TWO FLINTLOCK BRASS-BODIED TAP-ACTION POCKET-PISTOLS, both circa 1795, the first of 32-bore and signed 'BUNNEY', with plain turn-off 1 5/8in. barrels, borderline and martial trophy engraved boxlock action, central ring-necked cock, sliding safe, walnut slab-sided butt and guarded trigger, the second similar except 46-bore, signed 'G. GOODWIN & CO, LONDON' and 2in. barrels (frozen),.
We found 37531 price guide item(s) matching your search
There are 37531 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
37531 item(s)/page
A 28-BORE FLINTLOCK BOXLOCK CANNON-BARRELLED PISTOL PROBABLY SIGNED KETLAND, no visible serial number, circa 1785, with banded iron turn-off 4 3/4in. barrel, cannon muzzle, rounded breech with London proofs, squared boxlock action with traces of martial trophy engraving and signature, central pan and cock, replacement walnut butt and trigger guard bow safe, some pitting to barrel and frosting to action.
A group of Victorian and later brass novelty and decorative vesta cases, comprising an example modelled as a pig, with hinged head and strike to stomach, another modelled as a trotter, or cloven hoof, another as a horseshoe with hunting trophy detail, another of book form, a slim flat box formed one and two more usual with hinged lids. (7)
WEST HAM Three signed 12” x 8” photos,showing the winning goals in the 1980 FA Cup semi-final and Final as scored by Lampard & Brooking, together with a similar image showing Billy Bonds holding aloft the trophy, also included is an 8 x 6 photo of the team celebrating with the trophy signed in black marker by 7 of the team including Stewart, Pearson, Cross etc. Good
MANCHESTER UNITED A b/w 16 x 12 photo of the 1977 FA Cup winners parading their trophy around the streets of Manchester from an open top bus following a memorable victory over Liverpool, signed by 10 of the team including Coppell, Greenhoff, Pearson, Nicholl, Macari etc in black marker. Good
TICKETS A collection of 52 Big match tickets 1955-2002 to include 11 FA Cup/League Cup Semis, 4 League Cup Finals 1972,1973,1974 and 1982 , 4 Charity Shields from the 1980's and 1990's, 20 Full England International homes 1969-1999, 9 FA Amateur Cup Finals 1955, 1965,1966 (2),1967 (2), 1968 ,1970 and FA Challenge Trophy 1982. Also includes Shrewsbury v Arsenal (FAC) 1967/68 and Manchester United v Real Madrid EC Semi Final 1968 (unused). Fair to generally good
DERBY COUNTY A b/w 12 x 8 photo of players posing with their trophies and medals which they won in the 1971/72 season - the League Championship trophy, the Texaco Cup and the Central League trophy at a packed Baseball Ground, signed by 7 including Hennessey, Hinton and Hector in blue marker. Good
FA CUP FINAL 1901 Gatefold programme for the 1901 Cup Final Tottenham Hotspur v Sheffield United at the Crystal Palace. Played on 20th April 1901 Spurs and Sheffield United drew 2-2 in the first match in front of a crowd of 110,820, just three months after the death of Queen Victoria. Spurs won the replay 3-1 at Burnden Park on April 27th. Tottenham remain the only Non-League Club to win the trophy after the advent of the Football League in 1888. The programme has some wear at the top with some paper loss but otherwise generally good for a programme of this age. As described
A massive rare Victorian silver trophy cup and cover attractively decorated with leaves and rifle shooting scene. Approx. 46 cms high excluding base. Approx. 66 cms high including base. Complete with wooden stand inscribed, 5th (The Haytor) Volunteer Battalion Devonshire Regiment Perpetual Challenge Cup Presented for Competition by Company Teams. By William H Punchard Esq., Bourton Hall, Totnes, 1890'. London 1886. By FE. Approx. 100 ozs. Est. £1500 - £2000.
A quantity of 19th century Victorian Royal Doulton stoneware trophy loving cup ( pass cup ) having raised hunting and tavern scenes flanged by three handles in a shape of greyhound finished in salt glaze decoration to the main body and a brown glazed band at the top. Signed to the base. Height measures 14cm.
WILLIAM ADAMS LTD; a George VI hallmarked silver twin handled pedestal trophy cup with presentation inscription, Birmingham 1937, height including plinth base 13.5cm, and a further hallmarked silver twin handled trophy cup, height 10cm (2).Additional InformationGeneral surface wear, very minor denting, slight misshaping to the handles.
WILLIAM AITKEN; an Edward VII hallmarked silver pedestal trophy cup with engraved inscription 'For the Bootle May Day Demonstration Horse Show 22nd May 1905 1st prize', Birmingham 1904, height 27.5cm, approx 16.88ozt/525g.Additional InformationMinor denting to the top, the base is slightly wobbly and dented.
An impressive George VI hallmarked silver Art Deco twin handled trophy cup and cover of substantial size, the stepped circular lid above swept body with angle handles and inscription 'The Butler Trophy for Inter-factory Annual Competition Presented by A.S. Butler Esq 1938', Sheffield 1938, height 45cm, approx 90.65ozt/2820g.Additional InformationThe finial is leaning to one side and has been slightly compressed. There are a few tiny dents around the rim but overall minor surface scratches only to the body and is a very handsome piece.
A late Victorian hallmarked silver trophy goblet cup inscribed 'Runcorn Swimming Club School Boy Breaststroke' with opposing vacant cartouche with an engraved border and knopped stem, London 1892, height 20.75cm, approx 9.25ozt/287.6g.Additional InformationThe goblet is very slightly leaning, a couple of unsightly knocks to the rim, slightly sprung with a couple of pinhead sized knocks throughout, general surface wear.
