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dating: 20th Century provenance: Papal States, Grand cross with trophy for a soldier. Gilded, red-enamel metal. Complete with shoe and original case by Gravandola Roma (the rest of the case decorations is missing). diameter 5.1 cm.

dating: Second half of the 18th Century provenance: North Italy, Smooth, three-stage, 16 mm cal. barrel, octagonal at the first part and signed 'VINCENZO COMINAZZO', then round after a sixteen-side segment and rings, with brass foresight; flintlock with remains of floral engravings, slightly-carved at the end; wooden half stock with some carvings (small missing parts and defects). Beautiful, bronze mounts, the counter-plate featuring little angels, a bust, a cornucopia, eagle and floral motifs, butt-plate with trophy, a cowned bust with a trophy below and with a mask, mounts with floral motifs. Horn-tipped, wooden ramrod (incomplete). In patina. To be cleaned. It is worth a good restoration. length 137 cm.

dating: 1853 provenance: Naples, Slightly curved blade with jelman, the first part engraved with anchor, trophy and floral motifs, the base with signature 'Labruna' on one side and '1853 Napoli' on the other. Bronze hilt with anchor under crown, movable rear-valve and pommel shaped as a lion's head. Ivory grip carved with spirals with metal wire binding. Leather scabbard with engraved brass mounts and badge 'LABRUNA IN NAPOLI'. Two suspension rings. Complete with sword knot. length 93 cm.

dating: late 18th Century provenance: France, Heavy, round, smooth-bore barrel, with square base, with circularly strongly bell-mouthed nozzle, decorated with rings, base with a lateral mark 'TORDU'. Tang with sight. Big flintlock with brass pan. Wooden, full stock with brass mounts, trigger-guard engraved with a trophy. Iron ramrod. length 95 cm.

dating: about 1810 provenance: England, Round, smooth, turn-off, 10 mm cal. barrels, two overlapping and two lateral, octagonal at the base, numbered and with marks of the test bench and '2' on lion; boxlock-type frame signed 'BOOTH' on a side in a trophy of weapons, a nice trophy on the other side. Lateral change lever; upper hammer with safety lock; wooden butt. length 15.5 cm.

dating: First half of the 18th Century provenance: North Italy, NB. This lot has been declared of high cultural interest by the Ministry of Culture. Therefore it cannot be exported outside Italy. Round, turn-off, three-stage, 10 mm. cal (at the nozzle) barrels, octagonal at the first part, carved at the base with acanthus leaves in bas-relief, from which short ribs begin. Provided with rings featuring a short, round inscription interrupted by another frame of acanthus leaves outlining the last, smooth and round segment provided with moulded muzzle with foresight. Flat lock plates with inclined borders, engraved with floral motifs and with a trophy, hammer with eagle, the screw is covered by a beautiful mask in relief. Rotating breech block made of brass, covered with a silver foil on the right side signed 'Costantino Modena', on the left side provided with a lever that, when turned around 250 degrees, the hammer cocks, the gate leads, the batterie lowers and the bullet and the powder enter the powder chamber. The mechanic is worked with carvings at the back, with well-relieved sight surrounded by bas-relief leaves around trophies and floral motifs. Briarwood butt (breaking) with finely engraved, gilt-silver mounts. Trigger guards with eagle under the Grand Duchy of Modena crown, the counterplates pierced with spirals and gryphon in relief, the butt-plates depicting the Grand Duchy of Modena eagle under crown. The final part of the butt-plates decorated with a big mask in relief surrounded by a frame of acanthus leaves; this turn-off element contains the magazines for the bullets and for the powder. A very scarce pair of Berselli-system flintlock pistols that probably belonged either to the Grand Duke Francesco II (reign: 1662-1694) or to a member of his family. Another pair of pistol featuring this scarce system can be found at the History of Science Museum in Florence.The signature Costantino / Modena probably refers to Antonio Costantini from Bologna (see Barbiroli, pages 109-201). The pistols presented in this auction require an adequate restoration, but they surely are the most beautiful pair of this type that we are acquainted with. length 52.5 cm.

