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Lot 115
WW2 British cap badges and insignia to include three Hampshire Regiment Officers cap badges, York & Lancaster Regt cap badge, regimental pattern buttons, formations signs, rank pips and Major's rank crowns, cloth rank insignia, single RE shoulder title, Victorian Liverpool Police Helmet Plate, medal ribbons, ribbon bars, etc
Lot 171
REPRODUCTION WW2 US Army M1 Steel Helmet with rear seam, M1 liner, fitted with REPRODUCTION M1C Airborne chistraps. Paper Ace of Spades 101st Airborne, 506th Parachute Infantry Regiment insignia glued to sides of helmet. Complete with camo net cover. Along with a post war US M1C Helmet with Woodland Camo cover and helmet net. (2)
Lot 202
A collection of Police Helmet Plates: Queens Crown Enamelled West Yorkshire Police: Queens Crown Enamelled Nottinghamshire Constabulary: Queens Crown Enamelled British Transport Police: Queens Crown Enamelled Metropolitan Police: Queens Crown West Yorkshire Metropolitan Police: Queens Crown Surrey Constabulary. (6)
Lot 205
Staffordshire Police collection comprsing of: Queens Crown Enamelled Helmet Plates x 3: Queens Crown Staffordshire County & Stoke on Trent Constabulary Helmet Plate: Kings Crown Officers Cap Badge Staffordshire County Police: Queens Crown Officers Staffordshire County & Stoke on Trent Constabulary cap badge: Kings Crown Staffordshire County Police Cap badge: Queens Crown Staffordshire Police cap badge: four Staffordshire Knot badges: gilt Staffordshire Knot lapel badge: Kings Crown Staffordshire Police Special Constable Lapel Badge: Enamelled Staffordshire Police 150th Anniversary Lapel Badge 1842-1992. (q)
Lot 208
Warwickshire Constabulary Collection comprising of: Queens Crown Helmet Plates x3 : Queens Crown Enamelled Helmet Plate: Queens Crown Enamelled cap badges x 2: Queens Crown cap badge, no slider: cap badge: collar dogs: enamelled lapel badge in box: Warwickshire Police Pullover patches x 3: cloth bear & staff badge: Horse brass.
Lot 215
A collection of Queens Crown British Police Cap badges to include UKAEA Constabulary: Glamorgan: Somerset & Bath: Cambridgeshire Constabulary: West Yorkshire Constabulary: Humberside Police: Suffolk Constabulary: North Wales Police: Admiralty Constabulary: GCHQ Police: Kings Crown enamelled Kent Special Constabulary lapel badge: Kings Crown SEC badge: Cumbria Constabulary Horse brass, helmet plates both a/f, Novelty Pewter Met Police Helmet, etc.
Lot 464
ONE HUNDRED AND FIVE DR WHO FIVE INCH FIGURES to include Purovile Priestess, Clockwork Man, The Editor, Vashta Narada, Master Regenerated, The Master, Saraj Jane, Pig Guard, Gwen Cooper, Clara Oswald, Smiler, Voc Robot, 3" Dalek, The Hoix, Novice Hame, Mr Sin, Graske, Chip, Weeping Angel, Silurian Warrior Aluia, Captain Kack, Space Pig, Slitheen, Scarecrow, Sycrorax Leader etc. Francesco Vampire, Slitheen, Roman Soldier, Jack harkness, Lilth, Auton, Martha Jones, Rose Tyler, Scarecrow, Brannigan, Moxx of Balhoon, Empty Child , Professor Yana, Gelth Zombie, Judoon Trooper, Donna Noble, etc. Slitheen, werewolf, Judoon Captain, Amy Pond, Auton, Donna Noble, Brannigan, Gelth Zombie, Martha Jones, Rose Tyler, Professor Yana, Jack Harkness, Francesso The Vampire, Lilth, Moxx of Balhoon, Empty Child, Krillatane, Grandma Connolley etc., 9th (Doctor, Doctor Regeneration), 10th (Brown Coat, Aged, White Shoes, 3D glasses, Red Spacesuit, Red Shoes, Orange Spacesuit and Helmet, Orange Spacesuit with Obelisks/Urns, Regeneration, Ghost Transformation), 11th (Rageady, Purple Bow Tie, Time, Straight Jacket, Striped Jacket, Fez) Please note some duplication
Lot 104
A Roman gilt bronze figure of Mars Circa 1st-2nd Century A.D.The god depicted nude, standing with his right leg advanced, wearing a helmet high on his head, with his right arm raised, likely once holding a spear, his left arm extended, with extensive gilding remaining overall, 12.3cm highFootnotes:Provenance:with La Reine Margot, Paris. Private collection, Paris, acquired from the above ca. 2013.Known for being the god of war, Mars was worshipped throughout the Roman Empire, especially in his form as Mars Ultor or Mars the Avenger, protector of the Roman Army.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 84
