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HAROLD RILEY charcoal and pastel - two figures before illuminated building, 21 x 17cmsProvenance: private collection - see additional information on last image

Full title: Belgian school: Four landscapes, various techniques, 19th/20th C.Description:Work: 40,5 x 32,5 cm (Monogrammed TB, oil on canvas, attributed to Theodore Baron, 1840-1899) Frame: 55,8 x 47 cmWork: 40 x 30 cm (R. De Saegher, pastel on paper, attributed to Rodolphe De Saegher, 1871-1941) Frame: 48 x 38 cmWork: ca. 34 x 34 cm (Luc Vande Perre (?), watercolour on paper) Frame: 52 x 52 cmWork: ca. 28 x 20 cm (Vlaminck, oil on paper) Frame: 60 x 47,8 cm

Full title: French school, illegibly signed: Double portrait of a gentleman and a lady of rank, pastel on paper, late 19th C.Description:Work: 57,5 x 48 cm Frame: 74 x 58,5 cm

Full title: French school, illegibly signed: Three ladies' portraits, pastel on paper in gilt wood frames, 19th C.Description:Work: ca. 50 x 40 cm Frame: ca. 72,5 x 49 cm

Full title: Maria Salkin-Lambiotte (1872-1930): Portrait of a lady in a gala dress, pastel on canvas, dated 1900Description:Work: 140 x 90 cm Frame: 154,5 x 104,5 cm

Full title: Russian school, attributed to Vladimir Davidovich Burljuk (1886/87-1917): Composition with a lady, pastel on paperDescription:Work: 56,5 x 42,5 cm Frame: 69,7 x 55,7 cm

H. Moloman, early 20th century, pastel - figures beneath a house, signed, 36cm x 46cm, in glazed frame

Majorie Cox (1915-2003) pastel portrait of a spaniel, and two similar pastels of spaniels, each in glazed frame

Lalit Mohan Sen (Indian, 1898-1954) pastel portrait of a young man, signed and dated 1941

J. Bell, pastel portrait of a boy in a kilt standing at the gates of Inverneill House, signed and dated 1973, 59cm x 49cm, in glazed gilt frame

A. Coopman, 1930s pastel - Bathers on a Raft, signed and dated 1930, 23cm x 30cm, in glazed frame

Marjorie Cox (1915-2003) pastel portrait of a Pikingese, 'Squib', signed and dated 1969, 43cm x 37cm, in glazed frame

Charles G Johnson (British 1902-1983) oil on board, rural river scene, in pleasing pastel tones, signed lower right, within a white painted frame 50cm x 60cm & 54cm x 64cm overall

CYRIL FRADDEN (1928-1997) ARR. ALOGORY No3. PASTEL SIGNED AND DATED 1963, VARIOUSLY LABELLED VERSO. 22 X 30 cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

18TH/19TH CENTURY SCHOOL. PORTRAIT OF A CONTEMPLATIVE LADY. PASTEL. BEARS INSCRIPTION "PETERS DELINEWIT 1799" 26 X 33 cm OVAL.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

TAYLOR. (20TH CENTURY) A SOUTH AMERICAN GIRL IN HAT, PASTEL ON PAPER. 39 X 45 cm   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

MARJORIE VIVIAN (20TH CENTURY) ARR. SEILLANS, PROVENCE. PASTEL. SIGNED AND TITLED, DATED '82. 38 X 45 cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

A. C. BELL. (19TH CENTURY) PORTRAIT OF A LADY WITH LACE COLLAR AND CAMEO. PASTEL. SIGNED WITH MONOGRAM AND DATED JAN. '63 (1863) 43 X 59 cm OVAL.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

ARTHUR HOGG (19TH/ 20TH CENTURY) PAYING RESPECTS. PASTEL ON PAPER. SIGNED U/R. 21 X 37 cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

19TH CENTURY ENGLISH SCHOOL, PORTRAIT OF A LADY WITH FINE JEWELLERY, PASTEL ON PAPER. BEARS SIGNATURE "CHAS.HEATH" DELT. 49 X 62 cm. MOUNTED IN A LATE 19TH CENTURY GOTHIC REVIVAL GILDED OAK FRAME   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

