We found 37531 price guide item(s) matching your search

Two boxes of metal wares, toasting forks, plated trophy, brass trivets, two quartz time pieces, various clear and opaque glass light shades etc

Sporting/motor racing: an art deco silver trophy cup, inscribed "7.8.39 Veteren Car Speed Event "B" – C.M.VERE", by Walker & Hall, London 1939 (wooden plinth), 20cm high, 12.3oz weighable silver. (lot)NOTE: This silver trophy was awarded at the last ever BARC meeting at Brooklands to the winner of the 6th or penultimate rate. It is sold with four metal medals (in a framed & glazed case) for completion of the annual London to Brighton run, also awarded to C.M. Vere, a photocopy of the Brooklands race program of 7th August 1939 and three black & white prints of the winning vehicle, an Achilles De Dion of 1903.

A silver sugar bowl, 9.5cm diam, Sheffield 1933;  a trophy cup;  an EPNS oval basket, pierced border, 30cm diam;  etc

An E.P.B.M. two handled pedestal trophy cup, The Park Associated Ai Gun Clubs,  Sheffield 1906, 50cm high

Pair of late 19th century Austrian (Johann Maresch) pottery chargers, impressed 5836, JMO marks, one moulded with an 17th century-style gentleman with violin, within musical trophy and landscape border vignettes, the other with a lady with playing cards, within a border of landscape vignettes and diaper pattern, enriched in matt colours, within gilt moulded rims, 45cm diameter 

Two pewter Ronin trophy cups for Clare College Junior 8's 1907 and Queen's College Junior 4's 1906Both are in good condition

Collection of eight small silver trophy cups with various engraved presentations for Surbition Challenge Cup, British Legion, Old Bird average etc., 9.5t oz

Birmingham silver two handled trophy cup, engraved Shillong Pujahs and another pedestal trophy cup for Hill Climb North London Motorcycling club, 8t oz

London silver two handled pedestal trophy cup, 9oz t, together with a white metal mounted ebonised plinth

Birmingham silver two handled trophy cup with Australian presentation engraving

A GOOD 16-BORE FLINTLOCK SPORTING RIFLE SIGNED E. BAKER, LONDON, no visible serial number, circa 1800 and of military style, with 27 1/4in. seven-groove browned octagonal barrel, the top-flat signed 'E. BAKER LONDON GUN MAKER TO H.R.H. THE PRINCE OF WALES', dove-tailed front and rear-sights, colour hardened breech-block with engraved bands, trophy engraved top-tang, gold lined touch-hole, plain lock with moulded edge and stepped tail, 'E. BAKER' signed below the rainproof pan, pierced cock with bolted safe, roller to the frizzen spring, walnut full-stock of military form with raised cheek-piece, brass furniture including patch-box to the right side engraved with a martial trophy, raised lower tang, the bow engraved with a further martial trophy, single set trigger, three brass escutcheoned barrel keys and large military-style trumpet ramrod thimble, complete with its brass mounted ebony ramrod.

A 12-BORE BRASS-BARRELLED FLINTLOCK BLUNDERBUSS, THE BARREL SIGNED RIGBY, DUBLIN, registration no. 6K-S1230, for King's Co. (Offaly), manufactured circa 1815, with 14 3/4in. two-stage octagonal to round barrel with strongly flared offset muzzle, moulded bands at the intersections, the top-flat signed in script 'RIGBY, DUBLIN' together with the registration number and a naive armourial, a band of florets to the fore, iron top-tang engraved with a musical trophy, borderline engraved lock signed 'LYNCH', swan-necked cock, semi rainproof pan and roller spring for the frizzen, walnut full-stock with exposed muzzle (repaired at muzzle, large burn mark to right of comb), brass furniture, the heel-plate stamped with a matching registration number, brass tipped ramrod and iron stirrup swivels.

