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Jan Toorop (1858-1928), A farmer riding his wheelbarrow on a country road, pencil and pastel on paper, 10,5x15 cm, signed and dated '1909/J.Th.Toorop' (lower left),

Léon Spilliaert (Belgian, 1881-1946), 'Paysage Maeterlinck III', pastel on paper, 36,5x34 cmExecuted circa 1912., Provenance:-With Kunsthandel Borzo, 's-Hertogenbosch., annotated 'Rachelle Spilliaert.' (on the reverse), Authenticated by the daughter of the artist: 'Je soussignée, fille de l'artiste,/certifie que ce dessin est une/oeuvre authentique de Leon Spilliaert./M. Spilliaert.' (on the reverse).

Isaac Israels (1865-1934), Dancing in the circus, pastel on paper, 45,5x58 cm, Provenance:-Auction, Sotheby's, Amsterdam, 25 April 1988, lot 152., with signature (lower right), Please compare to a similar composition sold at Kunsthandel Noortman, Maastricht, 2005.

Suze Robertson (1855-1922), ‘In gedachten’, pastel on board, 54x44 cmExecuted circa 1901-1903., Exhibited:-The Hague, Pulchri Studio, Hollandsche Teeken-Maatschappij, '40ste tentoonstelling van teekeningen, beeldhouwwerken, voorwerpen van toegepaste kunst', 6-30 September 1917, no. 50., signed ‘Suze Robertson’ (lower left), Please compare to an oil painting by the artist with the same composition in: Suzanne Veldink and Kees van der Geer, ‘Suze Robertson (1855-1922): toegewijd, eigenzinnig, modern’, ill. p. 102, no. 130.We are grateful to Mr Kees van der Geer for his help in cataloguing this lot.

GEORG TAPPERT (1880-1957)Frauenkopf stamped with the artist's estate stamp (on the reverse)watercolour, pastel and charcoal on paper 45 x 36.6cm (17 11/16 x 14 7/16in).Executed in the 1920sFootnotes:ProvenanceThe artist's estate.Anon. sale, Christie's, London, 2 December 1986, lot 252.Acquired at the above sale by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ray Lowry (British, 1944-2008): A Sketchbook Containing Original Sketches Relating To The Clash On Tour In The USA,1979,approx. 60pps., containing mostly pen and black ink sketches/studies but approximately fifteen coloured ink or pastel sketches, a few landscapes but mostly partial or whole studies of venue interiors and various members of The Clash onstage, including St. Paul Civic Center, 11-12th September and Detroit Masonic Temple, 17th September, some pages variously annotated and with a few comments, such as, The Human Bomb - A man making a living blowing himself up then being revived with oxygen - Americans do the most fucking stupid thing you can as loudly and bad as possible for money, some sketches with schematics for later colouring, hardback cover affixed with a backstage pass for Detroit, 17th September, size A4Footnotes:Provenance:Offered for sale by the artist's son.Cartoonist, illustrator and satirist Ray Lowry first met the Clash at the Electric Circus, Manchester in 1976, during the 'Anarchy' tour with the Sex Pistols. Struck by the Clash's attitude and music, Lowry befriended the band and this led to them inviting him to accompany them on their US tour in September-October 1979. Joe Strummer nicknamed Ray 'war artist', comparing him to a war correspondent, recording what he saw whilst on the road with them. This, and the following lot in this auction, are from a series of sketchbooks compiled on the tour. Ray had previously become involved with the burgeoning UK underground press in the late 60s and provided cartoons to the likes of Oz and International Times. This later led to a long relationship with the New Musical Express (NME), producing a weekly cartoon strip and whilst on the Clash's US tour he provided regular illustrated reports on events for the paper.For further information on this lot please visit Bonhams.com

Dónal Ó'Conaill - 20th Century Irish School "The Lamp Lighter," gouache / pastel on paper, signed  lower right, depicting Street Scene at Night, with Figures and Pram to the foreground and Gentleman lighting the Lamp, approx. 21cms x 25cms (8" x 10"), m/ss label on reverse (faded), oak frame. (1) Provenance:  Important Private Collection, West of Ireland

19th Century English School Still Life "Dead Game and Fruit," pastel, Unsigned, approx. 84cms x 71cms (33" x 28"), in gilt frame. (1)

After Hugh Douglas Hamilton, RHA, Irish c.1740-1808- Portrait of the Rt Hon. David La Touche of Marlay, Dublin (1734-1806), bust-length, in a blue coat with a red collar and white stock; pastel and bodycolour on paper watermarked '1803', oval, bears inscription 'by Hugh Hamilton / Member of the De La Touche family' on the backing paper, 28.4 x 22 cm. Provenance: Anon. sale, Christie's, London, 2 April 1954, lot 10 (as 'H.D. Hamilton, R.H.A.'), sold for £3. 3 shillings.; Anon. sale, Christie's, London, 20 December 1962, lot 44 (as 'Hugh Douglas Hamilton, R.H.A.).; Private Collection, UK. Note: A near contemporary copy by an unknown hand after Hugh Douglas Hamilton’s original composition - see Christie's, London, 10 July 2014, lot 192, which is included in Neil Jeffares, 'Dictionary of Pastellists before 1800', online edition, J.375.1559 (https://www.pastellists.com/Articles/Hamilton1.pdf).The La Touches, of French Huguenot origin, were one of the most important families in Irish Georgian society and were prominent landowners, bankers and patrons of the arts. In 1762, David (the third David of the La Touche dynasty) married Elizabeth, daughter of Rt Rev. Dr George Marlay, Bishop of Dromore. He later purchased a 300 acre estate in Rathfarnham, Dublin. He had a distinguished career in the Irish Parliament representing banking interests, and in 1783 was nominated as the first Governor of the Bank of Ireland and was also elected to the Privy Council of Ireland.Hugh Douglas Hamilton had a long association with the La Touche family; Neil Jeffares lists over a dozen known portraits of various generations (see N. Jeffares, ‘Hugh Douglas Hamilton', Online Dictionary of Pastellists before 1800, pp.1-2.). The family were linked to the Dublin Society Drawing School and it was probably here that they first met Hamilton as a young artist. The earliest known portrait of a member of the La Touche family by Hamilton is of the present sitter, dating to c.1765 (National Gallery of Ireland, no.7237). Hamilton executed several other portraits of David La Touche including another oval pastel which is similar to the present work (see Sotheby’s, London, 14 July 1988, lot 61) and a later full-length portrait in oil, c.1802-3 (Bank of Ireland). We are grateful to Neil Jeffares for his assistance with this catalogue note.Please refer to department for condition report

