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Lot 1052
Christian Meyer-Ross (1843-1904) Norwegian Portrait of an elegant lady, three-quarter length standing, wearing a fine pink evening dress, an ermine stole, and holding an ostrich feather fan Signed, inscribed "Roma" and dated (19)03, pastel, 134cm by 75.5cm A good flat even picture plane, one very small bump in the top right corner visible in raking light. An approx 1cm band of disturbed/smudged pastel along the bottom edge likely from movement in the slip (see images). Scattered lumps of dust and fibres, with larger ones towards the bottom of the picture, with futher scattered fibres. An incised squiggle to fur sleeve - part of artist's technique? A futher scratch like mark below the highlight on the neck near the jaw line.A dark stain to the top edge emerging from under the slip (see images), and a possible patch of timestaining to top left corner where the pastel is slighly disturbed in places?There is a slighly bumpy surface to the pastel in places, appearing to be under the pastel layers (see images).
Lot 629
Vibrant Japanese Kutani dish, elaborately decorated with a pastel-colored floral design in the center, surrounded by two different uniformed patterns. The plate is in the shape of a flower with scallop rim. Marked to base. Dimensions: 9.5"W x 1"HCountry of Origin: JapanCondition: Age related wear.
Lot 3063
A group of 20th century or modern contemporary artworks to include; a framed and glazed John M Threlfall pastel and crayon, an early 21st century watercolour of people at the beach, signed K. Russell, dated (20)03, a Continental building scene watercolour, dated 1973 to reverse, framed and glazed, an unframed watercolour signed artwork, titled 'west Wycombe Hill, dated (19)93, two abstract signed oil on canvases, unframed, signature ineligible, a framed and glazed Sandra Harris woodcut/oil pastel titled 'Wreck', and a few modern (2000s) part nude abstract artworks, signed and dated 2009 or 09. (10)
Lot 31
Camille Pissarro (1830-1903), Tête de vieux paysan , vers 1879, détrempe et pastel sur papier, estampillé C.P , 54x45,5 cm (feuille)Cette oeuvre sera incluse dans le Catalogue Raisonné Digital de Camille Pissarro en préparation sous l'égide du Wildenstein Plattner Institute, Inc.Bibliographie : Ludovic Rodo Pissarro et Lionello Venturi, Camille Pissarro : Son art - Son oeuvre, catalogue raisonné, Paul Rosenberg, Paris, 1939, vol. 1, p. 265, no. 1327, vol. 2, pl. 260, no. 1327, ill.Provenance : Ludovico Rodo Pissarro, par descendance depuis l'artiste (1904) Collection Georges Couturat, Paris, puis resté dans la famille jusqu'à ce jour COLLECTION GEORGES COUTURAT (1890-1948)Grand marchand, mécène et collectionneur de la première partie du XXème siècle, Georges Couturat était un ami des peintres. Grand-oncle des propriétaires actuels suisses par alliance d'une famille patricienne vaudoise, il a oeuvré pour valoriser le travail des artistes de la modernité comme Manguin, Camoin, Cross, Signac, etc...Il a constitué une extraordinaire collection de plusieurs centaines d'oeuvres dans son appartement parisien incluant l'un des chef d'oeuvres de Caillebotte,"L'homme au balcon".En tant qu’esthète, il n’hésitait pas à prodiguer ses conseils aux artistes au cours de leurs processus de création. Plus qu’un conseillé pour certains, sa relation avec Manguin pouvait s’apparenter à celle d’un confident, confortant ce dernier dans ses moments de doute, il l’aida à établir sa propre peinture.Toutes les oeuvres provenant de cette collection et marquées en bleu dans le catalogue papier (lots 17 à 35 et 2106 à 2226) ont été conservées par descendance dans la famille jusqu'à ce jour.
Lot 25
Charles Camoin (1879-1965), Portrait de femme , pastel sur papier, signé, 44x37,5 cm L'authenticité de ce tableau a été confirmée par Madame Anne-Marie Grammont-Camoin, lequel sera inclus dans le catalogue raisonné de Charles Camoin actuellement en préparation par les Archives Camoin. Un certificat d'authenticité pourra être délivré sur demande.Provenance: Georges Couturat, Paris, c.1930, puis restée dans la famille jusqu'à ce jour COLLECTION GEORGES COUTURAT (1890-1948)Grand marchand, mécène et collectionneur de la première partie du XXème siècle, Georges Couturat était un ami des peintres. Grand-oncle des propriétaires actuels suisses par alliance d'une famille patricienne vaudoise, il a oeuvré pour valoriser le travail des artistes de la modernité comme Manguin, Camoin, Cross, Signac, etc...Il a constitué une extraordinaire collection de plusieurs centaines d'oeuvres dans son appartement parisien incluant l'un des chef d'oeuvres de Caillebotte,"L'homme au balcon".En tant qu’esthète, il n’hésitait pas à prodiguer ses conseils aux artistes au cours de leurs processus de création. Plus qu’un conseillé pour certains, sa relation avec Manguin pouvait s’apparenter à celle d’un confident, confortant ce dernier dans ses moments de doute, il l’aida à établir sa propre peinture.Toutes les oeuvres provenant de cette collection et marquées en bleu dans le catalogue papier (lots 17 à 35 et 2106 à 2226) ont été conservées par descendance dans la famille jusqu'à ce jour.