JOSEPH MANTON, LONDON A SCARCE 40-BORE FLINTLOCK DUELLING PISTOL, serial no. 5107, for 1810, with smoothbore 9 3/4in. octagonal barrel (some discolouration and stains) signed in a platinum poincon at breech 'JOSEPH MANTON PATENTS' together with a crown device, platinum line, small applied white metal boat-shaped fore-sight, standing notch rear-sight to the trophy engraved top-tang, flat, slightly curved lock with border engraving and signed 'JOSEPH MANTON, LONDON', engraved safety-bolt, patent rainproof pan, swan-necked cock and roller frizzen, walnut half-stock with chequered bag-shaped grip, small engraved iron pommel-cap with short pointed tail, plain trigger, blued trigger-guard bow with finger-spur (much blued finish remaining), white metal barrel wedge escutcheons, horn fore-end tip and mahogany ramrod with horn tip.

Eight bronze casting moulds, possibly for trophy handles. Includes fish, dog and fox examples.

A twin handled trophy presented to Otley Mills Bowling Club for the Annual Handicap. Assayed Birmingham 1923. 24cm. 369g. Foot and rim mis-shaped. Minor denting and tarnishing.

A framed hunting trophy

THREE SILVER PRESENTATION DISHES, each of a square form, personal engravings to each reading 'L.S.G.S Jack Ryman cup 1966', 'L.S.G.S John Bond Cup 1968', 'L.S.G.S Guildford Trophy 1966', each with a full silver hallmark for London and Sheffield, approximate gross weight 7.54 ozt, 234.7 grams (condition report: general light wear, would benefit from a gentle clean and polish)

A BOX OF ASSORTED SILVER PLATE WARE, to include a small silver trophy cup with plinth, hallmarked 'Roberts & Dore Ltd' Birmingham 1934, approximate gross weight 60.1 grams,1.93 ozt, a pair of tall tapered and pierced posy vases, a bell shape tankard, goblets, a pair of small tapered posy vases, an EPNS milk jug and sugar bowl, and four wall mountable Egyptian plates, together with a gents 'Sekonda quartz' and an 'Elger' quartz wristwatch

A GROUP OF GOLFING RELATED ITEMS, to include a Stuart Crystal round decanter with golfer design, a Dartington Crystal clock with similar design, a Queensberry Tableware oversized breakfast cup and saucer, a Naturecraft chalkware golfer figure, a Sylvac golf tankard, a bronzed resin figure - The Long Drive, height 22cm, a Sadler 'Golfing' pen tray, books, trophy, paperweight, etc (15) (Condition Report: most items appear in good condition, sd)

A hallmarked silver twin handled trophy cup engraved 'Giggleswick School Swimming Challenge Cup presented by Settle Ladies Swimming Club 1926' London 1927 maker Robert Pringle & Sons together with a silver Royal Masonic Hospital Jewel medal engraved Bro J.A. Barker No.3439 and a silver Masonic royal Benevolent Institution medal. Cup weight 124g.

Triumph Service Manual Trophy Daytona Trident and assorted Tools inc. Portable Wynch, Air Tolls SDS Masonry drills & Chisels etc

A George V Silver Octagonal Two-Handled Tray - "Oasis Trophy" by Walker & Hall, Sheffield 1933, of Art Deco design with reeded and moulded rim and handles, the centre engraved "Oasis Trophy won by D H Dragon (G- Ackl) Pilot W D MacPherson Second Pilot and Navigator P Q Reiss Cairo December 1933" 24.5ins x 9.625ins weight 47ozs

Triumph Trophy 900 motorcycle project. 1997. 885cc. Has been dry stored and not used for some time. Comes with some history including invoices. Reg. P769 UDL. V5. Key.

Triumph Trophy trials motorcycle. 1948. 500ccFrame no. 29105Engine no. 5T 66196From a private collection. Runs and rides. Built by Frank Bourne. Comes with the "Generator" engine originally used to run the generator in a Lancaster bomber these engines have alloy barrels and head. Ridden only a few times in trials competitions.No docs

Honda GB500TT Tourist Trophy JDM. 1986. 498cc. Frame no. PC16 1000560 Engine no. PC16E 1000547 Special Edition 2 seater model. Imported from Japan to UK in 1991. The GB500TT model was actually launched at 1985 Isle of Man TT and labelled as the "Honda Gold Star". Runs and rides well. MOT September 2024. Reg. C115 MGO. V5 and keys