Victorian silver trophy cup, London 1877, maker Daniel & Charles Houle, engraved "Presented to the officers mess 2nd Batt XVI Bedfordshire Reg't by Captn Newbolt 6th October 1875" the reverse with Bedfordshire regiment crest, 19cm high, 6.8oz

Silver cruet sets, mint imperial bowl, trophy cups and plated candle snuffers

Silver trophy egg cup - Buckminster & Sewstern produce show - B'ham 1934- proceeds to Marie Curie charity

Silver trophy loving cup 'The Seniors Cup' engraved with annual winners - 1968-2008 - London 1905 - proceeds to Marie Curie charity

A vintage enamel RNLI Ladies Guild Committee medal - sold with a silver cricketing trophy

An 18th century hallmarked silver two-handled trophy-style cup; later Repoussé decorated and with inscription engraving relating to the Russian War (Crimea) engraved 'Denbighshire Yeomanry Cavalry presented to G.H. Whalley Esqre. on his Resigning the Command of Runbrn Troop', George Hampden Whalley (the son of George Hammond Whalley) was born on the estate of Plas Maddoc in 1851 and educated at Brighton College and on the Training Ship Britannia he afterwards entered the Royal Navy. Whalley received a Lieutenant's Commission in the 6th Royal Lancaster Regiment of Militia on 9th March 1871 and he resigned his Commission on 1st June 1872. He was Commissioned a Cornet in the Denbighshire Yeomanry on 29th June 1872, Whalley was promoted then Captain on 4th December 1878 and in 1879 Whalley C Troop of Lonsdale's Horse, a local Colonial Unit in the Anglo-Zulu War (15.5cm high, total weight approx 369g)

A large two-handled silver plated trophy engraved 'Stepping Stone School Music Makers competition presented by Sir Georg Solti' on round black plastic socle (36cm high)

A Japanese Katana; the tightly bound shagreen handle terminating in a patinated copper end decorated in low relief with flowerheads, similarly decorated copper band below the pierced brass tsuba decorated with prunus blossom, the painted scabbard (paint worn and away in places) similarly mounted with copper bands very finely detailed in relief and the higher double band as a flowerhead mounted with a support ring, the scabbard terminating in ornate copper and brass Kabuto Gane (68.75cm blade, the full length including scabbard and handle 100cm, probably late 19th/early 20th century). Vendor advises the item originally taken by her uncle as a trophy of war, together with two black & white photographs of naval ratings at HMS Ganges, both photographs containing her uncle (exact location not known)Condition Report: Overall the piece appears to be in good condition with the metalwork having darkened down nicely commensurate with age. The item comes from a private source.  The scabbard has several areas of brown paint away (see images on website). No noticeable dents, a few scratches. The press studs function nicely, neither the scabbard nor blade shape has distorted. The Tsuba is very nice quality, the steel blade appears sharp but not excessively so. Dimensions: scabbard 74.5cm, Blade including metal band 69cm, excluding metal band 66cm

