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A HAND PAINTED TAPAS PANEL, A PASTEL STILL LIFE AND A PRINT OF A FIGHTING COCK.

Hugh Barnden (b. 1946) - 'Dreams Belong to The Dreamer, General for Life', signed and inscribed on an exhibition label verso, pastel drawing, 18.5" x 21.5"-** With The Francis Kyle Gallery Ltd., 9 Maddox Street, London, W1R 9LE, exhibition no. 16-** The artist was born in Oxfordshire and is know for Eroticism, was educated at The Royal College of Art between 1968-1971 before entering The Royal College, the artist studied furniture design with John Makepeace a well known English designer, he had his first one man exhibition in Amsterdam in 1978 and showed paintings and drawings in New York and held many other exhibitions in both London and other cities.  

SHIN and TOMOKO AZUMI, a pastel blue, plastic coated, wire frame chair ca 1998, from a very limited production run, height 74cmGood structural condition, some wear to plastic coating

Harry Riley (1895-1966). Portrait of a seated nude woman. Pastel, signed lower left. Artists label verso. 34 x 44cm.

Pair of oval nocturnal maritime scenes, pastel, framed and glazed. Image size 30 x 40cm each approx. (2)

George Manchester (1922 - 1966) A framed and glazed pastel on paper of a street in Dover. Inscribed to the back. H.38 W.28cm

A gilt framed 19th century pastel portrait of two sisters. Unsigned. H.64 W.54cm

William Orpen, RA, RI, RHA (1878-1931) "Portrait of James Hugh Smith-Barry, after Swinton (1904)," O.O.C., 61.1 x 46cm (24" x 18"). (1) From Anglo-Norman times onwards, the Barry family were prominent in county Cork and further afield. Closely associated with Barryscourt Castle and Fota estate, through the Elizabethan and Tudor periods, and the turbulent seventeenth century, the family survived many vicissitudes. However, in 1823, with the death of the 8th Earl of Barrymore, the title became extinct. It was revived in 1902, when Arthur Hugh Smith-Barry (1843-1925) was created Baron Barrymore and took his seat in the House of Lords. Anxious to affirm his position in society, Arthur Hugh commissioned Sir William Orpen to paint a posthumous portrait of his father, James Hugh Smith Barry (1816-56). The painting was to be hung at Fota House, surrounded by portraits of Barry ancestors. It was to be based on a chalk pastel sketch made in 1854 by James Rannie Swinton (1816-1888), a Scottish portraitist whose sitters included the Countess of Dufferin and other wealthy patrons. The resulting portrait is a testament to Orpen?s skill as an artist. Although based on Swinton?s pastel sketch, it is spirited and full of vitality, the paint applied with the artist?s customary verve.   On 20th December 1904, Orpen wrote to Baron Barrymore from Forthampton Court, Tewkesbury, informing him that he had sent the portrait to him, and trusting it was ?to your liking?. On 28th December, Orpen wrote again, from 13 Royal Hospital Road, Chelsea, thanking Barrymore for a cheque for eighty four pounds and ten shillings. He mentioned how he had completed the portrait, working from photographs. Barrymore was so pleased with the portrait he asked some years later if he could have a copy made. Orpen delegated this task to his assistant, the young artist Sean Keating from Limerick. The original by Orpen was hung at Fota House in Cork, while the copy, by Keating, hung in the study at Marbury in Cheshire. Barrymore was also keen to have his own portrait painted by Orpen, who, in an undated letter to the Baron, outlined his prices. A head and shoulders was five hundred pounds, half-length was seven hundred while a full length portrait would set Barrymore back a thousand pounds. ?Of course I should like to try and paint you very much ? but it would have to be done here in London, as I will not be able to leave here this summer or autumn.? wrote Orpen. On 7th February, he wrote again, from 8 South Bolton Gardens, thanking Barrymore for a cheque for five hundred pounds which had arrived safely. Orpen had enjoyed painting the portrait: ?it gave me great pleasure doing it, as it is always nice being with nice people, and strange as it may seem people who get painted very often are far from it! and treat one as a business proposition!!? Together with a collection of letters from Sir William Orpen to Lord Barrymore relating to the work. Dr. Peter Murray, 2022

B. Clarke, Irish, 20th Century "Honorable Dominick Browne, Aged 8," Pastel, 50cms x 60cms (21" x 24"), signed and dated, in gilt frame with plaque. (1) * Dominick Geoffrey Edward Browne, 4th Baron Oranmore and Browne, 2nd Baron Mereworth, was a British peer and Legislator. He was the father of Garech Browne (Luggala) and Tara Browne.

