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Click here to subscribeArt Deco evening bags, one with embroidered pastel floral motifs on black background with black and metal beadwork, the other in shades of orange and beige fine tambour stitching an oriental pattern, highlighted with tiny pearlescent beadingCondition Report: Black bag good condition with minor losses to beadwork Beige bag show signs of use near fastener
Short Chanel jacket, Autumn 2005 collection in a mixture of black, cream and silver tweed with light pastel trim and unusual chain cufflink style fastenings with diamanté and French jet decoration to spell Chanel, frayed effect cuffs and edges, plus Chanel hangerCondition Report: Good clean condition. Marked size 42, label cut, silk lining with camelia pattern, silver chain to hem Underarm to underarm 98cm, back of neck to hem 58.5cm, sleeve 64cm
Early 20th century French Aubusson tapestry rug, classical design, oval centre panel with roses, pastel green field covered with Rococo repeating scrolling single border with floral cameo's to each corner.315cm (123") x 241cm (95")Condition report: Overall in faded condition with a few small marks, no rips or cuts.
Initialled, titled on mount board, watercolour and pastel, unframed.23cm x 21cm (9in x 8.25in)Condition report: The painting is in good, original condition with strong colours. The paper has browned universally and there are some minor spots of foxing and browning across the sheet. The painting is unframed but mounted and laid onto a card board. There is extensive foxing across the mount board.
Signed and dated 1845, titled on label verso, pastel and coloured chalks.70cm x 49.5cm (27.5in x 19.5in)Condition report: The drawing is in good, original condition with strong colours. The paper has browned universally and there is some foxing across the drawing. The drawing is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.
W. Lovegrove (British, 20th Century) - Chickens in farmyard, pastel on paper, signed lower right, 26cm x 35cm, framed and glazed, and three other works by different hands Condition: All appear sound however rough sea oil painting is loose in its frame. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
ARTHUR RALPH MIDDLETON TOOD, R.A., R.W.S., N.E.A.C., R.E. (ENGLISH, 1923-2020) Female in a Red Dress Hanging Pictures, pastel, signed lower left, 53cm x 35cm, framed and glazed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Please note that a label to the reverse of the frame states that the pastel is unfixed. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
STYLE OF HUGH DOUGLAS HAMILTON (1740-1808)'Portrait of a Lady Holding a Book' and 'Portrait of a Lady Wearing a White Silk Dress'Two, oval, pastel, 31 x 25cm and 35 x 29cmThe latter with an original framing label from 'Patrick Fenlon / carver and gilder / wholesale and retail / looking glass and picture frame / manufacturer / 45, Great Britain Street / opposite Dominic Street, Dublin'Condition Report: - 37 x 31 cm including frames for both of them
WILLIAM STEPHEN COLEMAN (1829-1904)The 'Cup and Ball' GameOil on canvas, 64 x 41cmSigned and dated 1882Provenance: Private Collection, Dublin.Born in Sussex in 1829 the son of surgeon William Thomas Coleman and his wife Henrietta Dendy, his elder sister was artist Helen Cordelia Coleman (1847-1884) Coleman was unsuccessful in a career as a surgeon and turned to natural history illustration. He painted mainly landscapes with figures, in a style with something in common with watercolourist Miles Birket Foster , and concentrated on semi-classical figure subjects. His classically-influenced works placed him in the toga and terrace or marble school with artists George Bulleid , W. Anstey Dollond , Norman Prescott-Davies and Oliver Rhys . Coleman was a versatile artist, executing etchings, occasionally working in pastel, but primarily painting exquisitely in oil. He was a member of the original committee of management of the Dudley Gallery in London, contributing to the first exhibition in 1865. He continued to exhibit till 1879, and remained on the committee till 1881. In 1869 Coleman began to experiment in pottery and porcelain decoration. The Mintons Art Pottery Studio in Kensington Gore was established under his direction in 1871, and he executed figure designs for Mintons ceramic ware. He died after a long illness at 11 Hamilton Gardens, St. John's Wood , on 22 March 1904.
Daniel Caffe1756 Küstrin - 1815 LeipzigBildnis einer KünstlerinL. u. signiert und 1791 datiert. Pastell auf Pergament. 87 x 61 cm. Besch. Rahmen min. besch. Zunächst war Caffe Kammerdiener und Schreiber und beschäftigte sich nur autodidaktisch mit Zeichnen und Malen. 1782 wurde er dann in Dresden Schüler von Johann Heinrich Schmidt und Giovanni Battista Casanova. 1795 siedelte er nach Leipzig über und wurde zu einem gefragten Porträtisten des sächsischen Adels und Bürgertums. Daniel Caffe1756 Küstrin - 1815 LeipzigPortrait of an artist Signed and dated 1791 lower right. Pastel on parchment. 87 x 61 cm. Damaged. Minor damage to frame.
Arnulf Rainer1929 Baden b. Wien - lebt in Wien und Enzenkirchen/Oberöst.Nachtigall. 1970/71Aus der "Werkgruppe Face Serie". Rechts unten signiert, datiert und betitelt. Verso mit der Werknummer 668/72. Mischtechnik (Öl, Ölkreide, Kratztechnik) über Fotografie auf Karton auf Hartfaserplatte. Blattgröße: 100 x 79 cm. Rahmen. Bei Arnulf Rainers "Nachtigall" aus dem Jahre 1970/71 handelt es sich um ein übermaltes Selbstporträt, dass aus der Werkgruppe "Faces" stammt. Arnulf Rainer beschreibt seine Faces folgendermaßen: "Wenn ich mich selbst reproduziere, dann auch als Versuch einer Erweiterung: visuelle Formulierungen von Möglichem, Ausgedachtem." (Arnulf Rainer Körpersprache, 1980, S. 112) Wir danken dem Museum Arnulf Rainer, Baden b. Wien für die wissenschaftliche Bearbeitung. Die Authentizität des Werkes wurde vom Atelier Arnulf Rainer, Baden b. Wien anhand von Fotos mündlich best Provenienz: Privatsammlung Süddeutschland Vgl. Van de Loo und Prelinger. Körpersprache. München 1980, S. 123. Es handelt sich hierbei um eine frühere Version des hier angebotenen Werkes. Arnulf Rainer1929 Baden near Vienna - lives in Vienna and Enzenkirchen/Upper AustriaNightingale. 1970/71From the work group "Faces Serie". Signed, dated and titled lower right. Work number 668/72 verso. Mixed technique (oil, oil pastel, scratch technique) over photograph on cardboard mounted on hardboard. Sheet size: 100 x 79 cm. Framed. We thank the Museum Arnulf Rainer in Baden for the scientific work. The authenticity of the work was orally confirmed by the studio of Arnulf Rainer on the basis of photographs. Provenance: private collection, South Germany Cf. Van de Loo und Prelinger. Körpersprache. Munich 1980, page 123. This is an earlier version of the offered work.