A pair of trophy style metal table lamps (H44cm)

A Victorian trophy pierced back nursing chair (H77cm)

A pair of Victorian silver bud vases, Horace Woodward & Co Ltd, London 1897, 22cm, loaded bases, 25.7oz grossBoth bases have engraved presentation trophy inscriptions for Chislehurst Lawn Tennis Club, fluted tops have a few crease dents, hallmarks rubbed

An early 20th century sterling silver-mounted glass presentation trophy bowl, inscribed "HM Pillans, Del Monte Golf Club, September 1913", 24.5cmNo damage or repair, no chips or cracks to glass

A George VI silver 2-handled trophy cup, Adie Brothers Ltd, Birmingham 1937, 13cm, 4.8ozBody has presentation engraving "The London Cup 1971", along with several light dents, hallmarks rubbed

A pair of George V silver trophy cups, Walker & Hall, Sheffield 1913, 13cm, 9.2oz totalBodies have a few very light dents, 1 trophy has a small dent on top lip, hallmarks clear

A Continental silver 2-handled trophy cup, Mhow Hunt Races 1936 Fitz Cup Firefly, 16cm, 8.1ozBowl has 1 small dent near base join which has previously been re-soldered, base has several large crease dents

An Edwardian silver trophy cup, Birmingham 1909, 18cm, 4.8ozBody has a couple of light dents, hallmarks rubbed

An Art Deco George V silver 2-handled trophy cup and cover, Joseph Gloster Ltd, Birmingham 1934, Bhopal Yacht Club Regatta 1941 The Corinthian Cup, 23cm, 14.4ozNo damage or repair, a couple of extremely light dents to edge of foot and cover, hallmarks clear

A George V silver 2-handled pedestal trophy cup, no maker, London 1919, Challenge cup presented to Barclay Perkins Rifle Club by Lieutenant Colonel R W Barclay March 1921, with engraved list of recipients from 1921 to 1961, 19cm, 17.6ozFoot very slightly bent and cup does not sit completely flat, otherwise no damage or repair, hallmarks rubbed

Autographed ALAN ROUGH 12 x 8 photo : Col, depicting a wonderful image showing the 1981/82 First Division winners Partick Thistle posing with their trophy during a photo shoot at Firhill, signed by goalkeeper ALAN ROUGH in black marker. . Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

An early 20th silver topped clear glass pot - with green guilloche enamels, 3cm diam, together with another small silver pot with turquoise cover and two small silver trophy cups (4)

A Victorian silver trophy cup - London 1875, Richards & Brown (Edward Charles Brown), decorated with swags and engraved with initials and dated 1874, height 25cm, weight 374g.

A circular silver photograph frame - Sheffield 1912, Walker & Hall, engraved with a sunburst motif, height 12cm, together with two silver trophy cups and a silver candlestick.

Laurence de Valmy I'm a Pharmacist Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.  You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laurence de Valmy Sisterhood Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laurence de Valmy It's Called an Ambition, 2023 Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laurence de Valmy It's Our Turn, 2023 Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

A Hallmarked Silver Twin Handled Trophy Cup, Skinner & Co, London 1910, engraved "Table Tennis Tournament Cup Yorkshire Division of YMCA's Open Competition", with twin flying scroll handles, on spreading circular base (crease) (320grams).

A Flintlock Blunderbuss With Spring Bayonet Mounted Beneath By Walker, Almost Certainly Isaac Of Norwich, Circa 1800With two-stage barrel turned and belled at the muzzle and with side-mounted ramrod, octagonal breech becoming polygonal (touch-hole bushed), border engraved tang decorated with a martial trophy and foliage, and with a starburst in the sighting groove, case-hardened flat bevelled lock signed in capitals and with safety-catch, semi-rainproof pan and roller, figured half-stock (minor splits on the upper edge of the side-flat) with chequered grip, plain steel butt-plate and trigger-guard, the latter incorporating the barrel-catch, and brass-mounted ramrod (barrel and mounts with some old rust patination) 39.3 cm. barrelFootnotes:Isaac Walker is recorded in Norwich, Norfolk between 1797 and 1839Cf. an almost identical example sold in these Rooms, The Daniel Williams Collection of Antique Firearms & Edged Weapons, 28 November 2018, lot 87For further information on this lot please visit Bonhams.com

