We found 37531 price guide item(s) matching your search

Two electroplate Grosvenor College, Carlisle trophy cups , 27 cm high, and Grosvenor College progress prize, 28 cm high

Assorted silver sporting trophies to include; Portishead Rectory Tennis Tournament 1926 and 1927 trophies (3), golf trophy, etc, 3.1toz approx

A quantity of plated wares to include several goblets, spill vase, trophy cup, brass figure of a camel and boy, brass ashtrays, viners plate, jug etc

A small lot of various silver items, to include spill vases (af), trophy cups etc

A Pair Of Edwardian Silver Bon Bon Dishes of Pierced Form Birmingham 1911 together with a Victorian silver salt London 1899, a silver trophy cup and a silver Quaich 9oz

A Chester Silver Trophy Cup together with a similar Chester Silver Sauce Jug 5oz together with a pair of Birmingham silver-backed brushes

2 SILVER PLATED MORPETH GOLF TROPHY TRAYS, BOTH IN ORIGINAL PRESENTATION BOXES

A Miniature Hallmarked Silver Twin Handled Trophy Cup, on plastic socle base, further trophy cup, pewter mugs, novelty feather pen etc.

Of Plymouth and Lady Nancy Astor interest, a small silver doubled handled trophy on a pedestal base, hallmarked Chester 1906, makers marks George Nathan and Ridley Hayes, inscribed Port of Plymouth Swimming Association Breakwater Swim First Prize Presented by Mrs Waldorf Astor Won by Miss C Denithorne 11th September 1912. This trophy was presented to the winner of the inaugural Breakwater Swim (1912) which is held annually to this day. Small dent on the front of the cup and small knock to base at the rear, overall height 18cm, 5.80oz. Lady Nancy Astor became the first female MP in British history to take a seat in parliament.

Mixed lot. Hall marked silver twin handled Trophy with presentation inscription on a plastic socle, hall marked Birmingham 1956, makers mark Adie Bros, two silver teaspoons with bright-cut decoration, a glass and silver lidded dressing table jar, together with a plated spirit measure and butter knife.

Mixed Lot: Pair Victorian silver heart-shaped bon-bon dishes, each on three ball feet, Chester 1899, a small pedestal twin handled trophy, Birmingham 1928, a Victorian sifter spoon, London 1858, maker's mark CB, together wtih a silver trumpet vase (a/f), (loaded)

Mixed Lot: Edwardian silver tray of angular form, Birmingham 1906, small silver trophy, Birmingham 1925, a cauldron salt with applied scrolled rim, Birmingham 1925, together with a cylindrical pepper on three ball feet, Birmingham 1918, 76gms gross weight

Pair of silver bullet shaped peppers, pull off lids, blue glass liners, Birmingham 1928 and 1929, hallmarked silver twin handled tea strainer of oval shape, a small silver trophy and stand, a silver backed dressing table mirror, two napkin rings, a George III table spoon, London 1800, maker's mark rubbed, nine various tea spoons, ladle, salt spoon etc (qty)

Edward VII silver twin handled pedestal Trophy Cup of circular squat form, having scroll handles reeded rim and body to a stepped foot, hall marked Sheffield 1904, makers mark Lee & Wigfull, with presentation description, 7 cm high, 159 gms.

A HALLMARKED SILVER TROPHY FOR THE JOHN THOMPSON INTER-COMPANIES BOWLS

Robert Strange - Jacobite Banknotes Proof Printed and Signed by Sir D.Y. Cameron, R.A. From the copper plate, with eight designs, 563 x 420mm., of C.P. (monogram for Charles Prince, or Carolus Princeps), on a cartouche with coronet and Prince of Wales' feathers above, over a trophy of arms and flags, on the entablature below are the values of the designs, - One, Two, Three and Six-Pence; the other four being left blank, "the interior part to be filled up by clerks" (Sir Robert Strange's Memoirs), the whole engraved surface 223 x 224mm., inscribed "Printed by D.Y. Cameron 10.7.1928", margins somewhat brownedFootnote: Note: The original copper plate was found near the West end of Loch Laggan, April 1746, probably thrown aside during the flight after Culloden. The plate is the work of Sir Robert Strange, who hastily prepared plates due to a sudden need by the Prince for currency caused by the loss of the "Hazard" sloop on its way from France with a large sum of money on March 25th 1746. Strange was commissioned for notes of amounts from £200 downwards, but no notes were printed, and nothing of the proposed issue has survived, with the exception of the original copper plate. The reason for this is that the Plate was only delivered to Prince Charles's Treasurer a day or two before the battle of Culloden, and the other copper plate for larger notes was never completed. The original plate was purchased by The West Highland Museum in 1928 for £430 at the Cluny sale, with the assistance of a £100 grant from the National Art Collections Fund. In 1928 the Museum arranged for the distinguished Sir D.Y. Cameron R.A., Scottish artist and etcher, to print a limited edition of 57 impressions of special signed proofs, although this one is not numbered, which were sold for the benefit of the Museum.

