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After Sir Joshua ReynoldsThe Age of Innocence; Portrait of Miss Theophila Gwatkina pair, both signed 'Lasty' l.r., pastel, oval29 x 25cm (2)Theophila Gwatkin was the grand-daughter of Joshua Reynolds's favourite sister, Mary.Condition report: Age of Innocence: A couple of black spots to the hair, a small grey spot to the jawline, and two white spots near the top edge. Possibly a few flecks of dust and dirt near the lower edge. Otherwise no major flaws. Not seen outside of glazed frameTheophilia: Two black spots to the left of the face and one on bonnet. Some small spots of dust and dirt in lower quarter on the dress. The pastel has smudge onto glass lower right. Otherwise no major flaws. Not seen outside of glazed frame.
English School, 19th centuryPortrait of a naval officerindistinctly signed 'Rose....' l.r., pastel and bodycolour64 x 51cmCondition report: Surface dirt. The paper is loose in the frame and is a little out of place down the right hand side. Some slight foxing and discolouration apparent to the paper. Some losses to the frame, unexamined out of frame.
Sir Gerald Kelly (British 20th century) - Saw Ohn Nyun, coloured print, 59 x 47cm, together with Barbara Davies (British contemporary artist) - Salome, mixed media, signed, 33 x 20cm, together with a pastel study of a young woman paddling, a coloured print of a mermaid, etc, various sizes, all framed (5)
P F Millard (20th century British school) - Shoulder length portrait of a young woman, charcoal and pastel on paper, signed and with Society of Graphic Artists Gallery Exhibition at the Royal Institute Galleries label verso - Portrait of Actress, 36.5 x 26.5cm approx, together with a mixed media study of a sleeping girl, signed with initials LB and dated 65, 20 x 25cm approx, both framed (2)
E Kalich (20th century German B.1925) - Rural harvest landscape with shire horse watering, oil on board, signed with biographical details of the artist verso, 23 x 28.5cm approx, together with a pastel landscape by Barry J Richards - Malvern View, signed and with label verso dated 99, an oil on board by EJ Wilson of a Quennington river scene, a set of 9 early 19th century coloured engravings after I Havell (in two frames) of pasttimes including 'Fives' playing, Easter Monday, The Bidder, etc, various sizes, all framed together with an unframed monochrome print after Albrecht Durer of praying hands (6)
19th century British school - Study of a terrier hunting in a barn setting, oil on board, indistinctly signed C Langford? 14.5 x 19cm approx in gilt frame, together with a small 19th century needlework sampler by Helen Chisholm, dated 1869, 19.5 x 20.5cm, a humorous pencil caricature - Does White Wine Go With Mozart, a pastel study of white iris by Harry Taylor, signed and with Boundary Gallery Suffolk label verso, a gouache study of a cat washing by Derick Pearson with woodbridge address label verso, various sizes all framed (11)
20th century British school portrait of Sally Rose as a young woman, pastel, unsigned, 50 x 43 cm, together with a further pastel portrait of a young girl probably Sally Rose signed Lilian Larinauga 37 x 33 cm, together with three unsigned woven textile panels of tree studies, 77 x 54 cm maximum dimensions, two further textile pictures, one by Cate Fox (Contemporary local artist), all framed (7)
Joan Marlow (20th century British) - Herbaceous Border, oil on board, signed and with label verso, 100 x 49cm, together with two pastel studies of flowers and an oil on board of a winter landscape all by the same hand, together with a coloured print of a 17th century style interior scene in moulded gilt frame, various sizes, all framed (5)
ROYAL COPENHAGEN Figur "Faun mit Bär", 1967, Entwurf von Christian Thomsen 1906, Faun mit Bär spielend, pastelltonig staffiert, us. grüne Manunfakturmarke u. blaue Wellenmarke, seitl. bez. "TCh", Altersspuren, min. Glasurfehler, H 15, 5 cm.| ROYAL COPENHAGEN figure "Faun with bear", 1967, design by Christian Thomsen, Faun playing with bear, painted in pastel clay, bottom with green manufaktur mark and blue wave mark, signs of age, min.glaze flaws, h 15, 5 cm.
ROYAL COPENHAGEN "Faun mit Frosch", 1963, Entwurf von Christian Thomsen um 1910, sitzender Faun mit Frosch auf den Knien, auf rundem Landschaftssockel, Sockel bez. "Chr Th", pastelltonig staffiert, min. berieben, us. grüne Manunfakturmarke (verblasst) u. blaue Wellenmarke, Altersspuren H 12, 5 cm.| ROYAL COPENHAGEN "Faun with frog", 1963, design by Christian Thomsen around 1910, sitting faun with frog on his knees on a round base, base marked "Chr Th", painted in pastel colors, min. rubbed, bottom with green manufaktur mark (faded) and blue wave mark, signs of age, H 12, 5 cm.
Emma Towers-Evans, Hunter Hunted, signed, graphite black pencil and white pastel on paper, 40 cm x 80cm. Inspired by the struggles faced by Masai Mara's Mash Pride, Hunter Hunted portrays a lioness in simultaneous contradictory states - formidable and vulnerable. Portrayed standing proud in startling detail, her dark eyes draw you in and evoke empathy alongside wonder. Emma Towers-Evans creates atmospheric hyperreal pencil portraits that showcase compelling characters up close. Her works provide an opportunity to connect and empathise with their subjects in ways that are impossible in the real world.The successful buyer must arrange shipping of this lot If you require more information in regard to this item please contact Joanne Bartholomew at joanne@bornfree.org.uk
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46298 item(s)/page