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CHRISTIAN BERARD (FRENCH, 1902-1949) (3)Autour de Colette signed 'Berard' (lower right) pastel and gouache 24 x 22cm Provenance Galerie Lucie Weill, Rue Bonaparte, Paris Together with two watercolour and pastel works by the same hand, A study of a girl and A study of a girl, a woman and a gentleman, one signed, one 34 x 24.5, the other 36 x 30.5cm, (unframed) (3)ProvenanceMarina Henderson GalleryFootnoteMarina Henderson opened her Gallery in Langton Street, at the World’s End, in 1982. Her main specialities were paintings and drawings related to the performing arts. Her first coup was to exhibit Edward Burra’s designs for ballet, an area of his work that had never been the subject of a Gallery show. Another breakthrough was a series of shows of designs by John Macfarlane early in his career before he became one of the leading international designers for opera and ballet. Other important exhibitions featured Bakst, Barbier, Beaton, Benois, Berard, Berman, Cocteau, Edward Gordon Craig, Erte, Gontcharova, Leslie Hurry, Laura Knight, Larianov, John Minton,Tanya Moisewitch and Picasso.The Gallery’s customers included actors, directors, curators and archivists from Covent Garden, Glyndebourne, Harvard Theatre Museum, the University of Texas and major private collectors in UK and USA.The Marina Henderson Gallery soon developed into a social club where customers became friends and friends customers. Sadly it closed with the expiry of the lease in 2001. Marina continued to deal privately from home for the next 12 years.

HUGO BOETTINGER (CZECH, 1880-1934)Boys bathing by a stream surrounded by geese signed and dated 'HUGO BOETTINGER 1911' (lower left) and inscribed with artist's name (to reverse of stretcher) pastel 78.5 x 103.5cm Provenance Fine 19th Century European Paintings & Watercolours, Phillips, London, 27th November 1990, lot 228; The Seymour Stein CollectionCondition ReportThe sheet is sound and the pastel surface in good condition throughout.  Under glass which is dirty and unexamined out of frame.

JAY BOYD KIRKMAN (BRITISH, B. 1958)Polo Ponies Going Home: Evening Queen Anne's Ride - Windsor Great Parksigned 'Jay Boyd Kirkman' (lower left)pastel53 x 86cmARRProvenanceThe Tryon Gallery, Cork Street, LondonCondition ReportThe sheet is sound and the pastel surface in good condition throughout.  Framed and under glass, unexamined out of frame.

HENRY MUHRMAN (AMERICAN, 1854-1916)A town scene in winter signed 'H. Muhrman' (lower right) pastel 49 x 59cmCondition reportThe sheet is sound, small area of pastel rubbing against the glass, upper left corner; otherwise good condition overall, framed and under glass, unexamined out of frame.

JOHN BRATBY (BRITISH, 1928-1992)Self Portrait in Easy Chair in Studio, The Cupolasigned 'John Bratby' (lower left) and titled and dated '15.11.78' (lower right)pastel and pencil23.5 x 17.5cmARR

Robert "Bob" Richardson (b. 1938) Flower in an urn, reflected in a window, pastel, signed 53 x 69cm framed and glazed

A Framed Pastel, Band, 46x60cms Signed Stan Young

Late 19th/early 20th century school Charcoal/pastel Study of a woman holding a dove, unsigned, framed and glazed, 40cm x 23cm, bears The Parker Gallery label verso

Boating scene, pastel and pencil on paper, signed Margaret Quick, framed and glazed

British contemporary school study of the River Blyth at Walberswick, pastel, framed and glazed, initialled HB to bottom corner

GORDON MITCHELL FORSYTH RI (1879-1952); watercolour and pastel, 'Bridgnorth', signed and dated 1934, 37 x 54.5cm, framed and glazed.

LIONEL AGGETT RIBA, SWAC (1938-2009); pastel, ‘La Roque-S- Cèze’, signed, inscribed on label verso, 38 x 48cm, framed and glazed.