Roman Bronze of Constantine Dynasty - Deity with trophy - Pavia mint. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Roman Bronze of AE4 - Constantius with 2 victories holding trophy (facing). P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Roman Orichalcum AE2/3 Provincial of Emperor Severus Alexander Laureate - Reverse Victory holding trophy. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

An octagonal twin handled silver trophy cup, on a spreading foot, by Charles Boyton & Son Ltd, London, 1919

A George V silver two handled trophy cup, inscribed 'Lady Severn Cup, Extra race meetings 1926', London 1924, on an ebonised stand, 32cm wide x 14.5cm high, 27.9ozt

A George V silver twin handled trophy with scroll handles and square plinth base, inscribed 'Presented to Hamo Douglas Thorneycroft by the members of the Border Counties North Wales Otter Hunt and other friends, on his resigining the mastership of the hunt held by him from 1903-1919' to one side, the other bearing a crest, London 1912, approximately 19 oztCondition report: Surface scratches, knocks, light dents and areas of degradation to the surface26cm wide, 15cm high (not including pedestal) pedestal 6cm high

A mixed lot of hallmarked silver comprising a sovereign case, a pair of Irish sugar tongs, a mustard spoon and a trophy.

A hallmarked silver trophy.

Four boxes assorted including lamp, trophy, mirror, shade etc.

Three golf-themed novelty items, comprising a silver plated four cup egg set on stand, with spoons, a silver plate covered wooden box and a hallmarked silver golf golf presentation trophy.Qty: 3

Various silver & plated trophy cups sets (silver weight 10ozt)

UK VEHICLE REGISTRATION NUMBER 'LFC 1'held on DVLA V778 Retention Document, expires 14 August 2030IMPORTANT NOTICEBefore bidding on a Vehicle Registration number lot, interested parties should make themselves aware of the DVLA's rules and regulations regarding the transfer of vehicle registration numbers. Bidders are also reminded that it is the sole responsibility of the purchaser to check any details of the V750 or V778 document before bidding. The winning bidder must supply Bonhams Automobilia Department with their 'Nominee' details immediately following their payment for the lot, so the form can be sent to the DVLA by the seller and changed by the DVLA accordingly (This can take between 2 to 8 weeks to process). When the change has been done and the form has been forwarded to Bonhams and then onward to the buyer it is most important that the buyer ensures that the registration number is assigned to an age appropriate vehicle within 1 month of the date of receipt of the signed and completed V778 listing their nominee details, Bonhams will not be held responsible for the consequences of any buyer/nominee failing to do so.Footnotes:The ultimate trophy car number plate for a Liverpool Football Club fan.Bonhams has sold numerous significant vehicle registration numbers in the past:'RR 1' sold in 2018 for £460,000 including premium 'S 1' sold for £397,500 including premium in 2008'M 1' sold for £331,500 including premium in 2006 'S 5' sold for £270,300 including premium in 2016 'NO 1' sold for £133,250 including premium in 2013 'T 6' sold for £163,900 including premium in 2016 and 'R 6' sold for £163,900 including premium in 2015.For further information on this lot please visit Bonhams.com

