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Click here to subscribeAN EDWARDIAN TWO-HANDLED TROPHY CUP AND COVER of plain campana form, the domed cover with a knop finial, inscribed on one side of the body "WILLS CUP forf the best kept large village in the County of Avon", by Townley and Thomas, London 1904 (with ebonised plinth, inscribed with the names of the winning village from 1975-2012); the cup & cover 11.25" (28.5 cms) high overall; 49.9 oz
A MIXED LOT:- A small two-handled trophy cup (with plinth), a sauce boat with a wooden scroll handle, a napkin ring (boxed), an ash tray, a bonbon dish, a small sauce boat, a mounted glass toilet jar & a Victorian Christening mug with engraved decoration; the latter 3" (7.5 cms) high; 19.25 oz weighable silver (8)
A MIXED LOT:- An early 20th century mesh bag with an engraved mount, Birmingham 1924, a late Victorian "Irish market" vesta case, engraved & inset with Connemara marble shamrock, a mother of pearl-mounted folding fruit knife, three small trophy cups (one inscribed & one with an enamelled badge, an antique box (lacking cover), a cased "Coronation" tea spoon & a plated knife rest; the mesh bag 5.25" (13.5 cms) long; 10 oz weighable silver (9)
A SMALL EDWARDIAN TWO-HANDLED SAILING TROPHY CUP inscribed, by the Goldsmiths & Silversmiths Co.Ltd., London, 1903, a small trophy beaker & cover, inscribed, by Walker & Hall, Sheffield 1938 and a Danish commemorative spoon with an enamelled terminal to celebrate the silver jubilee of King Christian X of Denmark, by Michelsen of ciopenhagen 1937; the latter 6.4" (16.2 cms) long; 13.6 oz (3)
AN EARLY 20TH CENTURY TROPHY CUP AND COVER with a knopped pedestal bvase and angular handles, inscribed on one side "ARMSTRONG CUP for the best kept village in the County of Avon", the cover now with the addition of an unmarked fox finial, maker's mark worn, "WA"? Birmingham 1927, the stem with a metal insert (with ebonised plinth, inscribed with the names of the winning villages from 1975-2012; the cup and cover 16" (40.5 cms) high overall
A MIXED LOT:- A set of four pierced circular bonbon dishes, maker's mark "JW&T", Birmingham 1919, four various napkin rings (three initialled), an egg cup, two small trophy cups, both inscribed, a pair of small vases (loaded), five various tea spoons, a cased set of six tea spoons (all inscribed), a small dish, inscribed & a child's spoon & two plated items; the vases 6.5" (16.5 cms) high; 18 oz weighable silver (lot)
A MIXED LOT:- An Indian pedestal cup, four Middle Eastern small dishes/trays of lobed circular outline, a sugar caster, two mustard pots (blue glass liners), two mustard spoons, three small peppers, a small trophy cup, two pedestal tot cups, a jug mount, a small "Jersey can" (lacking cover), two bonbon dishes, a butter dish (blue glass liner), a purse, two German bowl mounts, a Dutch spoon, a pair of Irish sugar tongs, a small decorative cream jug and the cover from a French dish with a lion finial; the butter dish 4" (120 cms) diameter; 37 oz weighable silver (lot)
Manchester United 1988 Football League Centenary Trophy Medal: Awarded to Jim McGregor Man Utd physio as a participants medal in the October 1988 Trophy final at Villa Park to celebrate 100 years of the Football League in a competition sponsored by Mercantile Credit. Boxed gold coloured medal awarded after losing to Arsenal in the final.
Pele + George Best Signed Football Memorabilia: The 1997 Trophy Final had as guests at Wembley Gordon Banks and Pele who both sat on table one (seating plan enclosed). Both players have signed the dinner guests pack and dedicated to Tom. Sportsman’s dinner menus at Dagenham have also been signed by Brooking and George Best the latter dedicating also to Tom. (3)
West Ham Boxed Football Medals: Centenary Medal 1895-1995 in case then additional a further presentation case. C/W large medal in case stating Bobby Moore Englands Greatest Player with the rear listing the 3 consecutive years he went to Wembley as captain and picked up a trophy. Nice items. (2)
C. 1840’s French 2nd Empire Sappers and Pompiers brass Fireman’s helmet. All brass body, showing some light dents and very light corrosion spots, with central affixed S and P badge, showing central flaming bomb, axes and laurels in a trophy of arms display, with bandau motto to base ‘Sps Pompiers De Bernouil’. Full brass arch to crown, with stiff beaver fur comb. There is a red feather hackle to left side, above the thick scale chinstrap, with round rosette bosses to each side. Used leather liner to interior, showing screws and nuts, with remains of leather to underside of both peaks.
