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Lot 505
Maria Luigia Raggi,1742 – 1813PHANTASIELANDSCHAFT MIT ANTIKEN GEBÄUDEN, BRÜCKE UND FIGURENSTAFFAGETempera auf Pastellkarton, auf Leinwand. 38 x 64 cm. Verso alter handbeschr. Aufkleber. Verglast. Im Rahmen.Beigegeben eine Expertise von Prof. Giancarlo Sestieri, Rom, April 2004. In betontem Querformat bietet die Capricciolandschaft einen weiten Blick aus der Kavaliersperspektive. Eine Bogenbrücke über einem Fluss, dahinter Ruinen mit Nischenfigur. In hellem Licht behauptet sich links ein Triumphbogen hinter jungen Bäumen mit fiedrigem, hellem Laub. Staffage des 18. Jahrhunderts belebt das Bild. Die Wiedergabe – auch der Details – in erstaunlich virtuoser Malweise, selbst kleinste Figuren lebendig ins Bild gesetzt. Die Malerin entstammte einer bedeutenden Familie, kam elfjährig in den Convento dell´ Incarnazione in Genua, 1760 Novizin des Ordens Santissima Annunziata. Diese Stellung erlaubte ihr, sich völlig der Malerei zu widmen. Ihr Werk in Öl, Pastell und Mischtechnik zeigt nahezu ausschließlich Capricci und Landschaften die den Stil des späten Rokoko dokumentieren. Aufgrund aufgefundener Quellen konnte ihre künstlerische Identität gesichert werden, da bis dahin ihr Werk fälschlich für das eines „Maestro del Capricci di Prato“ gehalten wurde. Auch der Notname „Pseudo-Anesi“ wurde verwendet. Erst ein signiertes Werk sicherte ihr malerisches Wirken. Im Museo Civico di Prato und im Museo Nelson-Atkins finden sich ihre Werke, aber auch in den Capitolinischen Museen und in der Accademia di San Luca in Rom, darüber hinaus weltweit in Privatmuseen und Sammlungen. A.R. Literatur: Consuelo Lollobrigida, Maria Luigia Raggi: „Il Capriccio Paesaggistico tra Arcadia e Grand Tour“, Amdreaoma & Vano Budai Editori. Titelbild und Abb. S. 63. (13207823) (2) (11)Maria Liga Raggi,1742 – 1813FANTASY LANDSCAPE WITH ANCIENT BUILDINGS, BRIDGE AND FIGURAL STAFFAGE Tempera on pastel card, laid on canvas.38 x 64 cm.Accompanied by an expert’s report by Professor Giancarlo Sestieri, Rome, April 2004.Literature: Maria Luigia Raggi, Il Capriccio Paesaggistico tra Arcadia e Grand Tour, Consuelo Lollobrigida, Amdreina & Valneo Budai Editori Rome 2012, frontispiece and ill. p. 63.
Lot 314
+ ALIX AYMÉ (FRANCE & VIETNAM, 1894-1989) PROFESSOR AT THE ÉCOLE DES BEAUX-ARTS DE L’INDOCHINE (EBAI - INDOCHINA FINE ARTS COLLEGE OF HANOI) Jeune fille assise aux fleurs – A seated young beauty with flowers Lacquered wooden panel Signed on the lower right Framed with an American case Dimensions (the sole lacquered panel, frame excluded): 77 x 49 cm This lot will be included in the forthcoming catalogue raisonne of the artist in preparation by Mr. Pascal Lacombe. Provenance: a Brittany private collection, France. + NOTICE TO BIDDERS: This lot is stored at CADOGAN TATE PARIS. Please contact CADOGAN TATE at Parc des Docks, Bâtiment 553B, 50 rue Ardouin, St Ouen, 93400 Paris, France, +33 1 48 20 85 60. Notes: 1. Born in Marseille as Alix Angèle Marguerite Hava, Alix Aymé (this last name being that of her second husband, Georges Aymé, who eventually became the Commandant of French Forces in Indochina) was a pupil of George Desvallières (1861–1950) and then Maurice Denis (1870-1943), with whom she maintained a close correspondence throughout her career. She first traveled to Asia (Shanghai, China then Hanoi, Vietnam) in the 1920s with her first husband, a milestone from which would grow her fascination for this continent. She returned to Indochina in the late 1920s together with her new-born child and then traveled extensively the South-Eastern Asia. Alix Aymé was inextricably linked to the French colonial experience in Indochina: she lived and worked for many years in Hanoi; she was instrumental in the revival of the ancient art of lacquer that she taught at the Ecole des Beaux-Arts de l’Indochine (Indochina School of Fine Arts) along with Joseph Inguimberty (1896-1971). Her work is at the crossing point between the Nabis style and the traditional Vietnamese painting. It is also inspired from the Byzantine icons with a notable taste for gilt backgrounds. She thereby brought traditional Vietnamese subjects, such as young beauties and maternities, under the light of Western Modernity. She was particularly talented at depicting the soul and intimacy of her models. In September of 2012, an exhibition about the Ecole des Beaux-Arts de l’Indochine (EBAI) opened at Paris Museum of Asian Art (Cernuschi Museum) that drew attention to the work of Alix Aymé with the display of a magnificent lacquered cabinet by hert that was arguably the ‘star attraction’. Today, her work is found in a number of important private and public collections worldwidely, including the Cabinet des Dessins of the Louvre Museum (Paris, France), the Musée des Années Trente (Paris, France), the Royal Palace in Luang Prabang (Cambodia) and the Evergreen Museum and Library of Johns Hopkins