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A pair of 19th century continental porcelain figural candelabra one with a woman standing with a cockatoo on her shoulder, the other of a man with a monkey, both in 18th century dress, the upper part heavily decorated with flowers and foliage, decorated in pastel shades with gilt detailing, 53.5cm high (2)
A Mink And Suede Full length Ladies Vintage Coat dark pastel mink coat with dark brown suede inserts. Features two way collar (Peter Pan with fastener to neck or revere) hook and eye closure with three faux buttons to front and concealed side seam pockets. Lined in chocolate brown poly-satin with jacquard swirl design and internal tie fastening. A Line in shape, pelts in excellent condition. Approx size, UK 12.
A Reproduction Musical Ceramic Carousel Horse Figure Ceramic figure against wooden box, painted with pastel fairground motifs. plays two different tunes 'Joy, Joy, Man's Desiring' and 'The Four Seasons'. Wind up mechanism in full working order. Some small damage to horses mane where ceramic has been chipped. 14 inches high, 17 inches at widest point.
A Collection Of Vintage Faceted Crystal Necklaces Three items in total. The first comprising faceted bicone beads with yellow glass seed beads stations. The second comprising graduated clear faceted round glass beads. The third a very attractive pastel tone Austrian crystal faceted necklace with teardrop shaped beads and seed bead stations.
A Collection Of Vintage Necklaces Three in total, the first an unusual 1950's collar style with central sequin and seed bead decoration with obsidian and opalescent pastel tone beads. Also short black glass faceted bead necklace and modern statement necklace with black and faceted metallic beads.
Conta and Boehme and Ernst Bohne Sohne Bisque Figure Groups, the Conta and Boehme couple, walking closely, side by side, appearing about to kiss, are painted in pastel shades, with detailed modelling, unlike the more usual fairing figures; the pair standing on an oval, rocky base with applied rose and leaves; 7.25 inches high; green printed 'elbow' mark; the Ernst Bohne Sohne couple, dressed in a simple Continental style in pastel shades, stand before a spill or match pot, formed as a wall; 6.25 inches high; blue printed anchor mark
Staffordshire 19th Century Figure Group of Tam O'Shanter and His Friend Souter Johnnie. The Two Men Art Seated Either Side of a Barrel Holding a Cup and Souter, A Pitcher Base Line and Title ' Tam O'Shanter & Souter Johnnie. Pastel Palette / Colours. Condition - Excellent Unrestored Condition. Height 13 Inches.
James Blinkhorn (b. 1966) Limited Edition Giclee Print Number 19/150 'Ferrari In New York' Large limited edition print taken from an original in pastel depicting an aerial view of a red Ferrari driving down a New York City street. Housed in contemporary wide, dark wood frame with inner card mount. Pencil signed and numbered 19/150. Complete with certificate of authenticity signed by the artist. 38 x 76 cm. Please note that this item has been damaged during previous transit. The frame has several areas of damage to sides and corners, glass is missing and the print has numerous scratches throughout.
Illustration Interest Original Watercolour By Patience Arnold 1901-1992 'A Day At The Beach' Patience Arnold was born in Royston Yorkshire but spent her childhood in Lytham St Annes, Lancashire. Arnold studied at the Harris School of Art, Preston and became a member of the Manchester Academy of Fine Art. In 1967 Patience set up a studio in the Lake District and continued to produce unique and whimsical illustrations for books, greetings cards and private commissions which brought her national recognition. Our client's mother was a long term friend of Arnold's and many of the works presented here were commissioned privately and have remained in our clients private collection. The works have never been offered for sale commercially until now. Presented here is an original watercolour depicting an incredibly detailed Edwardian beach scene with children and their nurses, donkeys, Punch And Judy show etc. In the background changing huts and a pier are rendered in thin washes of pastel watercolour. Signed to bottom left in watercolour 'Patience Arnold' Framed and mounted under glass, 18 x 12.5 inches. Excellent condition.
Samuel Cotes (British, 1734-1818) Portrait of Mrs Mary Knowles, a Quakeress signed "S Cotes px. 1797" to the right of the sitter's shoulder pastel 60 x 45cm (23 x 18in) Provenance: Mrs Murray Tuke, The Vineyard, Saffron Walden, Essex; Her sale, Robinson, Fisher and Co., 25 June 1908 (old catalogue entry to the reverse refers) Other Notes: Mary Knowles (1733-1807) was remembered by her friends as many things - literary lady, patriot, artist and Quaker. She was born into a long established Quaker family but from an early age expressed her individuality - she asserted her right to choose her own husband, writing the pamphlet, "Memoirs of MM, Spinster of the Parish", which included an essay, "The Pudding Making Mortal". In this essay she argued that since "accidents may happen to the best puddings in the world", every housewife should be taught Science. Mary Knowles eventually married a fellow Quaker at the relatively old age of 34. She established a needlework school in Buckinghamshire and developed a new form of needlework known as "needle painting", where the stitches replicated the appearance of a painted subject through crewel embroidery and the use of Worsted wool stitches to represent brush strokes. The art form came to the attention of Her Majesty Queen Charlotte who commissioned Mrs Knowles to create a needle painting copy of a portrait of George III by Zoffany. The Royal Family were so pleased with the result that they paid her £800 which Mary Knowles used to enable her husband to study medicine. Once qualified, she and her husband moved to London where she became friends with Queen Charlotte. She moved in literary circles, clashing with Samuel Johnson over the right to freedom of religion. In addition to her support for her Quaker faith, she continued to publish poetry and pamphlets supporting the rights of women and the abolition of slavery. Dirt under the glass.
EMILE WAUTERS (1846-1933) PORTRAIT OF NORA BELL signed and dated '90, pastel, 76 x 56cm, unframed Provenance: By descent in the family of the sitter to the present vendor. A portrait of the nine year old daughter of Isaac Bell, Jr (1846-1889) by his wife Jeanette Gordon Bennett (1855-1936) daughter of James Gordon Bennett, Sr (1795-1872) whom he married in 1878. Her father was United States Ambassador to the Netherlands (1885-1888) and her maternal grandfather was the proprietor of the New York Herald which he founded in 1835. His son, and Nora Bell's uncle was the bon vivant James Gordon Bennett, Jr (1841-1918), usually known as Gordon Bennett. Nora Bell (New York 1881-1944 Hertfordshire) later married Lt Colonel Wilfred Francis Ricardo, DSO, Household Cavalry (1868-1950). The Belgian artist Emile Wauters, a pupil of Jean-Léon Gérôme, was a painter of American and European society portraits and history pieces. ++In good condition but with a closed tear extreme upper right
ROBERT CLATWORTHY R.A. [1928-2015]. Three Figures, 1992. pastel on paper, signed and dated bottom left under mount. 52 x 38 cm [overall including frame 64 x 50 cm]. Provenance: private collection, UK - acquired directly from the artist. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + vat is payable.
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46080 item(s)/page