Cigarier-Möbel mit ovaler Plakette mit Trophäendekor und Schild mit Medusenhaupt von Charles-Guillaume Diehl (1811-1885)Höhe: 138,5 cm.Breite: 51 cm.Tiefe: 41 cm. Paris, um 1870 – 1880.Amboina-Wurzelholz, Zitronen- und Rosenhölzer, emaillierte Keramikplakette. In Bronzesabots stehende, gekantete und konisch auslaufende Beine durch Kreuzstreben verbunden, die in ein oktogonales Mitteltableau mit Balusterknauf zusammengeführt sind und durch Empire-Elemente dekoriert sind, darüber einschübige Zarge mit flankierenden Würfelkapitellen und zentralem symmetrischem Bronzeelement. Wurzelholzdeckplatte mit darauf stehendem kubischen Korpus mit nach rechts öffnender Schwingtüre, diese mit stehendem Oval, ein polychrom verzierter Emaileinlage zeigend, diese mit Grisaille-Darstellung auf dunkelblauem Fond, das Medusenhaupt auf einem Schild zeigend, von Kriegswerkzeug umringt und von einem Messingprofil gerahmt. Innen mit vierzehn Einlegböden für Zigarren und vier Schubfächern. Bekrönt durch einen Dreiecksgiebel mit Intarsien und Ormoluzier. Furniert mit Zitronenholz und Rosenholz. Minimal besch., ein Schlüssel vorhanden.Anmerkung: Charles-Guillaume Diehl, wurde am 20. Juli 1811 als Sohn des in Steinbach (Hessen), tätigen Tischlers Gaspard Diehl und Catherine Hill geboren. Er ließ sich in Paris nieder und heiratete am 18. April 1840 Zoé-Philippine Vavasseur. (12618131) (13)Cigar cabinet with oval plaque with trophy decoration and shield with Medusa headby Charles-Guillaume Diehl (1811-1885)Height: 138.5 cm.Width: 51 cm.Depth: 41 cm.Paris, ca. 1870 – 1880.With one key.Export restrictions outside the EU.

Cesare Roccheggiani (Italian, active second half 19th century): A pair of late 19th century 'Grand Tour' framed topographical micro mosaic circular panels depicting views of St Peters Square and The Forumthe former showing St Peter's Basilica in Rome, a number of paired figures in the middle-ground, a rooftop scene in the immediate foreground, the latter showing the Forum, depicting the Temple of Vespasian and Titus between the Arch of Septimius Severus and the Temple of Saturn, with a couple depicted to the bottom left, the views mounted within moulded black marble borders and set within contemporary gilt bronze foliate scroll pierced frames, the rear of each frame with original green silk covered backing with gilt tooled trophy makers marks, stamped G ROCCHEGGIANI, ROMA,, 33.2cm diameter overall (2)Footnotes:As a member of a well-known family dynasty of master mosaicists, Cesare Roccheggiani had a reputation as one of the most accomplished artists in the city of Rome in the second half of the 19th century. Probably related to Lorenzo Roccheggiani, a late 18th century mosaicist at the Vatican workshop, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni, he may have also been related to Nicolo Roccheggiani, who was most likely Lorenzo's son who was also another principle artist at the Vatican although at a slightly later date.Previously thought to have been active in the Vatican Mosaic Workshop in the period 1856 to 1864, little was known of the Ceasre Roccheggiani before he established his own independent atelier, first at 125 via Babuino and then by 1874 at 14-15 Via Condotti near the Piazza di Spagna. However, more recent research and examination of Roccheggiani's mosaics suggest that the artist and craftsman may have worked in the atelier of Michelangelo Barberi given that he was strongly influenced by Barberi's style of work and in some cases directly copied some of his own compositions ( the famous 'Rome by Night and Day' being one of these works). After Barberi's death in 1867, his studio continued under the direction of his daughter, Isabella Barberi but was last listed in 1873 which coincidently is actually the year before Roccheggiani first opened his own business. In the mid 19th century there were nearly one hundred mosaicists operating in Rome, many from small workshops with the majority of their output manufactured solely for the burgeoning tourist trade. However the diverse range of pieces produced in large quantities were generally of a small scale comprising small plaques, miniatures and cameos. By comparison the very best studios such as Cesare Roccheggiani's usually produced more substantial or finer micro mosaics in much smaller quantities. These magnificent and costly works however remained the preserve of the rich and powerful and many of the works, often produced by the Vatican workshop were either gifted by visiting aristocrats, given as diplomatic gifts, commissioned by monarchs or displayed at the major international exhibitions such as the Great Exhibition of 1851.A contemporary photograph of Roccheggiani's shop front illustrates the extensive range of mosaics that his company offered and a guide book to Rome lists him as a supplier of mosaic pictures, tables, cabinets, paper weights and gold ornaments (Murray, 1899, p. 22). Of these works, his table tops and large scale pictures were perhaps the most expensive pieces and were acquired by wealthy and prestigious clients and and displayed at the international exhibitions which were very much a feature of the late 19th century. Roccheggiani's mosaics was exhibited at the 1876 Centennial International Exhibition at Philadelphia and at the 1880 Melbourne International Exhibition and his standing was such that he served as a committee member for The Italian Exhibition in London in 1888.Examples of his work in museums in the UK include an étagère with mosaics in the Gilbert Collection, Victoria and Albert Museum, and a necklace in the British Museum, London (Gabriel, 2000, no. 59; Gere, 1984, no. 966)..For further information on this lot please visit Bonhams.com

