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Hugh E Ridge, oil on canvas, coastal scene, 19ins x 29ins, together with R Walters, oil on canvas, poppies, 22ins x 13ins, A Thistlewaite, pastel, Passing Shower, 16ins x 28ins and two colour prints

Pastel Drawing on Board Depicting a Young Lady in Contemplation, signed H Hammond, c1900; framed, 22 inches (55cms) x 20 inches (50cms) overall

Two Art Deco Beswick Vases plus one other in pastel shades, impressed number 190, 423 and 347. Tallest is 8 inches.

Marjorie Cox (1915-2003) - 'Maida of Blue Isle', study of a deerhound, signed and dated 1959, also inscribed, pastel drawing on tinted paper, 13" x 13.5"

Marjorie Cox (1915-2003) - 'Flashlight of Gallouslath, Harris', study of a deerhound, signed and dated 1958 also inscribed, pastel drawing on tinted paper, 14" x 16.5"

Marjorie Cox (1915-2003) - 'Ursinia of Gallouslath', signed also inscribed and dated 1968, study of a deerhound, pastel drawing on tinted paper, 18" x 16"

Marjorie Cox (1915-2003) - 'Ulva of Gallouslath', signed also inscribed and dated 1959, pastel drawing on tinted paper, 15" x 12.5"

Norman Smith (20th/21st century) - 'Evening Meadow' signed also inscribed on the artist's original label verso with the title and his address, pastel drawing, 13.5" x 20.75" ** Provenance - with the Ardington Gallery, Ardington, Wantage, Oxfordshire OX12 8PN and sold together with the original details purchased on 15th October 1988, the original price being £270

Norman Smith (20th/21st century) - 'Village Pond, Childrey', signed, also inscribed title on a label verso together with the artist's address in Oxfordshire, pastel drawing 13.25" x 10.5" ** Provenance - with the Ardington Gallery, Ardington, Wantage, Oxfordshire OX12 8PN and sold together with the original invoice dated 15th October 1988, the original cost price being £325

N. ZEICK (XX) A framed and glazed pen, ink and pastel on paper landscape signed by the artist bottom right. Dated 1973. Frame size 53cm x 46cm

DAPHNE REYNOLDS (1918-2002) A framed and glazed pastel, pencil and watercolour study 'Celeriac'. Signed bottom right. 31cm x 24cm. Her works are held in the V&A, The Government Art Collection and The Arts Council. Lived in Suffolk with her husband the art historian Graham Reynolds.

DAVID COX (1914-1979) Women on a Beach (2) circa 1970s, pastel on paper, Cox was associated with the St Ives Society of Artists and the Penrith Society of Arts in Cornwall, he exhibited at the Royal Academy, Royal Institute of Oil Painters, New English Art Club, Leicester Gallery, Ledger Gallery, Marlborough Gallery, work in Suffolk, each 20cm x 29cm

MARY KRISHNA (1909-1968) A circa 1940's pastel of figures. Signed bottom right. Framed and glazed. Image size 22cm X 17cm

J.M. SUTTON (XX) A framed and glazed pastel on paper, futurist study. Signed bottom left 73cm x 53cm

CLIFFORD WYNDHAM (XX) An abstract pastel on paper, framed not glazed, label verso, 49cm x 62cm

JOHN COLLARD: Pastel on board depicting abstract image, information verso, 29cm x 39cm, signed lower left, framed

Tom Keating (1917-1984), pastel portrait of a female nude, signed to lower right corner, 51 cm x 36 cm framed and glazed.Private collection. Brandler Galleries label verso.

Clifford Hall (1904 - 1973)- A framed and glazed pastel drawing on paper of a female nude lounging in a chair. Signed by artist. H.46 W.40

A framed and glazed pastel of a nude woman among foliage. Indistinctly signed. H.50 W.41

