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Lot 200
A pastel drawing, Tree of Life design in polychrome, 14x9.5in., a felt-tip sketch of George Harrison, 12x9in., and an hand-written but incomplete essay Footnote These works were retrieved by the current vendor during the mid-1960`s from `Kenwood`, St. Georges Hill, Weybridge, a property known to have been newly-vacated by John Lennon at the time. The vendor had been contracted to quote for re-furbishment and to clear all waste. The auctioneers can offer no guarantee as to the authorship of some, or any, of these works.
Lot 89
Brian Bourke HRHA (b.1936)OLIVE GROVE, EXTREMADURA, 2007gouache with pastel and mixed media on papersigned and dated lower right; titled lower left; with Taylor Galleries exhibition label on reverse30.25 by 22.5in., 76.835 by 57.15cm.Taylor Galleries, Dublin; Private collection`Brian Bourke`, Taylor Galleries, Dublin, September 2007, catalogue no. 10
Lot 277
Micheal O`Dea RHA (b.1958)ÉDAÍN NO. 10, 1998acrylic, chalk and pastel on papersigned and dated lower left; with title and medium on reverse30 by 22in., 76.2 by 55.88cm.The Collection of Jim O`Driscoll SCJim O`Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond. He was an early supporter and friend of Tony O`Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented in his collection, although some, for example those by Evie Hone and Gerard Dillon, come from an earlier generation.
![Michael Kane (b.1935)INTERIOR WITH CHAIR AND SHOES, 1964oil pastelsigned and dated [6 December] lower left13.5 by 9.5in., 34.](http://lot-images.atgmedia.com/SR/10092/2871226/286-201212316555_468x382.jpg)
Lot 327
Michael Coleman (b.1951)BOUNDARY 11, 1978pastel on papersigned with initials lower right; with typed Oliver Dowling Gallery exhibition label on reverse11.5 by 8.75in., 29.21 by 22.225cm.Oliver Dowling Gallery, Dublin; Private collection`Michael Coleman One Man Exhibition`, Oliver Dowling Gallery, Dublin, 26 January to 17 February 1979, catalogue no. 16
Lot 355
Mary Burke (b.1959)ARDAGH PARK INTERIOR, 1989oil pastel on boardsigned and dated lower right; with inscribed Solomon Gallery exhibition label on reverse20.5 by 31.5in., 52.07 by 80.01cm.Solomon Gallery, Dublin; Private collection`Mary Burke, Solo Exhibition`, Solomon Gallery, Dublin, 1991This work was reproduced as a postcard, two examples of which are included with this lot.
Lot 414
To Ngoc Van and Nguyen Dieu Thuy (Vietnamese, b.1906 and b.1962, respectively)PADDY FIELDS and TRADERS, VIETNAM, 1996pastel on paper; (1); pen and ink with watercolour; (1)each signed lower right; each with title and artist`s details on reverse24 by 42in., 60.96 by 106.68cm.Dimensions of second title, 12 by 16.25in.
Lot 56
Maurice Denis, Nos âmes en des gestes lents. (Suite Amour, pl. 9). 1892-1899. Lithographie. 283 x 402., C. 116 ; J. 32-9. Impression en couleurs. Très belle et fraîche épreuve de l’état définitif, sur vélin mince, non signée. Toutes marges. Tirage à 100 épreuves. A. Vollard éditeur., Joint : même sujet. Très belle épreuve d’essai sur vélin mince, variante de couleurs, le, fond brun clair au lieu de brique, signée à la mine de plomb. Infime trace de pli en, pied. Toutes marges., Joint : même sujet. Très belle épreuve d’essai sur vélin mince, avant effaçage des croix, de pointure, variante de couleurs, reprise au pastel notamment dans les visages et sur, le pied de lampe, signée à la mine de plomb. Nombreuses annotations marginales à, l’intention du chromiste, notamment en pied : « baisser les traits, etc. / tirer les noirs en, vert (…) / léger frottis sur le fond noir (…) / tirer le lilas plus mauve / en repandre sur, le piano / et sur le fond / diminuer le rose ». Petit arrachement dans l’angle inférieur, droit. Légères traces de frottement en surface. Toutes marges., E ns. 3 p.
Lot 587
Five 1960s/70s Evening Dresses, sizes 10-16, to include a Louis Feraud at Rembrandt black velvet gown with abstract metallic print, a Ricci Michaels Mayfair pink full length gown, a Phylis Taylor London black velvet column dress, a Jean Allen London black velvet and satin full length gown and a pastel blue crepe satin gown, all labelled (5)
Lot 588
Six 1950s/60s Dresses, day and cocktail, sizes 10-16 to include a Bernard Freres labelled pink and blue silk shift, a Gem Bloi Mode labelled ivory satin brocade shift, an ivory 'Tailored Junior' labelled cotton day dress with full skirt, a pastel blue prom dress, a pastel pink prom dress, and a Collette Couture labelled cream crepe shift dress with matching coat (6)
Lot 506A
F.M. (?). 20thC School. A portrait of a young woman, pastel, signed to l.r., oil painting of an old Arab man signed G. Chuzltai, dry point etching, portrait of a young man wearing a hat, D. Headley oil on board of a young girl by a tree and a small oil painting of an alpine scene with church. (5).
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46298 item(s)/page