A GROUP OF TWENTY ONE COLOURED BRIDESMAID/WEDDING DRESSES, retail clearance, three blush pink, two peach, one pastel pink, eight silver grey shorter style, one pastel blue, two pale blue, four pale grey, many UK size XL/16, L/14, S, 8/10 (21) (Condition Report: may have minor marks or slight damage)

A SMALL QUANTITY OF PAINTINGS AND PRINTS ETC, to include three watercolours depicting Suffolk landscapes signed Coleman, largest approximately 22cm x 33cm, a late 19th century watercolour depicting a coastal fort with boats on the water, possibly a North African scene, indistinctly signed, a New Zealand water landscape 'Lake Wanaka' oil on canvas by Malcolm Mason, a pastel Lake District landscape by Peter Shutt, John Sutherland landscape oil on canvas, a Peter Jay landscape oil on board, a Ken Johnson oil on board depicting a grand house, a John Tickner ink and watercolour cartoon, together with assorted prints and a Georgian framed mirror with later mirror plate, approximate size 52cm x 36cm, etc

JOHN SERGEANT (1937-2010) 'LILY II' PORTRAIT STUDY, a half-length portrait study of a female figure, signed bottom right, Mall Galleries Exhibition label verso dated 1983, pastel on paper, approximate size 46cm x 38cm, Condition Report: some foxing visible to the unfinished areas (artist resale rights apply)

Bernhard Sickert (1863-1932), pastel, 'Entrance to St Marks, Venice', monogrammed, Fine Art Society label verso, 31 x 22.5cm

English School, late 19th / early 20th century, pastel, half length portrait of a gentleman, unsigned, oval, 55 x 41cm, glazed gilt frame

P. M. Palmer, contemporary, pastel of female gazelles at a watering hole, signed and dated '92, 36cm x 51cm, in glazed frame

English School, late 20th century, pastel, tree in a landscape, 58 x 41cm, framed

pastel on paper, signed mounted, framed and under glass image size 27cm. x 37cm, overall size 43cm x 53cm

pastel on paper mounted, framed and under glass image size 37cm x 25cm, overall size 52cm x 40cm

École FRANCAISE du XXe siècle Vue de Montmartre Pastel sur papier Porte une signature illisible en bas à gauche H. 28 cm - L. 37 cm

Colclough Pastel Green and Gilt Tea Service

RICHARD CARTWRIGHT (born 1951) 'The Edge of the Lake Moonlight', pastel, 122cm x 170cm, signed, framed, (Provenance, Meet me in the Silence Exhibition 2009, Adam Gallery, Bath). (Subject to ARR - see Buyers Conditions)

A mixed collection of items to include Royal Winton Petal Bowls, Aynsley Cottage Garden patterned vase, Woods pastel green tureens etc (2 trays)

LOUIS VUITTON Umhängetasche 'MULTI POCHETTE', Koll. 2021. SUMMER BY THE POOL Kollektion (Resort 2021). Ausverkauft und nicht mehr erhältlich. Pastellfarbenes Monogram Giant Canvas in Weiß auf hellblauem Grund mit Farbverlauf. Box anbei. Sehr guter Erhalt.| LOUIS VUITTON 'MULTI POCHETTE' crossbody bag, coll. 2021. SUMMER BY THE POOL Collection (Resort 2021). Sold out and no longer available. Pastel Monogram Giant Canvas in white on a light blue gradient background. Box attached. Very good condition.

Large Collection of West German and Mid Century 1950s mostly Pastel tones

David James Carr (Northern British 1944-2009): Expansive Landscape, pastel signed, inscribed verso 53cm x 74cm

English School (Early 20th century): Still Life with Fruit, pastel unsigned 17cm x 34cm

Andy Liddle (British Contemporary): Whitby Piers, pastel signed and dated May '97, 35cm x 45cm

Gordon Slater (British 20th century): 'Welton Village' Lincolnshire, pastel signed and titled 27cm x 37cm; JR Hobson (British 20th century): 'Welton', watercolour signed and dated 1988, titled verso 20cm x 29cm (2)

JOHN RATTENBURY SKEAPING RA (1901-1980) British, The Racehorse, pastel on board, signed to the reverse. 50 x 40 cm.

Robert Turnbull (contemporary) - Landscape with stormclouds over, pastel, 49 x 70cm

19th century English School, portrait of a gentleman, oval, & another of a similar subject by the same hand, pencil, chalk and pastel, each approx. 24cm x 20cm, Ackermann label verso (2)

After Paul Delaroche (1797-1856) French"The Princes in the Tower"Pastel, 66cm by 62.5cm

Henry Robertson "Robin" Watt (1896-1964) CanadianPortrait of Jean Souter Craig aged 28, with the crest of the University of St Andrews Signed and dated Feb 1924, pastel, 36cm dia. (oval)

Marion Bond - Aysgarth Falls, pastel, signed verso, 22 x 29 cm

Terry Barron Kirkwood (Scottish) Equestrian Horse, handmade gilded paper, pastel, signed with initials bottom right, gilded mounted glazed frame, (12.5cm x 19cm)