A Brass-Barrelled Flintlock Blunderbuss With Spring BayonetBy Jover, London, Circa 1780With barrel flared towards the muzzle, signed in script within an elongated loop along the tapering top flat at the breech, and fitted with a folding bayonet along the right side, border engraved tang finely engraved with foliage, flat bevelled lock signed in script and with bayonet-catch beneath the pan, flat bevelled cock, and large roller, figured full stock carved in relief with a shell behind the barrel tang, brass mounts comprising butt-plate decorated with a martial trophy and foliage along the border engraved heel tang, border engraved trigger-guard with acorn finial and decorated with a large flower-head on the bow, turned ramrod-pipes, and original ramrod with horn tip and steel worm, Tower private proof marks and William 1 Jover's barrelsmith's mark 36 cm. barrel Footnotes:See footnote to lot 217For further information on this lot please visit Bonhams.com

A Irish Brass-Barelled Flintlock BlunderbussBy Gurd, Cork, Circa 1825With two-stage barrel boldly turned and belled at the muzzle, octagonal breech engraved 'CORK' and stamped with Irish registration mark 'EC-412' for the East Riding of Cork, border engraved tang decorated with foliage, border engraved rounded lock (some old rust patination) signed in capitals and decorated with a starburst behind the pan and with foliage on the tail, foliate engraved cock, figured full stock (some old bruising), brass butt-plate engraved en suite with the tail of the lock on the short heel tang, border engraved trigger-guard with pineapple finial and decorated with a martial trophy on the bow and with foliage on the tang, and later brass-tipped ramrod 35.2 cm. barrelFootnotes:William Gurd is recorded at Church Street, Cork between 1824 and 1827For further information on this lot please visit Bonhams.com

A Rare Long-Barrelled Flintlock BlunderbussBy W. Archer, Circa 1765With barrel turned and belled at the muzzle and unusually engraved with owner's name 'Francis Dugdale Astley Esq.' within an elongated loop along the top flat at the breech, a foliate rocaille at the rear, grooved border engraved tang en suite, border engraved rounded lock signed on a foliate scroll and decorated en suite with the tang on the tail, moulded figured full stock (some bruising) finely inlaid in silver wire around the barrel tang with a martial trophy involving a helmeted profile bust, Britannia shield and 'GR' cypher, border engraved brass mounts comprising shaped flat bevelled side-plate decorated with a martial trophy, butt-plate with foliage and a rocaille on the heel tang, trigger-guard en suite and with acorn finial, vacant escutcheon cast and chased with a profile bust of Bacchus, a cornucopia of vines and flowering foliage, turned ramrod-pipes, and later horn-tipped ramrod (steel parts with some light pitting), private Birmingham proof marks 56.8 cm. barrelFootnotes:ProvenanceSold in these Rooms, Antique Arms, Armour & Modern Sporting Guns, 11 May 2016, lot 357This maker appears to be unrecordedFor further information on this lot please visit Bonhams.com

Two 40-Bore Flintlock Box-Lock Pocket Pistols The First Signed Nock & Fenton, London, Both Early 19th CenturyThe first with turn-off barrel (some old bruising) engraved with a band of foliage around the muzzle, border engraved rounded brass action decorated with a martial trophy on each side and signed beneath the waisted brass rainproof pan, engraved thumbpiece safety-catch also locking the steel, folding trigger, chequered figured rounded butt with brass lion-mask butt cap, and diamond-shaped vacant silver escutcheon (iron parts with minor rust patination), Birmingham proof marks; the second with barrel and rounded action in one piece, the former engraved with a band of foliage around the muzzle, foliate engraved action indistinctly signed on one side, folding trigger, chequered rounded butt, diamond-shaped vacant silver escutcheon, and later steel ramrod (thumbpiece safety-catch incomplete, old wear and pitting overall), Birmingham proof marks (2) 4 cm. barrelsFootnotes:ProvenanceThe first sold in these rooms, Antique Arms, Armour & Modern Sporting Guns, 25 July 2012, lot 309 The partnership of Nock & Fenton appears to be unrecordedFor further information on this lot please visit Bonhams.com