University in Baltimore (USA) 2. This portrait seems to belong to a series of lacquered wooden panels depicting women together with flowers and may possibly be the most notable one. Indeed, it stands out because of its size (it appears to be the largest one of the series) and also because the body of the model is made visible, whilst on the other panels, their sole busts are depicted. Alix Aymé captured the soul and intimacy or her model - a very young girl with almond eyes, half-long hair and a delicate smile - who appears to be serene and calm. She is wearing a long brown long robe as well as a flower necklace and his holding a bouquet of flowers. The sobriety of her tunisque is deeply contrasting with the bright pastel colors of the flowers and with the gold background. The latter makes it looks like an icon rather than a mere portrait, which conveys spirituality and invites to meditate. 3. Compare with a panel depicting a young girl with a dove of smaller size (45,5 x 38 cm) sold at AGUTTES, Paris, France, 2020-10-06, lot 24, for €27,000 hammer price. Also compare with a panel depicting a young girl with flowers of smaller size (48 x 38 cm) sold at AGUTTES, Paris, France, 2022-03-14, lot 30, for €87,000 hammer price. This last example is the closest one to our panel and gives a good idea on the most recent trend for prices.
Lot 296
Claire Harrigan (Scottish, b.1964), "Interior And Window", Acrylic, gouache and oil pastel on layered paper, Signed lower left, titled and dated "1989" to applied label and gallery label verso, 52.5cm x 72cm, Framed and glazed CONDITION REPORT:The picture is framed under glass and has not been removed for inspection. The paint surface appears to be in good condition, showing no obvious damage. The paper layers show some wrinkling and open seams, but this appears to be as the artist intended. The frame appears to be structurally sound, but shows some wear to the gilt finish. The glass would benefit from cleaning.
Lot 10
David Belilios : Harshaw Linn, pastel, signed, 35 cm x 25 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 37
David Belilios : Lewis Burn, pastel, signed, 20 cm x 15 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 33
David Belilios : Lewis Burn 1, pastel, signed, 26 cm x 18 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 3
David Belilios : Ann, pastel, signed, 50 cm x 24 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 79
David Belilios : Nude, pastel, signed 34 cm x 25 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 87
David Belilios : River, pastel, signed, 21 cm x 16 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 38
David Belilios : Valley landscape, pastel, signed, 28 cm x 19 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 77
David Belilios : Nude, pastel, signed, 39 cm x 29 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 48
David Belilios : Through the window, pastel, signed, 12 cm x 12 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 80
David Belilios : Nude, pastel, signed, 46 cm x 30 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 60
David Belilios : Dancers, pastel, signed, 49 cm x 34 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 59
David Belilios : Burning Heather, pastel, signed, 39 cm x 48 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 85
David Belilios : Nude, pastel, signed, 45 cm x 26 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
Lot 474
Judith YarrowFrom Above: Stonewall ComplexPastel37 x 42 cm (14 9/16 x 16 9/16in)Together with two other landscapes, the first depicting misty mountains, watercolour, signed P. Egginton lower left, 49.5 x 71 cm.; the second a valley landscape, watercolour, signed H.G.Hine lower left(3)For further information on this lot please visit Bonhams.com
Lot 487
§ § Prunella Clough (1919-1999) 'Simple Organisms' (c.1990's)pastel and gouache on cardAnnely Juda label verso with COA from the Gallery dated 200324.5 x 35.5cmPainted on to two sections of card so this work could be split and reframed as two works, slight outward bulge of the card, otherwise looks to be in good order, not signed, modern card mount and plain wood frame with Gallery label and Certificate verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 24.5 x 35.5cmClough (1919-1999), Prunella
Lot 570
A GROUP OF CERAMICS AND GLASSWARES, including a Capodimonte figure group titled 'Hide and Seek' by Sandro Maggioni (sd), with certificate, a mottled green Beswick vase of ridged waterlily pad form, with frog, marked 199, a pastel multi coloured Beswick jug marked 146 height 23.5cm, a green glass Mary Gregory style decanter and two glasses, a Beckhurst of Eastbourne glass lampwork bird and flower on a marble base, crystal creatures, etc (Condition report: generally fair condition with some crazing, chips, cracks and losses) (16 + certificate + mirror bases)
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46300 item(s)/page