THE ARCHIVE OF CLARENCE WINCHESTER (1895-1981), AVIATOR, ESSAYIST AND PUBLISHER, COMPRISING FLIGHT: FIFTEEN GLASS WHOLE PLATE AERIAL NEGATIVES OF THE SUSSEX COAST, INCLUDING BRIGHTON AND HOVE TAKEN BY CLARENCE WINCHESTER IN 1913 FROM “ERIC PASHLEY’S BI-PLANE”, FIVE VINTAGE GELATIN SILVER PRINTS FROM THE PRECEDING NEGATIVES, TOGETHER MOUNTED, COMPRISING VIEWS OF THE HOVE LAWNS, WESTPIER AND FRONT BRIGHTON AND APPROACH OVER THE HARBOUR AND RIVER ADUR TO SHOREHAM-BY-SEA AERODROME, FURTHER INSCRIBED “PHOTOGRAPHS TAKEN IN 1913 BY CLARENCE WINCHESTER WITH A SANDERSON BELLOWS CAMERA FROM A HENRY FARMAN BOX-KITE TYPE BI-PLANE WITH FRONT ELEVATOR AND 50 HP ROTARY GNOME ENGINE AT REAR HEIGHTS VARY FROM 500 TO 1200FT…”, TOGETHER FRAMED, PHOTOGRAPH OF THE WINCHESTER-BRYNILDSEN GLIDER 1922, ROYAL AERONAUTICAL SOCIETY SCROLL AWARDED ON WINCHESTER’S ELECTION AS AN ASSOCIATE 11 JANUARY 1938, SEALED, WINCHESTER’S ROYAL AERO CLUB LICENCE TO PARTICIPATE IN THE GLIDING CONTEST 16TH – 21ST OCTOBER 1922, , WINCHESTER’S POEMS OF AN AIR PILOT, UNPAGINATED, DUST WRAPPERS, 1921 AND NINETEEN REAL PHOTOGRAPHIC AND PRINTED POSTCARDS OF BI-PLANES OR AERIAL VIEWS AND ONE OF WINCHESTER STANDING BEFORE HIS AEROPLANE, MOSTLY SENT TO MEMBERS OF HIS FAMILY, THE MESSAGES RELATED. LETTERS AND ARTICLES: INCLUDING A.L.S AND COPY T.L.S, MANY ANNOTATED, MANUSCRIPT AND TYPESCRIPT POETRY AND PROSE, FIVE ALBUMS OF WINCHESTER’S ARTICLES FROM THE ARGONAUT, PALL MALL GAZETTE, SUNDAY EXPRESS, THE WORLD, DAILY MAIL, EVENING MAIL, FLIGHT, ET AL, LETTERS FROM HIS LITERARY AGENT AND OTHER BUSINESS CORRESPONDENCE AND CORRESPONDENCE CONCERNING THE ROYAL PHILATELIC COLLECTION BY SIR JOHN WILSON (DESIGNED AND EDITED BY WINCHESTER) 1953, INCLUDING A LETTER TO HIS WIDOW ON BEHALF OF QUEEN ELIZABETH THE QUEEN MOTHER, “THE QUEEN MOTHER KNOWS SO WELL THE AFFECTION AND ADMIRATION FELT FOR YOUR HUSBAND BY THOSE OF EVERY AGE AND BACKGROUND. HIS BOOK, THE ROYAL PHILATELIC COLLECTION HAS ALWAYS BEEN TREASURED BY HER MAJESTY…“ [SIGNED MARTIN GILLIAT], WWII BRITISH PATRIOTIC BOOKLETS, THREE PORTRAIT PHOTOGRAPHS OF WINCHESTER AS A YOUNG MAN, ONE INSCRIBED GREETINGS FROM THE GOLD COAST… 1945 AND A STUDIO PORTRAIT. BOOKS AND PRINTS: INCLUDING THE SECOND BOOK OF THE OMAR KHAYYAM CLUB 1910-1929, PRESENTATION COPY SIGNED BY MARTIN HARDIE RA, NUMBERED 9 OF THE EDITION OF 125. BOOKS BY WINCHESTER: NOVELS AND VERSE BUT INCLUDING FLYING MEN AND THEIR MACHINES 1916, GEORGE BAKER (B.1895, CONSCIENTIOUS OBJECTOR FROM BURY, NEAR ARUNDEL) – THE SOUL OF A SKUNK THE AUTOBIOGRAPHY OF A CONSCIENTIOUS OBJECTOR 1930, CAT’S MEAT AND KINGS AND THREE OTHERS BY THE SAME, PART WORKS EDITED BY WINCHESTER IN THE INTER-WAR PERIOD, INCLUDING WONDERS OF WORLD AVIATION AND RAILWAY WONDERS OF THE WORLD, BOOKS PUBLISHED BY WINCHESTER’S INPRINT (WINCHESTER PUBLICATIONS LIMITED) INCLUDING THE CROWN JEWELS AND OTHER REGALIA IN THE TOWER OF LONDON BY MAJOR GENERAL H D W SITWELL, EDITED BY CLARENCE WINCHESTER BY WHOM SIGNED ON THE TITLE, 1953, ETON MEDLEY, HARROW SCHOOL YESTERDAY AND TODAY, THE PERMANENT WAY AND SEVERAL PAPERBACK BOOKS. MEMORABILIA AND WORKS OF ART: COMPRISING WINCHESTER’S HAND SEAL WITH INITIAL W, E ELLIOT LTD BROWN BAKELITE VP TWIN CAMERA, PASTEL PORTRAIT OF THE HEAD OF CLARENCE WINCHESTER BY ADRIAN BURY (1891-1991), SIGNED, DATED OCTOBER 10, 1932 AND INSCRIBED ‘TO MY DEAR FRIEND CLARENCE WINCHESTER FROM ADRIAN BURY’, 29 X 19CM, LIFE SIZED BRONZE-PAINTED GLASS FIBRE PORTRAIT BUST OF WINCHESTER AFTER THE SCULPTURE BY ANTHONY GRAY FRBS, 1962 AND TWO ORIGINAL ILLUSTRATIONS FOR THE COVER OF THE ARGOSY, C1930, BY ‘OLICK’ (?), SIGNED, GOUACHE, FRAMEDProvenance: Clarence Winchester; thence by descent to the present vendor
