing): 21.5 cm x 30.5 cm (8½" x 12"); (largest sticker): 13.5 cm x 8.5 cm (5¼" x 3¼"); (coaster): 9.5 cm x 9.5 cm x 0.2 cm (3¾" x 3¾" x¼") Estimate: £300 - 500 M

Lot 965

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.Endor Rebel Trooper backup helmet bucks from the production of Richard Marquand's Star Wars: Return of the Jedi. Rebel Troopers wore their modified camouflage costume as they travelled to the forest moon of Endor.These two plaster moulds were created as production "safety" moulds for the Rebel Trooper helmets. They were created by pouring plaster into vacuum-formed plastic castings of the helmet moulds, to have an extra set in case they were needed for production. They exhibit signs of use and wear throughout including some moulding extensions, chipping, and a coat of paint on one mould. Dimensions: 26 cm x 39.25 cm x 13.5 cm (10¼" x 11½" x 5¼") Estimate: £1,000 - 1,500 ΩΔ

Lot 1005

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A Signature Edition Darth Vader concept helmet. This replica is based on an original design by Ralph McQuarrie for the cover of the Star Wars novelisation, published by Balleatine/Del Rey in 1976. This highly sought-after helmet is one of a limited run of 250 released in 2010 by EFX Inc. as part of the Ralph McQuarrie Collection. It is made of fibreglass with machined metal components and exhibits a metallic paint finish, which appears blue in certain lighting. The helmet comes in three separate parts, all of which attach via magnets. It features smoke-tinted lenses, several integrated straps and a leather-lined interior. The lot also includes a custom display stand, a numbered plaque, an information booklet and a certificate of authenticity. Labelled "Serial No 050, Worldwide Edition 250", the plaque is signed by McQuarrie in black ink, and the information booklet is signed by actor David Prowse in silver ink. There is minor scratching to the left eye lens, and the lot has been carefully stored in its original packaging. Dimensions (assembled on base): 38.5 cm x 44.5 cm x 42 cm (15¼" x 17½" x 16½") Estimate: £3,000 - 5,000 M

Lot 1025

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.Harvey's (Troy Garity) costume, an SFX helmet visor, and a torch from Danny Boyle's sci-fi drama Sunshine. Harvey wore his costume when Capa (Cillian Murphy) and Kaneda (Hiroyuki Sanada) fixed the solar shielding, while their crew carried torches on bandoliers as they explored the deserted Icarus I. This lot consists of a long-sleeved navy blue T-shirt (size L/XL); blue trousers and belt; brown trainers (size US 12/UK 11); a wood and resin SFX helmet visor with a clear acrylic visor and internal circuit boards designed to mount on a camera for first-person photography; and an aluminum torch. It shows wear from production use and age, with scuffs and scratches on the torch and visor. Dimensions (visor): 22 cm x 46 cm x 26 cm (8¾" x 18" x 10¼"); (torch): 4.5 cm x 10 cm x 6 cm (1¾" x 4" x 2¼") Contains electronics; see electronics notice in the Buyer's Guide. Estimate: £1,000 - 1,500 M

Lot 1046

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A T-1000 (Robert Patrick) ILM scanning police helmet from James Cameron's sci-fi action sequel Terminator 2: Judgment Day. Robert Patrick wore this helmet at Industrial Light & Magic (ILM) for digital laser scanning, which contributed to the film's breakthrough "liquid metal" CG effects. It appeared in The Making of Terminator 2: Judgment Day documentary. The fibreglass and resin Bell police motorcycle helmet was modified for the digital scanning process, with white paint applied over the dark areas and several "X" markings in blue marker. It is marked "7 3/8, 59" on the interior and lined with padded foam. It comes with a custom-made display head featuring Patrick's likeness, complete with sunglasses. Some foam has disintegrated over time. Dimensions: 29 cm x 22 cm x 26 cm (11½" x 8¾" x 10¼") Estimate: £1,000 - 1,500 M

Lot 1068

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.Agamemnon's (Brian Cox) helmet from Wolfgang Petersen's mythical epic Troy. Agamemnon wore his helmet while battling the Trojan army, and during the destruction of Troy. The helmet is made of leather, with brass sections and detailing. It also features resin and wooden adornments, and has been intentionally distressed to look well used. A handwritten label inside reads "Agamenmon [sic] #2". The helmet has some wear from production use and age, including scuffing and scratches, and some of the brass pieces have become tarnished and discoloured. Dimensions: 23 cm x 18 cm x 38 cm (9" x 7" x 15") Estimate: £2,000 - 3,000 M

