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Click here to subscribeA 19th century pastel drawing, depicts a Schoolmaster and his pupil, 12cm x 9cm, gilt framed, together with an early 20th century watercolour of a young woman wearing jockey colours and cap, monogrammed R.A.S. and dated 1917, unframed 23cm x 18cm, and a watercolour of a peasant girl, 14cm x 10cm, unframed (3)
V*** M*** S*** (20TH/21ST CENTURY) (3)A building among trees, signed with initials and dated 'VMS 2002' (lower right), pastel, 44.5 x 58.5cm, together with a watercolour by the same hand of a sheep and chickens in a coastal landscape, signed with initials and dated '2007', 33 x 46cm; and a watercolour by another hand of a fort on the coast, signed with initials 'L M' and dated '94' and inscribed 'For Paul from Francis', 20 x 28cm, (3)Provenance: The estate of Paul Manousso (1930-2021), an artist's home on Brompton Square, Knightsbridge.
Gucci, a small Supreme Joy Boston handbag, crafted from the maker's monogram coated canvas and pastel green patent leather trim, featuring dual rolled leather top handles and one interior pocket, zip AF, measuring 11 by 14 by 25cmCondition- Overall fair condition- Zip is broken and not attached to bag (yet still kept with bag) so bag does not close- Interior lining is clean and unmarked - Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Three pairs of unworn patent leather shoes, to include a pair of flat black patent leather ankle boots by Bruno Magli, a pair of imitation tortoiseshell leather wedges by Hobbs, together with a pair of pastel pink peep-toe high heels by Linea Raffaelli, sizes 37, 38.5 & 39 (UK 4, 5.5 and 6), all with maker's boxesCondition- Overall very good, unworn condition - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
A ladies pastel mink jacket, featuring a short gathered lapel collar with drawstring details, hook and eye clip fastenings and two outer pockets, chest measures approximately 40 inchesCondition- Overall very good condition- No obvious fur wear or damage- Lining is clean and unmarked- May have export issues- Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
A pastel mink jacket, designed with a notched lapel collar, hook and eye fastenings, two outer pockets and a fancy flower embroidered interior lining, chest measures approximately 38 inchesCondition- Overall very good condition- No obvious fur wear or damage - Interior lining is clean and unmarked- Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
John George Hall (1835-1921)"Castle from the Green, Richmond, Yorks"Signed, inscribed and dated 1899, watercolour, together with a further watercolour by the same hand "Cottingham" a British School (19th Century) Carriage driving scene, pastel, a monochrome marine watercolour and a portrait of a gentleman by Edmund Arthur Cuckson (5)
A 19th Century pastel portrait painting depicting Lady Katherine Blicke Archer. Set to a red ground with hair up, wearing a black and white lace ground holding a single red rose. Set to a glazed ornate gesso gilt painted frame with moulded details. Family tree and history notated to verso. Measures approx; 75cm x 56cm.
Oil on copper, framed measures: 84 x 63, copper measures: 48 x 38 cm. The magnificent representation before which we find ourselves follows the canons of the most exquisite colonial refinement that, in turn, drinks from the currents of the Italian Renaissance, only Italian painter Bernardo Bitti who came to the Viceroyalty of Peru, in which we observe a great influence of painters like El Greco. Bernardo Bitti, Jesuit curate brother and Italian painter who developed his work in Lima, Cusco, Juli, Ayacucho, La Paz and Sucre. The Spanish and, in general, European contribution to the Cuzco School of painting occurred from a very early period, when the construction of the cathedral began. Bernardo Bitti arrives in Peru on May 31, 1575 to "evangelize through art", at the request of the Provincial of the Society of Jesus, Father Bracamonte. He worked in Lima from 1575, moving to Cusco in 1583 and then, in 1585, to Juliaca, Puno. A return to Cusco between 1595 and 1598 is documented, alternating his stay in the city, according to JosŽ de Mesa and Teresa Gisbert, with the cities of Chuquisaca and Arequipa even up to 1600. Reference is made to a new stay of Bitti in Arequipa around 1603 returning to Lima in 1604, the city where he would remain until his death in 1610. His great artistic talent made him the main and exclusive painter of the Jesuit order. He was a well-known painter and sculptor from South America during the 16th century. Although he never signed any of his paintings, his style has become unmistakable. Among the main characteristics of it we can highlight the predominant use of the line, the mere insinuation of the volumes, the