Circle of IL GUERCINO (Cento, Italy, 1591-Bologna, 1666); second half of the 18th century."Penitent St. Jerome."Oil on canvas. Preserves original canvas.Presents repainting and restorations.It has frame of the twentieth century.Measurements: 114 x 91 cm; 119 x 96 cm (frame).In this canvas the theme of penitent Saint Jerónimo is approached, through a classic composition, in which the author arranges the saint in a sober interior, in which any anecdotal detail that could cloud the message of transmission of the Christian faith and devotion is eliminated. One of the four great Doctors of the Latin Church, St. Jerome was born near Aquileia (Italy) in 347. Trained in Rome, he was an accomplished rhetorician and polyglot. Baptized at the age of nineteen, between 375 and 378 he retired to the Syrian desert to lead an anchorite's life. He returned to Rome in 382 and became a collaborator of Pope Damasus. One of the most frequent representations of this saint is his penance in the desert. His attributes are the stone he uses to beat his chest and the skull on which he meditates. Also the cardinal's cape (or a red mantle), although he was never a cardinal, and the tamed lion. The latter comes from a story of the "Golden Legend", where it is narrated that one day, when he was explaining the Bible to the monks of his convent, he saw a lion coming with a limp. He removed the thorn from its paw, and from then on he kept it in his service, instructing it to look after his donkey while it grazed. Some merchants stole the donkey, and the lion recovered it, returning it to the saint without hurting the animal.Due to its technical characteristics, it is possible to relate this piece to the artistic circle of Guercino, who was one of the most acclaimed Italian artists in the first half of the 17th century. He was born in the town of Cento, in the province of Ferrara. The main influences that shaped his style were the Bolognese; Ludovico Carracci, his cousin Anibal Carracci and the Ferrarese Ippolito Scarsella. Apart from a two-year stay in Rome during the papacy of the Bolognese Gregorio XV Ludovisi, he was active in his hometown until 1642 when he moved to neighboring Bologna. He was about twenty-five years old when he came to the attention of his first important clients, among them Cardinal Alessandro Ludovisi, Archbishop of Bologna; Cardinal Jacopo Serra, papal legate in Ferrara; Grand Duke Cosimo II of Tuscany; and Duke Ferdinand Gonzaga of Mantua. By the mid-1620s he had turned down invitations to work outside Italy, from Charles I of England among others. He seems to have been reluctant to enter into direct competition with his Bolognese rivals, especially Guido Reni, who from about 1610 was the most celebrated painter in Italy. Most of his abundant output consists of altar and easel paintings, but in the first half of his career he also painted frescoes in Cento, Bologna, Rome (the Aurora on the ceiling of the Casino Ludovisi) and the cathedral of Piacenza (1626-1627). His early style, "tenebrist", is characterized by dramatic lighting, saturated colors and agitated compositions. His stay in Rome led him to gradually modify his style towards a much more idealized and classical language, with calmer and more structured compositions, more elegant contours, a palette generally lighter and richer in pastel tones.

Pavlos Mathiopoulos (Greek, 1876-1956)Rue d'Université, Athènes après la pluie signé en grec (en bas à droite)pastel sur papier42 x 72cm (16 9/16 x 28 3/8in).signed in Greek (lower right)pastels on paperFootnotes:ProvenanceAcquired directly from the artist's family by the present owner.For further information on this lot please visit Bonhams.com

John Holmes (British 1907-1983), The Ruling Heads, Pastel on card, signed. 17x12.5ins

Eva H Robertson (British, 20th Century), Three Ladies Taking Tea, Pastel, gouache and watercolour, signed. Provenance: Purchased by the current vendor from the Arden Gallery, Warwickshire. 15.5x17ins, unframed

Margaret Carver RMS (British, b. 1942), Filby Church in Winter. , Pastel, signed and dated, 1987. 15x21ins

Margaret Carver RMS (British, b. 1942), Peace of the Waveney Valley , Pastel, signed and dated. 15x21ins

Margaret Glass (British, b.1950), 'Sunlight and Showers near Beccles'., Pastel on paper, signed. 17x23ins

Henry Holzer (British 1907-2007) The Waveney Beccles, Pastel on canvas, signed, 1968, 15.5x20ins

Henry Harvey, (British Contemporary), Sunset, Pastel, signed. 9x12ins

E. Matthews (British Contemporary), Ely Cathedral , Pastel on board, signed. 12x16ins

An 18th century framed engraving of Francisco De La Peyronie. Frame size 57 x 72cm. Together with an oak framed 19th century pastel portrait of a lady.

