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Elizabeth R. Hunt (British 20th century) Northern street scene with figures Signed and dated 1984, pastel.48.5 x 60cm (framed 63 x 75cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition. There are some minor spots of foxing across the paper. The drawing is ornately framed and glazed. There is some mold across the mount board. The original metal frame has some minor scratches and knocks commensurate with age.

Harold Riley (British 1934-2023) "Sir William Coldstream painting in his studio at the Slade School" Signed, titled and dated '57, pastel and charcoal.59.5 x 59.5cm (framed 81 x 81cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition. There are some minor spots of browning across the sheet. The drawing is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Derek Wilkinson (British 1929-2001) Beach scene with figures Signed and dated 1972, pastel.30 x 36.5cm (framed 43 x 49cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. There is some time staining and browning around the edges of the mount board. The original metal frame has some minor scuffs and scratches.

ARTHUR WARDLE (BRITISH, 1864-1949) (2)Studies of greyhounds a set of two, one signed and dated 'Arthur Wardle 1914' (lower left) pencil and pastel on paper one 27.5 x 37.5cm; the other 25 x 38.5cm (2, each unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Basset hounds signed 'Arthur Wardle' (lower centre) pastel on paper 43 x 28cm (unframed) Provenance Property of the artist, thence by family descent

CHARLES MAURIN (FRENCH, 1856-1914)A Rest on the Riverbank signed 'Maurin' (lower left) pastel 46 x 61cm Provenance Sale, Sotheby's London, 21st June 1989, lot 378; Property of a nobleman

ARTHUR WARDLE (BRITISH, 1864-1949)Lion and Antelope signed 'Arthur Wardle' (lower right) and titled (on the artist's label attached to the backboard) pastel on paper 25 x 36.5cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Study of spaniels running pastel on paper 29 x 43cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Leopard killing a python signed 'Arthur Wardle' (lower left) pastel on paper 25.5 x 36.5cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949) (2)Studies of cats two (with a third study, verso), one numbered '176' (lower right) pencil and pastel on paper one 22 x 28.5cm; the other 29 x 23cm (2, each unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)A polar bear signed and dated 'Arthur Wardle 1898' (lower left) pastel on paper 29 x 39cm (unframed) Provenance Property of the artist, thence by family descent

WILLIAM CHRISTIAN SYMONS (BRITISH, 1845-1911) (6)Et Homo Factus Est signed and dated 'W. Xn. Symons' (lower right) ink and watercolour on paper 26 x 13.5cm together with: Christ with angels, ink and wash on paper; Minister in front of an altar, pastel on paper; Study of a crypt, watercolour on paper; Study of Joseph with an angel, pencil and watercolour on paper; Madonna and Child, watercolour on paper, all by the same hand. (6, all unframed) Provenance Property of the artist; Thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Borzois - Amber and Golden Anitna of Bransgore signed 'Arthur Wardle' (lower left), titled (upper right) pastel on paper 36 x 53.5cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)A pair of tigers in the jungle signed 'ARTHUR WARDLE' (lower right) pastel on paper 31 x 47cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)A Dandie Dinmont signed 'Arthur Wardle' (lower right) pastel on paper 56 x 37.5cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Setters on a moor signed 'Arthur Wardle' (lower left) pastel on paper, laid on board 56.5 x 50cm (unframed) Provenance Property of the artist, thence by family descentCondition Reportslight surface staining to sheet, upper left; otherwise the sheet is sound and in good overall condition.  Backing card has bowed slightly and has stains and creases; these do not affect the work itself.