A large Victorian silver racing trophy bowlJames Barclay Hennell, London 1879 The body with two cast equine scenes and two drop-ring handles with lion mask brackets, the base with rich floral and scroll decoration, the interior gilded, diameter 45cm, weight 207oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A mid-19th century Sevres porcelain cabinet plate, painted to the centre with a half-length portrait of the Duchess de Bourgogne, signed C. Magliu, the green ground with tooled gilding and harvest trophy reserves, printed marks to base, 24cm diam

A Regency mahogany chest of two short over three long drawers, with maple wood inlay and trophy shaped ivory escutcheons, raised on bracket feet (top is later), 100h x 103w x 50cm dLocation: A2

A bottom half of a Regency mahogany chest on chest with three drawers having trophy shape ivory escutcheons, raised on splayed feet, 93h x 104w x 50cm dLocation: A2

British inter-war RP Postcard "The 'Dipchit' Trophy. Never been known to miss." showing a group of six men holding brooms and mops.

A die cast model of a Kerosene Tractors Waterloo Boy, trophy mounted on a wooden stand, with plaque engraved Burden Tractors Trophy Presented Annually For The Best Tractor On Show Manufactured Between 1951-1960.

Murray Walker. My Autobiography, signed first edition, published by Collins Willow, London 2002., together with Motorsport, Tribute to Ayrton Senna, 1993, Donington Park 2003, and a further Memorial Trophy Meeting Brochure, Donington Park June 21st - 22nd 2003. (3)

A pair of loaded silver bud vases; with seven silver and white metal small trophy cups, some loaded; a two handled silver bowl; a silver sugar caster; a pair of silver salts with a spoon; a silver paper; and a white metal goblet

A silver two handled trophy cup, inscribed, with a wooden plinth with applied silver band for engraving recipients755 g gross weighable

A LARGE COLLECTION OF TROPHIES TO INCLUDE A SWATKINS TROPHY, HORSE BRASSES ETC.

Unusual presentation trophy of a carved water buffalo with plaque 'Philippine bridge festival, team of the Championship Manila 1957, First Prize'.(B.P. 21% + VAT)

Silver presentation two handled trophy cup 'Durba II Challenge Cup for the best section presented by Major Abbot Robinson 1914', on ebonised socle base by Walker & Hall with Sheffield Hallmarks (with tin base). Weight 17 troy ozs approx.(B.P. 21% + VAT)

Hi-Standard Supermatic Trophy Mod. 104 Kal. .22 l.r., Nr. 1369858, blanker, dicker Lauf, Länge 5½". Zehnschüssig. Dt. Beschuss 1964. Mikrovisier. Vorbereitet für Laufgewicht. Abzug mit Triggerstop. Linksseitig Kaliber, Hersteller und Modell. Vollständige, originale Hochglanzbrünierung. Bedienteile vergoldet. Dunkle Nussholzgriffschalen mit Daumenauflage. Magazin. Nahezu neue Erhaltung.WBK: Achtung - ErlaubnispflichtigZustand: IHi-Standard Supermatic Trophy Mod. 104 Cal. .22 l.r., SN. 1369858, blanker, dicker Lauf, Länge 5½". Zehnschüssig. Dt. Beschuss 1964. Mikrovisier. Vorbereitet für Laufgewicht. Abzug mit Triggerstop. Linksseitig Kaliber, Hersteller und Modell. Vollständige, originale Hochglanzbrünierung. Bedienteile vergoldet. Dunkle Nussholzgriffschalen mit Daumenauflage. Magazin. Nahezu neue Erhaltung.WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: I

Military Interest: A WWI presentation trophy, titled 'Comte et Comtesse Fr.De Jehay a Lord Kenyon, 1914-Sejour a Gredington-1915', possibly a token of thanks to Lord Kenyon allowing the Count and Countess of Jehay to reside at Gredington Park, bronze plinth base cast in relief mounted with an artillery shell, 48cm high Provenance: The Estate of Lord Kenyon, Gredington.

A selection of silver tableware, comprising; an Art Deco five-piece silver mounted manicure kit by Sanders & Mackenzie, Birmingham 1935-36, comprising three silver-handled files and two pairs of white metal nail scissors all set to a glass silver mounted stand, 13.8cm high, a pair of Victorian pepperettes by Deakin & Francis Ltd, Birmingham 1898, 6.8cm high, a pair of wet mustards by Robert Pringle & Sons, Chester 1919, 5.8cm high, two pairs of open salts, a further open salt, a miniature trophy cup on stand, a push spoon, five assorted salt spoons, and a miniature model of a dog, gross weight of group (excluding liners) 9.90ozt (22)Condition Report; Overall good. All pieces show a minor to moderate degree of denting, wear and tear. The two circular open salts, two pepperettes and singular open salt show minor to heavy splitting and heavy denting. Signs of repair to the handle of the push spoon. Moderate degree of bending to the stand, and moderate denting to the blades of the scissors. Oval salts and mustards contain glass liners, and are in tact. 

A fine and rare mid 19th century gilt brass and coromandel giant 'Mortar' timepieceThomas Cole, London, no. 1600The gilt brass barrel finely engraved with a trophy of arms, set on a trunnion mounted on a shaped and moulded coromandel base, the silvered dial in the form of the cannon ball mounted in the muzzle with Roman chapter ring enclosing an engraved rosette in the centre, with original blued steel hands curved to follow the shape of the projectile, the signed movement with going barrel, vertically mounted lever escapement with plain three arm balance. The base 16 ½in (62cm) long, the muzzle 7 ½ in (19cm) diameterFootnotes:Provenance: The collection of Dr Eugene Antelis.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

PEWTER ETC. A Victorian pewter mug, the front with engraved cartouche 'City of Derby Regatta 1869'. Also, an EPBM Victorian twin handled trophy presented by The Old Paulines Club & an EPBM presentation jug presented by Haileybury College, 1887. (With dents).  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Quantity of plated ware to include assorted flatware, napkin rings, teaspoons, trophy cup, teapot, serving dishes, etc (1 box) to include 5 Napkin rings, 12 Teaspoons, 16 small forks, 18 large forks, 16 spoons, 3 serving spoons, 9 bone handled knives, 1 further spoon, decorated fork and knife, 2 flat dishes, 1 tankard, 1 teapot, 1 sugar pot, and 1 soup tureen. 

An early 20th century sterling silver two-handled trophy cup, inscribed 'Lt. Col. George W. Gatchell July 28, 1912 from officers of the first district C.A.C. R.J.N.G in hearty appreciation of their instructor', marked sterling 224 to base, 24.5cm high, 13.5ozt approx. 

A George V silver twin-handled trophy cup, no inscription, William Hutton & Sons Ltd, Sheffield 1924, height 21.5cm. CONDITION REPORT: 536g

Lego 76898 Speed Champion Formula E Panasonic Jaguar Racing Gen 2 and Jaguar 1-Pace and Trophy. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

A group of Jaguar related prints, to include, Jaguars at Le Mans by Graham Bosworth, World Champion by Alan Fearnley 171/850 and another by E. Scarborough, together with two Ferrari related prints, 1963 Tourist Trophy - Goodwood and Ferrari Grand Prix History 1949-1990 by Alan Fearnley (5)