Terry Barron Kirkwood (Scottish) Two Tabby Cats, handmade paper with marbled ground, signed bottom right with initials, mixed media pastel and gouache, unmounted, unframed, (37cm x 28cm)

Terry Barron Kirkwood, (Scottish) Two Ponies, gouache and pastel, hand made and marbled paper, signed bottom right, unmounted and unframed, (28.5cm x 37.5cm)

Kate Wylie RSA (Scottish, 1877-1941) Highland Crofts by the Shore, (possibly Barra) pastel, signed bottom left, glazed mounted white painted frame, (25cm x 35.5cm)

Terry Barron Kirkwood (Scottish) Sketches of Horses Pulling a Carriage, handmade gilded coloured paper, pastel and gouache, signed bottom right, stained glazed mounted frame, (13cm x 38cm, 14cm x 38cm)

A late 19th early 20thc Chinese Buddhist dog of Foo pastel burner, the seated figure raised on square mount with a puppy to its foot, with yellow and green and aubergine glaze, (h: 17cm x 6.5cm) unmarked

Cynthia Graham (British, 20th/21st century) 'Winter on Mendip', oil pastel, signed and dated '76, framed and glazed.

Michael Morley (British,b.1937) "Sunset", Vietnam, pastel, monogrammed, 15x21.5ins, framed and glazed.

British contemporary, still life study of summer flowers, signed 'Checka' to lower right, pastel, 25x17.5ins framed and glazed.

A 19th century portrait of a gentleman, pastel, 73cm x 53cm, in gilt frame 

Marjorie Cox - Cavalier King Charles Spaniel & Golden Retriever Dog Study, pastel, signed & dated 1972, 50cm  x 42.5cm, in glazed colour toned wood frame

Continental school - Study of a Woman - indistinctly signed lower right, pastel, Christies label to verso, framed & glazed, 26 by 33cms.

Maureen Jordan (20th century British) - Cream Pansies - pastel, framed & glazed, 31 by 40cms.

20th century school - Study of a Lakel;andTerrier - pastel, framed & glazed, 31 by 28cms.

nach dem berühmten Pastell von Jean-Étienne Liotard (1744). Auf quadratischem Sockel stehende Dienstmagd in bürgerlicher Kleidung des Rokoko, das Haar von einer spitzengesäumten Haube bedeckt. In den Händen ein Tablett mit einem Glas Wasser sowie einer Schokoladentasse haltend. Polychrome, zarttonige Malerei mit dezenter Goldkonturierung. Modell-Nr. T 5. Schwertermarke. H. 18,5 cm. A porcelain figure of a serving maid with chocolate cup after the famous pastel painting by J.É. Liotard. Crossed swords mark.Meissen. Um 1900.

(1865 Bromberg - 1908 Berlin) attr.;See im GrunewaldDer Impressionist Leistikow gehörte um 1900 mit Max Liebermann und Lesser Ury zu den Protagonisten der Moderne in Berlin, war Gründungsmitglied der Künstlergruppe "Die XI" und der "Berliner Secession". In poetischen Stimmungsbildern schilderte er besonders den Grunewald und den Schlachtensee. Pastell/ Papier. L. u. monogr. u. dat. "WL (19)07", verso bez. "Grunewald fec (19)07". Ca. 32 cm x 24,5 cm (Passepartoutausschnitt). Rahmen.Attributed to Walter Leistikow (1965 - 1908). Pastel on paper. Monogrammed and dated 1907 with location (Berlin-)Grunewald.