Football Lot Of 6 Autographed Leeds United Photos, All Measuring 12 X 8 Including Mick Jones Parading The First Division Trophy Around Elland Road In 1974, Peter Lorimer Walking Out At Anfield C1969, Gary Sprake Warming Up In Front Of Photographers C1967, 1969 First Division Winners Signed By Giles, Etc, All Signed In Permanent Marker. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Edwardian Art Nouveau period silver twin-handled trophy engraved "Caithness County Music Festival Cup Presented By Wick Town Council for Action Songs", winners include Lybster School, Dunbeath School, Halkirk School, Pulteney Town Academy and Jack and Jill Play Group, by Walker and Hall Sheffield 1909, 36cm across the handles, approximately 1111g
A pair of silver hallmarked trophies, one marked for Clifton Club Squash Rackets originally presented in 1932. Birmingham hallmarks, date letter B for 1951 with silver winners plaque for 1951, weight 162.15g. Together with another Squash rackets hallmarked trophy for 1935, Birmingham marks for 1934. Weight 89.28g
A fine French Empire ormolu figural mantel clock ‘Hercules’ Gentilhomme, Paris, early 19th century The eight-day circular two train countwheel bell striking movement with anchor escapement regulated by a disc bob pendulum with silk suspension, the circular white enamel Roman numeral dial signed Gentilhomme, Palais Royal a Paris to centre and with steel moon hands within a fine milled gilt bezel, the case cast as the bearded Hercules standing draped in the Nemean lion skin resting his right hand on a substantial wooden club and supporting his left elbow on a tree stump housing the movement and dial whilst holding forward the golden apple of the Hesperides, The plinth base applied with mount cast as a trophy incorporating mask centred lion skin, bow and quiver flanked by canted angles decorated with snake entwined arrows and with laurel wreaths to sides, the lower edge with simple gilt skirt over substantial cast lions paw feet, 48cm (19ins) high. Gentilhomme is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Paris circa 1810/25 whilst Tardy in DICTIONBAIRE DES HORLOGERS FRANCAIS lists them as working from Galerie de Pierre circa 1810-20. An almost identical clock can be seen in Niehuser, Elke French Bronze clocks on page 64 and a similar model in Ottomeyer, Hans and Peter Proschel, Peter Vergoldete Bronzen on page399.
An impressive George III mahogany eight-day quarter chiming Longcase clock with automata and moonphase Edward Mann, London, circa 1775 The substantial seven pillar triple train rack and bell striking movement with T-shaped plates measuring 9.25 by 11.875 inches, the going train with anchor escapement regulated by seconds pendulum and the quarter train sounding a melodious peel on a graduated nest of eight bells with eight hammers before unlocking the hour strike on a larger separate bell at the hour, the 12 inch silvered brass Roman numeral break-arch dial with subsidiary seconds dial, curved pierced sector aperture for the calendar and signed Edward Mann London to centre, with pierced blued steel hands and spandrels polychrome painted with individual automata scenes of 18th century musicians incorporating actions motioned whilst the quarter chiming train is running, the arch with rolling moonphase incorporating engraved terrestrial globe lunettes to lower margin and age of the moon to the outer track of the disc beneath margin now applied with arched plate engraved with HIGH WATER AT LONDON BRIDGE, in a brass mounted mahogany case with pagoda shaped superstructure fronted by shaped grille fret over cavetto break-arch cornice incorporating foliate scroll pierced frieze fret and glazed arched dial aperture flanked by brass stop-fluted columns, the sides with rectangular grilles and quarter columns applied against bargeboards at the rear, the trunk with concave throat moulding over break-arch door flanked by brass stop-fluted quarter columns to angles, on shaped raised panel fronted plinth base with moulded skirt, the whole now with polychrome painted decoration in the Sheraton taste with musical trophy to trunk door, grisaille oval panel of a Classical female to plinth and floral trail borders throughout, (movement originally with tune selection), 245cm (86.5ins) high excluding top finial. An Edward Mann is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working before 1722. However, as the current lot can be dated to around 1775 on stylistic grounds it must have been made by maker of the same name but of the next generation. The most likely candidate is a maker who Baillie records as working in Coventry circa 1787 who could have previously worked in London.