Eilidh Barnardo (1911-1994)Gateway to the City of Meknes, Morocco, oil/pastel, label verso inscribed:- 12 On a journey 1968/9, signed, 34cm x 24cmCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

A HELEN CLARKE BRITISH 20TH CENTURY 'KATRINA' PASTEL AND CHARCOAL SIGNED FRAMED AND GLAZED 70CM X 55CM LABEL VERSO

Pastel portrait

Marjorie Cox, 1992 Four Cats signed, pastel, 52cm x 44cm

Ian Robertson (Contemporary School)Forlorn Childrenmonogrammed, pastel and charcoal on grey paper, 44cm x 28cm

20th Century School, Scene of crew at work on a large vessel, pastel, indistinctly signed, 11.5" x 16.5".

Margarette Clairmont 20th Century, Mother and child walking in a walled city, pastel, signed, 16" x 11.5".

Marlyn Hume Windsor, Man of earth, pastel, signed and date '90, 38.5" x 25".

19th Century English School, a pastel study of a mother and child, 15" x 11".

19th Century French School, a pastel portrait of an elegant lady in a formal garden, indistinctly signed and dated, 36" x 26", in fine ribbon tied garland frame.

Charles James Kelsey (1870-1960) British, a collection of 4 Continental views, pastel, signed, three at 12" x 14 and one at 10" x 13" mounted but unframed (4).

Patricia Langmead (1926-2021) British, A collection of 5 pastel landscapes, each about 13" x 18".

Patricia Langmead (1926-2021) British, an oil on board still life of fruit and flowers, signed, 18" x 22", along with a pastel study of pears, signed with initials, 10" x 12.5".

Margaret Anderson A.R.M.S. (1926-1998),'Rockafella', a study of a horse's head,Pastel on paper,Signed and dated '1976' lower right, titled lower left,54cm x 37cm,Framed and glazed

After François-Hubert Drouais (French, 1727-1775),A 19th century copy of a young student, and another of a girl with a kitten,Pastel on paper,Each unsigned,Each 63cm x 51cm,In matching gilt oval frames (2) Provenance: Berwick House, Shropshire

Franco Matania (Italian, 1922-2006),A girl carrying a flagon on her shoulder,Pastel on board,Signed lower right,75.5cm x 60cm,Framed

Elizabeth Adela Stanhope Forbes [nee Armstrong] (1859-1912),Pastel on paper,Portrait of a lady holding a posy,Signed lower left,73cm x 48.5cm,Framed and glazed Provenance: From a private collection

MAX ERNST (1891-1976)La comète affolée signed and dated 'Max Ernst 51' (lower right)pastel on blue paper32.4 x 49.7cm (12 3/4 x 19 9/16in).Executed in 1951Footnotes:ProvenanceAlexandre Iolas Gallery, New York.Alexander L. Berliner Collection, New York (acquired from the above in 1961).Anon. sale, Sotheby's, New York, 8 May 1991, lot 171.Anon. sale, Sotheby's, London, 29 June 1994, lot 265.Acquired at the above sale by the family of the previous owner; their sale, Christie's, New York, 14 May 2019, lot 148.Private collection, Taiwan (acquired at the above sale).LiteratureW. Spies, S. & G. Metken, Max Ernst, Oeuvre-Katalog, Vol. V, Werke 1939-1953, Cologne, 1987, no. 2884 (illustrated p. 297; incorrectly illustrated as no. 2883).The present work is a study for the final oil painting Comète which was sold in the Bonhams March 2021 The Mind's Eye: Surrealist Sale. Comète came from the collection of Dorothea Tanning, the artist's second wife after his short marriage to Peggy Guggenheim in the early 1940s. The work references Ernst's keen interest in astrology, which is seen in his oeuvre as early as 1909. Moving to Arizona in 1945, the clear, starry night skies of the Sedona desert served to reinvigorate his fascination for the celestial and prompted a transformative stage in his art.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A CHINESE FAMILLE ROSE 'THREE GOATS' VASE REPUBLIC PERIOD The baluster-shaped body applied with a pair of elephant-head handles, the body painted in pastel tones with three goats amidst peonies, camellias and trees, set between bands of ruyi lappets, the neck with a pair of pink bats and peaches above lotus flower heads, on a pale green ground, the flared foot with a green band of lotus scrolls, the interior glazed turquoise, the base unglazed, 33.5cm. Provenance: from the collection of Mr Ely Higham, Lancashire, d.1950. Cf. Sotheby's, New York, 18th March 2017 for a closely related vase.民國 粉彩三陽開泰紋瓶來源：蘭開夏郡Ely Higham（逝於1950）。