elongated figure in the mannerist style, the sophistication in the posture of his characters, who are worked based on a serpentine line. Naturalism is not appreciated in Bitti's figures, but on the contrary, the weightlessness of his fabrics, his fanciful colors and the absence of different textures of his cloths (influenced by El Greco and Raphael according to the historians JosŽ de Mesa and Teresa Gisbert) they respond to a desire for idealization of their figures as can be seen in their Virgins and Saints who are wrapped in pastel-colored fabrics. Reference bibliography: Lavarello de Velaochaga, Gabriela "Plastic Artists in Peru, XVI-XVII-XVIII-XIX-XX centuries" Lima, 2003, p. 47. who are worked based on a serpentine line. Naturalism is not appreciated in Bitti's figures, but on the contrary, the weightlessness of his fabrics, his fanciful colors and the absence of different textures of his cloths (influenced by El Greco and Raphael according to the historians JosŽ de Mesa and Teresa Gisbert) they respond to a desire for idealization of their figures as can be seen in their Virgins and Saints who are wrapped in pastel-colored fabrics. Reference bibliography: Lavarello de Velaochaga, Gabriela "Plastic Artists in Peru, XVI-XVII-XVIII-XIX-XX centuries" Lima, 2003, p. 47. who are worked based on a serpentine line. Naturalism is not appreciated in Bitti's figures, but on the contrary, the weightlessness of his fabrics, his fanciful colors and the absence of different textures of his cloths (influenced by El Greco and Raphael according to the historians JosŽ de Mesa and Teresa Gisbert) they respond to a desire for idealization of their figures as can be seen in their Virgins and Saints who are wrapped in pastel-colored fabrics. Reference bibliography: Lavarello de Velaochaga, Gabriela "Plastic Artists in Peru, XVI-XVII-XVIII-XIX-XX centuries" Lima, 2003, p. 47. its fanciful colors and the absence of different textures of its cloths (influenced by El Greco and Raphael according to the historians JosŽ de Mesa and Teresa Gisbert) respond to a desire for idealization of their figures as can be seen in their Virgins and Saints who are wrapped in pastel colored fabrics. Reference bibliography: Lavarello de Velaochaga, Gabriela "Plastic Artists in Peru, XVI-XVII-XVIII-XIX-XX centuries" Lima, 2003, p. 47. its fanciful colors and the absence of different textures of its cloths (influenced by El Greco and Raphael according to the historians JosŽ de Mesa and Teresa Gisbert) respond to a desire for idealization of their figures as can be seen in their Virgins and Saints who are wrapped in pastel colored fabrics. Reference bibliography: Lavarello de Velaochaga, Gabriela "Plastic Artists in Peru, XVI-XVII-XVIII-XIX-XX centuries" Lima, 2003, p. 47.
§ Eric Henri Kennington RA (British 1888-1960) Nude Figure, 1926signed 'E H K' (lower right)pastel55 x 36cmExhibited:London, Maas Gallery, Eric Kennington, An exhibition of drawings, pastels and watercolours 1905-1930, April 27 - May 15 1981Exhibited:London, Maas Gallery, April - May 1981Some very minor undulation of the sheet along the right hand edge. Some scattered foxing (mostly localised to the lower quadrants, see additional images), one or two scattered paint flecks, likely caused by the artist during execution, otherwise in good overall condition.
A St Louis floral millefiori and spiral latticinio glass paperweight the double white spiral cushion, set with six diamond star-shaped arrangements of canes in pastel shades of greens & pinks, centred on a large blue and yellow florette, 2 7/8in. (7.4cm.) diameter.* Provenance: Sotheby's New Bond Street, London, 13th May 1968, Lot 8. Auction catalogue clipping with the lot.** Condition: The edge of the base has a number of small flaws, imperfections and indentations, which may be possible flaws from manufacture, but possibly a few are small frits and tiny chips. The centre of the base also has some manufacturing flaws which appear to be very similar. The top surface of the weight is in very good condition, with just one tiny nick from the surface of the glass and no scratching.
Terence C. Rees (b.1936). Squares and Rectangles, watercolour, collage, initialled, 17cm x 20cm, and various other works by the same hand, portraits to include Jazz VIII, Blues, charcoal on paper, August 2007, street scene, fading, artist signed limited edition print, Hannah Twenty One, pastel and charcoal, various other pictures, etc. (a quantity)
Brooklin 1/43 Scale pair - (1) BRK20 1953 Buick Skylark Convertible - metallic white, green, cream hood, beige interior, chrome trim, (2) Factory Special No.6 1953 Buick Skylark Hard Top Prototype - pastel blue, off-white interior, chrome trim - Near Mint to Mint in Good to Near Mint boxes. (2)
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