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Lot 1110
A George III South Staffordshire enamel snuff box, the hinged cover printed in black script with amorous verse, A Prisoner you have made of me / Bind me fast or fet (sic) me free, within, a blue laureate garland, pastel blue shaped oval base, 4cm wide, c.1780 Condition Report: Generally good overall condition, some crazing and cracking, lid does not close securely due to hinge damage. Please see attached images
Lot 1111
A George III South Staffordshire enamel rectangular patch box, the hinged cover transfer printed in black with a lady and her beau in a sylvan coppice and inscribed with amorous verse, A love free / I am to you, flanked by scrolls and leafy fronds, enclosing a mirror plate, pastel pink base, 3cm wide, c.1780 Condition Report: Very good overall condition, hinge secure, some deterioration commensurate with age, appears to be some retouching to interior. Please see attached images
Lot 1112
A George III South Staffordshire enamel patch box, the hinged cover printed in black script with the amorous maxim, No Toil is Pain / When love's the Gain, within a C-scroll border, enclosing a mirrored plate, pastel blue shaped oval base, 3.8cm wide, c.1780 Condition Report: Good overall condition, some crazing to lid, slight crack to interior, some deterioration to mirror commensurate with age, scratches to base. Please see attached images
Lot 1113
A George III South Staffordshire enamel patch box, the hinged cover printed in black script with friendly verse, New friendships & glafs (sic) of mead doth great Ten thousand dear delights / These pleasure never ending flows / There every blifs (sic) unites, enclosing a mirror plate, pastel blue oval base, 4cm wide, c.1780 Condition Report: Good overall condition, some crazing to lid and interior commensurate with age. Please see attached images
Lot 1114
A George III South Staffordshire enamel patch box, the hinged cover printed in black script with amorous verse, Love hast no fault / Or I no (sic) Fault can fpy (sic) / Thou art all Beauty / Or all Blindnefs (sic) I, enclosing a mirror, pastel blue oval base, 4cm wide, c.1780 Condition Report: Generally good overall condition, some crazing, mirror cracked, most of slivering lost, some movement to hinge due to damage. Please see attached images
Lot 1115
A George III South Staffordshire enamel patch box, the hinged cover printed in black script with amicable wishes, Esteem this Gift for those who give / And Joy attend you while you live, within an Adamesque patera in tones of carmine and white, enclosing a mirror plate, pastel pink shaped oval base, 4cm wide, c.1780 Condition Report: Good overall condition, some crazing, hinge secure, closes well, some deterioration of mirror commensurate with age. Please see attached images
Lot 1118
A George III South Staffordshire enamel oval patch box, the hinged cover decorated with a lady artist painting a portrait of a naval figure, presumably her sweetheart, enclosing a mirror plate, pastel green base, 4cm wide, c.1780 Condition Report: Good overall condition, scratches to base, some very minor ares of damage, mirror cracked. Please see attached images
Lot 1245
A 19th century Sèvres porcelain and ormolu five-glass oval repeating carriage clock, retailed by E. Dobell, Hastings, 5.5cm chapter ring inscribed with Roman numerals and flanked by jewelled flowers, 14-day movement striking on a gong, the chapter ring centred by an emblematic putto painted in pastel tones, above a rural family, within a bleu celeste, gilt and 'pearl' bead border, the case with shaped carrying handle and chased with foliate scrolls, skirted plinth base, 20cm high over handle, c.1880 Condition Report: Backplate numbered 363, as is the base. Not currently wound to be in full working order but runs and strikes when triggered by button. Please see attached images as requested.
Lot 877
After Maurice Quentin de La Tour (1704 - 1788) Portrait of Prince Charles Edward Stuart, known as "Bonnie Prince Charlie", half-length, wearing armour, the Order of the Thistle on a blue silk ribbon and a lace cravat, his hair dressed a la mode oil on canvas, 77cm x 62cm La Tour's pastel portrait of the Jacobite claimant was exhibited at the Paris Salon of 1748, subsequently engraved by Michel Aubert (1700 - 1757), before the prince's banker George Waters lent it to Maria Anna Louisa Jablonowska, Princesse de Talmont (1711 - 1779) for several copies to be rendered between 1751 and 1752; the present whereabouts of the original portrait are as yet unknown. Condition Report: Re lined and touched up. 19th century
Lot 103
A pair of Royal Worcester ovoid vases, painted by Harry Stinton, signed, with Highland Cattle, to verso with moorland foliage, reticulated collars picked out in gilt and pastel green, conforming scroll feet, 15cm high, crown and circle mark in green, date code for 1910, shape no. G42 Condition Report: Both vases are signed. No crazing. No damage or restoration. Some rub to gilding but light, displaying well. Please see attached images. D.S
Lot 77
Ned Mueller (Washington, Wisconsin, born 1940) Painting of a train near a train station with a mountainous landscape in the background. Signed lower left. Oil on Board. Stamped "Sonoma Plein Air" verso. Mueller is a signature member of The Plein Air Painters of America, Portrait Society of America, The California Art Club, The Northwest Watercolor Society, Northwest Pastel Society (Distinguished Pastelist), Northwest Rendezous Society, Laguna Plein Air Painters , Puget Sound Group of Northwest Painters and the American Society of Marine Artists.Sight Size: 10.5 x 13.5 in. Overall Size: 15.5 x 18.5 in.
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46300 item(s)/page