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G. Beningfield - Watercolour and gouache - “Dormouse”, 7.5ins x 8.5ins, signed, in gilt frame and glazed, K. Charman - Watercolour - hedgehog and frog, 9.5ins square, signed, in wood frame and glazed and Susan Geere - Pastel - study of a rabbit, oval 5ins x 4ins, in gilt moulded frame and glazed
Greg Adams, Australian b.1949- Outback landscape; oil on canvas, signed and dated `81, 55x82.5cm: V Cox, late 20th/early 21st century- Untitled building; gouache and pastel on board, signed and dated `89, 78.5x53cm: Jane Strother, British b.1956- Hallway with stained glass front door; oil on canvas board, signed, 90x60cm: together with a similar oil on canvas board by the same hand, signed, in matching frames, 90x60cm., (4) (may be subject to Droit de Suite)
Lewis Christopher Edward Baumer RI 1870-1963- "Vicars daughter (meeting one of her class)"; pen and ink, signed, bears conversation in pencil beneath, 33.5x24.5cm, Note: Baumer was a caricaturist who worked for over fifty years for the British magazine `Punch`. He studied at the Royal Academy and Royal College of Arts, in 1921 he was elected a member of the Royal Institution: Wilfred Fairclough, RE 1907-1996- Two women walking on a cobbled street; etching, signed and dated 1988, 19.7x13cm: Richard Bertram Ogle fl. 1920-1929- "Bacchanalia, with Nymphs and Satyrs", oil pastel, 29x22cm: William Nicholson 1872-1949- "W.E Gladstone"; lithograph, 25.2x23.1cm: with another of Cecil Rhodes by the same artist, 24.2x23.1cm, (5)
* Peter Phillips RA b.1937- "Apollo II"; screenprint, mixed technique; the full sheet printed to the edge, torn and damaged, 60x50cm: together with three further 20/21st century lithographs and prints by and after various hands: After Raoul Ubac, French 1910-1985- Abstract form; screenprint, on BFK Rives with margins, bears stamped signature, 65x47cm: Manner of Franz Marc, early-mid 20th century- Study of a seated figure, in a bar; pastel on buff paper, bears indistinct signature and date, 30.2x23cm.: Modern British School, circa 1960- Seated figure, seen from the back; charcoal, initialed `WD` and dated 1960, 63x54cm., (a lot) (unframed) (may be subject to Droit de Suite)
Edward William Stott (1859-1918) Study for `Two Mothers` pastel drawing 24 x 17.5cm. A contemporary inscription to the original back board reads; `Study for The Two Mothers. To G D Hobson Esq., from Anne Dinnage in affectionate Remembrance of Edward Stott A.R.A., March 19th, 1918` Anne Dinnage was Stott`s housekeeper at Amberley in Sussex
English School 18/19th Century Portrait of a gentleman thought to be John James the second (d.1723) pastel drawing, oval 31.5 x 25cm, together with a group of various other portraits and prints from the family. (7) Provenance: Edgeworth Manor, Stroud, Gloucestershire 416. Robert Frain (? British, 19th Century) Portrait of a fisherman, said to be Jock Scott full-length standing signed and dated 1852 bottom right coloured chalk drawing 60 x 38cm. £600-800
Jacob Kramer (1892-1962) Portrait of Herbert Read` Jacob Kramer (1892-1962) Portrait of Herbert Read`s Son Pastel and charcoal on blue paper signed and dated 1930 lower right 29cm x 26cm (11 1/4 x 10 1/4 in) *** Jacob Kramer met the poet and art critic Herbert Read (1893-1968) at Leeds where they were both students. They were co-founders of the Leeds Arts Club. Provenance: Property of the Read family. Condition report: Some spotting under glass.
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