The Historically Important Football Association Challenge Cup, 1896-1910Vaughton & Sons, Birmingham, 1895The silver trophy formed as a two-handled cup and cover, surmounted by a figure of a footballer with a football at his feet, the body with four oval cartouches engraved with the winning teams from 1872 to 1910 (1872 to 1895 being the winners of the first F. A. Cup – now lost – see footnote below), the loaded base underside inscribed 'Made By/P.Vaughton & Sons/Birmingham/1896/From A Cast Of The Old Cup/Which Was Lost' with ebonised plinth bearing two later silver plaques, both with maker's mark for Charles Edwards, London, 1910, the first inscribed 'Presented by/The Football Association/To/The Right Hon. Lord Kinnaird/in appreciation of long/and very valuable services rendered to the game/6th February 1911', the second inscribed 'The Right Hon. Lord Kinnaird/International 1873./Final Cup Competition/1873.7.8.9 & 1882./Member of Council since 1868./President/of The Football Association since/1890', the cup 40.6cm high, 50.7cm high with plinth; sold together with a copy of The History of The Football Association 1863-1952, published for the Football Association by the Naldrett Press 1953Footnotes:Provenance: Presented to The Right Hon. Lord Kinnaird by The Football Association for services to the game on his 21st Anniversary as President of The Football Association, thence by family descent until sold at Christie's, lot 100, 19th May 2005 for £478,400, including Buyers Premium.Private UK Collection Exhibited: The National Football Museum, Preston and now Manchester from 2005 until June 2020The first F. A. Cup used between 1872 and 1895 was stolen from the Birmingham football outfitter William Shillcock's window on 11th September 1895 when it was on display after Aston Villa had won it that year. A £10 reward was offered for the recovery of the cup but sadly the trophy was never seen again. In 1958 an 80-year old Harry Burge came forward and said he had stolen it to make counterfeit half-crown coins and in 1975 Joseph Piecewright was implicated in the original theft but neither of these claims have been substantiated. As current holders of the trophy and therefore custodians of it Aston Villa FC were fined £25 for the loss of the trophy. In 1953, 90 years after the formation of The Football Association, Geoffrey Green wrote his seminal work 'The History of The Football Association' and page 173 notes that '......and at a Council meeting on January 22nd, 1896, it was proposed by A. Sharman that the new Cup to be purchased for competition in place of the old one lost, should be of gold, the cost not to exceed £200. The proposal was lost, and a resolution put forward by R. P. Gregson, seconded by Dr. Morley 'that a cup as nearly as possible like the old cup should be purchased' was carried. Thus another trophy, costing £25 and of twin design to the original, was set upon its high pedestal'. Fortunately, a cast of 'the old cup' existed and Vaughton & Sons of Birmingham were commissioned to produce an exact replica of it at the cost of £25. This is the cup offered here for sale. It bears the winners' names from 1872 onwards including Wanderers who won five of the first seven finals including three in a row (they were then presented with the trophy in perpetuity only to apply the true 'Corinthian' spirit of the amateur game at the time and return it to The Football Association – ironically, they never won it again!), Oxford University, Royal Engineers, Old Etonians, Clapham Rovers (who were strong in both codes of football – association football and rugby union) and Old Carthusians. In 1883 Blackburn Olympic won the 'the little tin idol' and the game of Association Football changed forever. The domination of the former pupil's public-school teams had come to an end and the North of England and Midlands teams began a new era in the game.The present cup offered for sale was contested for on 15 occasions before being retired and subsequently presented to The Right Hon. Lord Kinnaird in 1911. First time winners of this actual trophy include Manchester City, Manchester United, Everton, Newcastle and Tottenham Hotspur to name but a few. Below are listed the details of each final this cup was played for with all the matches taking place at the Crystal Palace with the exception of the replay's of 1901 (Burnden Park, Bolton) and 1910 (Goodison Park, Liverpool)1895-1896 Sheffield Wednesday defeated Wolverhampton Wanderers 2-1 in front of 48,836 spectators. FIRST F. A. CUP FINAL WIN AND FIRST MAJOR TROPHY WON BY THE CLUB.1896-1897Aston Villa defeated Everton 3-2 in front of 65,891 spectators. Villa became only the second team ever to win 'the Double' this year of the Cup and Football League First Division Championship Trophy.1897-1898Nottingham Forest defeated Derby County 3-1 in front of 62,017 spectators. FIRST F. A. CUP FINAL WIN AND FIRST MAJOR TROPHY WON BY THE CLUB.1898-1899Sheffield United defeated Derby County 4-1 in front of 73,833 spectators. FIRST F. A. CUP FINAL WIN BY THE CLUB.1899-1900Bury defeated Southampton 4-0 in front of 68,000 spectators. FIRST F. A. CUP FINAL WIN AND FIRST MAJOR TROPHY WON BY THE CLUB.1900-1901Tottenham Hotspur defeated Sheffield United 3-1 in the replay at Burnden Park, Bolton in front of 20,470. The first match had ended in a 2-2 draw and had drawn a then record crowd of 110,820. FIRST F. A. CUP FINAL WIN AND FIRST MAJOR TROPHY WON BY THE CLUB.1901-1902Sheffield United defeated Derby County 2-1 in front of 33,068 after the first match ended in 1-1 draw in front of 76,914 spectators1902-1903 Bury defeated Derby County 6-0 in front of 63,102 spectators.1903-1904Manchester City defeated Bolton wanderers 1-0 in front of 61,374 spectators. FIRST F. A. CUP FINAL WIN BY THE CLUB.1904-1905Aston Villa defeated Newcastle United 2-0 in front of 101,117 spectators.1905-1906 Everton defeated Newcastle United 1-0 in front of 75,609 spectators. FIRST F. A. CUP FINAL WIN BY THE CLUB.1906-1907Sheffield Wednesday defeated Everton 2-1 in front of 84,594 spectators.1907-1908Wolverhampton Wanderers defeated Newcastle United 3-1 in front of 74,697 spectators.1908-1909Manchester United defeated Bristol City 1-0 in front of 71,401 spectators. FIRST F. A. CUP FINAL WIN BY THE CLUB.1909-1910Newcastle United defeated Barnsley 2-0 in the replay at Goodison Park, Liverpool in front of 69,000 spectators. The first match had ended in 1-1 draw in front of 77,747 spectators. FIRST F. A. CUP FINAL WIN BY THE CLUB AND LAST CLUB TO WIN THE FAMOUS 'LITTLE TIN IDOL'.The Right Hon. Lord KinnairdArthur Fitzgerald Kinnaird, later 11th Lord Kinnaird was born on 16th February 1847 in Kensington, London. He was educated at Cheam school, Eton and Trinity College, Cambridge where he became an all-round sportsman and represented Cambridge at numerous sports, including association football. He played and scored a goal in the second-ever F. A. Cup final in 1873 when Wanderers defeated Oxford University 2-0 and went on to play in a further eight finals for either Wanderers or Old Etonians and ended up on the winning side on five occasions in total between 1873 and 1883. Although born in England, the family seat was at Rossie Priory, Perthshire and he made a solitary appearance for Scotland against England in 1873 when England won 4-2.He was football's first superstar, the equivalent of Cricket's W G Grace, and was described as 'without exception the best player of the day'. He played in several positions including goalkeeper, half-back and forward and was an imposing figure on the field of play in his white long trousers and distinctive red beard. A hugely popular figure he celebrated by doing a hand-stand in front of the pavilion to a standing ovation after he captained Old Etonians to... For further information on this lot please visit Bonhams.com