A Kelim flatweave:, the pistachio, serrated field with twin hooked lozenge medallions and powder blue, beige and rust serrated border, 233cm x 167cm, a Kelim flatweave with four cruciform pistachio medallions and main beige stepped border, 220cm x 140cm and a flatweave rug with pastel green, pink and lilac geometric field, 150cm x 95cm (3).
A pair of Royal Dux models of a Shepherd and Shepherdess, modelled with he playing a pipe besides a dog and she supported by a staff beside two goats, each in pastel tones and gilt shot enamels, pink triangular pad mark, numbered '1168' and '1169', each 36cm high (shepherdess at fault) (shepherd restored)
A large Czechoslovakian elephant in the Royal Dux style, modelled with a figure upon a caparisoned elephant, in pastel colourways with gilt shot enamels, unmarked, 34cm high (at fault) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
Three Royal Dux figures comprising: a girl collecting water above a large half clam shell, pink triangular pad marks, numbered '1047', 23.5cm high, a dancing couple, pink triangular pad marks, numbered '27 25', 27cm high, and a young girl sowing seed, pink triangular pad marks, numbered '2276', 28cm high, each in pastel tones and gilt shot enamels (3) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
A Royal Dux model of a boy pulling a bullock, in pastel tones and gilt shot enamels, pink triangular pad mark, numbered '1494', 30cm wide, with a matching Royal Dux model of girl pulling a goat, pink triangular pad mark, numbered '1493', 28cm wide (2) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
A Royal Dux figure of a water carrier, modelled kneeling, in pastel, gilt shot enamels and on plinth base, pink triangle mark to base and numbered '604', 21.5cm high (restored) with three Carlton Ware, green glazed leaf shaped dishes, numbered '2156' and '2336', largest 29.5cm wide (at fault) (4)
Michael Cadman, Beer Hackett, a signed and titled watercolour, dated 1991, 34.5 x 48.5cm, another, Conservatory, 36 x 53cm; Mabel F Wickham, Old Quarry and Windmill, Portland, signed watercolour, 35.5 x 58.5cm, two other works by the same artist and Philippa Colby ARCA, Still Life, signed pastel on blue paper, 23 x 31cm, (6).
MARCEL PIC (ACTIVE LATE 19TH CENTURY); pastel, chalk and charcoal, caricature of a huntsman on horseback featuring fox to lower section, signed and dated 1894 lower right, 42.5 x 30.5cm, framed and glazed (frame af).Additional InformationA 6.5cm tear central left, further similar tear central right, greenness to the paper, some spotting etc, framed heavily worn.
FLORENCE HUMPHREY HOLLAND; pastel portrait depicting W.H. Gray, Esq, signed lower right, 57 x 47cm, bears the Pastel Society Exhibition label verso, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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