Household items and ornaments to include kitchen bowls, fruit bowls and glass paperweights, steins and planters together with a group of pictures to include prints of local scenes, an early 20th century Viennese engraving and a pastel of a young boyLocation: A1F

Mid 20th Century ladies clothing to include a Petite Francais deep pink 2 piece outfit with jacquard embroidery to the coat having 5 fabric covered buttons and the sleeveless shift dress, 38" chest x 36" long (stain to front), UK size 16, a hand-made cream and gold jacquard sleeveless dress with matching bolero jacket, 38" chest x 42" long, an Adini pale pink cotton dress with dropped hip waistband in the 1920's style, 42" chest x 45" long and an Irish Kenrose pastel coloured Summer dress, 42" chest x 42" long together with a later Peter Barron paisley dress, UK size 16 with matching belt, a 1970's blue and pink padded Tricel dressing gown, 44" chest (one button missing) and a Robina, London black and pink Contemporary formal jacket with rectangular gold tone buttons, 44" chest x 28" longLocation: RAIL2

ALICE GREEN WOOD: A pastel drawing entitled "Victorian street Bartholomews square." Monogrammed initials to bottom right. Approx. 42cms x 29cms. Est. £20 - £30.

20thC School. Cottage on a summer's day, watercolour, unsigned, 19cm x 29cm, M. A. Smith, Otters, watercolour, various other watercolours, pastel cottage, oil on board, printed map, watercolours, Hester engraving, oils on canvas, pictures, prints, frames, etc. (a quantity)

H. Bennett (20thC). Village, houses and trees, oil on board, signed, 33cm x 44cm, various other pictures, prints, pastel, reclining nude, figures of children, others prints, pictures, etc. (a quantity)

Joseph Kirkpatrick (1872-1938) - Shepherd on a Wall at Sunset, aquatint, signed by the artist in pencil, 10.5 x 27cm, Edith Snowdon (Fl. late 19th / early 20th c) - Whitby, signed, pastel, 35.5 x 47.5cm and Alfred Bird, 20th c - Whitby Harbour, signed, watercolour, 28 x 38.5cm Kirkpatrick - Slight crease upper rightotherwise all in good condition

A collection of eight ornithological watercolourslate 19th/ early 20th century, two signed H. Goodchild, two signed H. Gronwold; two signed Ronald Green; one W.H. Riddel; the other Allan Brooks; in watercolour, pastel and gouache, six framed (8)the largest overall 34.5cm x 44.5cmCondition:Framed pieces unexamined out of frame - some with evidence of insects present beneath glass, staining and foxing. One picture bearing inscription relating to C. B. Ticehurst. Claud. B. Ticehurst (1881-1941) British ornithologist and surgeon.

Y PAIR OF CASED TAXIDERMY AMERICAN KESTRELS EARLY 20TH CENTURY displayed in a stepped rocky diorama, one eating a songbird, the background painted in watercolour and pastel on paper depicting a mountainous landscape, in a stained wood caseDimensions:53cm wide, 48cm high, 20.5cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Aubrey R Phillips RWA (1920-2005) pastel signed "Two Figures on a Beach". 49cm x 67cm

Aubrey R Phillips RWA (1920-2005) Pastel signed. " A Walk in the Woods"

Aubrey R Phillips RWA (1920-2005) Pastel signed. "A Quiet Stretch in the River"

Emily Mitchell (Active 1870's - 1890's)Portrait of a Young Child signed, pastel, 69cm x 51cm

WILLIAM CROSBIE RSA RGI (1915-1999) A QUANTITY OF LANDSCAPES IN COLOUR  In various media to include watercolour and pastel (a lot) Condition Report:Available upon request

WILLIAM CROSBIE RSA RGI (1915-1999) A QUANTITY OF FIGURATIVE WORKS  To include portraits, nude studies and similar subjects, in various media to include watercolour and pastel (a lot) Condition Report:Available upon request

WILLIAM CROSBIE RSA RGI (1915-1999) A QUANTITY OF WORKS IN VARIOUS SUBJECT MATTER Including ink, pastel, monoprint and watercolour (a lot) Condition Report:Available upon request