CIRCLE OF SIR WILLIAM BEECHEYPortrait of a lady in a white and blue dress pastel 60 x 51cm Provenance Private collection, UK

ARTHUR WARDLE (BRITISH, 1864-1949)An Evening Scull signed with initials 'AW' (lower right) pastel on paper 29 x 22.5cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Portrait of a lady with auburn hair wearing fur signed 'Arthur Wardle' (upper left) pastel on paper 38 x 56cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (1864-1949) (six framed as one)An Alaskan hermit thrush; A robin; A blue-and-yellow macaw; Studies of blue tits; A frog; A nightingale six framed as one; one titled (lower right), another signed and titled 'Arthur Wardle' (lower right) pencil and pastel on paper largest 23 x 17cm; frame size 77 x 53cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Portrait of a lady seated, wearing a blue dress signed 'Arthur Wardle' (lower right) pastel on paper laid on card 56 x 37cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)A dachshund pastel on paper 39 x 26cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Nude study signed 'Arthur Wardle' (lower right) pastel on paper 37 x 22cm (unframed) Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949) (2)Study of a lioness' head; Study of lioness lying down two, one signed 'Arthur Wardle' (lower right) pencil, charcoal and pastel on paper one 28.5 x 26.5cm; the other 28 x 40cm (2, each unframed) Provenance Property of the artist, thence by family descent

HENRY SCOTT TUKE (BRITISH, 1858-1929)Portrait of Lord Ronald Charles Sutherland-Leveson-Gower (1845-1916) inscribed 'Lord Ronald Gower' (verso) oil on board 23 x 15cm Provenance The Great niece of Henry Scott Tuke; Sale, Bonhams Oxford, 16th November 2011, lot 98 (catalogued as 'Portrait of a Gentleman'), where acquired by the present ownerFootnoteRonald Gower, who was the seventh son of George, 2nd Duke of Sutherland (1786-1861), sat for Tuke in 1897, a work now held in the National Portrait Gallery (NPG 4841).  He had an eclectic career, serving as liberal MP for Sutherland between 1867-1874, but allegedly only made one speech in parliament during that period.  He was also a sculptor with his most famous works being the Shakespeare memorial at Stratford-upon-Avon which includes a bronze of The Bard on a pedestal surrounded by bronzes of Hamlet, Lady Macbeth, Prince Hal and Falstaff, representing philosophy, tragedy, history and comedy.  Gower was a trustee of the National Portrait Gallery as well as being an author who published biographies of Joan of Arc and Marie Antoinette along with a history of the Tower of London.His most enduring personal relationship was with author Frank Hird (1873-1947), twenty-eight years his junior, who he actually went on to adopt.  Gower commissioned Tuke to paint a pastel portrait of Hird (whereabouts unknown) and both are mentioned in Tuke's Diary entry for 11th June 1902:  A pleasant drive to Chidingstone with Lord Ronald Sutherland-Gower and Frank Hird.  Left at 4 and found Kairns Jackson and Eiloart at the Chess Club.  They associated frequently with Oscar Wilde who made a typically witty observation regarding his relationship - 'Frank may be seen but not Hird.'  Wilde's 1889 novel The Portrait of Mr W.H is generally considered to be a comment on Gower's immediate circle and, furthermore, he is considered an inspiration for the character of Lord Henry Wotton in The Picture of Dorian Gray.Gower was implicated in the Cleveland Street Scandal of 1889; Police discovered a male brothel but the government attempted to cover the matter up due to the social prominence of many of the clientele.  Gower died in relative poverty having been defrauded of his fortune by Francis Shackleton, brother of the Antarctic explorer.  Having been entrusted with Gower's finances, Shackleton sold his portfolio in exchange for worthless stocks that only benefitted himself, forcing Gower to sell Hammerfield, his country house near Penshurst in KentMuch of what is known about Gower's life comes from his diaries which are often remarkably candid regarding his attraction to men.  Even though homosexuality was illegal at the time Gower would have assumed his high society rank would protect him from prosecution. Condition reportBoard slightly bowed upper left, although this isn't particularly noticeable now board has been re centred (previously it had slipped a little).A small semi circular pale mark visible upper centre edge, this may be original to work. This mark was only visible because the board had slipped a little in the frame, it isn't noticeable now board has been re-centred.Appears in very good, ready to hang condition.

ARTHUR WARDLE (BRITISH, 1864-1949)Study of a lion signed 'ARTHUR WARDLE' (lower right) and titled (on the artist's label attached to the backboard) pastel on paper 25 x 36cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)An Amur Leopard in the Mountains pastel on paper 47.5 x 61.5cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Study of a terrier signed and dated 'ARTHUR WARDLE 1908' (lower left) pastel on paper 37 x 54.5cm (unframed) Provenance Property of the artist, thence by family descentCondition reportSeveral pin holes to left edge and two very small pin holes to upper edge.Corners creased and some folded.Very small tear upper left edge.Some light creases, including one above left dog, most only visible on close inspection.A few very small spots/marks in places, some could be original to work.Overall colours appear strong and overall impression of work is good.