SMALL SILVER - a mixed group including two easel back portrait frames, 16 x 11.5cms, Birmingham hallmark, date rubbed, a 25 x 18.5cms portrait frame, Birmingham 1927, pierced mustard pot with lid (no liner), small trophy cup, Birmingham 1901 and 1922 respectively, Sheffield mustard spoon 1932 and a glass posy vase with silver collar, London 1906 (portrait frames have no glass)

An Edwardian silver twin-handled trophy cup, Chester 1902, height 22cm, on turned ebonised plinth. CONDITION REPORT: 556.5g. Numerous dents and foot slightly misshapen, does not sit level.

George V Irish silver trophy cup of inverted bell form with twin scroll handles with engraved inscription 'St Margaret's Folkstone', raised on pedestal foot, (Dublin 1913), approximately 11ozs, 13.5cm in height

Edwardian silver trophy cup in the Art Nouveau style with three handles, flared column and pedestal foot, engraved presentation inscription (Birmingham 1906), 7.5ozs, 12.5cm in height

George V Silver trophy cup of conventional form with twin scroll handles (Birmingham 1932), together with Georgian silver toddy ladle, silver propelling pencil and quantity of other silver and silver plated wares including a silver plated egg cruet (qty)

1920s silver two handled trophy, engraved 'East Essex Hunt, The Masters Cup, 1928, on ebonised plinth, (London 1926), 20ozs, together with a framed black and white photograph depicting the horse 'Duchess', jockey and owner

Victorian HM silver Annual curling trophy/medal to the Thornhill curling club.gifted by C Stirling Home Drummond Esq of Blair Drummond.with all winners from 1871-1909 engraved to the back, around the edge and to an additional hinged back plate. hallmarked 1870 Glasgow maker r D & S, large medal with suspension formed from two 19th c curling brooms.62 mm width.