Sean O'Sullivan, R.H.A. (1906-1964) "Portrait of a Lady," Pastel, head and shoulders of Lady with short hair with pink shirt, approx. 48 x 33cms (19" x 13"), signed and dated lower right, mounted and framed, remnants of label on reverse.  (1)

Chinese porcelain vase, belonging to the Rose Family. Late 19th century.Measurements: 62 cm x 25 cm (diameter).Large Chinese porcelain vase decorated with enamelled cartouches depicting genre scenes in which courtly characters appear on terraces and pagodas set in leafy landscapes. These scenes are outlined and completed with floral and vegetal decoration that covers the rest of the body of the vase, contrasting with the base of the lower part in shades of pink, red and aquamarine-blue. The pictorial decoration is completed by a series of zoomorphic reliefs in the form of tigers and dragons on the neck of the vase. The Rose Family is characterised by the predominance of light, luminous tones, especially pink and green. During the second half of the 19th century, thanks to the discovery of white glaze, Chinese potters broadened their palette to include new shades, which allowed them to enrich their wares with greater chromatic splendour, achieving a higher quality of plastic representation.The Rose Family style originated at the end of the Kagnxi period, an emperor of the Qing dynasty who reigned from 1662 to 1722. The new ornamental style is based on the introduction of new enamels, the most famous of which is pink, after which the style is named. Other new colours were also added, such as opaque yellow, white and the now independent black (until then, in order to fix the black glaze, it had to be covered with a glaze of another colour, usually translucent green). Technically, the most important is opaque white, as it could be mixed with other glazes to achieve a wide range of pastel shades, as well as allowing a smooth tonal gradation that made it possible to successfully imitate Western painting. What defines the Rose Family, therefore, is not the predominance of this colour, but this new polychrome. The new style led to the abandonment of the previously predominant Green Family, characterised by the abundance of this colour and the use of more watery glazes.

Nine vintage glass bead necklaces, faux lapis lazuli beads graduating from 6.5mm to 14mm, length 76cm;11mm pressed green glass beads, 86cm; 11mm marbled green glass beads, 120cm; 6.5mm opaline pastel coloured beads, 135cm; yellow beads graduating from 7mm to 18mm, 95cm; red and white glass beads graduating from 7.5 to 18mm with small red bead spacers, 80cm; three other neckl;aces

A collection of Honora pearl jewellery as new in branded boxes and satin purses, grey pearl necklace and bracelet; multi-colour pastel coloured pearl necklace; three turquoise pearl bracelets; multi shade of grey necklace; lilac necklace; two green pearl necklaces; pink, amber and grey pearl necklace; a suite of five grey pearl bracelets,necklace, ring and earstuds, eighteen pieces of jewellery in eight boxes and purses.

Modern costume jewellery, turquoise bead necklaces and pendants; pastel pink and crystal jewellery; black and white neklaces, earrings; wristwatches.

Follower of Daniel Gardner Portrait of a lady, half-length, in a white dress, wearing a bonnet, a landscape beyondpastel on paper71 x 50cmProvenance:Christie's, London, 8th March 2011, lot 223Birling Ashes, Kent

WILLIAM MONK R.E. (1863-1937). A collection of unframed drawings, mostly in pencil, a few in pastel, subjects including 'A Rally in Hyde Park, April 4, 1914, against the Liberal Government's Proposal for Home Rule'; various other London scenes; figure subjects, landscape studies; cloud studies; Venice, various dates, many from the 1914-1931 period, the majority in pencil, a few in pastel, unframed, 7½ x 10½ in (approximately 200)

A COLLECTION OF PICTURES, PRINTS AND NEEDLEWORKS TO INCLUDE A PASTEL PICTURE OF A STILE, SMALL OIL ON BOARD ETC

Triptych framed limited edition prints by Jane Wheeler, dated 1985. 94cmH x 65 each overall, and signed oil painting of a young girl indistinctly signed, un glazed, and an abstract chalk , glazed picture, print of 2 dogs, walnut style frame, Pastel life drawing in the Greek style of Gentlemen wrestlers, and other various pictures

Framed and glazed pastel, marked verso "Evening clouds by Rosa Harding", signed lower right, 33 x 49cm; and a Framed and glazed watercolour, signed Margaret Hinton

Adeline Blanche Moorhouse (British, d.1967) Twilight Lake District Thatched Cottage Scene with a Horse, Pastel, Signed and dated 1928 lower right, gilt framed and glazed. Member of The Lake Artists Society. Image 18cm x 24cm

TWO FLOWER STUDIES IN PASTEL, ONE SIGNED WITH INITIALS LY

PASTEL PORTRAIT, HEAD & SHOULDERS OF A FOXHOUND, SIGNED WITH INITIALS DE

GOOD PASTEL HEAD & SHOULDERS PORTRAIT OF A COCKER SPANIEL, INDISTINCTLY SIGNED WITH INITIALS, WITH MEDICI SOCIETY GALLERY LABEL TO REVERSE.

3 F/G PICTURES, A PASTEL PICTURE OF LUSTLEIGH, ANOTHER OF DIGGERS REST WOODBURY & ANOTHER OF RIVER EXE SUNSET & A FRAMED ACRYLIC OF LONDON SKYLINE & FRAMED OIL A BASKET OF FLOWERS

F/G PASTEL PORTRAIT OF A NUDE LADY

ROBERT CLATWORTHY R.A. [1928-2015]. Head, 2011. pastel and charcoal; signed with initials [as usual] and dated. 38 x 28 cm - unframed. Provenance: the artist; private collection, UK. See lot 36 for cv. [very good condition]. Buyers premium 20% + vat payable.

CERI RICHARDS R.A. [1903-71]. Abstract Study, c.1970. pastel collage on paper laid on board. 29 x 38 cm [overall including frame 50 x 59 cm]. br>Provenance: the artist's wife; private collection, UK. It is thought to be a study for a proposed mural at Cardiff University. [good condition - some small stains at the right edge of the lower right panel - unexamined out of frame]. Buyers premium 20% + vat payable.

Henry Edward Tidmarsh (fl.1880-1927)Norwich Cathedral signed 'H E Tidmarsh' and dated 1905 l.l., watercolour78 x 56cm;and another,G Lewis after J ButlerNorwich Cathedralengraving45 x 62cm (2)Condition report: Watercolour: the paper has yellowed very slightly. There is a small pale spot in the top left quarter, it looks as if it could be pastel to mask a tiny tear. The occasional faint spot of foxing. Not seen outside glazed frame.Print: the paper has discoloured to a light brown and there are faint brown speckles throughout. Not seen outside of glazed frame

*Baron Arild Rosenkrantz (Danish, 1870-1964)'The Daily Bread'signed 'Arild Rosenkrantz' in pencil l.r. and inscribed on the artist's label verso, pastel 42 x 60cmProvenance: With Peter Nahum, London.*Artist's Resale Right may apply to this lot.Condition report: Some cockling to the paper, otherwise in apparently good order. Unexamined out of frame.

Pauline Augusta Wilhelmina (Nita) Spilhaus (South African 1878 - 1967): WASSERBURG charcoal, pastel and watercolour on paper signed with artist's initials; inscribed 'Wasserburg, 9 June, Nita Spilhaus' on the reverse 24 by 31cm; 52 by 72 by 2cm including framing PROVENANCE Lot 681, Ashbey's Galleries, Cape Town, November 2020 *NOTE: This lot is located at our Cape Town branch

Anthony Orme : Figures by a cafe in a street, pastel drawing, 79 x 29 cm

Anthony Orme : Figures seated at a restaurant terrace, pastel drawing, 79 x 29 cm

Anthony Mendleson Pastel, a pastel framed and glazed of a woman measuring 40cm x 58cm with a small back view to the right, signed Mendleson 66 with 'The Long Duel' and ' Seq 8th Gymkhana Club' written at the top. Anthony Mendleson was a British Costume and set Designer for many films including Young Winston and the Incredible Sarah, excellent condition

Khazri Mirjavadov (Azerbaijanian B.1966). Abstract creature. Oil pastel. 49cm x 69cm. Signed.

David Blackburn (British, 1939-2016) - 'Huddersfield', pastel on paper, signed and dated '80, 61 x 50 cm ARR may be applicableGood condition

Bohuslav Barlow titled California girl, pastel on paper. Size including frame 80 x 68 cm

Victorian pastel of a lady in a gilt frame, 74 x 58 cm including frame

Friesz, Emile Othon, signed, nude, kneeling, pastel 34 x 26 cm.FRIESZ, EMILE OTHON (1879-1949), ges. l.o., knielend naakt, pastel 34 x 26 cm.

Monnickendam, Martin, signed, streetview, pastel 38 x 27 cm.MONNICKENDAM, MARTIN (1874-1943), ges. en gedat. 1939 l.o., stadse gevel, pastel 38 x 27 cm.