A silver trophy cup, HF & Co., Birmingham 1911, with twin handles and wavy rim, inscription relating to Iver Horticultural Society, 22cm across handles and a trophy goblet, London 1871, approximately 607gm

A silver trophy cup for City of Nottingham Regatta, 1931, Birmingham 1931, on an ebonised plinth, retailed by John Perry, Nottingham, weight including base-metal fixing beneath approximately 443gm

A silver tea caddy, Charles Boyton & Son Ltd, Birmingham 1919, oval form, engraved initials to front and date to back, 8.5cm; silver golfing trophy quaiches, bowl, comport (damaged); silver capstan inkwell, total weighable approx. 50.5oz.

A small collection of rowing prize medals, comprising: Humber Regatta 1860, engraved silver, 44mm (SIX OARED GALLEY RACE "Undine" N0 6), scroll suspension, good very fine and attractively toned; Exeter College Oxford Boat Club, silver, 51mm, arms, rev. club title to a collar, engraved (MEADE FOURS 1885), contemporary fitted case, extremely fine; Metropolitan Amateur Regatta, silver, 57mm, arms, rev. trophy cup, unnamed, by Pinches, extremely fine; Cambridge University, silver, 51mm, arms, rev. engraved within a wreath (THE CLINKER FOURS 1904), by Munsey & Co, in a contemporary fitted case with associated silver plaque naming the crew, good very fine or better; Oxford University Boat Club, AE, 51mm, Eight Oar Trial Race, unnamed, very fine or better.

Anglo-Burmese Expedition 1886-89: an interesting trophy, comprising a painted copper gong, 14 in., with central boss and deep rim, a radiant sun to the centre, and round the edge the legend 'BURMESE WAR GONG/ CAPTURED BY CAPT W.A. BROOME 1ST BELOOCH LIGHT INFANTRY OKENABIN 22ND APRIL 1887'; suspended between two carved and painted supporters in the form of standing Chinthe, wooden stricker with a leather head, height of supporters 24 in. (61 cm). William Arthur Broome was an officer of considerable field experience, having served in the 2nd Anglo-Afghan War as adjutant to the 2nd Belooch Regiment, and in the Anglo Egyptian War of 1882. He served in Burma 1886-89 as 2nd in command of the 1st Belooch Light Infantry, and was present at the engagement at Nga-Kyne, the Forcing of the Nanko Defile, and the Capture of Sawloon. He became a Major in September 1888.

Sovereign Military Hospitaller Order of St John of Jerusalem, of Rhodes and of Malta: a group of insignia comprising: neck badge, silver gilt and enamel, elaborate suspension involving an openwork crown and a trophy of arms, stamped '925', black ribbon, in a fitted case with vacant space for a dress miniature and a lapel badge, minor enamel scuffing, nearly extremely fine, a silver gilt and enamel breast star, stamped '925', pin loop bent, nearly extremely fine; and a dress sword by Wilkinsons, numbered 022, gilt-metal cruciform hilt with enamelled cross to the grip, gilt brass mounted leather scabbard. [3]

Football autographs, George Best, Manchester United, three, 8x10", b/w photographs being later reprints taken from earlier original negatives, each one with original Best ink signature, first showing Best at medical, another suited with Player trophy, and the 3rd showing Best seated with Matt Busby and the European Cup trophy (ex) (3)

A silver sugar caster, by Williams Comyns & Sons Ltd, London 1927, 20.5cm high, together with five silver trophies, each by William Hutton & Sons Ltd, various dates, 9.4cm wide, total 14.5ozt (6)Condition report: Sugar caster in good order, with minor wear and knocks commensurate with age. One trophy with bent foot. Other with knocks, heavy tarnish and general wear.