A qty of cutlery and a small silver trophy

A small pair of Victorian silver Bachelor Candlesticks, 3 1/2"high, a Victorian silver ditto 4 3/4" high; two similar silver Chalice type Cups, engraved, c. 1908/09, and two small silver Trophy Cups, as a lot. (1)

A signed Portrait Photograph "Eamon de Valera," an Arts & Crafts copper and brass mounted Vase, an oak Lap Desk, a stuffed and mounted Fox Head Trophy, a fur Purse and a Stole. (6)

TRAY CONTAINING CARLTON WARE COMPORT, VARIOUS SOUVENIR SPOONS, MINIATURE SILVER TROPHY, SILVER NAPKIN RING, GOEBEL FIGURINE, GOEBEL LAMP ETC

AN EDWARDIAN SILVER TROPHY CUP, stop reeded decoration, slender stem with soldered repair, circular beaded foot, maker Henry Williamson Ltd, together with a George V cased set of six silver teaspoons and matching sugar tongs, pierced decoration, makers James Dixon & Sons, Sheffield 1913, a cased set of six silver shell handled tea knives an incomplete cased set of teaspoons and a loose George IV Kings pattern teaspoon, gross weight of weighable silver 10.79ozt, 335.5 grams (Parcel)

1977 European Cup Final Signed Mounted Liverpool Football Print: Hand signed by Smith Callaghan and Neal who are pictured holding the trophy aloft. Mounted and in protective plastic to keep it pristine. 100% genuine by Bigbluetube. Measures 19 x 26 inches.

Pele Signed Mounted Football Print: Hand signed by Pele who is pictured in 1978 receiving the greatest player in the world trophy from George Best. Mounted and in protective plastic to keep it pristine. 100% genuine by A1 with COA. Measures 23 x 27 inches.

1966 World Cup Final Goalscorers Signed Framed Photo: Nice 10 x 8 inch black and white photo of the Jules Rimet Trophy. Hand signed in gold by Hurst and Peters with mount and frame.

FA Vase + Trophy Final Football Programme Collection: Easy way to start a nice collection. 24 Vase Finals from 1976 to 2012 including all replays plus 27 Trophy Finals from 1971 to 2014 also including replays. Very good. (51)

England 1966 World Cup Winners Football Coin Cover: Issued for the 1994 World Cup. Both coin and envelope depict Bobby Moore on shoulders of players holding trophy aloft.

1914 FA Cup Final Newspaper Burnley v Liverpool: Daily Mail page dated 27 4 1914. Very large double sided page with picture of the King presenting the Burnley captain the trophy and incidents during the match including the only goal. Full write up and other results etc. Fair/good kept neatly in purpose made display plastic.

A modern Irish silver-gilt horse racing trophy in the art deco style, of plain tapering triangular section with three handles, engraved with the letter 'P' within a lozenge, on triform base - 'JS' Dublin 1967, 13.5" high on conforming wooden plinth with silver-gilt plaque inscribed 'The Power Gold Cup . Fairyhouse 1967. Won By'.

William Moorcroft for James MacIntyre, a Pomegranate on green twin handled pedestal urn vase and cover, circa 1910, trophy cup form with ogee conical lid, underglaze green signature and monogram, 36.5cm high

Epns wares to include various flatware, napkin rings, ashtray and a miniature trophy cup (a lot)

A bronze plaque for The Kings Trophy Competition, fashioned as an inset medallion, the obverse with presentation annotation, the reverse annotated 'For Special Distinction', width 12.5cm

A George V silver trophy, London, 1923, baluster and on spreading foot with two scroll handles, engraved for the Durham Potato Show 1925 on turned wood plinth, 20.5cm high including base, 7oz 18dwt

Two twin handled silver plated trophy cups, and a silver plated trophy bowl with ring and lion mask handles (3)

A quantity of miscellanea including a box of small soaps, infrared heat lamp and various trophy stands

J. Hudson & co. military issue whistle dated 1940, small silver trophy, Selby Abbey medal, 9ct gold necklace, Imperial service medal together with miniature dress awards, Masonic Manchester Unity of Odd Fellows folding knife, coins, wristwatches etc - Condition Report