Eight framed artworks to include one pastel portrait, naive watercolour depciting chickens and one early 20th century wedding photograph

A collection of Paragon Pastel Coloured tea for one part sets

John Naylor (British 1960-): Rabbit, pastel signed and dated 2011, 13cm x 17cm

AL Nosworthy (20th century): Cafe Scene, pastel signed 22cm x 32cm

Charles Mark Edward Boxer 'Marc' (British 1931-1988): Girl with Flowers, watercolour and pastel signed 32cm x 23cm Provenance: private local collection, purchased David Duggleby Ltd 19th May 2007 Lot 44

Jim Glenn (Canadian 1947-): Pack Horses, pastel signed 29cm x 44cm

Victorian Staffordshire style ceramics, including frog mug, two pastel burners, animal figures, etc

The formidable 993 Turbo, here as a C16/UK example with the X50 pack, just 46,000 miles, 17-years current ownership and in a fabulous colour.Intended for drivers who demanded top performance, the 993 Turbo was first launched to the world in September 1985, where in Germany it was voted Sports Car of the Year by Auto Motor and Sport magazine. A sensation when it was launched, the 993-series Turbo was based on the Carrera 4; it was very clear that the 911 Turbo was conceived and built by motorsport enthusiasts.Three developments contributed to its tremendous performance; the engine had low inertia turbos, the transmission had six close-ratio speeds, and of course it came with four-wheel drive. At least 5% of the engine’s power is permanently applied to the front axle and the ratio will increase to 40% under extreme driving conditions. Combined with bigger brakes, fatter tires, a wide body and lower stance, the 993 Turbo was one of the fastest cars on the planet. With all four wheels helping to evenly distribute great handfuls of power, 0-60mph was dispatched in a staggering 3.7 seconds, 100mph whistled by in a further 5.7 seconds, and the linear forward thrust continued until the speedometer needle had said goodbye to 180mph and you were on conversational terms with the horizon.The addition of the X50 power-pack with the use of larger K24 turbos and intercoolers, a revised ECU, and a freer-flowing twin-pipe exhaust, meant that the maximum output rose to 430bhp. The X50 power upgrade measurably improves the 993 Turbo, and the car is far better at being civilised and coping with everyday driving conditions than its competitors.The car presented here is a 1997 Porsche 911 (993) Turbo Coupe, a UK-market/C16 example, manufactured on 16th June 1997, and supplied with the factory-fit X50 upgrade. On top of all the standard Porsche options, this car was further highly-specified - X79: Turbo S side air vents of rear wings, 373/374: sports-seats, X45: instrument dials in interior colour, 408: 18-inch Techno-Rad wheels, showcasing yellow brake calipers (XRF) and X54: oval stainless steel tailpipes, plus numerous interior carbon/aluminium accents.Believed to be commissioned through Porsche’s 'Exclusive' Manufaktur department, this 911 Turbo also comes with genuine Porsche front and rear GT spoilers, typically found on the 911 Carrera RS and GT2 models, which we believe were professionally installed by the delivering Porsche dealership.In distinctive – and ‘oh so Porsche’ of the 1990s - Pastel Yellow paintwork, this special car has covered just over 46,000 miles with its two previous owners. Its third owner, our vendor, has lovingly been its custodian since 2006. He has only used the car sparingly, having it professionally stored when not in use, and has ensured it's accompanied by a large history file of paperwork showing diligent upkeep and servicing.This superbly-presented and very well equipped X50 993 Turbo is a wonderful example of the last of the classic, air-cooled 911s, and would reward any inspection.  SpecificationMake: PORSCHEModel: 911 993 TURBO X50Year: 1997Chassis Number: WP0ZZZ99ZVS371004Registration Number: R43 CJWTransmission: Manual Engine Number: 61V02394 Drive Side: Right-hand DriveOdometer Reading: 45000 MilesMake: RHDClick here for more details and images

