Adrien Jean le Mayeur de Merpres (1880-1958) Belgian (resided Bali), Two Balinese dancers, signed bottom left, charcoal, pastel and body colour, 62 x 47 cm, in a contemporary carved hardwood frame and glazed, frame 69.5 x 54 cmPainting remains sealed inside the frame, but a small inspection suggests work painted on thin paper and not glued to a mount. Significant water marks to the top right and down the left side. Some other apparently washed-out areas. Evidence of some tears around the edge of the paper. Also signs of some previous creases in the paper. Work is not dated. Handed down to the vendor by his grandfather.
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Oil on canvas. Canvas measures: 127 x 98 cm. The eldest son of Vicente López and brother of Luis, also a painter, he was born in Valencia on August 20, 1799. Like his brother, he entered the Academy of San Fernando in 1825, and soon obtained, thanks to his father, several palatial works, such as that of Queen María Isabel de Braganza as founder of the Royal Museum, undoubtedly her best-known work, signed in 1829 (Museo del Prado). He was the most faithful imitator of his father's style, sharing work and clientele with him, reaching a certain reputation in his time as a portrait painter, especially in the pastel technique. Of his production, the series of portraits of wet nurses of the royal family painted for the Palace and portraits such as that of Isabel II as a girl, dressed as an Andalusian pestle, stand out. which he presented at the Paris Salon in 1855 together with the portrait of Prince Alfonso in the arms of his nurse (National Heritage), Director of Studies at the San Fernando Academy since 1844 and President of its Painting section from shortly after until his After his death, in 1843 he was appointed painter of the Chamber of Isabel II, working as a teacher for several members of the royal family as well as the sovereign herself, who would grant him the appointment of First Painter on February 17, 1858, from which he would cease ten years later , after the revolution of September 1868. He died in Madrid on August 1, 1874 (Díez, JL: Vicente López (1772-1850), 1999). Origin: old family collection from a mansion in southern Spain. Director of studies at the San Fernando Academy since 1844 and President of its Painting section from shortly after until his death, in 1843 he was appointed painter of the House of Isabel II, acting as a teacher for several members of the royal family as well as his own. sovereign, who would grant him the appointment of First Painter on February 17, 1858, from which he would cease ten years later, after the revolution of September 1868. He died in Madrid on August 1, 1874 (Díez, JL: Vicente López (1772 -1850), 1999). Origin: old family collection from a mansion in southern Spain. Director of studies at the San Fernando Academy since 1844 and President of its Painting section from shortly after until his death, in 1843 he was appointed painter of the House of Isabel II, acting as a teacher for several members of the royal family as well as his own. sovereign, who would grant him the appointment of First Painter on February 17, 1858, from which he would cease ten years later, after the revolution of September 1868. He died in Madrid on August 1, 1874 (Díez, JL: Vicente López (1772 -1850), 1999). Origin: old family collection from a mansion in southern Spain. who would grant him the appointment of First Painter on February 17, 1858, from which he would cease ten years later, after the revolution of September 1868. He died in Madrid on August 1, 1874 (Díez, JL: Vicente López (1772-1850 ), 1999). Origin: old family collection from a mansion in southern Spain. who would grant him the appointment of First Painter on February 17, 1858, from which he would cease ten years later, after the revolution of September 1868. He died in Madrid on August 1, 1874 (Díez, JL: Vicente López (1772-1850 ), 1999). Origin: old family collection from a noble Hacienda in southern Spain.
Certificate of Authenticity included. Pastel tones throughout autographed photo of American actress who rose to prominence after appearing in the CBS soap opera Guiding Light (1998–2001). Dimensions: 10"W x 7.75"HManufacturer: Deja Vu Galleries, Inc.Country of Origin: United StatesCondition: Age related wear.
Featuring red background and smiling brunette wearing pastel pink halter top and bow-shape design on lower portion of her body. "Close Cover For Safety" printed lower center. Housed against board in protective plastic, measuring: 18"H x 13"W. Artwork measures: 17.25"H x 11"W. Country of Origin: United StatesCondition: Age related wear.
Reproduction of original pastel on paper. Features pretty brunette with Spanish style dress standing on large red western hat. Includes board and protective plastic encasing. Total piece measures: 15.5""H x 12.25""W. Sight: 14""H x 11""W. Artist: Rolf Armstrong (1889-1960)Issued: 1939-1959Country of Origin: United StatesCondition: Age related wear.
By American illustrator whose paintings are best known for their pastel style and realistic depiction of women. Dark lilac tone throughout piece featuring pretty girl with pursed lips and blush cheeks. FAS printed on bottom right. Includes cardstock with protective plastic casing. Artist: Zoe MozertDimensions: 8""W x 9.75""HManufacturer: FAS PublisherCountry of Origin: United StatesCondition: Age related wear.
Pin up model posing in pastel blue babydoll lingerie in advertisement for local shop in Pennsylvania. Business address printed on art. "Greetings" and year printed in center. B&B USA printed lower right. Title of art printed in lower center. Housed on board with protective plastic, measuring: 18.25"H x 11"W. Artwork measures: 17.25"H x 10"W. Artist: Gil ElvgrenManufacturer: Brown & Bigelow, Inc.Country of Origin: United StatesCondition: Age related wear.
Nine pastel coloured gemset pendants on white chains and one necklet, to include pink, purple, yellow, blue and colourless gemstones in various designs, pendant sizes ranging from 18mm x 12mm to 30mm diameter, most in white metal marked 925, on white metal chains marked 925, all approx. 45cm length; and a purple and pink gemstone set necklet, on articulated white metal chain, marked 925, approx. 34cm.Qty: 10
Peggy Somerville (1918-1975) two pastels - ‘Taking Sheep Home’, 12cm x 15cm.Provenance: David Messum Fine Art. No.12 Studio Collection 1392. Together with 'Soldiers’, blind-stamp ‘Peggy Somerville’ with artist’s reference No.1451 in brown ink, 23cm x 18cm, both in glazed frames Although there is spotting throughout the landscape pastel it doesn't detract from the work in my opinion. There is also some spotting to the wash mount. The Soldiers has some watermarks to the top left and right corners but again this doesn't detract from the work.
â–´ Richard Smith (1931-2016)Untitled (deep pink);Untitled (pale-blue parallelogram);two, mixed media, the first dated 'R Smith 82' l.r.109 x 74cm and 111 x 76.5cm respectively (2)Condition ReportFramed: 115.5 x 80cm and 117 x 82.5cmThe works appear to be a combination of gouache, watercolour, pastel and black chalk. Some light foxing to the upper right corner of Untitled (Deep Pink) and light surface dirt to both. Unexamined out of glazed frames.
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