William Kentridge (born 1955)Untitled (Arc/ Procession), 1989 stamped with the artists' name and address in red ink in the composition; inscribed 'Fig 1 Title Plate (lower left) and further inscribed '1st Plate' (lower right)charcoal and pastel on papersheet size: 49 x 64cm (19 5/16 x 25 3/16in). image size: 25 x 49cm (9 13/16 x 19 5/16in). This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (born 1955)Untitled (Nude walking with towel) 1991 signed 'KENTRIDGE' (lower right)charcoal and pastel on paper 76 x 46cm (29 15/16 x 18 1/8in).Footnotes:ProvenanceThe Goodman Gallery, Johannesburg;A private collection.The subject of the naked female form was one that the artist retured to many times around 1991. In his fourth film Sobriety, Obesity and Growing Old (1991), the arist explores the competition between Soho Eckstein and Felix Teitlebaum for the affections of Mrs Eckstein and features many representations of the naked Mrs Eckstein, it climaxes with Felix and Mrs Ecskstein making love in a drowning Johannesburg.Here Kentridge produced many tender drawings of the naked Mrs Eckstein similar to the above work.'Drawing for me is about fluidity' said Kentridge in an interview with Carolyn Christov-Bakargiev; 'drawing is a testing of ideas; a slow-motion version of thought. ...the uncertain and imprecise way of constructing a drawing is sometimes a model of how to construct meaning'We are grateful to the William Kentridge Studio for confirming the title of this work.BibliographyInterview: Carolyn Christov-Bakargiev in conversation with William Kentridge in Cameron, D., Christov-Bakargiev, C. and Coetzee, J. M. (1999) William Kentridge. New York: Phaidon Press Inc. p. 8.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (born 1955)Colonial Landscape - Waterfall, 1995-1996 signed 'KENTRIDGE' (lower right)charcoal and pastel on paper 122 x 160cm (48 1/16 x 63in).Footnotes:ProvenanceGoodman Gallery, Johannesburg, South Africa;Private Collection, London;Acquired from the above by the current owner.ExhibitedRome, Cittá/ Natura: mostra internazionale di Arte Contemporanea' , 21 April - 23 June, 1997.LiteratureCarolyn Christov-Bakargiev, William Kentridge, (Brussels: Société des Expositions du Palais des Beaux-Arts de Bruxelles, 1998), p. 182 (illustrated)William Kentridge, 1997, CD-ROM, (Johannesburg: David Krut Publishing, reproduced along with various images of drawings and graphics)The present lot is one of several drawings created by William Kentridge between 1995-1996 for his Colonial Landscape series. The series came after the theatre production, Faustus in Africa (1994), where Kentridge looked at depictions of Southern African landscapes in the era of colonisation. For example, the 1891 publication Africa and Its Exploration: As Told by its Explorers by Mungo Park, David Livingstone and others featured several engravings of idealistic scenes in Southern Africa. The engravings were produced and translated by professional engravers in London and were also reproduced in The Illustrated London News. The studies of Victoria Falls by Thomas Baines (1820-1875) are arguably comparable to Kentridge's Waterfalls from his Colonial Landscape series. In the early 1860s Baines produced a handful of sketches and oil paintings from his expedition along the Zambezi to Victoria Falls. These images were romanticised and idealistic visions of the Southern African landscape, that can be argued as often disguising the exploitative nature and brutality behind colonial rule.The imagery referred to here has undergone manifold technical steps in its production from sketch to engraving, all under the colonial, romanticised gaze encompassed by its creators. Parallel to this, the images circulated in Great Britain but were also redistributed back to Southern Africa. Kentridge has admitted to being fascinated with this geographic migration of colonial imagery, stating 'I was interested partly in the translations, the temporal and geographic dislocations that happen...'. Thus, the Colonial Landscape series became much more than a simple critique of colonialism. The works in this series were all created on high-quality, handmade Korean paper with deckled edges at the upper and lower margins. It's rare to find a part of the paper that hasn't been worked in with charcoal, which typifies the dense style that bleeds across the entire sheet and masterfully utilises the qualities of the charcoal, including the smudging and erasure that are evident so often in his work.'But if there hadn't been that first almost sensual pleasure in what it is to be working with that charcoal dust, that you can put into the spew of a waterfall, and the way lines in an engraving or in a drawing are like the lines of the sediment of a rock, and the way the rock meets the idea of a drawing or a graphic mark halfway, and the way the erasure works and a lot of other things – and, yes, obviously it relates to colonial images of Africa, but it's also a treat. A form in which I could let myself draw the beautiful, big landscapes, rather than the bleak, flat Highveld landscape.'Within this landscape Kentridge includes a large, red circle with associated red marks which dominate the page and forces the viewers gaze inwards. 'The new red marks are both beacons erected in the landscape and the surveyor's theodolite markings of the image in the viewfinder'. Kentridge has even stated that these red marks are 'bruising on the landscape', conjuring notions of conflict within a sublime landscape. Kentridge also puts his own stamp on the landscape by using motifs that he repeats throughout his oeuvre such as a megaphone and pylon that are all visible on the horizon. BibliographyMargaret K. Koerner, William Kentridge: Smoke, Ashes, Fable (Brussels: Mercatorfonds, 2017) p.44Lilian Tone, Kate McCrickard and William Kentridge, William Kentridge: Fortuna , (London: Thames and Hudson, 2013), p.92Kate McCrickard, William Kentridge: WK, (London: Tate Publishing, 2012), pp. 22-23This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (born 1955)Untitled (Two Drawings from Weighing and Wanting), 1997-98 each signed 'KENTRIDGE' (lower left and lower right)charcoal and pastel on cut and torn paper, adhered to mat board by the artist 33 x 40cm (13 x 15 3/4in) each.Footnotes:ProvenanceGoodman Gallery, Johannesburg, South Africa;Private Collection, New York;Acquired from the above by the current owner.LiteratureHugh Davies and William Kentridge, William Kentridge: Weighing...and Wanting, (San Diego Museum of Contemporary Art, 2000), pp.36-37 (illustrated).The drawings and the film that comprise WEIGHING ... and WANTING, all dated 1997, center around Kentridge's character Soho Eckstein, a broad-shouldered, white South African industrialist whose self-assured place in the world has been dismantled by the ascendancy of the African National Congress and condemnation of apartheid. Eckstein's story is related through his personal meditations on a failed love affair, the Johannesburg landscape which stands as a silent witness to the atrocities of the apartheid era, and his own internal psychic landscape, represented by images of MRI brain scans. The title of the exhibition refers to a biblical episode in which a disembodied hand appears before King Belshazzar of Babylon and writes a message on the wall. It reads, 'You have been weighed in the balance and found wanting, for you have not humbled your heart before God, so your kingdom has come to an end.'The present lot is reproduced in black and white in the catalogue for WEIGHING...and WANTING, which accompanied the exhibition of the same title (28 January - 12 April 1998). This exhibition travelled to seven other venues in North America.