A Flintlock Box-Lock Blunderbuss Pocket Pistol Signed Johnson, Early 19th CenturyWith brass barrel and action in one piece, the former in two stages and with turned and belled muzzle, border engraved octagonal breech, action signed in an oval against a stand of flags on one side and engraved with a martial trophy on the other, thumbpiece safety-catch also locking the steel (top jaw and screw replaced), trigger-guard, and figured flat-sided butt (steel parts pitted), private Birmingham proof marks 7.5 cm. barrel For further information on this lot please visit Bonhams.com

A 25-Bore Flintlock Box-Lock Pocket Pistol Of Unusually Large SizeBy Hanson, Doncaster, Circa 1820With turn-off barrel engraved with a band of foliage around the muzzle, border engraved action signed in capitals within an oval against a martial trophy over both sides, engraved thumbpiece safety-catch, trigger-guard engraved with a flower-head on the bow, and figured flat-sided butt (some old light pitting), Birmingham proof marks 7 cm. barrel Footnotes:Probably by Septimus Hanson recorded in Doncaster, Yorkshire between 1817 and 1822For further information on this lot please visit Bonhams.com

A 54-Bore Flintlock Box-Lock Side-By-Side Tap-Action PistolBy P. Bond, No. 45 Corn Hill, London, Early 19th CenturyWith turn-off barrels numbered '2' and '3' respectively, border engraved part octagonal breeches numbered to correspond, border engraved action (tap replaced) signed in capitals within an oval against a part martial trophy and foliage on one side, and with the address within an oval against a martial trophy on the other, engraved thumbpiece safety-catch also locking the steel, trigger-guard engraved with a flower-head on the bow, figured flat-sided butt, and vacant silver escutcheon (light rust patination), Tower private proof marks 6 cm. barrels Footnotes:See footnote to lot 177For further information on this lot please visit Bonhams.com

A 54-Bore Flintlock Box-Lock Over-And-Under Tap-Action Pistol With Spring BayonetBy Wheeler, London, Early 19th CenturyWith turn-off barrels each retaining some blueing and numbered '5' and '6' respectively, the lower barrel fitted with a folding bayonet, bright border engraved breeches and action, the former numbered to correspond with the barrels, the latter signed in capitals within an oval against a differing martial trophy over each side, engraved blued thumbpiece safety-catch also locking the steel, trigger-guard engraved with a flower-head and also forming the bayonet-release, figured flat-sided butt chequered along the back, vacant silver escutcheon, and retaining some of its original finish, private Birmingham proof marks 6 cm. barrels Footnotes:The maker is almost certainly Robert 3 Wheeler recorded in Birmingham between 1799 and 1813. He had a Gun & Pistol Warehouse at 16 Staring Lane, Cheapside, London between 1805 and 1808, and is known to have marked his firearms 'London'For further information on this lot please visit Bonhams.com

A Cased Pair Of Rare 80-Bore Flintlock Box-Lock Three-Barrelled Tap-Action PistolsBy W. Parker, Holborn, London, Early 19th CenturyWith turn-off barrels numbered from nothing to '5' respectively, part octagonal breeches numbered to correspond, border engraved actions each signed in capitals within an oval against a martial trophy on one side and with the address en suite against a differing martial trophy on the other, rectangular pans, engraved thumbpiece safety-catches also locking the steels, trigger-guards each engraved with a flower-head on the bow, and figured flat-sided butts (some old light pitting): in later lined and fitted mahogany case with small Sykes powder-flask, the bag-shaped body with bevelled edge, Tower private proof marks 7.5 cm. barrels Footnotes:See footnote to lot 171For further information on this lot please visit Bonhams.com

