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Lot 3357

A George III South Staffordshire enamel bombé shaped snuff box, the hinged cover painted in colourful enamels with a pastoral idyll, the base pastel pink, shaped thumbpiece, 5.5cm wide, c. 1770; a George IV papier-mâché oval gaming tray, the centre well-painted with a still life of flowers and ripe fruit, the border with swags of alternating laurel and bellhusks intersecting a red beaded band, piecrust rim, 12.5cm wide, c. 1825; a late 19th century French toleware bonbonniere, of 18th century design and form, 5.5cm wide, [3]

Lot 521

MARK GEOFFROY, HAMPSTEAD HEATH SUNRISE, PASTEL, 40 X 29CM

Lot 551

LEONARD RICHMOND, EXMOOR, PASTEL, UNFRAMED, 47 X 59CM

Lot 394

WilliamsonSeated Nudesigned, pastel on paper, 67cm x 49.5cm

Lot 510

L A Butt (Australian Impressionist)Bush Firesigned, pastel, 33cm x 22.5cm

Lot 191

C. Somerset (20th century English School)On Top of the Downssigned, pastel on board, 41cm x 58cm

Lot 208

Charles Stone (20th Century)Woman with Winesigned, pastel, 30cm x 38.5cm; another two by the same artist, Family Group, signed, 26cm x 39cm, and Cheerful Woman, signed, 40.5cm x 17cm (3)

Lot 213

English SchoolArt Deco Portrait of a Young Ladysigned with monogram CKM, pastel, 65.5cm x 51cm

Lot 210

Maggie DavisThe Bee Keeperssigned, pastel, 41cm x 59cm

Lot 227

Winifred Burlingham, Ludlow from Whitcliffe, signed with initials lower right, pastel, 43 x 58cm, together with a life drawing by the same hand (2)

Lot 268

Richard Smith (B.1957), The Green Stockings, pastel, 57 x 70cm

Lot 63

After Jean-Marc Nattier (1685-1766)Portrait of Queen Marie LeczinskaPastel in a pierced, carved wood frame53.5 x 44cm; 21 x 17¼inA copy of the original of 1748 in Versaille

Lot 120

Eugène Devéria (French 1808-1865)Portrait of Mrs Elizabeth Copeland, sister of John George Housefield and aunt of Dora de Blaquière, head and shouldersSignedPastel, oval 51 x 44cm; 20 x 17¼in.Provenance:Inscribed on a label verso by previous owner, M. Tuker++A fox mark on her right shoulder on the white scarf with some evidence of previous restoration, and a few other scattered similar marks mainly in the background, a few light abrasions, some light speckling in the paler areas of the background, frame with quite a few cracks, old restoration and one or two minor losses

Lot 441

W.B. Richmond - Charcoal/Pastel Portrait of a Boy, signed and dated 1862. Ink inscription - bought at Brantwood, Coniston, Sep. 17 1931 by J.P. Davis and 5 mixed pictures (all unframed, A/F)

Lot 137

Pastel - model at the easel, signed indistinctly 67cm x 46cm

Lot 208

R Basflock pastel haymaking 40cm x 50cm, after Wheatly, pair of mezzotints 'Summer an Autumn' in maple frames, cow in landscape, and two other pictures (5)

Lot 746

R. Miles, river in a winter landscape, pastel, signed and dated 1986, together with eight other pictures

Lot 282

Ascribed to John Downman, Margeritta Beaufoy, half length, pastel drawing, oval, 21cm x 16cm, in a cartouche shape gilt gesso frame.

Lot 315

Arthur Azevedo, Zimbabwean, Dog study, pastel sketch, signed, 14cm x 23cm.

Lot 222

Attributed Hugh Douglas Hamilton (1740 - 1808) Pastel: Oval Portrait, "Head and Shoulders of Vincent Shortland," born 1724, in blue coat with fur collar," 25cms x 20cms (10" x 8") in contemporary gilt frame. (1) * Inscribed on note on reverse.

Lot 223

19th Century French SchoolA pair of attractive oval half length Portraits of Ladies in elegant attire, pastel, each approx. 28cms x 23cms (11" x 9") in oval gilt frames. (2)

Lot 224

Attributed to Hugh D. Hamilton (1740 - 1808) Pastel: Head & Shoulder, "Portrait of a Young Man with grey hair and bow tie," approx. 20cms x 15cms (8" x 6") in contemporary gilt frame. (1)

Lot 465

Pair of framed pastel drawings by A Atkinson - Near Burwell Woods & Spilman's Farm Aylesby 59 cm x 42 cm (size including frame)

Lot 282

Kevin Hughes (b.1947) watercolour on paper, 'River Neet at Stratton, Cornwall', signed 'Kevin Hughes' (lower left), 40 cm x 33.5 cm, framed and glazed; together with Peter W. Lamb (1905-1963) pastel on paper, 'Forest in North America', signed 'PWLamb' (lower left), 47.5 cm x 57 cm, framed and glazed (2)

Lot 304

Lucretia Johnson (Late 19th/Early 20th Century) watercolour on card, 'Wooded Landscape with Daffodils', signed 'Lucretia Johnson' (lower right), 26 cm x 36 cm; together with Joie Welbrook-Smith, pastel on paper 'The Test near Longparish', monogrammed 'JWS' (lower right), 36.5 cm x 47 cm; Late 19th Century British School, watercolour on paper, 'View of a Meadow with Church in the background', 19 cm x 26.5 cm, all framed and glazed, T.J.Greenwood (20th Century) limited edition etching, 'Shrew', monogrammed in the plate and signed and numbered 16/50 in pencil to margin, 8 cm x 6.5 cm (4)

Lot 312

Melanie Davis (20th Century) watercolour on paper 'Play with Me', signed 'M Davis' (lower right), 17 cm x 25 cm; together with two prints of cats; Late 19th Century French School watercolour on paper, 'Bridge Leading to a Chateau', indistinctly signed, inscribed, and dated '1888' (lower right), 12 cm x 16.5 cm; Jean Hutchinson (20th Century) pastel on paper, 'Lost Garden of Heligan', signed J.Hutchinson (lower left), 30 cm x 22.5 cm; Jill Hallett (Contemporary) watercolour and pencil on paper, 'What's for Pudding? Harvest Mice', monogrammed 'JH' (lower right), 29 cm x 20 cm, all framed and glazed except one (6)

Lot 452A

English School, 19th centuryPORTRAIT OF AN OFFICER , SAID TO BE LT. THOMAS ARMSTRONG (1797-1861)Pastel47 x 38cm

Lot 808

A PAIR OF PASTEL NUDE STUDIES 'WATER SPRITE' AND 'ALISON', indistinctly signed, both mounted, framed and glazed, dated (19)90, approximate size 36.5cm x 26cm (2)

Lot 828

W.ST.CLAIR SIMMONS (ACTIVE 1878-1917), a study of a woman and child on a punt in the evening, illuminated by Chinese lanterns, signed bottom left, watercolour and pastel, mounted, framed and glazed, approximate size 34cm x 22cm

Lot 821

VERNON WARD (1905-1985), a Venetian scene, signed and dated 1925 bottom left, mounted, framed and glazed gouache/watercolour, approximate size 35.5cm x 24cm, together with two pastel drawings attributed to M.K.Martin, attribution label verso, largest approximate size 21cm x 35cm (3) (A)

Lot 1211

A VICTORIAN PINE LADIES DRESSING TABLE with a single mirror, together with a Victorian walnut chest of two short and two long drawers and a small quantity of pictures and prints etc to include an unsigned Victorian style watercolour of a landscape, a pair of cat prints, reproduction maps, a pair of pastel portraits, a mirror and an oil on canvas of a lake surrounded by trees signed P Stewart

Lot 569

TIM STEWARD (BRITISH CONTEMPORARY) 'SYMPHONY II', a portrait study of an orchestra conductor, signed in pastel with artist biography verso, pastel on paper, framed and glazed, approximate size 82cm x 58cm (A)

Lot 218

A 20th Century pastel study of a courting couple

Lot 424

LADY'S BLACK PERSIAN LAMB JACKET 3/4 LENGTH COAT, with pastel mink collar, hook fastening front

Lot 145

A framed and glazed pastel, fishing boats, indistinctly signed. H.44 W.29cm

Lot 321

Ronald Seitler (NY, Florida, born 1938) Landscape at sunset. Pastel/Paper. Signed lower right. Seitler has participated in National Juried shows at art museums and galleries, including the Boca Museum of Modern Art, Boca Raton, FL, The Butler Museum of American Art, Youngstown, OH, The Farmington Museum, Farmington, NM, The Voggenreite Museum, Niederalteich, Germany, The Connecticut Pastel Society National Show, Hartford, CT, The Cape Cod Pastel Society National Show, Cape Cod, MA, The Southwest Pastel Society National Show, Ft. Worth, TX, The Sierra Pastel Society National Show, Gloverville, CA. Sight size: 18.5 x 24 in. Overall Size: 26.5 x 32.5 in. Framed behind glass.

Lot 380

European School, Signed Portrait of a Young Woman. Pastel/paper. Indistinctly signed lower right. Housed in a gilt frame.Sight Size: 20.5 x 16.5 in. Overall Size: 27 x 22.75 x 2.5 in. Framed behind glass.

Lot 294

Signed and numbered (89/100) in red pastel lower right. Sheet Size: 22.25 x 30 in. Unframed.

Lot 293

Signed and numbered (XIV/LXXV) in red pastel lower right. Sheet Size: 17 x 30.25 in. Unframed.

Lot 702

* GRAHAM MCKEAN, ROBERT BURNS pastel on paper, signed 40cm x 28cm Mounted, framed and under glass

Lot 723

* FRANK MCFADDEN, THE RAIN MASTER pastel on paper, signed 60cm x 44cm Mounted, framed and under glass

Lot 526

* IRENE LESLEY MAIN (SCOTTISH b 1959), FIELDS, LANZAROTE oil pastel, signed and dated 1987 in pencil 17cm x 22cm Mounted, framed and under glass Label verso: Main Fine Art, Michael Main Gallery, 34 Gibson Street, Kelvinbridge, Glasgow. With date, 1987.

Lot 617

GRAHAM MCKEAN, BLUSTERY DAY, pastel on paper, signed 58cm x 40cm Mounted, framed and under glass

Lot 607

* ALLY THOMPSON (SCOTTISH 1955 - 2016), AUTUMN AFTERNOON pastel on paper, signed, further signed and titled verso 54cm x 54cm Mounted, framed and under glass

Lot 693

* FRANK MCFADDEN, PRIVATE DANCER pastel on paper, signed 60cm x 45cm Mounted, framed and under glass

Lot 682

* PETER HOWSON OBE (SCOTTISH b 1958), MADONNA pastel on paper, signed 60cm x 45cm Mounted, framed and under glass

Lot 599

* ALLY THOMPSON (SCOTTISH 1955 - 2016), THE SONG OF THE EARTH pastel on paper, signed, further signed and titled verso 54cm x 54cm Mounted, framed and under glass

Lot 619

* GRAHAM MCKEAN, LATE NIGHT SHOPPER pastel on paper, signed 58cm x 40cm Framed

Lot 592

* ALLY THOMPSON (SCOTTISH 1955 - 2016), INTO FREEDOM AND THE WINDS OF ETERNITY pastel on paper, signed, further signed and titled verso 54cm x 74cm Mounted, framed and under glass

Lot 695

* FRANK MCFADDEN, ROBERT BURNS pastel on paper, signed 60cm x 47cm Mounted, framed and under glass

Lot 613

* ALLY THOMPSON (SCOTTISH 1955 - 2016), ECSTATIC LANDSCAPE WITH MAN, DOG AND CONTORTED CHURCH pastel on paper, signed, further signed and titled verso 54cm x 74cm Mounted, framed and under glass

Lot 730

* THEODORE MAJOR (BRITISH 1908 - 1999), THE COAL YARD, WIGAN pastel on paper 43cm x 55cm Mounted, framed and under glass Label verso: Henry Donn Fine Art Dealers, 136/142 Bury New Road, Whitefield. Inscribed by Henry Donn

Lot 520

* FRANK MCFADDEN, MUMMY'S BOY pastel on paper, signed and dated '09 59cm x 44cm Mounted, framed and under glass

Lot 697

* FRANK MCFADDEN, QUICK GETAWAY pastel on paper, signed 47cm x 60cm Mounted, framed and under glass

Lot 533

* MARY NICOL NEILL ARMOUR LLD RSA RSW RGI (SCOTTISH 1902 - 2000), FLORAL STILL LIFE pastel on paper, signed and dated 1979 in pencil 21cm x 21cm Framed and under glass Handwritten label verso, inscribed: "Your round pastel is ready - also some others for your to see. M"

Lot 566

* JOHN MACKIE (SCOTTISH b 1953), ESTUARY pastel on paper, signed 60cm x 70cm Framed and under glass

Lot 667

* ROBERT MEMISHI, THE TRIBE pastel on paper, signed 67cm x 47cm Framed and under glass

Lot 176

WHS 'Moonlit Sky' Pastel, signed with initials, in a glazed frame, 29 x 23cm

Lot 537

•Lionel Aggett (British 1938-2009) 'The Olive Pickers', Les Apilles, Provence, pastel, signed bottom left, 16½in x 12½in (42cm x 32cm), framed.

Lot 93

Jacob Kramer (1892-1962) Portrait of a girl seated wearing a blue dress Signed and dated 1930, pastel, 54cm by 43cm Provenance for lots 96-96: The vendor's father was friendly with Jacob Kramer and used to drink with him in Leeds. Kramer gifted him these pictures in exchange for drinks. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Following the political unrest in Eastern Europe, Jacob Kramer and his family left their home of Ukraine, settling in the Jewish community of Leeds in 1900. His first formal training was at Leeds School of Art from 1908-11 where he received a scholarship to study full time and also met fellow artists such as Fred Lawson (see lot 96). Here he also earned the patronage of Sir Michael Sadler. From 1913-14 he studied at the Slade School of Art where he befriended other leading artists of the day such as Augustus John and David Bomberg. In 1915 Kramer held a solo exhibition with Mathews and Brooke, Bradford and was invited to exhibit with the Vorticists in London. Following this he began to build up his reputation as a leading Yorkshire artist with shows in Yorkshire and London and in 1959 he was elected as president of Leeds Fine Arts Club. 1960 saw a retrospective of his works at Leeds City Art Gallery and six years after his death the City of Leeds Branch College of Art was renamed the Jacob Kramer College of Art.

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