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lily Snowden-Fine Geraldine, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Jessica Bird Escargot and Eau de Parfum, 2022 Charcoal, Chalk and Oil Pastel, Crayon and Acrylic Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jessica Bird is an award-winning Scottish artist and fashion illustrator based in London. Jessica worked in the fashion industry before becoming a full time artist in 2018. Now primarily working as a fashion illustrator Bird's work often focusses on the moving body and capturing its brief moments of stillness. Bird has worked with a range of clients such as MatchesFashion, Harrods, ELLE and SkinCeuticals - often working live backstage at fashion shows and events. She has a talent at capturing the pace of the people and objects she draws, ensuring everything is alive through her spontaneous, improvised strokes. Working with highly pigmented paint, brightly coloured chalk pastel and willow charcoal Jessica's intuitive hand is guided by her medium, the environment of her subjects and colour.   Education   Gray's School of Art - Aberdeen - BA Fashion Design   Select Exhibitions/Awards   Winner - Fashion Illustration and Drawing Awards 2020 Solo Exhibition - Bermonds Locke, London, 2022 Solo Exhibition - Hoxton Hotel Holborn, London, 2019 Group Exhibition - Gallery48, Dundee, 2017   Gallery Representation   Fashion Illustration Gallery (small selection of work)   Statement about AOAP Submitted Artwork   My recent evolution into still life has allowed me to combine my love of beautiful objects with storytelling through symbolism. With my background in fashion the artworks are often inspired by fashion campaigns, editorial imagery or stories i've heard. The objects have a narrative that flows not only between them but also hopefully out into the spaces they inhabit. Mahjong and Mollusc for example is inspired by recent Loewe campaigns and Miu Miu imagery inspired my piece Escargot and Eau De Parfum. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Jessica Bird Lego Bricks and Landline, 2022 Charcoal, Crayon and Chalk Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jessica Bird is an award-winning Scottish artist and fashion illustrator based in London. Jessica worked in the fashion industry before becoming a full time artist in 2018. Now primarily working as a fashion illustrator Bird's work often focusses on the moving body and capturing its brief moments of stillness. Bird has worked with a range of clients such as MatchesFashion, Harrods, ELLE and SkinCeuticals - often working live backstage at fashion shows and events. She has a talent at capturing the pace of the people and objects she draws, ensuring everything is alive through her spontaneous, improvised strokes. Working with highly pigmented paint, brightly coloured chalk pastel and willow charcoal Jessica's intuitive hand is guided by her medium, the environment of her subjects and colour.   Education   Gray's School of Art - Aberdeen - BA Fashion Design   Select Exhibitions/Awards   Winner - Fashion Illustration and Drawing Awards 2020 Solo Exhibition - Bermonds Locke, London, 2022 Solo Exhibition - Hoxton Hotel Holborn, London, 2019 Group Exhibition - Gallery48, Dundee, 2017   Gallery Representation   Fashion Illustration Gallery (small selection of work)   Statement about AOAP Submitted Artwork   My recent evolution into still life has allowed me to combine my love of beautiful objects with storytelling through symbolism. With my background in fashion the artworks are often inspired by fashion campaigns, editorial imagery or stories i've heard. The objects have a narrative that flows not only between them but also hopefully out into the spaces they inhabit. Mahjong and Mollusc for example is inspired by recent Loewe campaigns and Miu Miu imagery inspired my piece Escargot and Eau De Parfum. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Jessica Bird Tunnocks and Treefrog, 2022 Charcoal, Crayon, Oil Pastel and Acrylic Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jessica Bird is an award-winning Scottish artist and fashion illustrator based in London. Jessica worked in the fashion industry before becoming a full time artist in 2018. Now primarily working as a fashion illustrator Bird's work often focusses on the moving body and capturing its brief moments of stillness. Bird has worked with a range of clients such as MatchesFashion, Harrods, ELLE and SkinCeuticals - often working live backstage at fashion shows and events. She has a talent at capturing the pace of the people and objects she draws, ensuring everything is alive through her spontaneous, improvised strokes. Working with highly pigmented paint, brightly coloured chalk pastel and willow charcoal Jessica's intuitive hand is guided by her medium, the environment of her subjects and colour.   Education   Gray's School of Art - Aberdeen - BA Fashion Design   Select Exhibitions/Awards   Winner - Fashion Illustration and Drawing Awards 2020 Solo Exhibition - Bermonds Locke, London, 2022 Solo Exhibition - Hoxton Hotel Holborn, London, 2019 Group Exhibition - Gallery48, Dundee, 2017   Gallery Representation   Fashion Illustration Gallery (small selection of work)   Statement about AOAP Submitted Artwork   My recent evolution into still life has allowed me to combine my love of beautiful objects with storytelling through symbolism. With my background in fashion the artworks are often inspired by fashion campaigns, editorial imagery or stories i've heard. The objects have a narrative that flows not only between them but also hopefully out into the spaces they inhabit. Mahjong and Mollusc for example is inspired by recent Loewe campaigns and Miu Miu imagery inspired my piece Escargot and Eau De Parfum. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lily Snowden-Fine Anja, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Daniel Jensen Untitled (1), 2022 Wax Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1972 in Malmö, SE Lives and works in Stockholm, SE Daniel Jensen's sculptures, paintings and drawings explore issues related to fractal urban structure and detritus which witness our existence. His broader artistic practice is allied with subjects like imperfection, failure and transformation. The artist's "objet trouvé" alternate between the recognisable and the abstract where under esteemed perishable materials are assembled in poised and fragile compositions. The works have a poetic and liberating non-hierarchal expression without concept of any specific narrative, which constitutes changes in our perception of utility, lifespan and status. His works are entwined and unconstrained, placing the viewer in an odd state of amusement, wonder and contemplation. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising Education   1997-2001 The National Academy of Fine Art, Oslo, NO 2000-2001 Valand School of Fine Art, Gothenburg, SE   Select Exhibitions/Awards   2022 - L21 Gallery, Palma de Mallorca, ES 2022 - Björkholmen Gallery, Stockholm, SE, Everything is Inverted (solo) 2021 - Olseröds Konsthall, Olseröd, SE, 4 2020 - Monti 8, Latina, IT, Fireworks (solo) 2019 - Björkholmen Gallery, Stockholm, SE, Current Events (solo) 2019 - Ronneby Konsthall, Ronneby, SE, Your Credit Card Has Been Cancelled (solo) 2019 - The Dot Project, London, UK, Sleep on the Wind 2019 - KANT, Copenhagen, DK, A Take on Paper 2018 - Björkholmen Gallery, Stockholm, SE, Air Conditioning (solo) 2018 - BEERS London, London, UK, Happy Depression, (two-person show with Mark Posey) 2018 - Rizzuto Gallery, Palermo, IT, All You Can See 2017 - L21 Gallery, Palma de Mallorca, ES, 20 cm From The Ground 2017 - KANT, Copenhagen, DK, Between The Line And The Lavish 2017 - BEERS London, London, UK, 75 Works On Paper 2017 - Richard Heller Gallery, Los Angeles, US, Beheaded 2017 - Galerie L'inlassable, Paris, FR, Micro Salon #7 2017 - Mountain Gallery, New York, US, HyperMagic   Gallery Representation   Björkholmen Gallery, Stockholm, SE Monti 8, Latina, IT  