ARTHUR WARDLE (BRITISH, 1864-1949)An Indian Leopard Eating signed 'Arthur Wardle' (lower left), titled (on the artist's label attached to the backboard) pastel on paper 25.5 x 37cm Provenance Property of the artist, thence by family descent

ARTHUR WARDLE (BRITISH, 1864-1949)Three setters in a landscape signed 'Arthur Wardle' (lower right) pencil and pastel on paper 36.5 x 24cm Provenance Property of the artist, thence by family descent

Pastel pony picture "Cheeky", 38 cm x 33 cm

Gerald Green pastel drawing of Engine No.3 'Sir Haydn' approaching Nant Gwernol - frame 50cm x 43cm

Original 1849 dated pastel of 2 young ladies with indistinct title lower right hand corner in a later frame (slight a/f) - 63cm x 53cm

* ANTHONY ORME (BRITISH b. 1945), EVENING MEAL pastel on paper, signedmounted, framed and under glassimage size 29cm x 25cm, overall size 61cm x 56cmNote: Anthony Orme was born in Manchester in 1945, to an extensive family of eight. On leaving school, he was apprenticed as a copper plate and steel die hand engraver. To gain this position, he had to prove his artistic ability and produced many sketches at that time to qualify. Later on in life, he decided that the art side of his work had a greater pull and he became a full time, professional painter. Over the years, Anthony pursued his art with passion and determination, which has come to typify this self-belief that a combination of talent, hard-work and a modicum of luck, will in the end, produce a very positive driving force. When not travelling abroad to paint, Anthony works from his Manchester studio producing paintings from live models. His paintings are held in private and corporate collections throughout the UK and abroad.

* LEON MORROCCO RSA RGI (SCOTTISH b. 1942), SEATED FIGURE WITH CHILD pastel on paper, signed and dated '74mounted, framed and under glassimage size 34cm x 26cm, overall size 52cm x 42cm Note 1: The Royal Scottish Academy honoured Leon Morrocco by staging a major exhibition "Leon Morrocco: Long Road Home" (30th July - 28th August 2022). The RSA website reports: Timed to coincide with the artist’s 80th birthday (and the 2022 Edinburgh International Arts Festival) this major survey exhibition of one of our longest-standing Academicians celebrates the breadth of Leon’s prolific career. Although Leon was born in Edinburgh he has not lived in Scotland since 1979. This exhibition charts the ‘long road home’ to showing in the capital this summer.Note 2: Leon Morrocco RSA was born in Edinburgh in 1942. The son of Scottish-Italian artist Alberto Morrocco RSA OBE (1917-1998), Leon spent his childhood in Aberdeen and Dundee where his father taught at the art colleges. On family holidays to Italy Leon and his father would go out into the hills around Rome and Alberto would paint whilst Leon would draw. In 1959 Leon enrolled at Duncan of Jordanstone College of Art, Dundee, before continuing to the Slade School of Art, London (1960-61), and Edinburgh College of Art (1961-65). After art school, he was awarded the Andrew Grant Scholarship and an Italian Government Scholarship to the Accademia di Brera, Milan. Allowing him to travel around Greece, Turkey and Italy, these awards catalysed the itinerant lifestyle that would define his career.Elected an Associate of the Royal Scottish Academy at the unusually young age of 29, Leon was Lecturer in Drawing and Painting at Edinburgh College of Art from 1965 to 1968 before taking up a similar position at Glasgow School of Art from 1969 to 1979. Driven by a desire for travel and adventure, in 1979 he left Scotland to become the Head of Fine Art at the Chisholm Institute, Melbourne. Leon and his family would live in Australia for 12 years. Buoyed by gallery support, in 1984 he left academia and for the first time focused solely on his own practice. Following several successful exhibitions in Melbourne and Sydney, in 1991 Leon and his family returned to the UK, settling in North London. Leon Morrocco's work is held in numerous notable public, corporate and private collections, including the Scottish National Gallery of Modern Art, H.R.H Princess Margaret, Leeds Art Gallery, The Nuffield Foundation, and Queensland Art Gallery.