A George III brass mounted mahogany table clock Thomas Lozano, London, circa 1780 The five pillar twin fusee movement with verge escapement regulated by short bob pendulum and striking the hour on a bell, with rococo scroll engraved backplate and 7 inch brass break-arch dial plate applied with circular white painted centre signed THO’s LOZANO, EN LONDRES within Roman numeral chapter ring and Arabic five minutes to outer track, with pierced brass hands, and rococo scroll cast spandrels to angles beneath subsidiary calendar dial flanked by conforming mounts to arch, the brass mounted bell top case with hinged brass carrying handle to the brass scroll pierced fretwork border decorated upstand over pinecone finials and cavetto top mouldings, the front door with inset brass fillet moulding to the glazed dial aperture, foliate and scroll cast upper quadrant frets flanked by canted angles adorned with fine female caryatid and pendant floral cast mounts, the sides with circular martial trophy cast brass frets over further concave topped rectangular sunburst cherub mask centred rococo scroll cast frets, the rear with rectangular break-arch glazed door set within the frame of the case, the cavetto moulded shallow skirt base with generous leafy scroll cast feet, 49cm (19.25ins) high excluding handle. Tomas Lozano was Spanish by birth and is known to have worked in both London and Spain. Whilst working in London it seems that he primarily produced timepieces for export to his native Spain; he is also known to have successfully repaired damaged marine chronometers for the Spanish Navy in 1786.
A fine French Empire patinated bronze, ormolu and Siena marble figural mantel clock Louis Mallet, Paris, circa 1820 The two train eight-day bell striking movement with anchor escapement regulated by disc bob pendulum with Brocot type regulation to suspension, the circular white enamel Roman numeral dial signed L’s. Mallet, h’s de S. A. R. M. J’r le duc d’orleans to centre with blued steel moon hands and outer minute track within crisp egg-and-dart cast surround fitted with convex glazed hinged bezel, the case with movement inset into a gilt plinth surmounted by a globe standing on a stack of books and oil lamp over fine cast anthemion inset mounts to quadrant areas around dial flanked by a pair of figures modelled as seated putto conversing, the base hewn from a solid block of Siena marble applied with a central bronze panel relief cast with putti performing academic pursuits flanked by crisply cast trophy mounts emblematic of the Arts and Sciences, on integral skirt base applied with lappet leaf cast ogee moulding to top edge and on block feet, 49cm (19.25ins) high. Louis Mallet is recorded in Tardy DICTIONNAIRE DES HORLOGERS FRANCAIS was working from 1810-30 in the Rue J.-J. Rousseau and later at the Rue Neuve des Petits-Champs.
Taxidermy. A pair of George VI preserved jackal trophy head mounts by Peter Spicer, each mounted on an oak shield with an applied ivorine plaque inscribed 'R.E.H. DAURAH 14.2.37' and 'R.E.H. ARMOURED CAR MESS 1.1.37.', the backs stamped 'P.SPICER & SONS TAXIDERMISTS LEAMINGTON', 27.5cm high. (2)
AVM S. N. Webster CBE, AFC (Won the Schneider Trophy for Great Britain in 1927 in Supermarine S5) signed Historical Aviation flown cover dedicated to ACM Sir John Nelson Boothman. Cover illustrates Boothman crossing the winning line in the Supermarine S B6 to win the Schneider Trophy outright for Great Britain. BFPO postmark cancelled London, 17 Aug. 1977 of a Queen Elizabeth II, Silver Jubilee stamp.
Water features/Fountains: David Harber, Ether, Stainless steel water feature, 120cm high overall by 100cm diameter David Harber, the British artist and sculptor renowned for his garden creations, started his career more than twenty years ago primarily making sundials. He has subsequently expanded his range of garden art and installations, including a wide range of water features. He has won the RHS Chelsea Flower Show Sundries Trophy five times. Some of the other most notable highlights of David’s career include having three of his pieces being unveiled by Her Majesty The Queen, a special sundial commission for the late Queen Mother’s 100th birthday and a Queen’s Award for International Trade.
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