Lot 1070

This lot will be auctioned on Thursday, November 11th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 10th.A battle-damaged Myrmidon costume from Wolfgang Petersen's historical action epic Troy. Elite Myrmidon warriors under the command of Achilles (Brad Pitt) stormed Troy and besieged its residents with deadly swords and daggers. This Myrmidon costume consists of a dark grey crested urethane helmet, as well as black and brown leather torso armour with metallic details, a lace-up back, and a large production-made puncture wound at centre. Also included is a black and brown double-slotted leather sheath containing both a urethane sword and a urethane dagger. The lot exhibits various signs of wear from age and production use, including fractures in the helmet and mildew and rust stains on the armour.This lot is currently located in Prop Store's Los Angeles facility and will ship directly to the buyer from the Los Angeles facility. Buyer will be responsible for all shipping and import charges from the US - please inquire for additional information. Estimate: £2,000 - 3,000 US

Lot 117

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.Donlon's (Gary Landon Mills) screen-matched helmet cover from Stanley Kubrick's Vietnam War film Full Metal Jacket. Donlon was one of the Lusthog Squad, joined by Private Joker (Matthew Modine). The camouflage helmet cover matches the one seen on screen through its unique handwritten ink markings and drawings.The cover is intentionally distressed to look battle-worn and scarred. It has additional wear from production use and age, most notably the faded text. Estimate: £5,000 - 7,000 M

Lot 141

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.Maximus' (Russell Crowe) arena helmet and mask from Ridley Scott's Oscar®-winning historical epic Gladiator. Maximus wore his helmet and mask during the re-enactment of the famous Battle of Carthage, in which he rallied the desperate gladiators against the charioteers, overcoming all odds to achieve a glorious victory. The helmet is made of fibreglass with embedded metal powder to present as if constructed of metal, and is lined with padded black leather. Blunted spikes adorn the exterior, down the centre of which a pointed fin vertically runs, and a neck guard is incorporated into the back. Shades of dark grey and black are applied to produce a weathered, battle-worn appearance, and there are intentional dents. Also exhibiting a weathered finish, the fibreglass front section mask has large eye holes, a nose guard and angular detailing. The mask is attached to the helmet via two intricate cast-metal buttons, each decorated with a flower emblem. Parts of this particular helmet, including the tip of the fin, were sympathetically repaired after being damaged on set. Presented on a custom-made display, the helmet exhibits minor wear on the leather edges and repair work on the front of the fin. Dimensions (displayed): 27 cm x 20 cm x 44 cm (10½" x 8" x 17¼") Estimate: £30,000 - 50,000 M

Lot 171

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.A mechanical Sammael head from Guillermo del Toro's fantasy horror Hellboy. Mechanical heads were used for close-up shots of Sammael the hellhound as he fought Hellboy (Ron Perlman) and the other members of the BPRD.Made from fibreglass and resin with metal components and soft foam-latex around the snout, the head features internal mechanisms to manoeuvre Sammael's three asymmetrical eyes and jaws. It also features a fitted helmet towards the back, allowing it to be worn by the performer.This head comes with a hard foam stand painted to look like a ceremonial stone, which features the same symbol seen on the demon's body. The head shows discolouration and wear to the foam latex, while the gelatinous substance used around each eye has worn away entirely exposing the mechanisms behind, and the right side of the jaw is missing its connective latex membrane. Dimensions (head): 57 cm x 40 cm x 28 cm (22½" x 16" x 11"); (stand): 47 cm x 27 cm x 14 cm (18½" x 10 1/2 x 5½")Contains electronics; see electronics notice in the Buyer's Guide. Estimate: £3,000 - 5,000 M

Lot 20

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.A mutant Nazi Warmonger mask and helmet from John Landis' horror comedy An American Werewolf in London. A group of mutant Nazis appeared in David Kessler's (David Naughton) final dream, which he experienced while recovering in hospital. Four mutant Nazis broke into his family home and slaughtered his father, mother, niece and nephew, before finally slitting his throat. The paint finish and markings on the right side of the helmet screen-match to the scene where the dream continued, and David witnessed the Warmonger Nazi stabbing Nurse Price (Jenny Agutter).All of the film's innovative make-up and special effects were created by renowned special effects artist Rick Baker, who won the first-ever Academy Award® for Best Make-up and Hairstyling for his work on this production. Baker went on to win the award seven times throughout his career. Included in the lot is a letter of authenticity from Rick Baker himself.This slip latex mask has been expertly hand-painted in shades of brown. It features a pair of menacing yellow eyes and an open mouth, which displays a set of discoloured teeth. It is accompanied by a fibreglass German helmet, which is intentionally distressed with holes and scuffs. Originally, all four mutants were going to wear helmets, but the Warmonger was the only character to wear one on screen. There is a slit down the back of the mask for easy access, and the lot displays some minor signs of age, including light paint wear and flaking latex. The lot is presented on a custom-made display, with the production title decorating the front of the base. Powered by eight AA batteries, the title illuminates via a switch situated at the back of the base. Dimensions (displayed): 28 cm x 26 cm x 53 cm (11" x 10¼" x 20¾")Contains electronics; see electronics notice in the Buyer's Guide. Estimate: £40,000 - 60,000 †Δ

Lot 202

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.A US space marine model miniature from Lewis Gilbert's Bond film Moonraker. Miniature versions of the US marines were used for certain shots during the laser battle in space against Drax's (Michael Lonsdale) space station guards. Created by renowned visual effects supervisor Derek Meddings, the model consists of an Action Man doll wearing a silver spacesuit decorated with small patches on both sleeves, and a vacuum-formed plastic chest pack and backpack featuring small tube-like components. "22" is written on the inside of the backpack, which has a missing top section. The plastic helmet features a transparent visor section which reveals the figure's face, and the hands are painted silver to create the appearance of gloves. The model is mounted on a black custom-made display stand. Some components are missing, including the feet, and the backpack's top right corner is slightly damaged. Signs of discolouration are present on parts of the suit, and the model exhibits paint wear. Dimensions (displayed): 43 cm x 12 cm x 16 cm (17" x 4¾" x 6¼") Estimate: £6,000 - 8,000 M

Lot 21

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.Chick's (Will Patton) light-up hero spacesuit from Michael Bay's sci-fi adventure Armageddon. Chick wore his spacesuit as he, Harry Stamper (Bruce Willis) and the crew of the Freedom planted a nuclear bomb on the surface of an asteroid to prevent it from destroying the Earth. Constructed primarily from a heavy-weave, nylon-like material, the costume comprises a grey fibreglass helmet featuring a wide acrylic visor; a metal-and-resin collar; a front-and-back pack; a long-sleeved top and a pair of trousers that connect via a zip around the waist; a pair of gloves with metal locking rings; a utility belt; and a pair of modified Vans boots covered in dress-up components (labelled "Chick, Size 10½"). Most of the pieces have the character name "Chick" handwritten on the interior, and the suit features highly detailed metal, plastic and resin adornments. The backpack is marked "Ballast" and "Harry", suggesting that it belonged to Willis' character. Powered by an elaborate battery system, electronic components are fitted within the helmet, chest and backpack,allowing them to illuminate with multiple LEDs. Demisting fans are housed inside the pack, linking to the helmet to supply the wearer with plenty of air and ventilation while performing on set. The electronics can be powered by a 12V power supply, which is not included in the lot. The costume was intentionally distressed for production, and the gloves remain in a fragile condition. Contains electronics; see electronics notice in the Buyer's Guide. Estimate: £10,000 - 15,000 Ω

Lot 240

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.An Eternian soldier costume with a blaster from Gary Goddard's fantasy adventure Masters of the Universe. Eternian guards were seen in the aftermath of a battle with Skeletor's (Frank Langella) army. Later, Eternian soldiers stood guard at Castle Grayskull. This costume consists of a grey plastic helmet with a transparent visor accent; a grey plastic chest armour piece with navy padded nylon straps; a grey and navy cotton, suede and leatherette jacket affixed with a unitard detail at the waist; matching trousers; a pair of grey suede gloves with grey and blue plastic accents at the wrists; a grey nylon belt with plastic details; a pair of grey leather and rubber boots; and a black rubber moulded blaster. The costume exhibits signs of wear from age and use throughout, including discoloured paint and some fraying. Estimate: £1,000 - 1,500 Ω

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