A Greek bronze Chalcidian helmet Circa 4th Century B.C.Formed of two hammered sheets joined along the double medial ridge of the domed crown, the lower border circumscribed with a repoussé stylised linked scroll pattern rising to a contoured brow, over the arched eye openings, the hinged cheek-pieces with raised borders and a band of zig-zag decoration, 25cm high incl. the cheek-piecesFootnotes:Provenance:German art market, prior to 2000. K.A. collection, London. London art market.F.R. collection.This type of helmet is named after representations of such helmet forms on Chalcidian vases, such as the black-figure amphora in the British Museum depicting Heracles slaying three headed Geryon, who wears Chalcidian type helmets, acc. no. 1843,0724.1 The hinged cheek-pieces are a variant on examples formed of one continuous piece. While conforming to the Chalcidian type, the present helmet is unusual for being made of two separate halves riveted together at the crest.For further information on this lot please visit Bonhams.com
Lot 389
Extremely Important Drawing Edward Lyons, Irish (1726-1801) Genealogy: The FitzGerald's Arms of Carton House, Kildare, pen and ink and watercolour on laid paper, depicting the chained monkey aloft a helmet, surmounted a shield with Saint Andrew's Cross, surrounded by typical Chippendale type rococo design and floral garlands, the lower section with "The FitzGerald Arms and family motto 'Crom A Boo'" in ornate text, Signed lower right, approx. 39cms x 29cms (15 1/2" x 11 1/2"), recently mounted. (1)
Lot 166
British WWII Zuckerman helmet, officially designated the Civilian Protective Helmet, made by AMC Austin Motors Co. Longbridge 1941, in good condition with most of its original paint intact, and a partial Borough of London Crest on the front. No in-liner and dents on the top but would look excellent with some tlc.
Lot 193
American Civil Defence Air Raid Warden Helmet, c. 1942-1945. This metal helmet is round in shape and is painted in a cream coloured paint. In front of the top centre portion of the helmet's head, there is a blue circle with a red/white striped triangle, which is the symbol for Civil Defence Air Raid Warden. on the inside painted 'CT 714' and is in excellent condition missing its in liner.
Lot 430
DIEDERIK VAN APPLE / VANAPPLE (DUTCH 1985) 'WORLD PEACE', a limited edition gold turtle sculpture with an army helmet for a shell 29/99, signed to base with certificate and box, approximate height 21cm, length 37cm, Condition:- some scratches to the gold finish and the gold finish has faded in places (artist resale rights apply)
Lot 97
Blu-ray film box sets, five including Blufans Exclusive Spider-Man - Into the Spider-Verse; Watchmen Collector's Edition; Alien Anthology, 35 year anniversary; 300 Empire of the Sun, Ultra HD with helmet statue; Pirates of the Caribbean Ultimate Trilogy Collection, all but Pirates are sealed.Qty: (5)
Lot 742
200 BCE-200 CE COLIMA SEATED WARRIOR EFFIGYshown seated on an integrated stool, holding a club in both hands, with horned helmet, pierced ears and nose, three-band necklace, and articulated genitalia; height: 53 cm (20 7/8 in.) PROVENANCESotheby Parke Bernet, New York, July 23-25, 1980, lot 177APrivate collection, New York, acquired at the above. (Copy of invoice available upon request)CONDITIONThe figure appears in age-appropriate condition. Overall unevenness to the surface, with minor scattered chips, the largest to the back collar. Hollow, with a hole at the top of the head.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 39
Paul Wunderlich (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols, Provence) (F)'Minotaurus', 1977, Bronze, dunkel patiniert, partiell poliert, Edelstahl, Messing, Maße 78 cm x 18,5 cm x 14,7 cm, signiert, Gießerstempel, 159/2000 nummeriert, Stahlrohr partiell mit Rissen, Kaufbeleg anbeiProvenienz: Edition & Galerie Volker Huber, Privatsammlung HannoverLiteratur: Wvz. Spielmann 37"Seine Werke werden in der ganzen Welt anerkannt, geschätzt, auch von einem breiten Publikum gekauft", rühmt Jens Christian Jensen den Künstler, "Kunstkenner sind sich einig: Paul Wunderlich ist der Hauptmeister des phantastischen Realismus und einer der wenigen stilbildenden Künstler unserer Zeit."Paul Wunderlich wurde am 10. März 1927 in Eberswalde geboren und zählt als Maler, Bildhauer, Grafiker, Entwerfer von Objektkunst und sogar Möbeln zu den produktivsten Künstlern des 20. Jahrhunderts. Von 1947 bis 1951 studierte er an der späteren Hochschule für Bildende Künste in Hamburg in der Klasse von Willi Tietze "Freie Graphik". Dort traf er unter anderem auf seine Mitschüler Horst Janssen und Reinhard Drenkhahn. 1950 studierte er für ein Semester bei Willem Grimm. Anschließend unterrichtete er von 1951 bis 1960 an der Hochschule Radierung und Lithografie. Er erhielt sowohl von Emil Nolde als auch Oskar Kokoschka Druckaufträge. Von 1961 bis 1963 lebte und arbeitete Wunderlich in Paris. In diesen Jahren erprobte er sich an Hinterglasbildern. Anschließend trat er in Hamburg die Nachfolge von Georg Gresko als Professor an der Kunsthochschule an. In den 1960er-Jahren experimentierte Wunderlich mit unterschiedlichen Techniken und entwickelte seinen unverwechselbaren Stil, in dem sich manieristische und surrealistische, aber auch Elemente des Jugendstiles und des Art déco wiederfinden. Er gestaltete surreale Figuren mit ungleichen Proportionen und nahm häufig berühmte Motive der klassischen Kunst und Mythologie zum Vorbild. Zunächst bezog er seine Themen aus der Deutschen Geschichte. Später konzentrierte er sich vermehrt auf erotische und sexuelle Motive. Unter dem Einfluss Salvador Dalís begann er mit der Fertigung von Bronzen. Die Bronze zeigt das mythologische Mischwesen aus Mann und Stier, Minotaurus, als geharnischten Krieger mit Vezier. Aus einem maskenartigen Helm wachsen lange nach oben aufgestellte und leicht geschwungene Hörner. Der Oberkörper, teils verdeckt durch eine Panzerung, präsentiert sich dem Betrachter weitgehend nackt mit erregtem Glied. Wie bei einem antiken Torso sind nur Fragmente von Rumpf, Kopf und Füßen übergeblieben, die von einer Stange miteinander verbunden werden. Der Minotaurus steht mit einem Bein im dreidimensionalen Labyrinth auf dem Sockel. Seine Glieder werden unnatürlich auseinandergerückt und entsprechen nicht der natürlichen Körpergröße. "Auf diese Weise nimmt sich die Gestalt einerseits wie ein die Menschengröße überragendes Götterbild, andererseits wie ein menschliche Proportionen entbehrendes Wesen aus." (Spielmann, S. 98) Paul Wunderlich (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols, Provence) (F)'Minotaurus', 1977, bronze, dark patina, partially polished, height 78 cm, signed, foundry stamp, numbered 159/2,000, the steel rod slightly cracked, with purchase receiptProvenance: Edition & Galerie Volker Huber; private collection, HanoverLiterature: Cat. rais. Spielmann 37''His works are recognised, appreciated, and purchased by a wide audience throughout the world'', Jens Christian Jensen praised the artist, ''Connoisseurs are in agreement: Paul Wunderlich is the leading master of Fantastic Realism and one of the few stylistically pioneering artists of our time.''Paul Wunderlich was born in Eberswalde on 10th March 1927. As a painter, sculptor, graphic artist, designer of object art and even furniture, he was one of the most productive artists of the 20th century. From 1947 to 1951, he studied ''Freie Graphik'' at the later Hochschule für Bildende Künste in Hamburg in Willi Tietze's class. There he met, among others, his fellow students Horst Janssen and Reinhard Drenkhahn. In 1950 he studied with Willem Grimm for one semester. He then taught etching and lithography at the university from 1951 to 1960. He received printing commissions from both Emil Nolde and Oskar Kokoschka. From 1961 to 1963 Wunderlich lived and worked in Paris. During these years he tried his hand at reverse glass paintings. He then succeeded Georg Gresko as professor at the art academy in Hamburg. In the 1960s, Wunderlich experimented with different techniques and developed his unmistakable style, which combined Mannerist and Surrealist influences, but also elements of Jugendstil and Art Deco. He created surreal figures with elongated proportions, and often took famous motifs from classical art and mythology as models. Initially, he drew his themes from German history. Later he concentrated increasingly on erotic and sexual motifs. Under the influence of Salvador Dalí, he also began to produce bronzes. This bronze depicts the mythological Minotaur - a half bull, half man creature - as an armoured warrior with a visor covering his face. Long, upturned and slightly curved horns grow from the mask-like helmet. The torso, partially concealed by armour, is largely nude and with erect limbs. Like an ancient statue, only fragments of the torso, head and feet remain, joined together by a rod. The Minotaur stands with one leg in a three-dimensional labyrinth on the pedestal. Its limbs are spread in an unnatural manner and do not correspond to the size of its body. ''This causes the figure on the one hand to appear like an image of a god, towering above human size, and on the other like a creature without human proportions.'' (Spielmann, p. 98)
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