Richard Adams (British, born 1960)Sunday in the Garden signed and dated 'Richard Adams 2021' (at right edge)varnished pastel and gouache on paper40 x 60cm (15 3/4 x 23 5/8in).For further information on this lot please visit Bonhams.com

Roger Hilton (British, 1911-1975)Untitled signed with initials and dated 'RH/'73' (lower left)gouache, watercolour and pastel on paper28 x 38cm (11 x 14 15/16in).Footnotes:ProvenanceWith Waddington Galleries, MontréalWith Anthony Hepworth Fine Art, Bath, where acquired by the present owner in 1993Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Clive Barker (British, born 1940)Joe Tilson signed and dated 'Clive Barker 85' (lower right), titled 'Joe Tilson' (lower left)pastel and pencil on paper56 x 38cm (22 1/16 x 14 15/16in).Footnotes:ProvenanceThe Artist, from whom acquired directly by the present ownerExhibitedLondon, National Portrait Gallery, Clive Barker Portraits, 24 July-18 October 1987, no.48This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Richard Adams (British, born 1960)Dancing Ladies signed and dated 'Richard Adams 2021' (at right edge)varnished pastel and gouache on paper39.5 x 59.5cm (15 9/16 x 23 7/16in).For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Landscape of France signed 'John Piper' (lower left)watercolour, pastel and gouache on paper35.5 x 53cm (14 x 20 7/8in).Painted in 1961Footnotes:ProvenanceWith Brook Street Gallery, London, where acquired by the family of the present owner in 1963, and thence by descentPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Davies (British, born 1946)Face/Shadow pastel, crayon, pencil and acrylic wash on paper74.5 x 56cm (29 5/16 x 22 1/16in).Executed in 1986Footnotes:ProvenanceWith Marlborough Fine Art, LondonExhibitedLondon, Marlborough Fine Art, Works on Paper by Contemporary Artists, 16 March-22 April 1988, ex.cat.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Debra Manifold RI, PS (1961-2020) - Interior of Bar, pastel, 50 x 63cm Good condition

Debra Manifold RI, PS (1961-2020) - A Sunlit Wooded Lane, pastel, 49 x 57cm and a Still Life of a Pot Plant in a Sunlit Window by the same (2) Good condition

John Russell RA (1745-1806) - Portrait of a Lady, half length holding a rose, pastel, 58.5 x 44.5cm  Provenance: English Art Market, c1975, when acquired by the collector Captain Gerald Pendred (for £1250); thence by descent Illustrated the article Portraits in Pastels by G Pendred, Antique Dealer and Collectors Guide, June 1989, p.42 Mellors & Kirk is grateful for the kind assistance of Neil Jeffares who has kindly confirmed the attribution (on the basis of images) and by whom this was hitherto unrecorded

Peter Romney (1743-1777) - Portrait of Thomas Chesterton aged 29, signed, dated and inscribed on the canvas backing (Peter Romney Pin[xt] Septr 10 AD [-] Thos Chesterton aetatis suae 29, pastel, oval, 44 x 35.5cm Provenance: Sir James Whittaker of Babworth Hall, Retford, Nottinghamshire from whom acquired by the late husband of the present vendor on 14 June 1963 Neil Jeffares has kindly commented on the present work (on the basis of images) points out that surviving autograph examples of the work of George Romney's younger brother Peter, is "very rare". Furthermore, the attributions to him made by R R M See are not reliable. The sitter was an ancestor of G K Chesterton (1874-1936) and may be identified with the Thomas Chesterton who was baptised at Chevely on 14 February 1755, son of John and Temperance Chesterton. He married Ann (or Annette) Laval (date unknown) and the couple had several children in the 1790's, one of whom was named Henry Laval Chesterton. Thomas Chesterton may possibly be the haberdasher of Berkeley Square, London who was bankrupt in 1789 but might also be another Thomas Chesterton who died in London in 1809. The absence of the year from Romney's inscription proves that the work was originally somewhat larger, presumably rectangular. On the assumption that the sitter has been correctly identified, the date of execution would have been 1774 Small close tear upper right

John Seerey-Lester (1946-2020)/Maurice Ducrocq in his Biplane/signed and dated '77/pastel, 37.5cm x 52.5cm/see illustration CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com