Gerbault, H., signed, strolling people, pastel 36 x 30 cm.GERBAULT, H., ges. r.o., flanerende mensen, pastel 36 x 30 cm.

Kvapil, Charles, signed, sitting nude, pastel 40 x 44 cm.KVAPIL, CHARLES (1884-1957), ges. r.o., zittend naakt, pastel 40 x 44 cm.

Dooper, Leo, signed, woman with cat, pastel 115 x 134 cm.DOOPER, LEO (1904-2012), ges. en gedat. 1973 l.b., vrouw met kat, pastel 115 x 134 (vochtplekken)

Pontoy, signed, view on a mosk, pastel 29 x 11 cm.PONTOY, ges. r.o., gezicht op moskee, pastel 29 x 11 cm.

Unknown, portrait of a lady, pastel 43 x 35 cm.ONBEKEND, portret van dame, pastel 43 x 35 cm.

Nat, Willem Hendrik van der, signed, wooden cart, pastel 21 x 30 cm.NAT, WILLEM HENDRIK VAN DER (1865-1929), ges. r.o., boerenkar, pastel 21 x 30 cm.

EILEEN M COXON, NORFOLK SUNSET, PASTEL, F/G

A quantity of pictures and prints to include a pastel study of an owl, oil on canvas depicting a continental scene etc.

PAINTINGS AND PRINTS ETC, comprising a early 20th century pastel drawing of a rural cottage scene, indistinctly signed, with brass plaque annotated 'With grateful thanks, for X-ray installation from Belgium wounded soldiers - Xmas 1914', approximate size 37cm x 54cm, (frame damaged, plaque loose), nostalgic maritime oil on board signed Dirk, river landscape with angler signed Dirk, oil on card, frame backing board missing, four framed shooting prints and three other prints

A LARGE QUANTITY OF ART SUPPLIES ETC, to include SAA tins of watercolour paint most appear to be unused, unused Winsor and Newton Cotman watercolour set, desert collection set, Derwent Inktense ink blocks 72 set, Rowney soft pastels, Derwent pastel pencils, SAA folders of unused paint brushes, sketching pads, books and packs of drawing paper, boxed and unboxed wooden table box easels, variscaler in wooden box, watercolour mixing palettes, aluminium cases, and a box of photoframes etc

§ § Charles Mackesy (1962-) Royal Albert Hall 2pastel and watercoloursigned and dated '9145 x 61cm

Paul Lucien Maze (1887-1979), pastel, River landscape, signed, 54 x 74cm

* DORA HOLZHANDLER (FRENCH 1928-2015), TWO WOMEN WITH A BABY pastel on paper, signed and dated '89 image size 58cm x 43cm, overall size 81cm x 65cm Mounted, framed and under glass.

* PETER HOWSON OBE (SCOTTISH b. 1958), DRUMMER pastel on paper, signed image size 32cm x 24cm, overall size 55cm x 48cm Mounted, framed and under glass.

* WALTER HOLMES (BRITISH b. 1936), WINTER VIEW pastel on paper, signed and dated '96 image size 47cm x 50cm, overall size 73cm x 75cm Mounted, framed and under glass.

* JULIA MCNAIRN, SOLITUDE pastel on paper, signed and dated '90, titled label verso image size 40cm x 29cm, overall size 44cm x 33cm Framed and under glass. Handwritten label verso.

UNATTRIBUTED, SOUTHEAST ASIAN SCHOOL (XX) - PORTRAIT STUDY Charcoal and pastel on paper Indistinctly signed and dated 1990 39 x 33cm; 67 x 61cm (including frame) Condition: Minor signs of wear commensurate with age and use

Wendy Reeves (b.1944), Fishermen in Highland Landscape, pastel, signed bottom right (38cm x 53cm)

Scottish School, Harbour Scene with Bridge, pastel (25cm x 47cm)

Hugh Ford Crighton, Portrait of a Lady, pastel, signed and dated 1842 bottom right (71cm x 56cm)

Fully restored split-screen camper with a 1600cc engine.Fully restored 5 years ago by UK Sports Cars Ltd.Classically finished in Toga White over Pastel BlueVery smart bespoke interior with Oak cabinetworkEngine and gearbox reconditionedStored in a dehumidified bubbleRegularly serviced although it has seen very little use   SpecificationMake: VOLKSWAGENModel: T2 CAMPERVAN SPLIT SCREENYear: 1965Chassis Number: 226061207Registration Number: EOL 820CTransmission: ManualDrive Side: Right-hand DriveOdometer Reading: 23000 MilesMake: RHDInterior Colour: white