Accurately-scaled Pastel Blue XK120 with a steel chassis, fibreglass bodywork and a bullet-proof Honda GX160 pull-start engine. The two-tone blue interior has seating for a pair of little ones and there is speedometer on the dash, ignition key, switches for lights and a rear-view mirror. We have not started the engine and would recommend recommissioning of the vehicle before doing so.Click here for more details and images

A smart example of the sought-after Type-2 'Early-Bay', which has benefited from a recent restoration and is now ready to be personalised. On offer at No Reserve, this is an unmissable opportunity.Starting in 1951, Volkswagen offered an officially sanctioned camper conversion for its Type 2 by Westfalia-Werke of Franz Knobel & Sohne in Rheda-Wiedenbruck, Germany. Interiors were panelled in birch plywood, and standard equipment included screened jalousie windows, a laminated folding table, storage cabinets, an icebox and electrical hook-ups. Some models included a sink and pressure water system. A number of fold-out seat arrangements provided sleeping accommodation and optional equipment included a pop-up roof section, awnings and side tents, a chemical toilet, camping equipment, a small map table and even a child's crib in the driver's cab.This is an original UK-supplied, right-hand drive Volkswagen T2 Campervan that was first registered on 26th June 1972. It has been subject to a recent restoration which included a full strip-down to bare metal, the removal and replacement of all rusted panels and a full respray with the interior fully retrimmed and painted, and a new 'pop-top' roof, fitted with body-matching blue and white stripes. When the camper was prepared, it was finished in Pastel Blue and Cumulous White and sits on a set of white-painted, Fuchs-style steel wheels wearing Continental ContiEcoContact 3 tyres. The interior has been refreshed with new beige cloth upholstery and matching carpets, and the rear has been fitted with a plank effect, light grey Vinyl flooring. The recently-painted cockpit features manually-operated windows, a Benkson CR3 radio, heater and ventilation controls and push-up roof ventilation panels, and the naturally-aspirated 1.6-litre engine sits in an engine bay which appears to be smartly-presented. Transmission is classic Type 2 4-speed, and the odometer indicates a mileage of 54,000, however this is not warranted. Unlike the majority of campervans that we see, this example hasn't been personalised by previous owners, offering an opportunity for its next owners to furnish and equip it exactly as they and their family would like. This genuine early bay-window bus strikes the perfect balance between 1960s camper-van cool, VW-enthusiast credibility and real-life modern drivability. It's fast enough, but not too loud, long legged and is easy to drive and is ready-made fun for all the family. We invite you to have a look at the Silverstone Festival and start planning how you would fit out the interior ready for those long weekends away. SpecificationMake: VOLKSWAGENModel: CAMPERVANYear: 1972Chassis Number: 2322156957Registration Number: EKE 526KTransmission: ManualDrive Side: Right-hand DriveOdometer Reading: 53856 MilesMake: RHDInterior Colour: Fawn / Blue / WhiteClick here for more details and images

Three framed works by Wersel - street scenes and landscapes  pastel  two bearing signatures  all approx. 10" x 15" 

An ornate later painted framed pastel drawing portrait of a nude female - 68.5cm X 48cm - 2019 sales invoice included

Roger HILTON (1911-1975) Untitled, 1975 Gouache, pastel and charcoal on paper, initialled and dated '75, paper size 44.5 x 32cm frame size 64 x 53cmProvenance: From the personal collection of Juliet Gould. The Belgrave Gallery, St Ives, purchased circa 1999 (label verso) This work on paper has been mounted on card, there are a variety of very minor issues:- Pin holes to the corners and a little general grubbiness. There appears to be a stain near the signature. This may be from pigment on the back of the paper

Stephen FELSTEAD (1957) Choppy Porthleven Pastel on paper, signed, further signed and inscribed to verso, 15 x 15cm. Frame size 30.5 x 30cm.

Stephen FELSTEAD (1957) Early Morning, Mevagissey Pastel on paper, signed, further signed, inscribed and dated 2023 to verso, 15 x 15cm. Frame size 30 x 30cm.