Daniel Jensen Untitled (2), 2022 Wax Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1972 in Malmö, SE Lives and works in Stockholm, SE Daniel Jensen's sculptures, paintings and drawings explore issues related to fractal urban structure and detritus which witness our existence. His broader artistic practice is allied with subjects like imperfection, failure and transformation. The artist's "objet trouvé" alternate between the recognisable and the abstract where under esteemed perishable materials are assembled in poised and fragile compositions. The works have a poetic and liberating non-hierarchal expression without concept of any specific narrative, which constitutes changes in our perception of utility, lifespan and status. His works are entwined and unconstrained, placing the viewer in an odd state of amusement, wonder and contemplation.   Education   1997-2001 The National Academy of Fine Art, Oslo, NO 2000-2001 Valand School of Fine Art, Gothenburg, SE   Select Exhibitions/Awards   2022 - L21 Gallery, Palma de Mallorca, ES 2022 - Björkholmen Gallery, Stockholm, SE, Everything is Inverted (solo) 2021 - Olseröds Konsthall, Olseröd, SE, 4 2020 - Monti 8, Latina, IT, Fireworks (solo) 2019 - Björkholmen Gallery, Stockholm, SE, Current Events (solo) 2019 - Ronneby Konsthall, Ronneby, SE, Your Credit Card Has Been Cancelled (solo) 2019 - The Dot Project, London, UK, Sleep on the Wind 2019 - KANT, Copenhagen, DK, A Take on Paper 2018 - Björkholmen Gallery, Stockholm, SE, Air Conditioning (solo) 2018 - BEERS London, London, UK, Happy Depression, (two-person show with Mark Posey) 2018 - Rizzuto Gallery, Palermo, IT, All You Can See 2017 - L21 Gallery, Palma de Mallorca, ES, 20 cm From The Ground 2017 - KANT, Copenhagen, DK, Between The Line And The Lavish 2017 - BEERS London, London, UK, 75 Works On Paper 2017 - Richard Heller Gallery, Los Angeles, US, Beheaded 2017 - Galerie L'inlassable, Paris, FR, Micro Salon #7 2017 - Mountain Gallery, New York, US, HyperMagic   Gallery Representation   Björkholmen Gallery, Stockholm, SE Monti 8, Latina, IT Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Archie Franks Village Cricket Featuring Cows, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks M&S Pie, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Richard J Butler Sunset With Strata, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Drawing inspiration from ancient art and mythology, Richard J. Butler's alluring paintings skirt the boundary between figuration and abstraction. Constructed of intricate surfaces built up in layers of grated pastel, acrylic gel and paint, his work often depicts figures and silhouettes that seem to dissolve within vast colour fields. Over the past seven years, the artist has developed a unique technique which consists of pressing large packing blankets onto the still wet painting, a method similar to that of decalcomania. The blankets' vertical lines are transferred to the painted surface, leaving a systematic imprint on the canvas whilst distorting the image. When viewed from a distance, recognisable forms appear while up-close, miniature abstract landscapes abound, creating sensual and hallucinatory surfaces that explore painting's illusionistic potential. Butler's work is held in private collections in the UK, USA, France and Belgium. He has exhibited with Bowman Sculpture, London; Masterpiece Art Fair, London; Modernity Stockholm, London; Hannah Barry Gallery, London; J. Hammond Projects, London; Kreuzberg Pavilion, Berlin; KARST, Plymouth.   Education   Chelsea College of Art and Design, London (BA Fine Art), 2005-2008 Leeds College of Art & Design, Leeds (Foundation Diploma in Art and Design), 2004-2005   Select Exhibitions/Awards   Masterpiece Art Fair, Bowman Sculpture, London 2022 When Matter Becomes Form, Bowman Sculpture x Canopy Collections, London 2022 There Are No Strangers Here, Canopy Collections x Modernity, London 2021 Spring Syllabus, J Hammond Projects, London 2018 The Unlimited Dream Company, Hannah Barry Gallery, London 2017 The Brightness is the Colour, NAM project, Milan 2016 Richard J. Butler, ATTIC, Brussels (solo) 2016 Urban Tales #1 The Bank, Poultry, London (organised by Art Night) 2015 Time Pieces, Rogue Space, Manchester 2014 A Journey to Avebury, KARST, Plymouth 2014 An Element of Whim, Fokidos 21, Athens 2013 Creekside Open, APT Gallery, London (selected by Paul Noble) 2013 Caught in the Act, Chelsea Futurespace, London 2009   Gallery Representation   Canopy Collections Statement about AOAP Submitted Artwork   I've always approached the making of art with the mantra: Sometimes making something leads to nothing and sometimes making nothing leads to something. I think a little bit of that came through with this piece. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kenneth Draper RA Spring Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kenneth Draper RA Summer Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kenneth Draper RA Autumn Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kenneth Draper RA Winter Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicolette Nadimi Courage, 2022 Pastel and Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicolette is an artist inspired by people and individuality. She grew up in London and has lived and worked in New York and Stockholm, she currently resides in Sydney, Australia. 'We live in a world over taken with 'perfection' and perception, masking what we should be celebrating - individualism'. Nicolette's work embraces simplicity, minimalism and expression, inspired by artists such as Egon Schieles, Rene Gruau, Mark Rothko and Milton Avery.   Education   Nicolette's has a foundation in Art & Design from Camberwell College, London but has background within fashion and textile design, undertaking her degree at Ravensbourne College London. Since graduating she has worked within the fashion Industry and explores her love for art and the human form.   Select Exhibitions/Awards   Nicolette has a varied skill set with awards within Fashion design from World-wide Urban Outfitters Competition & David Band Textile Award to Liberty London's Best of British Design for her furniture exploration. She has since exhibited her Art at Saint Cloche Gallery, Sydney in 2019.   