A 40-Bore Flintlock Box-Lock Over-And-Under Tap-Action Pistol By Jover, London, Circa 1775With turn-off cannon barrels numbered '1' and '2' respectively and each engraved with a band of beadwork at the breech, the latter numbered to correspond with the barrels, border engraved action signed in capitals against a rococo scroll on one side and engraved 'LONDON' within a rocaille involving a part martial trophy on the other, ring-neck cock (jaw screw incomplete), sliding trigger-guard safety-catch engraved with a large flower-head on the bow, figured flat-sided butt with rounded pommel, cast and chased mounts comprising vacant escutcheon, a shell above and foliage below, and grotesque mask butt-cap, the latter with indistinct maker's mark of Joseph Keays (old light rust patination), Tower private proof marks over London proof marks 12 cm. barrels Footnotes:For a full account of Joseph Keays, see Leslie Southwick, 'The Makers' Marks', 'I.K', 'JA' and 'M.B', Struck On London 18th Century Georgian Silver Gun Furniture...', J.A.A.S., Vol. XXIV, No. 2 (September 2022), pp. 136-185For Jover see footnote to lot 217For further information on this lot please visit Bonhams.com

A Cased Pair Of 32-Bore Flintlock Travelling Or Overcoat PistolsSigned Stevens, London, Circa 1820With twist sighted barrels each engraved 'LONDON' on the sighting flat, decorated with a large martial trophy beyond, and stamped with Irish registration number for Co. Limerick to the left of the silver fore-sight, breeches each with gold line and platinum-lined touch-hole, foliate engraved tangs each with back-sight, border engraved flat bevelled locks each signed in capitals, decorated with a starburst beneath the semi-rainproof pan, with foliage on the stepped tail, and with safety-catch and roller, figured full stocks each with chequered rounded butt (old split in each ramrod-channel), trigger-guards each with pineapple finial and decorated with foliage on the border engraved bow, vacant silver escutcheons, and horn-tipped wooden ramrods: in contemporary mahogany case fitted and lined in faded blue velvet with powder-flask with wedge-shaped bevelled body, and steel bullet mould, the exterior of the lid with shaped vacant brass escutcheon plate, Birmingham proof marks 6.5 cm. barrels Footnotes:Probably retailed by James Stevens, successor to Wattell Clark, recorded at 43 High Holborn, London between 1815 and 1822For further information on this lot please visit Bonhams.com

A Cased Pair Of Flintlock Officer's Pistols Of Carbine Bore By D. Egg, London, Circa 1790-1800With rebrowned twist sighted barrels each signed in script along the sighting flat, engraved with a line of repeated foliage at the back of the breech and with gold-lined touch-hole, border engraved tangs each decorated with a Britannia shield, drum and foliage, signed border engraved flat bevelled locks each decorated with a starburst behind the gold-lined pan and with a part martial trophy and foliage on the stepped tail, engraved safety-catches also locking the steels, and rollers, lightly figured full stocks each with dark horn fore-end cap and characteristically chequered rounded butt, border engraved reblued mounts comprising butt-caps each with foliage on the tang and with a flower-head centred on the retaining screw, trigger-guard with pineapple finial and decorated with a Britannia shield and foliage on the bow, slotted ramrod-pipes, vacant gold escutcheons, original horn-tipped ramrods, and retaining much of their old refinishing: in relined and refitted oak case with some accessories including three-way powder-flask, the body re-covered in brown leather, the interior of the lid with reproduction maker's trade label, the exterior with flush-fitting brass carrying handle, large London proof marks 16.5 cm. barrels Footnotes:Durs Egg, son of Leonz Egg of Oberbuchsiten, Switzerland, was born in 1748 and, following a short stay in Paris, came to London and worked for John Twigg in 1772. He was granted denization in 1791 and is recognised as one of the greatest London gunmakers. He was gunmaker to George IV and the Duke Of York, and was granted various patents during the course of his long and distinguished career. Examples of his work are preserved in the Royal Collection, Windsor Castle, and many other public and private collections. For full details see Claude Blair, 'The Egg Family Part 1 and Part 1 (contd.)', J.A.A.S., Vol. VII (1973), pp. 266-299 and 306-353For further information on this lot please visit Bonhams.com