Barbara KARN (1949) 8 animal studies  Soft pastel and charcoal on paper, each signed, each sheet measures approximately 60 x 42cm

Stephen FELSTEAD (1957) St Ives Blues Pastel on paper, signed, further signed and inscribed to verso, 19 x 14cm. Frame size 33.5 x 28cm.

Stephen FELSTEAD (1957) Small Boats, Porthleven Pastel on paper, signed, further signed, inscribed and dated 2022 to verso, 15 x 15cm. Frame size 30 x 30cm.

Arthur BERRIDGE (1902-1957) Face of a Lady (Circa 1950s) Pastel on card, 38 x 19cm. Frame size 45 x 35cm.

Barrie COOK (1929-2020) After Matisse Study (Circa 2000) Pastel on card, 66.5 x 53cm. Frame size 91 x 78cm.

Sheila OLINER (1930-2020) 4 works  Three cat drawings, soft pastel on paper, each monogrammed, the two larger works measure 55 x 79cm and the smaller 48 x 66cm, together with a print.

Charles HOWARD (1922-2007) Watersports School, Catermarans (1993) Watercolour and pastel on paper, signed and dated '93, inscribed artist's label to verso, 42 x 59cm (frame size 68 x 81cm)Provenance: From the personal collection of Juliet Gould.

Stephen FELSTEAD (1957) Boats All At Sea, Mackerel Have Arrived Pastel on paper, signed, further signed, inscribed and dated 2023 to verso, 15 x 15cm. Frame size 30 x 30cm.

Folding artists easel t/w qty of mostly artist materials including watercolour paper, pastel paper, Windsor & newton oil painting set, etc.

KEN SMITH, SAILBOAT pastel on paper, signedmounted, framed and under glass, along with a framed printthe pastel 54cm x 64cm overall size Qty: 2

SCOTTISH SCHOOL, FLORAL STUDY pastel on papermounted, framed and under glassoverall size 79cm x 61cm

Art print of Henry Clive's original 1925 Art Deco Illustration. Features silky material draped over woman as she extends her arm outwardly to welcome pretty white bird with her hand. In the background it is evening and there are hints of a body of water as well as mountains. Islamic architecture can be seen through the window. Pastel grey toned custom border surrounds the image, and includes cut outs which add golden toned design patterns. Dimensions: 19"W x 22"HCondition: Age related wear.

Featuring pastel toned coloration and high relief design with branches and leaves. Lladro backstamp with year on bottom of piece. Issued: 1993Dimensions: 3.25"W x 4.5"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Vic Stiller (French 1902-1974)French Cottage, an impression,signed, pastel, 38cm x 52cm.

ROBERT TURNBULL HAIG SMITH (SCOTTISH 1938-2016) BREED UNKNOWN - MALE Mixed media/wax pastel on card, signed lower right, 23 x 17.5cm Title inscribed to label verso Condition Report:Available upon request

19thC Continental School. Husband and wife portraits, pastel, inscribed verso, 74cm x 61cm. (2)

19thC Continental School. Head and shoulders portrait of maiden in profile, pastel, inscribed verso Beate Von Boche, December 1782, 41cm x 34.5cm. Christie's Sale 5748 January 2005 Lot 249.

19thC British School. Betty 1911, pastel, indistinctly signed, 79cm x 61cm.

Noreen Grant (British). Tree Branches, pastel, 36cm x 45cm.

19thC School. Country maiden, pastel drawing, 32cm x 23cm.

A small framed pastel a study of a costal view with figures on a path and buildings signed by Peter Coombs a gilt framed rural landscape signed G Jennings and one other early 20th century watercolour Indistinctly signed (3)

ROY STRINGFELLOW (1921-2008) pastel – Cornish / Cornwall fishing harbour with figures and gulls, signed, 47 x 61cms, framed and glazed

G.R. Corbett (British, 20th Century) a framed pastel portrait of a young boy. Height: 38cm, Width: 25cm.

A framed and glazed watercolour study depicting Pin Mill. another of St Mary's Church Shotley; a pastel study depicting barges and two pencil signed prints

An original pastel by Seery Lester