Twelve Queens Crown Chrome Obsolete Police Helmet Plates, Coventry Police, Greater Manchester Police, Hull City Police, Huddersfield Police, Leicester and Rutland Constabulary, Leeds City Police, Metropolitan Police, Nottinghamshire Combined Constabulary , Northumberland Constabulary, Large Swansea CofA, Warwickshire & Coventry Constabulary and Wallasey Police, all mounted on wooden plaques, all appear to have rear fixing lugs, can be removed from plaques . (12 items)
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Five Queens Crown Chrome Obsolete Police Helmet Plates, Isle of Man Police Force two-piece badge, City of Manchester Airport Police, Manchester Ship Canal Police wreath, Salford City wreath, Preston Borough Police two piece badge, all mounted on wooden plaques, all appear to have rear fixing lugs, can be removed from plaques. (5 items)
Twelve Queens Crown Chrome Obsolete Police Helmet Plates, Cheshire Constabulary, Gwynedd Constabulary, Southport Borough Police, Stoke-On-Trent Police, West Midlands Police, Thames Valley Constabulary, Thames Valley Police, York and North East Yorkshire Police, West Yorkshire Constabulary, St Helens Police wreath, Warrington Borough Police, Royal Ulster Constabulary small helmet plate circa 1970, plus Kings crown Royal Ulster Constabulary badge (missing one rear fixing lug) all mounted on wooden plaques, all appear to have rear fixing lugs as per description, can be removed from plaques . (13 items)
Ten Queens Crown Chrome Obsolete Police Helmet Plates, Cheshire Constabulary, Cornwall Constabulary , Liverpool & Bootle Constabulary, Gwynedd Constabulary, Lancashire Constabulary, 2 x Merseyside Police, Surrey Constabulary, Nottinghamshire Constabulary and Metropolitan Police Noddy (motorcycle helmet) badge, all in very good original condition, complete with original fixings to rear of badges, except for Nottinghamshire, missing one lug fitting . (10 items)
Twelve Queens Crown Chrome Obsolete Police Helmet Plates, Lancashire Constabulary, Merseyside Police, City of Sheffield Police, 2 x Cheshire Constabulary, Devon Constabulary, Essex and Southend On Sea Constabulary, Stockport Borough wreath, Metropolitan Police Noddy (motorcycle helmet) badge, Berkshire Constabulary wreath, Derbyshire Constabulary, missing one rear fixing lug and Devon & Cornwall Constabulary, complete with original fixings to rear of badges, except for Derbyshire, missing one lug fitting. (12 items)
A Quantity of police helmet fittings, badges etc, including: white metal Victorian police, helmet fitting, two rose tops, one cox cone top, gilt lion chain cape fittings, two pairs City of London police special collar dogs, 3 x cloth Special constabulary shoulder titles, Metropolitan police 150th anniversary coin, police whistle chain, 2 x original Surrey fire brigade cap badges, London Fire brigade GLC cap badge, key fob, plus other items. (A. lot)
A SECOND WORLD WAR GERMAN THIRD REICH STAHLHELM [STEEL HELMET] complete with liner. Note: This lot is offered without guarantee or warranty in respect of its age and authenticity. Condition Report : With later paint finish and decals. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
WWI era (circa 1915) Bavarian pickelhaube, khaki coloured helmet surmounted with a brass spike to the top, crown coat of arms with the motto 'In Treve Fest' (Steadfast in Loyalty), complete with leather strap and leather liner. (*af)Condition ReportThe helmet has a split to the rear rim and stitching is working loose on the leather liner near the peak.
A Cheshire Regiment gilt metal helmet plate of two piece construction with lug fittings, a Victorian gilt metal officer's helmet plate for the 22nd Regiment of Foot (The Cheshire Regiment), pierced numerals to centre with lug fitting to reverse. a late 19th century Cheshire Rifle Volunteers OR's helmet plate, white metal with screw fittings, and Prince of Wales ostrich feathers surmount. (3)
A late 19th century - early 20th century hand carved and oil painted carved Sicilian folk art marionette puppet depicting a knight in armour. Hand tooled copper medieval armour suit with removeable sword in scabbard, moveable helmet face guard, emerald green silk costume and green fur plume from helmet. H.90 W.30 D.30cm.