A Flintlock Pistol Of Carbine BoreBy Barwick, Norwich, Circa 1800With octagonal sighted barrel (light rust patination) signed along the top flat and with gold-lined touch-hole, the bottom flat stamped 'Stubbs', 'IS' crowned, and 'IF', tang engraved with a martial trophy and a starburst, signed border engraved flat bevelled lock decorated with a starburst behind the semi-rainproof pan and on the stepped tail, foliate engraved cock, safety-catch and roller, figured full stock (some old bruising) with chequered rounded butt, steel trigger-guard engraved with a martial trophy on the bow and with pineapple finial, turned ramrod-pipes, shield-shaped vacant silver escutcheon, and later brass-mounted ramrod, London proof marks 23.1 cm. barrelFootnotes:ProvenanceThe Paul Murray Collection sold in these Rooms, 13 November 2017, lot 615George & Charles Barwick are recorded in Norwich, Norfolk, between 1797 and 1804For further information on this lot please visit Bonhams.com

A 25-Bore Flintlock Saw-Handled Duelling PistolBy T. Mortimer, London, Gun-Maker To His Majesty, Circa 1820With rebrowned elaborately twist octagonal sighted barrel engraved 'Gun Maker To His Majesty' in gothic script along the top flat (engraving refreshed), border engraved recessed patent breech with platinum oval signed in capitals, platinum line and platinum-lined touch-hole, border engraved tang with back-sight and decorated with a martial trophy and foliage, border engraved flat bevelled detented lock signed in gothic capitals and decorated with a starburst behind the swept rainproof pan and with a martial trophy on the tail, foliate engraved cock (top jaw and screw replaced) and safety-catch, steel with pierced lip over the touch-hole, and roller, figured half-stock with pointed spur and chequered rounded butt, the latter with flat ovoidal pommel inset with a border engraved silver oval decorated with a flower-head centred on the retaining screw, spur trigger-guard (refurbished or replaced) decorated with a martial trophy on the border engraved bow, trigger-plate with pineapple finial, border engraved silver fore-end cap also forming the ramrod-entry and decorated with a Britannia shield, vacant escutcheon on the side-flat, adjustable set trigger, and horn-tipped ramrod, London proof marks 23.5 cm. barrelFootnotes:Thomas Jackson Mortimer was apprenticed to his father, Thomas Elsworth, in 1795. He joined his father as T. Mortimer & Son at 44 Ludgate Hill, London between 1807 and 1824. He was in business on his own account at 21 St. James's Street, London between 1818 and 1821; 38 St. James's Street between 1822 and 1824; and 34 St. James's Street between 1824 and the year of his death in 1833. Following his death his widow Elizabeth continued to reside at the same address until 1838The swept pan and steel are reminiscent of firearms built by William 1 Smith of 2 New Lisle Street, LondonFor further information on this lot please visit Bonhams.com

A Pair Of Irish 28-Bore Flintlock Saw-Handled Duelling Pistols By Turner, Dublin, Circa 1815With heavy twist sighted barrels each with bright bore and stamped with Irish registration number 'DU-1048' and 'DU-1049' respectively for Co. Dublin within the sighting groove along the top, breeches each with platinum oval in the groove originally engraved with maker's details and between two platinum lines, platinum-lined touch-holes, border engraved tangs each with back-sight and decorated with foliage, border engraved flat detented locks each signed in capitals, decorated with a starburst behind the rainproof pan and with a martial trophy and foliage on the tail, foliate engraved 'French' cocks, and rollers (one steel replaced), figured half-stocks (some old bruising) each with spur flat along the top and chequered rounded butt, flat ovoidal pommels each with border engraved steel plate decorated with a flower-head centred on the retaining screw, spur trigger-guards each with pineapple finial and decorated with foliage on the border engraved bow, steel fore-end caps each engraved with a starburst, vacant silver escutcheon on each side-flat, and later horn-tipped ramrods (some old rust patination and pitting), unidentified barrelsmith's mark 'WG' (2) 23.6 cm. barrels Footnotes:The maker is probably the George Turner recorded in Dublin between 1810 and 1826For further information on this lot please visit Bonhams.com