A George III South Staffordshire enamel bombé shaped snuff box, the hinged cover painted in colourful enamels with a pastoral idyll, the base pastel pink, shaped thumbpiece, 5.5cm wide, c. 1770; a George IV papier-mâché oval gaming tray, the centre well-painted with a still life of flowers and ripe fruit, the border with swags of alternating laurel and bellhusks intersecting a red beaded band, piecrust rim, 12.5cm wide, c. 1825; a late 19th century French toleware bonbonniere, of 18th century design and form, 5.5cm wide, [3]
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Eugène Devéria (French 1808-1865)Portrait of Mrs Elizabeth Copeland, sister of John George Housefield and aunt of Dora de Blaquière, head and shouldersSignedPastel, oval 51 x 44cm; 20 x 17¼in.Provenance:Inscribed on a label verso by previous owner, M. Tuker++A fox mark on her right shoulder on the white scarf with some evidence of previous restoration, and a few other scattered similar marks mainly in the background, a few light abrasions, some light speckling in the paler areas of the background, frame with quite a few cracks, old restoration and one or two minor losses
Kevin Hughes (b.1947) watercolour on paper, 'River Neet at Stratton, Cornwall', signed 'Kevin Hughes' (lower left), 40 cm x 33.5 cm, framed and glazed; together with Peter W. Lamb (1905-1963) pastel on paper, 'Forest in North America', signed 'PWLamb' (lower left), 47.5 cm x 57 cm, framed and glazed (2)
Lucretia Johnson (Late 19th/Early 20th Century) watercolour on card, 'Wooded Landscape with Daffodils', signed 'Lucretia Johnson' (lower right), 26 cm x 36 cm; together with Joie Welbrook-Smith, pastel on paper 'The Test near Longparish', monogrammed 'JWS' (lower right), 36.5 cm x 47 cm; Late 19th Century British School, watercolour on paper, 'View of a Meadow with Church in the background', 19 cm x 26.5 cm, all framed and glazed, T.J.Greenwood (20th Century) limited edition etching, 'Shrew', monogrammed in the plate and signed and numbered 16/50 in pencil to margin, 8 cm x 6.5 cm (4)
Melanie Davis (20th Century) watercolour on paper 'Play with Me', signed 'M Davis' (lower right), 17 cm x 25 cm; together with two prints of cats; Late 19th Century French School watercolour on paper, 'Bridge Leading to a Chateau', indistinctly signed, inscribed, and dated '1888' (lower right), 12 cm x 16.5 cm; Jean Hutchinson (20th Century) pastel on paper, 'Lost Garden of Heligan', signed J.Hutchinson (lower left), 30 cm x 22.5 cm; Jill Hallett (Contemporary) watercolour and pencil on paper, 'What's for Pudding? Harvest Mice', monogrammed 'JH' (lower right), 29 cm x 20 cm, all framed and glazed except one (6)
A VICTORIAN PINE LADIES DRESSING TABLE with a single mirror, together with a Victorian walnut chest of two short and two long drawers and a small quantity of pictures and prints etc to include an unsigned Victorian style watercolour of a landscape, a pair of cat prints, reproduction maps, a pair of pastel portraits, a mirror and an oil on canvas of a lake surrounded by trees signed P Stewart
Ronald Seitler (NY, Florida, born 1938) Landscape at sunset. Pastel/Paper. Signed lower right. Seitler has participated in National Juried shows at art museums and galleries, including the Boca Museum of Modern Art, Boca Raton, FL, The Butler Museum of American Art, Youngstown, OH, The Farmington Museum, Farmington, NM, The Voggenreite Museum, Niederalteich, Germany, The Connecticut Pastel Society National Show, Hartford, CT, The Cape Cod Pastel Society National Show, Cape Cod, MA, The Southwest Pastel Society National Show, Ft. Worth, TX, The Sierra Pastel Society National Show, Gloverville, CA. Sight size: 18.5 x 24 in. Overall Size: 26.5 x 32.5 in. Framed behind glass.
Jacob Kramer (1892-1962) Portrait of a girl seated wearing a blue dress Signed and dated 1930, pastel, 54cm by 43cm Provenance for lots 96-96: The vendor's father was friendly with Jacob Kramer and used to drink with him in Leeds. Kramer gifted him these pictures in exchange for drinks. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Following the political unrest in Eastern Europe, Jacob Kramer and his family left their home of Ukraine, settling in the Jewish community of Leeds in 1900. His first formal training was at Leeds School of Art from 1908-11 where he received a scholarship to study full time and also met fellow artists such as Fred Lawson (see lot 96). Here he also earned the patronage of Sir Michael Sadler. From 1913-14 he studied at the Slade School of Art where he befriended other leading artists of the day such as Augustus John and David Bomberg. In 1915 Kramer held a solo exhibition with Mathews and Brooke, Bradford and was invited to exhibit with the Vorticists in London. Following this he began to build up his reputation as a leading Yorkshire artist with shows in Yorkshire and London and in 1959 he was elected as president of Leeds Fine Arts Club. 1960 saw a retrospective of his works at Leeds City Art Gallery and six years after his death the City of Leeds Branch College of Art was renamed the Jacob Kramer College of Art.
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