Statement about AOAP Submitted Artwork   These pieces capture simplified moments of day to day life, celebrating the little things - small moments we often take for granted. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicolette Nadimi Poise, 2022 Pastel and Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicolette is an artist inspired by people and individuality. She grew up in London and has lived and worked in New York and Stockholm, she currently resides in Sydney, Australia. 'We live in a world over taken with 'perfection' and perception, masking what we should be celebrating - individualism'. Nicolette's work embraces simplicity, minimalism and expression, inspired by artists such as Egon Schieles, Rene Gruau, Mark Rothko and Milton Avery.   Education   Nicolette's has a foundation in Art & Design from Camberwell College, London but has background within fashion and textile design, undertaking her degree at Ravensbourne College London. Since graduating she has worked within the fashion Industry and explores her love for art and the human form.   Select Exhibitions/Awards   Nicolette has a varied skill set with awards within Fashion design from World-wide Urban Outfitters Competition & David Band Textile Award to Liberty London's Best of British Design for her furniture exploration. She has since exhibited her Art at Saint Cloche Gallery, Sydney in 2019.   Statement about AOAP Submitted Artwork   These pieces capture simplified moments of day to day life, celebrating the little things - small moments we often take for granted. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicolette Nadimi Certainty, 2022 Pastel and Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicolette is an artist inspired by people and individuality. She grew up in London and has lived and worked in New York and Stockholm, she currently resides in Sydney, Australia. 'We live in a world over taken with 'perfection' and perception, masking what we should be celebrating - individualism'. Nicolette's work embraces simplicity, minimalism and expression, inspired by artists such as Egon Schieles, Rene Gruau, Mark Rothko and Milton Avery.   Education   Nicolette's has a foundation in Art & Design from Camberwell College, London but has background within fashion and textile design, undertaking her degree at Ravensbourne College London. Since graduating she has worked within the fashion Industry and explores her love for art and the human form.   Select Exhibitions/Awards   Nicolette has a varied skill set with awards within Fashion design from World-wide Urban Outfitters Competition & David Band Textile Award to Liberty London's Best of British Design for her furniture exploration. She has since exhibited her Art at Saint Cloche Gallery, Sydney in 2019.   Statement about AOAP Submitted Artwork   These pieces capture simplified moments of day to day life, celebrating the little things - small moments we often take for granted. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicolette Nadimi Liberty, 2022 Pastel and Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicolette is an artist inspired by people and individuality. She grew up in London and has lived and worked in New York and Stockholm, she currently resides in Sydney, Australia. 'We live in a world over taken with 'perfection' and perception, masking what we should be celebrating - individualism'. Nicolette's work embraces simplicity, minimalism and expression, inspired by artists such as Egon Schieles, Rene Gruau, Mark Rothko and Milton Avery.   Education   Nicolette's has a foundation in Art & Design from Camberwell College, London but has background within fashion and textile design, undertaking her degree at Ravensbourne College London. Since graduating she has worked within the fashion Industry and explores her love for art and the human form.   Select Exhibitions/Awards   Nicolette has a varied skill set with awards within Fashion design from World-wide Urban Outfitters Competition & David Band Textile Award to Liberty London's Best of British Design for her furniture exploration. She has since exhibited her Art at Saint Cloche Gallery, Sydney in 2019.   Statement about AOAP Submitted Artwork   These pieces capture simplified moments of day to day life, celebrating the little things - small moments we often take for granted. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andy Swani Wish You Were Here - Dinosaur Apocalypse, 2022 Indian Ink, Oil Pastel and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Andy Swani was born in Birmingham in 1964, he currently works as an artist, painter, decorator, muralist and printmaker, living in East London. His work is a primal glorification of creation, expressing the wonder of the world, together with an awareness of its inevitable end. Having had some success with traditional still-life painting, mostly of dead fish, which tempered the sensual delights of perception with reminders of mortality, Andy began making paintings in an overtly decorative way, using childlike, naïve representations of creatures and environments as a basis for a joyous and dread filled dialogue with History, Art and lived experience. Influences from around the world and the European premodern age were able to flood into his work, though still rooted in the European painting tradition of Giotto, Goya and Matisse. Examples of his new work were included in The Royal Academy of Arts Summer Exhibitions of both 2021 & 2022. One of these works, a woodcut, 'Crocodiles (Fuchsia on Yellow)', is being used by The Royal Academy of Arts in its 2023 calendar. Education   1983 - 1986 - North East London Polytechnic - Ba Hons Fine Art 1982 - 1983 - Bournville School of Arts and Crafts - Arts Foundation Course Select Exhibitions/Awards   2022 - Royal Academy of Arts - Summer Exhibition 2021 - Royal Academy of Arts - Summer Exhibition 2013 - Burning Bright - Saatchi online - Hyatt Regency London 2003 - Really - Transition Gallery - London -Sense and Sensibility - Transition Gallery London 2001 - Discerning Eye - Mall Gallery - London Statement about AOAP Submitted Artwork   'Wish You Were Here - Dinosaur Apocalypse' - Based on an image developed in lockdown, when the precarious nature of our civilisation was made more palpable than usual, it was originally produced as a woodcut. To convey similar qualities to the gouging and cutting of a woodcut, a 'scraperboard' technique was used for this postcard. The surface was prepared by covering it with a layer of yellow ochre oil pastel which was then painted over with black Indian ink. The ink surface was then scraped and scratched with a toothpick to reveal the ochre beneath. Layers of fixative were then applied to stabilise the surface. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Serpil Mavi Üstün Ask Me Again, 2022 Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I was born in Turkey. I've been living and working in London since April 2016. Education Mimar Sinan Fine Art University, İstanbul Select Exhibitions/Awards 2022 Caramel Macchiato, C.A.M. Gallery, Istanbul 2019 Everything Is Ok, One Paved Court, London 2018 Royal Arts Prize Runner-up exhibition, Royal Opera Arcade Gallery-London 2015 Along Yourself, Harmony Art Gallery, Istanbul 2013 Timeless, Harmony Art Gallery, Istanbul SELECTED GROUP EXHIBITIONS Another Round, Galeri Nev, Istanbul Mothflower, "Character" Group Show,2022 Contemporary Istanbul -Bloom , 2021 Recto-Verso, C.A.M. Gallery, Istanbul Let it be, C.A.M. Gallery, Istanbul Subsidiary Projects - ROOMS, London,2020 Herstory, C.A.M. Gallery, Istanbul Step İstanbul '19, C.A.M. Gallery, Istanbul ,2019 Visualy Literate2 Manier Gallery, London The Other Art Fair London "Not 30 %" curated by Kate Bryan, Saatchi Art, 2018 99 Kare, Art On, Timeless, HLS Gallery, London Royal Arts Prize Exhibition 2017, London Saint Pulcherie Printemps des Artistes Galeri Od'A, Royal Arts Prize IV. Edition (Second place award), 2017,London Statement about AOAP Submitted Artwork The artist dealing with loneliness of the individual of the present-day; makes us confront with the personal stories of her fragile, perturbed, melancholic, heroes and heroines who refer to solitude. Some of these moments that Serpil dwells on, there are some personal eccentricities, which appear in a passive- aggressive way. Even sometimes the personas of her painting make us think that they are taking a kind of pleasure to procreate drama. They can seem indifferent in a case or atmosphere where they are supposed to take pleasure. In a moment that seems ideal, beautiful or happy they can sabotage it. These heroes, who ruin their own pastel world, reflect the conflicts that we deal with, in our daily routine.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Georgia Peskett Voile III, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Georgia Pesket Voile IV, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Georgia Pesket Voile V, 2022 Oil and Pastel on Card Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Georgia Pesket Bathroom Study VII, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Piers Tobias Alsop Untitled (4), 2022 Oil, Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Alsop works across painting, drawing and collage. His approach sees him use the canvas as an imaginary set, giving illusory form to a current frame of mind. A spectrum of realism is on display from flat abstraction to detailed representation, to raking perspective. Sometimes reminiscent of prop facades, the work refers to fictions we hold in our collective conscience. Piers Tobias Alsop (b. 1984, London) lives and works in London   Education   BA (Hons) Fine Art, Camberwell College of Arts, University of the Arts, London, UK   Select Exhibitions/Awards   Solo / Duo presentations 2022 - Zona Maco, Duo presentation with Hugo Lami, Tsivrikos Shake, CDMX, Mexico 2021 - Like an ancient day, Neon Gallery, London, UK 2021 - Double vision, Kribbestraat 3, Brussels, Belgium 2017 - Not a peep, Testbed02, London, UK Group 2022 - 2022 - 2021 - 2020 - 2018 - 2015 - 2009 - 2007 - 2022 - Summer Show, Royal Academy of Arts, London, UK 2022 - Salon 22, Tsivrikos Shake, London, UK 2021 - Mythologies, Neon gallery at Koppel project, London, UK 2020 - Kinesis, Neon gallery, London, UK 2018 - Summer Show, Royal Academy of Arts, London, UK   Gallery Representation   Tsivrikos Shake Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sara Bonache Ríos Moonflower, 2022 Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sara Bonache (b. 1991) lives and works in Barcelona. She is visual artist and co-director of Unica editions, an independent artists' book publisher. Her art practice explores the relationship between the human body and nature by dissolving the boundaries between these two iconographies, seeking new forms through metamorphosis and metaphor. Known and unknown shapes intertwine, constantly playing with each other and subverting existing meanings. At this exchange, one image hides another. The body and the care, the spiritual and the earthly. Medicine and magic converge in the elaboration of a chimerical and scientific imaginary at the same time, as a way to explore our relationship to the natural world, our bodies and their life cycles.   Education   BA Fine Arts - Faculty of Fine Arts, University of Barcelona (2009 - 2014)   Select Exhibitions/Awards   A selection of national and international group shows include: Life In Colour, The Room, London 2022; Needful things, Rodzlo Gallery, Berlin 2022; Todo es de color, The Curators Room, Amsterdam 2022; Preludios de mi lira, CAC La Sala, Vilanova i la Geltrú 2022; The best design of the year, Design Museum, Barcelona 2021; III International Nasevo Prize, Senda Gallery, Barcelona 2021; Hotel x Hotel Kippenberger Tribute, Carmen Thyssen Museum, Malaga 2017 and University Selection 2014, Tsukuba University, Japan 2015, among others. She has participated in the Art and Breakfast fair (Malaga, 2017) and Arts Libris fair (Barcelona, 2021). She was nominated for the Arts FAD Prize 2021 and she was a finalist in the XVI Francesc Gimeno Painting Prize 2021. She has also recently been nominated for the Fundació Vila Casas Painting Prize 2022. Statement about AOAP Submitted Artwork   "Candles" and "Moonflower" explore the elements of metamorphosis within the natural world. In these works, the Element of fire talks about the mutability and changing nature of forms. The violence and lushness of nature become visible through these new appearances and their connotations. As a result, familiar plants change into hallucinatory and magical, where their limits are diluted to give way to analogy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sara Bonache Ríos Candles, 2022 Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sara Bonache (b. 1991) lives and works in Barcelona. She is visual artist and co-director of Unica editions, an independent artists' book publisher. Her art practice explores the relationship between the human body and nature by dissolving the boundaries between these two iconographies, seeking new forms through metamorphosis and metaphor. Known and unknown shapes intertwine, constantly playing with each other and subverting existing meanings. At this exchange, one image hides another. The body and the care, the spiritual and the earthly. Medicine and magic converge in the elaboration of a chimerical and scientific imaginary at the same time, as a way to explore our relationship to the natural world, our bodies and their life cycles.   