Sarah Williams (British 1961-): The Washing Line, oil on canvas signed verso 61cm x 108cm Notes: Sarah graduated from Norwich School of Art and Design in 1984 with a first-class BA Hons in Fine Art and, having won the Stowell's Trophy, was awarded an unconditional place to study MA Painting at the Royal Academy. She comes from a family of creative talent - her father, Reg Williams, was a member of the York Four. During her three years at Norwich Art School, she exhibited regularly in the school gallery and Norwich Castle and visited Switzerland, exhibiting and working with Kurt Rupe. More recently, she has exhibited in galleries around England and has had her own businesses in Interior Design, Architectural Design, Furniture Design and Jewellery. Sarah has recently returned to painting full-time and, having used a multitude of mediums in her creative work, now confesses she is an oil-paint addict. It is "the smell, the texture, the depth and colour of pigments: total nectar". - Condition Report

Sarah Williams (British 1961-): Geometric Landscapes, pair oils on canvas unsigned 90cm x 75cm (2) Notes: Sarah graduated from Norwich School of Art and Design in 1984 with a first-class BA Hons in Fine Art and, having won the Stowell's Trophy, was awarded an unconditional place to study MA Painting at the Royal Academy. She comes from a family of creative talent - her father, Reg Williams, was a member of the York Four. During her three years at Norwich Art School, she exhibited regularly in the school gallery and Norwich Castle and visited Switzerland, exhibiting and working with Kurt Rupe. More recently, she has exhibited in galleries around England and has had her own businesses in Interior Design, Architectural Design, Furniture Design and Jewellery. Sarah has recently returned to painting full-time and, having used a multitude of mediums in her creative work, now confesses she is an oil-paint addict. It is "the smell, the texture, the depth and colour of pigments: total nectar". - Condition Report

Sarah Williams (British 1961-): Despair, pair oils on canvas signed and dated 2018 verso 90cm x 75cm (2) Notes: Sarah graduated from Norwich School of Art and Design in 1984 with a first-class BA Hons in Fine Art and, having won the Stowell's Trophy, was awarded an unconditional place to study MA Painting at the Royal Academy. She comes from a family of creative talent - her father, Reg Williams, was a member of the York Four. During her three years at Norwich Art School, she exhibited regularly in the school gallery and Norwich Castle and visited Switzerland, exhibiting and working with Kurt Rupe. More recently, she has exhibited in galleries around England and has had her own businesses in Interior Design, Architectural Design, Furniture Design and Jewellery. Sarah has recently returned to painting full-time and, having used a multitude of mediums in her creative work, now confesses she is an oil-paint addict. It is "the smell, the texture, the depth and colour of pigments: total nectar". - Condition Report

Sarah Williams (British 1961-): Stress, oil on canvas signed and dated 2019 verso 90cm x 75cm Notes: Sarah graduated from Norwich School of Art and Design in 1984 with a first-class BA Hons in Fine Art and, having won the Stowell's Trophy, was awarded an unconditional place to study MA Painting at the Royal Academy. She comes from a family of creative talent - her father, Reg Williams, was a member of the York Four. During her three years at Norwich Art School, she exhibited regularly in the school gallery and Norwich Castle and visited Switzerland, exhibiting and working with Kurt Rupe. More recently, she has exhibited in galleries around England and has had her own businesses in Interior Design, Architectural Design, Furniture Design and Jewellery. Sarah has recently returned to painting full-time and, having used a multitude of mediums in her creative work, now confesses she is an oil-paint addict. It is "the smell, the texture, the depth and colour of pigments: total nectar". - Condition Report

Sarah Williams (British 1961-): Martial Artist, oil on canvas signed and dated 2019 verso 90cm x 75cm Notes: Sarah graduated from Norwich School of Art and Design in 1984 with a first-class BA Hons in Fine Art and, having won the Stowell's Trophy, was awarded an unconditional place to study MA Painting at the Royal Academy. She comes from a family of creative talent - her father, Reg Williams, was a member of the York Four. During her three years at Norwich Art School, she exhibited regularly in the school gallery and Norwich Castle and visited Switzerland, exhibiting and working with Kurt Rupe. More recently, she has exhibited in galleries around England and has had her own businesses in Interior Design, Architectural Design, Furniture Design and Jewellery. Sarah has recently returned to painting full-time and, having used a multitude of mediums in her creative work, now confesses she is an oil-paint addict. It is "the smell, the texture, the depth and colour of pigments: total nectar". - Condition Report