Cricket, a selection of mostly Domestic Cricket score cards, tickets & programmes inc. Benson & Hedges Cup Finals, 1980 - 2002 (15), County Championship Games, mostly Middlesex, 1980's onwards, Nat West Trophy & Gillette Cup Games etc, also a few magazines, brochures, and some test match items (mostly gd/vg) (quantity one box)

Football, vintage photograph showing the Old Kendricks Football Club, 1896/97 by Victor White of Reading depicting team and officials with trophy after winning the Reading Temperance League 1896/97, legend beneath giving player details including the Webbers. Board mounted, 36cm x 46cm (one small circular stain plus some foxing otherwise gd)

A Collection of 1970/80's Wolves Football Club Ephemera to Include Programmes, Silver Plated, Tray, Trophy Plaque, Framed Photograph (Glass Cracked) etc

Two-handled silver trophy cup, by James Fenton, Birmingham 1934, engraved 'Variety Club Gold Society, The George K. Arnold, Lyons Maid Challenge Cup' and winners, 14.4oz.

A 19th Century tea service; a selection of Neapolitan Blanc de Chine coffee cups and saucers; a Wedgwood commemorative two-handled loving cup; a silver lustre two-handled trophy cups; and other items.

Silbergefasste Djambia, osmanisch, 19. Jhdt. Gekrümmte zweischneidige Klinge, stellenweise etwas narbig. Getriebenes Silbergefäß mit floralem und Trophäendekor. En suite dekorierte Scheide. Länge 61 cm.Zustand: II -An Ottoman silver-mounted jambia, 19th century The curved, double-edged blade with patches of light pitting. The hammered silver hilt with floral and trophy ornaments. En suite decorated scabbard. Length 61 cm.Condition: II -

A Victorian silver foliate engraved cream jug and a small silver golf trophy

JOHN MANTON, LONDON AN 18-BORE FLINTLOCK SPORTING-MUSKET WITH BARREL BY NOCK, no visible serial numbers, circa 1795 and possibly originally built as a rifle, with replacement smoothbore octagonal 35 1/4in. barrel, applied bead fore-sight, the breech-block with inlaid gold poincon signed 'NOCK, LONDON' below a crown (rubbed), gold lined touch-hole, engraved top-tang marked '2', flat slightly curved colour hardened lock border engraved and signed 'MANTON' below the rainproof pan, musical trophy engraved to the pointed tail, swan-necked cock and roller bearing to the frizzen spring, walnut full-stock chequered at the wrist, raised cheek-piece, iron furniture, pineapple finials to the trigger-guard plate and ramrod throat, two ramrod pipes with rolled ends and probable replacement horn-tipped ramrod, 50 1/2in. overall, weight approximately 5 1/4lbs..

TULA ARSENAL, RUSSIA A MAGNIFICENT PAIR OF 16-BORE FLINTLOCK SILVER & GILT-MOUNTED HOLSTER PISTOLS, dated for 1742, with maidenhair damascus slightly swamped 10in. barrels, applied short silver sighting ribs with floral terminals and surrounded by thickly applied gilt scroll-work, the fore-sights formed from applied raised and carved silver grotesque masks with further gilt scrollwork fore and aft, silver covered top-tangs engraved with borders, an arrow crossed with a quiver and scroll engraved tips, curved and radiused locks with carved raised borderlines, the pointed tails each engraved with the head of a mythical beast, both locks signed in cyrillic and dated, white metal lined rainproof pans, engraved swan-necked cocks with carved and raised borderlines, moulded frizzens with feathered terminals to their stops and springs, burr-walnut full-stocks carved with tear-drops behind the locks and sideplates (one cracked through at wrist and repaired), raised carved floral borders around the top-tangs raised carved plain borders around the edges of the fore-ends and ramrod channels, relief carved floral detail behind the ramrod throats and above each thimble, relief moulded and engraved silver long-spurred butt-caps with central grotesque masks, moulded silver trigger-guard tangs, bows and finials, moulded silver ramrod throats and ramrod thimbles with rolled ends, vacant silver rococo escutcheons to each wrist, carved and pierced silver trophy sideplates and probable original silver faced wooden ramrods.. * Please note this item is subject to 5% VAT on the hammer price.