Education   BA Fine Arts - Faculty of Fine Arts, University of Barcelona (2009 - 2014)   Select Exhibitions/Awards   A selection of national and international group shows include: Life In Colour, The Room, London 2022; Needful things, Rodzlo Gallery, Berlin 2022; Todo es de color, The Curators Room, Amsterdam 2022; Preludios de mi lira, CAC La Sala, Vilanova i la Geltrú 2022; The best design of the year, Design Museum, Barcelona 2021; III International Nasevo Prize, Senda Gallery, Barcelona 2021; Hotel x Hotel Kippenberger Tribute, Carmen Thyssen Museum, Malaga 2017 and University Selection 2014, Tsukuba University, Japan 2015, among others. She has participated in the Art and Breakfast fair (Malaga, 2017) and Arts Libris fair (Barcelona, 2021). She was nominated for the Arts FAD Prize 2021 and she was a finalist in the XVI Francesc Gimeno Painting Prize 2021. She has also recently been nominated for the Fundació Vila Casas Painting Prize 2022. Statement about AOAP Submitted Artwork   "Candles" and "Moonflower" explore the elements of metamorphosis within the natural world. In these works, the Element of fire talks about the mutability and changing nature of forms. The violence and lushness of nature become visible through these new appearances and their connotations. As a result, familiar plants change into hallucinatory and magical, where their limits are diluted to give way to analogy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lily Snowden-Fine James, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year Postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Sam Wood Cloud Study 101, 2022 Oil Paint and Soft Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Sam Wood is an English artist originally from Gloucestershire and based in London for the last thirteen years. Wood's work uses British landscape and flora, interior scenes and vibrant colour to talk about national identity, Englishness and belonging. Wood exhibits regularly in London, and has been commissioned to make work by renowned design studios including Atelier 27, David Collins Studio and Brian O'Sullivan Studio as well as working with brands from Liberty to Billecart Salmon, Wood's work is on permanent display at Harrods and in private collections.   Select Exhibitions/Awards   2022 - Brian O'Sullivan Studio - Commission coming summer 2022 2022 - Gleneagles Hotel - The Birnham - Permanent ExhibitioN 2022 - The Bryanston Hyde Park - Painting Commission 2022 - Atellier27 - Rosewood Hotel Vienna - VIP Lounge - Coming 2022 2021 - Shreeji News - Chiltern Street - Solo Exhibition 2021 - Billecart Salmon - Private commission for Head Office 2021 - David Collins Studio for Harrods - Permanent exhibition and article 2021 - Brian O'Sullivan Studio - Residential Commission - Greece 2021 - Liberty London Limited run of selected originals sold 2020 - Sleeper Magazine - Print feature. September 2020 - Queercircle - Artist Residency. September 2020 - Architectural Digest - Interiors Illustrations 2020 - World of Interiors - Instagram 2020 - Alpha-Kilo Creative - 'Muses' Feature 2020 - It's Nice That - Ayla Angelos Feature 2020 - Women's Wear Daily - 'Store of the Future' Feature 2020 - Elle Decoration - '26 Dream Lockdown Rooms' 2020 - Harrods Mens Shoes - Permanent exhibition ARTIQ - Shortlist 10th Anniversary Celebration Platform Southwark - Solo Exhibition 2018 - David Collins Studio - Solo Exhibition Kerridges Bar and Grill - Illustrations   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Sam Wood Cloud Study 102, 2022 Oil Paint and Soft Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Sam Wood is an English artist originally from Gloucestershire and based in London for the last thirteen years. Wood's work uses British landscape and flora, interior scenes and vibrant colour to talk about national identity, Englishness and belonging. Wood exhibits regularly in London, and has been commissioned to make work by renowned design studios including Atelier 27, David Collins Studio and Brian O'Sullivan Studio as well as working with brands from Liberty to Billecart Salmon, Wood's work is on permanent display at Harrods and in private collections.   Select Exhibitions/Awards   2022 - Brian O'Sullivan Studio - Commission coming summer 2022 2022 - Gleneagles Hotel - The Birnham - Permanent ExhibitioN 2022 - The Bryanston Hyde Park - Painting Commission 2022 - Atellier27 - Rosewood Hotel Vienna - VIP Lounge - Coming 2022 2021 - Shreeji News - Chiltern Street - Solo Exhibition 2021 - Billecart Salmon - Private commission for Head Office 2021 - David Collins Studio for Harrods - Permanent exhibition and article 2021 - Brian O'Sullivan Studio - Residential Commission - Greece 2021 - Liberty London Limited run of selected originals sold 2020 - Sleeper Magazine - Print feature. September 2020 - Queercircle - Artist Residency. September 2020 - Architectural Digest - Interiors Illustrations 2020 - World of Interiors - Instagram 2020 - Alpha-Kilo Creative - 'Muses' Feature 2020 - It's Nice That - Ayla Angelos Feature 2020 - Women's Wear Daily - 'Store of the Future' Feature 2020 - Elle Decoration - '26 Dream Lockdown Rooms' 2020 - Harrods Mens Shoes - Permanent exhibition ARTIQ - Shortlist 10th Anniversary Celebration Platform Southwark - Solo Exhibition 2018 - David Collins Studio - Solo Exhibition Kerridges Bar and Grill - Illustrations   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Lily Snowden-Fine Josephine, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Susie Hamilton Dachshund 3, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising