A GEORGIAN SILVER WINE STRAINER funnel and associated circular stand, London and Newcastle marks, together with a Victorian pap boat, London 1841, a replica two handled trophy cup, Dublin 1913 and a set of four modern gilt lined whiskey tots Birmingham marks contained in a leather case (14.8 troy ozs all in). (2)Condition Report: See images of all items and marks Funnel is good, the spout tip good and joining is tightThe associated stand with a dent to dome See additional images
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Football Darren Fletcher signed 12x8 inch colour photo pictured with Champions League Trophy while playing for Manchester United. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Football Ruben Dias signed 12x8 inch Manchester City colour photo pictured celebrating with the Premier League trophy. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Football England 1966 world cup winners Jack Charlton and George Cohen signed 20x14 colour print pictured is iconic image shouldering Bobby Moore with the trophy after the final. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Football Frank Lampard signed 12x8 colour photo pictured with the Champions League trophy during his playing days with Chelsea. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
A PEDESTAL TROPHY CUP AND COVER, maker P. A. Schroepfer & Co., Birmingham 1911, of baluster form with lobed rim, engraved "Reedyford War Memorial Hospital Cup", over a chased scroll band and fluting, with two acanthus sheathed high loop reeded handles, on a leaf knopped stem, swept pedestal and circular foot, the lift-off cover with cast and applied figure of Victory, 17" high overall, 51ozs 5dwts total (Est. plus 24% premium inc. VAT)All matching marks, rims of cup and cover a little dented (too many celebrations..?!!) and so it is very difficult to get the lid to fit in the lobes. Base metal fixings to figure (not weighed)
AN EDWARDIAN PEDESTAL TROPHY CUP, maker possibly Tom Frost, Birmingham 1904, of baluster form, the upper section chased with scrolling foliage enclosing two panels both engraved with inscriptions and dated 1920-1921, over fluting with acanthus sheathed high loop handles, raised upon a waisted pedestal and swept foot, 12 3/4" high overall, 22ozs 9dwts (Est. plus 24% premium inc. VAT)Thin gauge, minor dents to rim, no repairs
Formerly the Property of Her Royal Highness The Princess Margaret, Countess of Snowdon A fan, circa 1900, the leaf of white Honiton lace, the sticks and guard sticks of mother-of-pearl, decorated with vari-coloured flowers and Trophy of Love motifs, contained in a white card box inscribed in Queen Mary’s hand “Princess Margaret”, accompanied by a handwritten note from Queen Mary reading “Honiton lace fan make to order for Victoria Mary, Princess of Wales, for the St. Louis Exhibition, U.S.A. in 1904, given to Princess Margaret by her grandmother Queen Mary in 1939”, length 26.2cm. With the Certificate of Provenance from Kensington Palace, dated 14 June 2006, in original embossed brown leather folder. £1,000-£1,500 --- Provenance: Christie’s, Property from the Collection of Her Royal Highness, The Princess Margaret, Countess of Snowdon, Sale 14 June 2006, Lot 326. In 1904, St. Louis in the American state of Missouri, hosted 'The Greatest of Expositions' - the Louisiana Purchase Exposition, commonly known as the Saint Louis World’s Fair, running from 30 April to 1 December, which was to be the last great international exposition before the First World War. The Fair was build on a 1,200 acre site at the Western edge of St. Louis, and commemorated the 1803 purchase of territory that more than doubled the size of the United States. The Fair included hundreds of thousands of objects, displays and publications from the arts, science and cultures from around the world, presenting the latest manufacturing products, scientific inventions, agricultural advances and famous art paintings, sculptures and art treasures. 62 countries worldwide and 43 of the 45 American states exhibited. Over twelve million visitors paid 50 cents admission to enter the Fair. A combination of trade show, American civic pride and a monument to culture, the Fair was a tribute to the 19th century’s international message of the furtherance of peace, prosperity and progress. Victoria Mary, Princess of Wales, (later Queen Mary) requested the fan to be made for display at the St. Louis Exhibition in 1904 and later gave the fan to her granddaughter Princess Margaret, in 1939. During the years of the Second World War, the two young Royal Princesses, Elizabeth and Margaret, took part in Royal pantomimes at Christmas, performed at Windsor Castle, helping to build morale during the dark years of the war. The first pantomime was held in 1941 and photographs show Princess Margaret holding this fan in her role as Cinderella. Further photographs of the two sisters in the 1943 Royal pantomime of Aladdin show Princess Margaret holding the lace fan in her role as Princess Roxana, her sister taking the title role of Aladdin. The idea to stage the Royal pantomimes came after the two princesses appeared in a concert with children from the Royal School to aid the war effort. Funds from the shows went towards the Royal Household Wool Fund which provided comforts for the troops. Condition Report Please note that mother of pearl and other organic materials are subject to USA Fish and Wildlife regulations which may impact import/export and trade restrictions. Please be aware that it is the buyer’s responsibility to arrange any export license/ certification for their purchases.
A 19th century Swiss rosewood and marquetry rounded rectangular bells-in-sight orchestral music box, 15cm barrel playing eight airs on a one-piece comb, Stop/Start and Change/Repeat selectors, cranking handle, the hinged cover inlaid with a musical trophy and outlined with boxwood stringing, 41.5cm wide, c.1870
A Sheraton Revival satinwood and marquetry floor-standing bowfront corner display cabinet, moulded cornice above a glazed door enclosing two shaped shelves, the base with a cupboard door inlaid to the centre with a musical trophy on a walnut ground, shaped bracket forefeet, 185cm high, 63cm wide, 33cm deep, retailed by Nolan & Sons, Dublin & London, c.1900
Cricket: an EPNS trophy modelled as three wreathed stumps to support a leather cricket ball, an ebonised plinth with engraved presentation plaque: 'Presented to Ray Coates for taking four wickets in four balls for Upminster Casuals v. Thames Board Mills Cricket Club in the first match of the club, May 10th 1938.'
STÈLE DE GANESHA DANSANT EN GRÈS ROUGEINDE DU NORD, VERS XIE SIECLE75 cm (29 1/2 in.) highFootnotes:A RED SANDSTONE STELE OF DANCING GANESHANORTH INDIA, CIRCA 11TH CENTURY印度北部 約十一世紀 紅砂岩象神石碑Provenance: With Claude de Marteau, New York, by 1967The mischievous elephant-headed god Ganesha can clear (or create) obstacles, and is therefore propitiated before the start of almost any undertaking. His body moves in kinetic ecstasy, shifting from one foot to the other in a limber sway. Full-bodied hips swing, as he rejoices gleefully holding a bowl of sweets, while two dancers flanking his heels mirror Ganesha's rhythmic portrayal. He wears a garland crown and carries a cobra as a trophy in his upper pair of arms. As the remover of obstacles, he wields the battle-axe and hooked goad as weapons to ward off adversities. Tales of the origins and appearance of Ganesha vary, but most describe him as having been created a boy by his mother Parvati from the residue of her bathwater. Once manifest, she placed him as sentry to her bath chamber. Shortly thereafter, Parvati's husband Shiva appeared, demanding entry. When Ganesha refused the stranger's request, Shiva removed his head. Parvati insisted Shiva restore Ganesha's head immediately. The first available head was that of an elephant, which was expediently placed atop the young man's body, thus forming the unique appearance of this beloved deity. Compare with an example in the Rubin Museum of Art (C2004.14.4) where Ganesha's middle right hand is drawn back to his chest. Also compare with a related multi-armed figure of Ganesha in the James W. and Marilynn Alsdorf Collection, Pal, A Collecting Odyssey, 1997, p. 60 and 287, cat. no. 70.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
A SINGLE BARREL SINGLE BOXLOCK POCKET PISTOL, engraved Higham Warrington inset into a trophy of arms, George Higham operated from various addresses in Warrington between 1807 and 1869, it is fitted with a spring bayonet hinged on the underside of the barrel, the 2 1/2 inch barrel bears Birmingham proof marks indicate production 1813-1855, which established it was made after 1813 and the absence of a number between these two marks indicates it was made before 1855, it is fitted with walnut grips and is in correct working order, the bayonet is marked with a crown and the initials T. L. the significance of which is unknown
2002 World Cup winner's gold medal FIFA WORLD CUP, obverse with the Jules Rimet trophy in relief, inscribed reverse inscribed 2002 FIFA WORLD CUP KOREA JAPAN, stamped 585 G.O.E. BERTONI ITALY with blue, gold and red ribbon, with original blue velvet case 50mm in Width 50g total weight. 30th June 2002 Germany 0 - 2 Brazil with Ronaldo winning the Golden Boot to complete the World Cup
An early 20th century silver and tortoiseshell pique oval trinket box. The hinged lid with an embossed hare-bell border and inset with a tortoiseshell pique panel depicting a neo-classical circlet and leaf scrolls between harebell swags and pendent musical trophy, the base on four cabriole pad feet, mark of Charles & Richard Comyns, London 1920, approx. 8.5cm wide, 5.5cm high (3 3/8th x 2 1/4 inches) Condition Report: Overall in good condition. No apparent breakages to the tortoiseshell, restoration or dents to the silver. Some wear including light scratches consistent with age and usage. Areas of tarnishing and would benefit from a clean.
A pair of late 19thC Chinese export silver Vases, by Wing Nam & Co., Hong Kong, of conical form with pierced scrolling dragon and foliate decoration, attached to wooden bases, the silver cm high, together with a small Chinese silver trophy cup, a novelty white metal cruet in the form of a laden horse, a quantity of silver plate including an Aesthetic style Mappin Brothers three bottle stand, candelabra, mugs, a plate mounted Royal Doulton plate mounted caster etc., (a lot)
W. u. C. Plassmann Bronze Akt Falknerin Trophäe, female nude act falconer trophy,Bronze, dunkel patiniert, an Plinthe signiert W. u. C. Plassmann Köln a/RH., auf Marmorsockel, weiblicher Akt einer Falknerin, schauseitig mit Aufschrift: Meisterflugschütze von Rheinland für 1933/34 "Weidmannsschutz e.V.", H 35 cm x B 10 cm x T 10 cm, Gewicht 3,4 kg, leichter Abrieb
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37457 item(s)/page