A 15-BORE FLINTLOCK HEAVY OVERCOAT PISTOL, SIGNATURE OBSCURED, no visible serial number, possibly signed 'J. BRIND' or 'BEARD', circa 1800, with octagonal 4 1/2in. barrel, traces of signature to the top-flat, solid engraved top-tang, borderline engraved flat bevel edged lock with stepped round tail further engraved with a trophy, swan necked cock, roller frizzen spring, walnut full-stock with smooth bag-shaped butt (old loss to right fore-end upper edge), engraved brass furniture and probable original ramrod, overall length 10 1/4in..

ASKEW, LONDON A GOOD .650 FLINTLOCK PRIVATE PURCHASE OFFICER'S OR VOLUNTEER'S PISTOL, no visible serial number, circa 1810, with round iron 9in. barrel signed 'LONDON', broad engraved band at breech, commercial London proofs, solid engraved top-tang, borderline engraved flat lock signed 'ASKEW' below the semi rain-proof pan, stepped and pointed tail engraved with a martial trophy and fitted with a sliding safe for the ring-necked cock, walnut full-stock, the butt swelling at the pommel and fitted with a brass cap with short rear tail, engraved brass furniture, captive iron stirrup ramrod, 15 1/2in. overall, weight approximately 2 1/2lbs..

S. BRUNN, LONDON A CASED PAIR OF 20-BORE FLINTLOCK DUELLING-PISTOLS, no visible serial numbers, made between 1805-20, with sighted 9in. octagonal barrels marked '56 CHARING CROSS, LONDON' (rubbed), trophy engraved top-tangs, gold lined touch-holes, flat bevel edged locks signed 'S. BRUNN' below the semi rainproof pans, stepped and pointed tails with safes, roller frizzen springs, walnut full-stocks (small losses and repairs to upper edges of fore-ends), chequered bag-shaped butts, square-backed iron trigger-guards and horn tipped wood ramrods (one a replacement), in a period but unassociated mahogany brass-bound case re-compartmented and lined in green baize.

HUNTED BY H.R.H. EDWARD PRINCE OF WALES A FINE ROWLAND WARD-MOUNTED BOAR TUSK TROPHY IN A GLAZED DISPLAY WITH CONTEMPORARY LANCE HEADS, Together with a First Edition (1925) copy of 'H.R.H. THE PRINCE OF WALES'S SPORT IN INDIA' by Bernard C. Ellison F.R.G.S. C.M.Z.S. and a rare copy of Sotheby's New York 1997 slip-cased three-part auction catalogue 'The Duke & Duchess of Windsor' The boar tusks mounted by Rowland Ward on an oak shield and inscribed in gold paint 'PATIALA 23.2.22 One Spear', surrounded by six varied examples of boar lance heads, the later scarlet baize-lined, glazed casing with cut-out at the rear to display the original Rowland Ward Ltd. Label with 'The Jungle', 167 Piccadilly, London W1 address, and also Sotheby's lot number stickers for Lot 3280 (2), September 19th 1997 'The Duke & Duchess of Windsor'. The book details the Prince of Wales's tour in India and Burma from Bombay, November the 17th, 1921 to Karachi, March 7th, 1922. He was first introduced to the sport of boar hunting with lances in Jodhpur in the December of 1921 and quickly became an accomplished practitioner of the sport. On the 24th February 1923, in Patiala and in the company of H.H. the Maharajah of Patiala, he achieved the ultimate 'one spear' kill which this trophy celebrates. The book has a colourfully detailed account of the day's sport, written by Sir Godfrey Thomas who was himself a participant. This trophy features in 'The Private Collections' as part of Lot 3280. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

A SILVER TROPHY CUP, double scroll handles, embossed floral and foliate design, with a vacant cartouche, tapered stem, on a round base, hallmarked 'Charles Boyton & Son Ltd' London 1909, approximate gross weight 197.8 grams, approximate height 23cm (Condition Report:- overall fair condition, dinks in places, tarnishing all round)