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Four Chanel boucle jackets. comprising a grey and pink single breasted mix jacket with two front pockets European size 38; a fawn single breasted jacket with two front pockets, European size 40; a taupe and cream hounds tooth check single breasted jacket European size 40; and a cream and pastel mix single breasted jacket European size 40Dimensions: Condition reportThe first with a missing button, marks to lining around the neck. In fair condition. The second with marks to neck and lining, in fair condition. The third with marks to the neck lining and black marks to the arm - would benefit from cleaning. The forth with minor staining to the lining - in fair condition. All with Chanel hangers
Two leaves from a Lectionary, - in Latin, decorated manuscript on parchment [northern France or... in Latin, decorated manuscript on parchment [northern France or Low Countries, mid-twelfth century] Two contiguous leaves from the text, with 25 lines in a fine early Gothic bookhand with a joined 'pp' but no biting curves, and a broken ct-ligature in which the 't' curves back but does not touch the 'c', five sections of music with neumes arranged around a red clef-line, rubrics in red, three simple red initials (one with a bauble mounted in its body), and four large initials in red, green or pastel blue with contrasting floral flourishes, later medieval folio nos. Ìclxiiii' and Ìclxv', edges slightly torn where cut from book, remnants of tape at edges from previous mountings, now in card mounts, good condition, 252mm. by 160mm.
Collection of leaves - from decorated liturgical manuscripts, in Latin from decorated liturgical manuscripts, in Latin, on parchment [twelfth and thirteenth century] A bifolium and three leaves: (a) bifolium from a large Lectionary, single column, 22 lines in a good bookhand, rubrics in red, 12 simple initials in red, blue and green (2 with baubles mounted in their bodies), one very large initial 'I' in split red with a foliate thistle-like prickly tail, losses to uppermost blank border with modern parchment repair, Picardy or Normandy, c.1180-90, each leaf 310mm. by 200mm.; (b) leaf, double column, 29 lines, music in neumes on a 4-line brown stave, remains of 13 initials in red or green (some with contrasting penwork), top margin cut away and split at top where green of an initial has weakened parchment, stain to top and edges of verso from reuse in a binding, France, c.1170-80, 285mm. by 195mm.; (c) large fragment of a leaf, with single column, 20 lines in a tall and angular bookhand, rubrics in red, remains of 4 small initials in red and pastel blue on recto and one half-page white-vine initial in red on verso (the latter much scuffed), verso discoloured through reuse on binding, Germany, c.1170; (d) leaf from an early Choirbook, with single column, 14 lines of text with music in neumes arranged on 4-line brown staves (red marking the C-clef), capitals touched in red, small initials and rubrics in red, 2 large red initials (70mm. and 45mm. high) with elaborate white-vine ornament, both initials rubbed, whole discoloured and verso much scuffed, France, early thirteenth century, 290mm. by 200mm. The large initial on item (a) finds very close parallels in books from Normandy and Picardy. The use of muted green for initials is common to both areas (see Manuscrits cistercians de la Bibliothèque Royale de Belgique , 1990, nos.11, 13 and 29, all twelfth century), and there are near-identical matches for the multi-branched spiky thistle-like end to the initial in a contemporary martyrology from Corbie (W. Cahn, Romanesque Manuscripts: The Twelfth Century , 1996, no. 95, pl. 234).
JAMES HENRY MOSER (AMERICAN 1854 - 1913), THE FRUITSELLER watercolour on paper, signed and dated 1890 42cm x 30cm Mounted, framed and under glass Note: James Henry Moser was a multi-award-winning American artist known for his landscapes, portraits and also his celebrated illustrations in Uncle Remus: His Songs and His Sayings (1881). A prolific and versatile artist, he produced works in pen and ink, oil, pastel, and watercolour. Moser met and became friends with author Joel Chandler Harris, who hired him to provide illustrations for his book Uncle Remus. His style of post-Civil War illustrations of African-Americans became so identified with that book that similar future illustrations became known as "Remus style" or "Uncle Remus style." Uncle Remus brought him to national prominence and led to work supplying illustrations to major publications such as Harper's, Leslie's Weekly, Century, and Atlantic Monthly magazines. The resultant fame brought enormous demand for his paintings and very considerable financial success.
Continental School (20th Century) Still life of flowers Oil on canvas Signed indistinctly lower left 64cm x 53cm; Peter Todd Mitchell (b.1929) Still life with wicker basket and hat Oil on canvas Signed lower right 34.5cm x 81cm; M.. Smyth (20th Century) Figure seated by path Pastel Signed lower left 46cm x 59cm -3
British School (19th Century) Portrait of mother and child Pastel study Signed lower right Arthur Miles .... (?) and dated 1837 54cm x 40.5cm; J.. D.. W.. (19th Century School) Head and shoulders portrait of a Spanish woman with fan Watercolour Initialled lower right J.D.W and dated 1870 29.5cm x 21.5cm; S. Phillips after Henry Singleton (19th Century) 'Maternal love' 'Maternal instruction' Engravings, a pair 48cm x 36cm -4
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