General Siegfried Westphal - Pastell-Bild des Malers Wilhelm Wessel "Explosion von Munitionslagern bei der Einnahme von Marsa Matruh in Ägypten, 1942" Ein Pastell-Bild des Kriegsmalers Wilhelm Wessel, Iserlohn, mit handschriftlicher Widmung: "In Marsa Matruh explodierten am Tag der Einnahme (29.6.1942) die Munitionslager südwestlich der Stadt, von unseren Stukas am Tag vorher durch Volltreffer in Brand geworfen, Wilhelm Wessel, 1942". Auf der Rückseite des Bildes mit handschriftlicher Widmung "Meinem Freunde, General d. Kav. a.D. Siegfried Westphal zum 60. Geburtstag. In alter kameradschaftlicher Verbundenheit ein altes Erinnerungsstück gemeinsamer Erinnerung! Wilh. Wessel, 17.3.1962". Mit Etikett des Rahmengeschäftes "Müller, Iserlohn". Maße Bild ca. 32 x 47 cm, mit Rahmen ca. 50 x 64 cm. Provenienz: Direkt aus Familienbesitz. General Siegfried Westphal - a pastel painting by Wilhelm Wessel "Explosion of Ammunition Storage when Occupying Marsa Matruh in Egypt, 1942" General Siegfried Westphal - a pastel painting by Wilhelm Wessel "Explosion of Ammunition Storage when Occupying Marsa Matruh in Egypt, 1942"Ein Pastell-Bild des Kriegsmalers Wilhelm Wessel, Iserlohn, mit handschriftlicher Widmung: "In Marsa Matruh explodierten am Tag der Einnahme (29.6.1942) die Munitionslager südwestlich der Stadt, von unseren Stukas am Tag vorher durch Volltreffer in Brand geworfen, Wilhelm Wessel, 1942". Auf der Rückseite des Bildes mit handschriftlicher Widmung "Meinem Freunde, General d. Kav. a.D. Siegfried Westphal zum 60. Geburtstag. In alter kameradschaftlicher Verbundenheit ein altes Erinnerungsstück gemeinsamer Erinnerung! Wilh. Wessel, 17.3.1962". Mit Etikett des Rahmengeschäftes "Müller, Iserlohn". Maße Bild ca. 32 x 47 cm, mit Rahmen ca. 50 x 64 cm. Provenance: Direkt aus Familienbesitz.Condition: I -

General Siegfried Westphal - Pastell-Bild des Malers Wilhelm Wessel "Via Balbia - Afrikafeldzug", 1942 Ein Pastell-Bild des Kriegsmalers Wilhelm Wessel, Iserlohn 1942, dargestellt ist die Küstenstraße Via Balbia in Libyen mit einem Wehrmachts-LKW auf der Straße und brennenden Benzintanks am Rand. Rechts unten handschriftlich signiert "Wilhelm Wessel, Via Balbia, 10 Km westl.". Als Via Balbia wurde die 1.822 km lange Küstenstraße in Libyen bezeichnet, die während der italienischen Kolonialherrschaft entstand. Die Straße erlangte während des Afrikafeldzugs weltweit Bekanntheit als Schauplatz zahlreicher Gefechte zwischen den Achsenmächten und den Alliierten. Mit Etikett des Rahmengeschäftes "Müller, Iserlohn". Maße Bild ca. 37 x 45 cm, mit Rahmen ca. 58 x 63 cm. Provenienz: Direkt aus Familienbesitz. General Siegfried Westphal - a pastel painting by Wilhelm Wessel "Via Balbia - North African Campaign", 1942 General Siegfried Westphal - a pastel painting by Wilhelm Wessel "Via Balbia - North African Campaign", 1942 Ein Pastell-Bild des Kriegsmalers Wilhelm Wessel, Iserlohn 1942, dargestellt ist die Küstenstraße Via Balbia in Libyen mit einem Wehrmachts-LKW auf der Straße und brennenden Benzintanks am Rand. Rechts unten handschriftlich signiert "Wilhelm Wessel, Via Balbia, 10 Km westl.". Als Via Balbia wurde die 1.822 km lange Küstenstraße in Libyen bezeichnet, die während der italienischen Kolonialherrschaft entstand. Die Straße erlangte während des Afrikafeldzugs weltweit Bekanntheit als Schauplatz zahlreicher Gefechte zwischen den Achsenmächten und den Alliierten. Mit Etikett des Rahmengeschäftes "Müller, Iserlohn". Maße Bild ca. 37 x 45 cm, mit Rahmen ca. 58 x 63 cm. Provenance: Direkt aus Familienbesitz.Condition: I -