GEORGE UNITE; a late Victorian hallmarked silver trophy goblet cup of Gothic design engraved 'Runcorn Swimming Club Junior Gent Diving' with opposing vacant cartouche, knopped stem and circular foot, Birmingham hallmark date letter obscured, height 26.5cm, approx 18.03ozt/560.7g.Additional InformationSmall dents to the vacant cartouche, slight misshaping and leaning to the goblet. The rim is also slightly misshaped, heaving tarnishing and toning throughout, surface scratches in parts.
JAMAICAN MARQUETRY AND PARQUETRY OCCASIONAL TABLE, ATTRIBUTED TO THE WORKSHOP OF RALPH TURNBULL EARLY 19TH CENTURY the circular top inlaid with a variety of exotic specimen wood veneers in eight sections inlaid with a cornucopia, a star motif, a heraldic shield, a vase of flowers, a musical trophy, a rose and thistle spray, and two panels of diaper pattern, within bands of flowerheads and doves, on a lotus carved column and quadriform base inlaid with a floral garland, diamond motifs and a band of thistles and acorns, on turned bun feet (58.5cm diameter, 79cm high) Footnote: Note: The Scots-born cabinetmaker Ralph Turnbull emigrated to Jamaica with his brothers Cuthbert and Thomas sometime in the early 19 th century. Records indicate it was probably around 1815, and by 1819 the brothers were established enough to advertise their skills in the Kingston Chronicle . Kingston was a thriving city built on the success of the sugar trade, and the English merchants and officials were a receptive market for locally made furniture, albeit influenced by current English prototypes. While it is believed the brothers worked together for the first years after their arrival in Jamaica, by the early 1820s each had established his own workshop and advertised accordingly, trying to distinguish himself from other Turnbull competition. It is Ralph who was the most successful however, and the only one to label his furniture, perhaps in a bid to distiguish his work from that of this brothers. The Turnbull style is particularly idiosyncratic, not for the forms employed, but for the lavish use of exotic veneers, many of Jamaican origin, and the use of marquetry to embellish the surfaces. A number of small boxes bearing Ralph Turnbull’s trade label survive, some with handwritten paper keys identifying the various specimens used in the veneers. The present table features many of the traits recognised as the work of Ralph Turnbull’s workshop, and parallels can be seen between it and a labelled table currently in the collection of the Museum of Fine Arts Boston. The circular top is divided into eight panels, each containing geometric designs, tarsia geometrica , heraldic motifs, and pictorial images, enclosed by a border of doves. The pictorial elements include a cornucopia, a vase and flowers, a musical trophy, and a spray with thistles, roses, oak leaves, and clover. The concave quadriform base is decorated with floral marquetry, geometric bands, thistles and acorns. While the individual motifs may have specific significance, some of the meanings are unknown. The quality of the various patterns and marquetry is inconsistent, with the top sections notably finer than those around the base, indicating the table was made by more than one craftsman, with the more intricate and higher quality marquetry used on the most prominent feature, the tabletop. This is consistent with the MFA table, where the variations in quality apparently indicate some work was done by apprentices. The current table exhibits all the characteristics that point to pieces coming from the Ralph Turnbull and Sons workshop. Highly prized for their originality of design, execution, and rarity, furniture from the Turnbull workshop offer a valuable insight into the colonial period of Jamaica, and demonstrate a distinct identity and the uniqueness of Jamaican craftsmanship.
VICTORIAN WALNUT, EBONISED AND INLAY GILT METAL MOUNTED SIDE CABINET 19TH CENTURY the shaped demilune top with an ebonised edge, above a central door inlaid wtih a musical trophy, foliate scrolls and line inlay, flanked by curved glazed doors enclosing shelves, flanked and divided by columns with gilt metal mounts, on a plinth base with turned ebonised feet (153cm wide, 111cm high, 43cm deep)
FRENCH KINGWOOD, MARQUETRY AND MARBLE BUREAU À CYLINDRE LATE 19TH CENTURY the marble top with a brass gallery above a cylinder front inlaid with a musical trophy, opening to a fitted interior and slide-out writing surface, above three short and one long frieze drawer, raised on square cabriole legs with gilt metal mounts; with floral marquetry throughout (89.5cm wide, 108cm high, 46.5cm deep)
A group of Coalport porcelain 19th century including a small cobalt and gilt twin-handled vase painted with flowers, pattern V.7349 and shape min.134, 15cm high; a cobalt globe and shaft vase, finely painted with a gilt-edged floral cartouche, unmarked, 17.2cm high; a pink batwing jug; a turquoise ground seau in Sèvres style and a rose pompadour ground dessert plate, each painted by William Cook with fruit and flowers and a trophy, plate 24cm diameter; a blue and gilt wide-bellied cream jug painted with landscape cartouches, pattern 2/919, with two matching sideplates and an unusual Coalport batwing sideplate painted three panels of fancy birds by Randall (9)
SCHNEIDER TROPHY / SEAPLANE RACING. An extensive archive of photographs of seaplanes, flying boats and seaplane racing at Calshot in the 1920s, including approximately 250 snapshots, 35 postcard - size photographs and 40 8x10 professional photographs taken by the Royal Naval Service. Most with captions (album)
A collection of twelve photo-cards all relating to the Preston North End 1937/38 FA Cup winners squad including two team photos, one with trophy and nine of the players, each signed in pen by the player, including Andrew Beattie, Bobby Beattie, Hugh O'Donnell, Bill Shankly, Thomas Smith, Bob Batey, Jimmy Dougal, George Mutch & Terence McGibbons, mostly photographed by Henry Melling, 135A Church Street, Preston (12).
-
37531 item(s)/page