Harry Clarke RHA (1889 - 1931)Our Lady and Child adored by St Aidan of Ferns and St Adrian (O'Keefe memorial), (1918), cartoon designed for the Catholic Church of the Assumption, Bride Street, Wexford Town A pair, Charcoal and conté on paper, 202 x 48.5 (79½ x 19) & 204 x 48.5cm (80 x 19")Provenance: From the Collection of Patrick MacEntee SCFollowing the rapturous reception of Harry Clarke’s series of windows for Honan Hostel chapel (1915–17), located on the campus of UCC – the commission which was largely responsible for propelling his stained glass career forward – individuals began to seek him out for memorial windows. Two such commissions which arrived in 1918 were for the Church of Ireland, Killiney, County Dublin and the Catholic Church of the Assumption in the heart of Wexford town; Clarke worked on both jobs concurrently and in fact on one day in September he had a meeting with the Killiney donor in the morning and the Wexford donor in the afternoon.(1) The latter was ordered by a Matilda, wife of William O’Keefe who was a merchant and maltster of Faythe House, Wexford town and the window was in memory of their second son, Lieutenant William Henry O’Keefe. William Jnr was a graduate of Castleknock College and had entered the Royal College of Science, Dublin with the intention of becoming an engineer before obtaining a commission in the Royal Field Artillery. In August 1915 he went on active service in France and was killed by a German shell aged twenty-one in May 1917 at Arras where he is buried.(2) Worth noting is that his memorial window represents one of a very small number in Catholic churches to soldiers who fell in WWI compared with a significant amount in Protestant churches. For Harry Clarke, meeting a client and visiting the location was very important so that each work would be truly individual and would respond to the wishes of the donor, as well as the more practical and aesthetic considerations: the orientation of the window within the church, its height from ground level, the style of architecture, etc. A small-scale, though very precise, preliminary design, usually executed in pencil and watercolour, would then be prepared. Amendments were made if requested by the patron and the next stage was for Clarke to create a ‘cartoon’, a full-scale monochrome plan, usually drawn mainly in charcoal on a single sheet cut from a roll of paper which would accurately show the lead-lines and the key elements of the design. Clarke’s cartoons from this period are remarkably detailed and indisputably works of art in their own right. Perhaps surprisingly for an artist who excelled in crisp black and white illustrations which he made in parallel with his stained glass career, his cartoons for stained glass windows are distinctly tonal and indicate how he intended to paint the different pieces of glass which would comprise the completed window. The only significant absence from these cartoons were the inscriptions – though a designated space was clearly assigned for them – as this was an aspect of the window which Clarke did not enjoy doing, and usually the inscriptions were executed by other artists in the studio under his direction. Details of the O’Keefe coat of arms and family moto are likewise left blank on the Wexford cartoon but fully realised in the window as executed. Clarke created his cartoon for Our Lady and Child adored by St Aidan of Ferns and St Adrian in November and December 1918, and the stained glass window itself was completed in early May 1919.When the leading expert on Harry Clarke, Dr Nicola Gordon Bowe, was assembling an exhibition of his work for the Douglas Hyde Gallery, Trinity College in 1979 – which was responsible for reigniting interest in Clarke – she selected several of his finest cartoons from the collection of the artist’s son, David Clarke, and among those she chose for exhibition were his cartoons for Killiney and Wexford. In her catalogue notes accompanying the exhibition Dr Gordon Bowe eloquently wrote of the Wexford window: ‘the alert Child sits on the lap of the demure and neat little Madonna, whose silken cloak is strewn with stars and jewels and whose pompom’d slippers rest on a tasselled cushion. They hover over the coastline of Ireland, adored by the kneeling, devout Aiden of Ferns (with tiny replica of the early Cathedral and settlement he founded and a splendid crozier), while behind him the proud, graceful St Adrian stands with a jewelled and chased cross in a Burne-Jones helmet. The sea, at whose edge they worship and the sky around them are lightly inscribed with a wealth of tiny symbolic motifs, amongst which are tiny perfectly detailed scenes of a Crucifixion and the Ascension, a chalice set in a flaming aureole, an exquisite tiny galleon, one of Clarke’s favourite motifs, another chalice, symbolic of the young man’s sacrifice after great suffering, one triangle set with an eye, another struck by lightning, the young man’s initials (W.O.K.) and a delightful vignette of Bride Street Church as seen across Wexford Harbour… When he had time, his personal deeply religious, poetic and unique vision permeated in intricate detail everything he touched.’ (3)Dr David CaronNicola Gordon Bowe, Harry Clarke – the Life and Work (second edition, 2012), p. 146.I am grateful to Reiltín Murphy for information on the O’Keefe family.Nicola Gordon Bowe, Harry Clarke (monograph and catalogue of exhibition in Douglas Hyde Gallery, TCD, 1979), pp. 106–07.Condition Report: Additional photos of some of the repaired areasAlso of the creases and abrasionsPresumably occurred during the process of creating the windows, these were working cartoons of course See additional images
First World War Trench Art button hook formed from bullets, cartridge case and General Service button, together with 5 Norfolk Regiment buttons, a folding eye glass in canvas case, and photographs of a bandsman in India wearing foreign service frock, K.D. Jacket, Wolsley Pattern helmet, information with the items states the soldier is Robert Henry Porcher, born 18.04/1876, died 22/05/1964, records show a man of this name in the Norfolk Regiment with the service number 27985 and entitled to the 1914-1918 British War Medal, (qty)
A 1920s fancy dress costume in the form of an African death head moth. Costume to include drop waist dress, helmet with antennae and wings. The silk wings and sink applique to the skirt are hand painted (1) In wearable condition, the velvet is strong and the helmet will fit a 22 inch head and the dress is aprox a small. The silk has some shred, mostly to the wings. There would have been an insert of something, probably a lightweight wood down one side of the wings to hold the width, the channel is there but the wood is missing.
Collection of Star Wars Memorabilia and Collectibles including, Riddell Star Wars Trilogy Collection Authentic Miniature Helmets Darth Vader Helmet, Near Mint, Within Good Plus Opened packaging, Code 3 Collectible Star Wars Revenge Of The Sith Movie Poster Collectible Sculpture, Limited Edition, Near Mint, Within Excellent opened packaging, Star Wars Exclusive Pewter Collectible Darth Vader Bottle Opener, Near Mint, Within Good Plus opened packaging, Star Wars Darth Vader Giant Pez Dispenser, Mint Unopened, Star Wars Darth Vader Figural Mug, Mint Unopened, Star Wars Ceramic Darth Vader Mug, Mint Unopened, Star Wars Darth Vader Money Bank, Near Mint, Within Excellent opened packaging, Star Wars Episode 1 Lightsaber Battle Musical / Action Sounds Alarm Clock, Excellent, Within Excellent opened packaging, Star Wars Stormtrooper Portable Table Lamp, Mint Unopened. (9)
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