DOUGLAS LENNOX, RIVER AVON IN SUMMER pastel on paper, signed and dated 2022, titled versomounted, framed and under glassimage size 32cm x 49cm, overall size 54cm x 69cm

ANNE MENDELOW (SCOTTISH b. 1947), A CLUTTERED CORNER pastel on paper, signed, titled versomounted, framed and under glassimage size 58cm x 82cm, overall size 91cm x 116cm

ANNE MENDELOW (SCOTTISH b. 1947), YELLOW LILIES pastel on paper, signed, titled versomounted, framed and under glassimage size 74cm x 54cm, overall size 117cm x 92cm

ANNE MENDELOW (SCOTTISH b. 1947), THURSDAY MORNING pastel on paper, signed, titled label versomounted, framed and under glassimage size 58cm x 69cm, overall size 92cm x 102cm Label verso: Scottish Drawing Competition, Paisley Art Institute

* PETER HOWSON OBE (SCOTTISH b. 1958) FIGHTER pastel on paper, signedmounted, framed and under glassimage size 60cm x 44cm, overall size 88cm x 71cmCondition is good overall, with no visible or known issues.

* ANTHONY ORME (BRITISH b. 1945), MARKET pastel on paper, signedmounted, framed and under glassimage size 20cm x 40cm, overall size 54cm x 74cmNote: Anthony Orme was born in Manchester in 1945, to an extensive family of eight. On leaving school, he was apprenticed as a copper plate and steel die hand engraver. To gain this position, he had to prove his artistic ability and produced many sketches at that time to qualify. Later on in life, he decided that the art side of his work had a greater pull and he became a full time, professional painter. Over the years, Anthony pursued his art with passion and determination, which has come to typify this self-belief that a combination of talent, hard-work and a modicum of luck, will in the end, produce a very positive driving force. When not travelling abroad to paint, Anthony works from his Manchester studio producing paintings from live models. His paintings are held in private and corporate collections throughout the UK and abroad.

* ANTHONY ORME (BRITISH b. 1945), COLOURS OF PARIS pastel on paper, signed, titled versomounted, framed and under glassimage size 19cm x 19cm, overall size 55cm x 55cmNote: Anthony Orme was born in Manchester in 1945, to an extensive family of eight. On leaving school, he was apprenticed as a copper plate and steel die hand engraver. To gain this position, he had to prove his artistic ability and produced many sketches at that time to qualify. Later on in life, he decided that the art side of his work had a greater pull and he became a full time, professional painter. Over the years, Anthony pursued his art with passion and determination, which has come to typify this self-belief that a combination of talent, hard-work and a modicum of luck, will in the end, produce a very positive driving force. When not travelling abroad to paint, Anthony works from his Manchester studio producing paintings from live models. His paintings are held in private and corporate collections throughout the UK and abroad.

* ANNE MENDELOW (SCOTTISH b. 1947), LILIES AND FLORALS pastel on paper, signedmounted, framed and under glassimage size 56cm x 42cm, overall size 100cm x 89cm

* PETER HOWSON OBE (SCOTTISH b. 1958), PORTRAIT OF A MAN pastel on paper, signedmounted, framed and under glassimage size 30cm x 22cm, overall size 56cm x 48cm

* KEN CURRIE (SCOTTISH b. 1960), THE JEW AND OTHER STORIES mixed media (charcoal, pastel, oil pastel and beeswax) on paper, signed, titled and dated 1993 versomounted, framed and under glassimage size 31cm x 23cm, overall size 57cm x 47cm Exhibition label verso: Raab Boukamel Gallery, London Note 1: A similar sized painting from this series titled “Fatherland” was in the collection of David Bowie and was sold in the Bowie sale in November 2016 (Sotheby's, London) for £35,000 (hammer).Note 2: Ken Currie is renowned for his unsettling portrayal of the human figure. The artist's rich, luminous paintings depict mysterious rites, rituals, and quasi-medical practices, offering a meditation on violence in its many guises. Currie studied at the Glasgow School of Art from 1978-1983 and rose to attention within a generation of painters known as the "New Glasgow Boys" in the 1980s. In 1987, Currie completed a powerful series of large scale History paintings for the People’s Palace in Glasgow, commemorating the massacre of the Calton Weavers. Through the 90's deeply affected by humanitarian events in Eastern Europe Currie's works evolved, his focus shifting to confront ideas of mortality and corruption, both physical and moral. Over the last 10 years Currie's work has addressed the horrors of the contemporary world, without shying away from their brutality or grotesque nature. In 2009 Currie was commissioned to paint the theoretical scientist Peter Higgs following his receipt of the Nobel Prize, the painting now hangs at The University of Edinburgh. Ken Currie has exhibited widely internationally, including a 2013 solo exhibition at the Scottish National Portrait Gallery which also commissioned his painting Three Oncologists. Currie's work is held in many major public collections including Tate, London; Scottish National Gallery of Modern Art, Edinburgh; New York Public Library; Imperial War Museum, London; Campbelltown Arts Centre, New South Wales; Yale Center for British Art, New Haven; Gulbenkian Foundation, Lisbon; and the British Council, London.Condition of the picture is good overall with no visible or known issues.

* ALEXANDER ROBB (SCOTTISH b. 1950), POPPIES pastel on paper, initialled, titled versoframed and under glassimage size 80cm x 80cm, overall size 97cm x 97cm Note: Born in Kirkwall, Orkney, Scotland in 1950, Alexander Robb studied at the Glasgow School of Art between 1968 - 72.Since 1993, Alexander has tutored annual summer schools in Moffat and Dumfries. In 1998, he was invited to teach and show examples of his work in Red Deer College of Art and Design in Alberto, Canada. Alexander's subject matter for his work includes still life, landscape and portraits using a variety of media: oil, gouache, pastel and watercolour. Special emphasis is placed on strong tonal contrast and rich colour, which follows in the tradition of the Glasgow Boys and the Scottish Colourists. EXHIBITIONS INCLUDE: The Royal Scottish Academy (RSA), The Royal Scottish Society of Painters in Watercolours (RSW), The Royal Glasgow Institute (RGI), The Scottish Society of Artist and Artist Craftsmen (SAAC), Visual Arts Scotland (VAS). SOLO EXHIBITIONS INCLUDE: McGill Duncan Gallery, Castle Douglas, Ottersburn Gallery, Dumfries, Gracefield Arts Centre, Dumfries, SOLO/TWO MAN EXHIBITONS INCLUDE: Gatehouse Gallery, Glasgow, The Courtyard Gallery, Crail, Clachanmore Gallery, Stranraer, MIXED EXHIBITIONS INCLUDE:The Leith Gallery, Edinburgh, Frames Gallery, Perth, Catto Gallery, London, Eton Gallery, London, Thompson`s Galleries, London. Alexander Robb's work is held in numerous corporate, public and private collections including that of HRH The late Duke of Edinburgh.

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

* FRANK MCFADDEN (SCOTTISH b. 1972), MICHAEL JACKSON pastel on paper, signed and dated '09 and inscribed 'R.I.P.'mounted, framed and under glassimage size 59cm x 45cm, overall size 95cm x 80cm

* PETER HOWSON OBE (SCOTTISH b. 1958), MALE HEAD IN PROFILE pastel on paper, signed and dated '09, Mounted, framed and under glassimage size 30cm x 22cm, overall 52cm x 45.5cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.

* ANTHONY ORME (BRITISH b. 1945), CAFE SCENE pastel on paper, signedmounted, framed and under glassimage size 28cm x 78cm, overall size 63cm x 113cmNote: Anthony Orme was born in Manchester in 1945, to an extensive family of eight. On leaving school, he was apprenticed as a copper plate and steel die hand engraver. To gain this position, he had to prove his artistic ability and produced many sketches at that time to qualify. Later on in life, he decided that the art side of his work had a greater pull and he became a full time, professional painter. Over the years, Anthony pursued his art with passion and determination, which has come to typify this self-belief that a combination of talent, hard-work and a modicum of luck, will in the end, produce a very positive driving force. When not travelling abroad to paint, Anthony works from his Manchester studio producing paintings from live models. His paintings are held in private and corporate collections throughout the UK and abroad.