General Siegfried Westphal - Pastell-Bild des Malers Wilhelm Wessel "Blick auf Aprilia und Nettuno, Italien, 17.02.1944, 16:30 Uhr" Ein Pastell-Bild des Kriegsmalers Wilhelm Wessel, Iserlohn 1942, handschriftlich bezeichnet "Blick auf Aprilia und Nettuno, 17.02.1944, 16:30 Uhr, Wilh. Wessel". Dargestellt ist der deutsche Gegenangriff am 17.2.44 mit Granateinschlägen im Hintergrund. Maße Bild ca. 36 x 54 cm, mit Rahmen ca. 64 x 82 cm. Am 14. Februar führte das deutsche LXXVI. Panzerkorps unter General der Panzertruppe Herr einen groß angelegten Angriff auf den Brückenkopf durch, der jedoch aufgrund alliierter Überlegenheit zur Luft und zu Wasser keinen Erfolg hatte. Durch einen weiteren Vorstoß am 17. Februar kamen die Amerikaner aber so weit in Bedrängnis, dass die alliierten Befehlshaber in Erwägung zogen, den Abschnitt aufzugeben. Dieser Angriff sowie ein weiterer, der Ende Februar stattfand, konnte von den Allierten abgewehrt werden.Provenienz: Direkt aus Familienbesitz. General Siegfried Westphal - a pastel painting by Wilhelm Wessel "A View of Aprilia and Nettuno, Italy, 17.02.1944, 4:30pm" General Siegfried Westphal - a pastel painting by Wilhelm Wessel "A View of Aprilia and Nettuno, Italy, 17.02.1944, 4:30pm" Ein Pastell-Bild des Kriegsmalers Wilhelm Wessel, Iserlohn 1942, handschriftlich bezeichnet "Blick auf Aprilia und Nettuno, 17.02.1944, 16:30 Uhr, Wilh. Wessel". Dargestellt ist der deutsche Gegenangriff am 17.2.44 mit Granateinschlägen im Hintergrund. Maße Bild ca. 36 x 54 cm, mit Rahmen ca. 64 x 82 cm. Am 14. Februar führte das deutsche LXXVI. Panzerkorps unter General der Panzertruppe Herr einen groß angelegten Angriff auf den Brückenkopf durch, der jedoch aufgrund alliierter Überlegenheit zur Luft und zu Wasser keinen Erfolg hatte. Durch einen weiteren Vorstoß am 17. Februar kamen die Amerikaner aber so weit in Bedrängnis, dass die alliierten Befehlshaber in Erwägung zogen, den Abschnitt aufzugeben. Dieser Angriff sowie ein weiterer, der Ende Februar stattfand, konnte von den Allierten abgewehrt werden.Provenance: Direkt aus Familienbesitz.Condition: I -

ACHILLE LAUGÉ (1861-1944)Le Pont de l'Archevêché à Paris signé 'A. Laugé' (en bas à droite)pastel sur papier Exécuté circa 1928signed 'A. Laugé' (lower right)pastel on paperExecuted circa 192847.9 x 62.7cm (18 7/8 x 24 11/16in).Footnotes:L'authenticité de cette œuvre a été confirmée par Nicole Tamburini. Cette œuvre sera incluse dans le catalogue raisonné d'Achille Laugé, actuellement en préparation.ProvenanceVente, Phillips, Londres, 24 juin 1996, lot 39.Collection particulière, Gibraltar (acquis dans cette vente).This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

JEAN FAUTRIER (1898-1964)Portrait de Jean Castel signé 'Jean Fautrier' (en bas à gauche)pastel gras sur papier signed 'Jean Fautrier' (lower left)oily stick on paper 39.5 x 34.3cm (15 9/16 x 13 1/2in).Footnotes:ProvenanceGalerie Jeanne Castel, Paris.Collection particulière, France.Collection particulière, France (puis par descendance).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

HAMED NADA (EGYPTIAN 1924-1990) THE AFRICAN WIZARDsigned and dated in English H. Nada / 1960 lower rightpastel on paper image: 31.5 x 22cm; 11 1/2 x 8 3/4inframed: 52 x 41cm; 20 1/2 x 16 inInscribed in Arabic Dr Mohamed Said Farsi on plaque to left side of frame.Provenance:Collection of Dr Mohammed Said FarsiThence by descent

OSI AUDU (NIGERIAN/AMERICAN B. 1956) THE NIGHT IS BRIGHT WITH STARSsigned and dated Osi Audu '93 lower rightpastel on paperimage: 101.5 x 66cm; 40 x 26inframed: 122 x 89cm; 48 x 35inProvenance:Private Collection, LondonAudu received his undergraduate degree in fine arts from the University of Ife, Ife-Ife, Nigeria, and his master’s degree at the University of Georgia in the United States. He has exhibited his work at the Smithsonian National Museum of African Art, Washington, DC; National Gallery of Modern Art and Franco-German Gallery, Lagos, Nigeria; Skoto Gallery and Bonhams, New York; the Africa Centre, the Science Museum and the British Museum, London; and the Tobu Museum of Art, Tokyo, among others. Audu lives and works in New York.Audu focuses on the dualism of form and void, the tangible and intangible. Using a variety of mediums, including acrylic, graphite, pastel and wool on canvas or paper, he examines scientific, philosophical and cultural concepts surrounding the relationship between mind and body. His compositions are often inspired by the abstract geometric possibilities he sees in African art and cultural objects and the concept of the head as a centre of waking and dreaming consciousness.