Lot 30
Camille Pissarro (1830-1903), Verger, pierre noire, pastel et fusain sur papier, estampillé C.P , 15,5x19,5 cm Authentification en cours Provenance: Georges Couturat, Paris, c.1930, puis restée dans la famille jusqu'à ce jour COLLECTION GEORGES COUTURAT (1890-1948)Grand marchand, mécène et collectionneur de la première partie du XXème siècle, Georges Couturat était un ami des peintres. Grand-oncle des propriétaires actuels suisses par alliance d'une famille patricienne vaudoise, il a oeuvré pour valoriser le travail des artistes de la modernité comme Manguin, Camoin, Cross, Signac, etc...Il a constitué une extraordinaire collection de plusieurs centaines d'oeuvres dans son appartement parisien incluant l'un des chef d'oeuvres de Caillebotte,"L'homme au balcon".En tant qu’esthète, il n’hésitait pas à prodiguer ses conseils aux artistes au cours de leurs processus de création. Plus qu’un conseillé pour certains, sa relation avec Manguin pouvait s’apparenter à celle d’un confident, confortant ce dernier dans ses moments de doute, il l’aida à établir sa propre peinture.Toutes les oeuvres provenant de cette collection et marquées en bleu dans le catalogue papier (lots 17 à 35 et 2106 à 2226) ont été conservées par descendance dans la famille jusqu'à ce jour.
Lot 196
Hughes Claude Pissarro (French, born 1935)Trois pommiers au champs de la moussesigned 'Claude Pissarro' (lower left) pastel 25 x 37cm (9 13/16 x 14 9/16in).Footnotes:ProvenanceAnon. sale, Bonhams, London, 21 March 2017, lot 201.The authenticity of this work has kindly been confirmed by Madame Lélia Pissarro when offered in the above sale.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 260
Original paintings and drawings to include Jill Story - Westminster 1 Skaters & Reflections, Hampton Court, watercolour and pastel respectively, signed 18 x 17 and 16.5 x 16.5cm, mounted in glazed frames, early 20th century oil painting of a town street scene, unsigned, 15 x 25cm, framed and a pencil drawing of the Royal Military college, Sandhurst, signed indistinctly and dated '91, 11 x 43cm, mounted in a glazed frame (4), Location:
Lot 36
λ LUCY KEMP-WELCH (BRITISH 1869-1958) HORSES PLOUGHING: PREPARATIONS Pastel Signed (lower left) 22.5 x 34.5cm (8¾ x 13½ in.) Provenance: The Pastel Society, London, 1934, no. 6 Sale, Gorringe's, 12 May 2011, lot 1531 Messum's, London & Marlow Exhibited: Marlow, Messum's, British Impressions, 2012, no. 83 Condition Report: Work appears to be in good original condition with no obvious defects. Unexamined out of glazed frame.Condition Report Disclaimer
Lot 443
* Kay (Bernard, 1927-2001). Portrait of a woman, pastel on laid paper, signed to mount verso, mount aperture 28.5 cm x 22.1 cm (11.4 x 8.8 ins), full sheet 30.5 cm x 22.8 cm (12 x 9 ins), two other works in pastel, an etching of a seated figure, two additional trial pulls and the original copper etching plate, a signed abstract artist’s proof, and 15 copper printing plates including subjects Buttress: Chartres, Ball Games, Tours CathedralQTY: (22)
Lot 218
* English School. Portrait of Honorable Colonel Frederick Ernest Allsop, circa 1892, pastel on canvas, canvas size 61 x 50.5 cm (24 x 19 7/8 ins), sitter's name inscribed to verso of canvas, name and address of sitter in pencil and 'Kingham & Co Artists' Colourmen and Publishers' stamp to verso of stretcher, framed and glazed (70.5 x 60.5 cm)QTY: (1)NOTE:Honorable Colonel Frederick Ernest Allsop (1857-1928) of Hadzor Hall near Droitwich was an officer in the Royal Artillery.
Lot 357
AR * Howard (Ken, 1932-2022). Grand Canal Venice, circa 1990s, watercolour and gouache on thick card, heightened with pastel, signed in pencil, a vibrant view of buildings in the Dorsoduro district of Venice including the Ca' Rezzonico Palazzo, tipped (minimally) on to backing board, image size 17.4 x 26 cm (6 3/4 x 10 1/4 ins), sheet size 18.7 x 27.3 cm (7 1/4 x 10 3/4 ins), framed and glazed (38 x 46 cm)QTY: (1)NOTE:Provenance: Gifted by the artist to British actor and Labour Party politician Andrew Foulds (1923-2000). Acquired by the present owner from the Andrew Faulds' Collection, Bruton Knowles Auctioneers, Cheltenham 24 May 2001, Lot 193.
Lot 353
AR * Blackburn (David, 1939-2016). Beach with Cross and Stone & Beach with Stones and Trailing Form, 1974, two pastel on paper, both with faded signature and date to lower right, sheet size each 39.5 x 30 cm (15 1/2 x 11 3/4 ins), both titled and dated '1974' with 'Rowneys & Rembrandt pastel fixed (3) with Windsor & Newton Fixing spray - 1975' to verso, mounted together, framed and glazed (69 x 99 cm)QTY: (1)
Lot 483
Robin J. Plummer, British 1931-2020 - Kisimul Castle, Barra, 1989; oil pastel on paper, signed with initials and dated lower right 'R.P. Aug.89', 17.2 x 25 cm (ARR) Provenance:from the collection of Derek Carruthers, artist and Professor of Art at Nottingham Trent UniversityNote:after leaving the Royal College of Art where he studied with Rodrigo Moynihan, Plummer was Dean of Faculty at the University of Brighton for many years. His work is in several public collections, including the Arts Council Collection at the Southbank Centre, Sheffield Museum and the University of Brighton Gallery.
Lot 327
Henry Cliffe, British 1919-1993 - Abstract composition in blue, and black; watercolour and pastel on paper, 38 x 50.7 cm: together with 'Abstract composition in green and black', watercolour on paper, with studio stamp on the reverse, 18.2 x 24.5 cm: together with and 8 other works on paper by the same artist of varying sizes and mediums (unframed) (10) (ARR) Provenance: the Estate of the Artist; private collection, purchased directly from the above
Lot 335
Jon Groom, British b.1963 - Corner Drawing II, 1979; oil and pastel on irregular shaped board, signed, titled and dated on the reverse of the frame 'Jon Groom 'Corner Drawing' II June '79', 59 x 43 cm (ARR) Provenance: with Nicola Jacobs Gallery, London (according to the label attached to the reverse of the frame); Edgar Astaire, purchased from the above; private collection, UK
Lot 385
Claudio Bravo, Chilean 1936-2011 - Portrait of an elegant woman in pink dress, 1966; pastel on paper, signed upper left 'Claudio Bravo' and dated in Roman numerals upper right 'MCMLXVI', 99 x 71 cm Provenance: the Sitter, South of Spain, gifted by the artist; private collection, by descent Note:Bravo established himself in Madrid as a society painter, known for his technical skills, inspired by the Spanish Baroque style. He is celebrated for his hyperrealist paintings of wrapped packages, recently as a Google Doodle in 2019.His works in the collections of The Metropolitan Museum of Art, New York; ; Rufino Tamayo Museum of International Contemporary Art, Mexico City; Museum of Modern Art, New York; and The Museum of Fine Arts, Boston.
Lot 481
Peter Howson OBE, Scottish b.1958 - Portrait of a Boy with Yellow Hair; pastel on paper, signed lower right 'Howson', 29.6 x 19.8 cm (ARR)Provenance: with William Hardie Fine Art Consultants and Valuers, Glasgow (according to the label attached to the reverse of the frame); private collection
Lot 309
André Lanskoy, Russian 1902-1976 - Promenade du Soir, 1960; oil on canvas, signed lower right 'Lanskoy', titled and dated on the reverse 'Promenade du soir 60', 60 x 73 cm Provenance:with Galerie Ariel, Paris, no.10146 (according to the label attached to the reverse);private collection, London, purchased from the above in the 1990sNote:Galerie Ariel on rue Haussmann was purchased by Jean Pollak in 1952. Pollak was a daring dealer who launched the careers of Karel Appel and Pierre Alechinsky in Paris, and ardently promoted the work of the CoBrA group. He also showed the likes of Serge Poliakoff, Albert Bitran and Henri Goetz.The present lot is a classic example of Lanksoy's work from the 1960s, where his titles become more lyrical. The bright pastel tones can be seen in other works from this period. Lanskoy spent the majority of his career in Paris, where he befriended Nicolas de Stael and the two held a joint exhibition in 1948. From the 1950s, he was considered one of the leading post-war leading abstract painters along with Dubuffet, Fautrier, Poliakoff, and Soulages.
Lot 325
Henry Cliffe, British 1919-1993 - Abstract composition in blue and black; collage and pastel on paper, 46.7 x 38.2 cm: together with 'Abstract composition in blue, orange and pink', watercolour on paper, 19 x 14.6 cm and 8 other works on paper by the same artist of varying sizes and mediums (unframed) (10) (ARR) Provenance: the Estate of the Artist; private collection, purchased directly from the above
Lot 528
Maxwell Doig, British b.1966 - Thistles, 1991; pastel, pen, ink, and conte on paper, signed and dated to the mount 'Maxwell Doig 1991', 63 x 45 cm: together with another work on paper, 54 x 52.7 cm and a carborundum print by the same artist (3) (ARR) Provenance: (i) Dr. Peter Shadbendarian Contemporary Art, London; (ii) and (iii) The Hart Gallery, Nottingham; private collection, purchased from the above
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