EDWARD CHISNALL, HAND ROLLED IN HAVANA pastel on paper, signed and dated '18mounted, framed and under glassimage size 39cm x 31cm, overall size 67cm x 51cm Note: Edward H Chisnall is a well-known artist, author and broadcaster who was born in Glasgow in 1942. He works from a "haunted studio" in his home town of Glasgow. His written works include Bell in the Tree: The Glasgow Story which was also broadcast as a series three times a day, every day of the week throughout 1990 by Radio Clyde. His paintings rarely appear at auction.

* GRAHAM H D MCKEAN, ROBERT BURNS AND LOVER pastel on paper, signedmounted, framed and under glassimage size 64cm x 49cm, overall size 94cm x 75cm

DOUGLAS LENNOX, HAWTHORN HEDGE, FOULPAPPLE pastel on paper, signed and dated 2022, titled versomounted, framed and under glassimage size 32cm x 49cm, overall size 54cm x 69cm

Janice Walton (British) - Untitled - Still life with statue head, a violin and a bow 2000 Oil on canvas painting. Signed bottom right. Framed. Measures approx. 86cm x 100cm (34" x 39.5") Janice Walton is a Devon based artist, trained at Dundee's Duncan of Jordanston College and at Edinburgh Art College. Her unique style has developed over the years, rich in atmosphere, merging imagination with reality. The work encapsulated in her website covers her up to the minute portrait / figurative, scenic, seascape, wildlife and commissions portfolio. Her commissions include a large six panel installation at the Burgh Island Hotel in Devon, a wonderful Art Deco Hotel. The Wildlife gallery is drawn from her South African experiences in game parks, where she spends part of the year painting and sketching. Her life and portrait work has evolved the human form using line supported by colour. The result is a fragmented image held together with accurate observation and true perspective. Janice's scenic and seascape work embraces new techniques and styles using oil on canvas and pastel on glass paper. Walton's work continues to "push the boundaries" as her work aims to create a vision beyond realism.  This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

18th century British school, portait of a Lady holding a letter, pastel on paper, 23 cm x 20 cm, glazed and framed 36 cm x 33 cm

Edith Granger-Taylor (1867 - 1958), Self Portrait (1914), monogrammed and dated (lower right), pencil and pastel, 37 x 29 cm, framed and glazed 41 x 33 cmPurchased from Liss Llewellyn, Adam St, London Dec 2018 (label verso)

Ricardo Cinalli (Argentine b.1948), Head portrait of a man (1993?), signed 'Cinalli' and dated in Roman Numerals, pastel and white on wove paper, sheet 46 x 46 cm, unframed

A collection of late 19th /early 20th century Royal Worcester "Stained Ivory, Blush Ivory and Vellum" ground porcelain including a "Baroque" circular fruit bowl shape number1336 with bold chimaera supports and pastel scrolls, and a tied garland rim, 22 cm diameter, together with a pair of amphora vases with satyr handles, two flat back jugs and tusk jug and Bacchic mask jug. (7)Chip and repair to the spout of the Bacchic mask jug, otherwise no further apparent issues. All items are in little dirty and would benefit from a careful clean.

Frank Dobson (1886 - 1963), Recumbent Nude Facing Down, unsigned, red chalk and pastel, 28.5 x 39 cm, framed and glazed 44.5 x 54 cmThe Dobson Estate; Goldmark Gallery, Uppingham (label verso)

JEAN COCTEAU (1889-1963)Personnages multiples (recto-verso) signé 'Jean' (en bas à gauche )encre, lavis d'encre et pastel sur papierExécuté circa 1926signed 'Jean' (lower left)ink, wash and pastel on paperExecuted circa 192634 x 25.5 cm.13 3/8 x 10 1/16 in.Footnotes:L'authenticité de cette oeuvre a été confirmée par Madame Annie Guedras.ProvenanceCollection particulière, France.Collection particulière, Paris (acquis auprès de celle-ci).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com