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Lot 780
William Brown (21st century)Watercolour on paper Boats in harbour, signed and dated 1980 lower left Neville Conridge(?) Pencil and watercolour "L'Etac Alderey", beach landscape, signed and dated lower right 1957 John Darlison Pastel on paper "Haybridge Boatyard", 52cm x 29cm, all framed and glazed (3)
Lot 1427
Three early 20th century Chinese framed embroideries: two purple baby’s bibs embroidered with multi-coloured silk threads, and another red silk child’s “romper suit”, embroidered with white and pastel embroidery, mounted as a separate back and front panel, “Romper suit” measurements as mounted: 36cm wide, 51cm high (3)
Lot 202
Anna DE WEERT (1867-1950)Pastel Rue du vieux Menton, 1909 , monogrammed ADW and dated 1909 as well as signed and titled in full on the back of the back of the framePastel Rue du vieux Menton, 1909 , gemonogrameerd ADW en gedateerd 1909 alsook voluit getekend en getiteld op de achterzijde van de rug.34.5 x 23 cm Provenance collection Alice Mestdagh, housekeeper to Anna de Weert during the Interwar period.With mail confirmation from Piet BoyensProvenance verzameling Alice Mestdagh, huishoudster bij Anna de Weert tijdens het Interbellum.Met mailbevestiging van Piet Boyens
Lot 138
David Blackburn MBE (1939-2016) "Central Australian Landscape" Signed and dated 1979, pastel, 62.5cm by 51cmSome light surface dirt and debris trapped under the glass, mount slightly grubby. The signature has faded. A tiny bit of the pastel has bled into the lower margin.Horizontal crease through the centre of the image. it is not clear if this is due to the paper being folded in half or whether there is a join.Not examined out of the frame.
Lot 28
Laurence Stephen Lowry RBA, RA (1887-1976)Street scene with figures (1947)Signed and dated 1947, pastel, 27cm by 35.5cmProvenance: Leigh Gallery, Manchester where purchased by the vendor's father in 1976Thence by descentThe present lot is an exciting discovery as it’s the earliest work so far to appear on the market from a unique, rare group of joyful and vibrant figurative pastel works by Lowry, of which he seems to have made one a year between 1947 (or earlier) and 1950. There are two notable works from the series that have previously come to market namely; "Cowles Fish & Chips, Cleator Moor", 1948, sold for £145,250 in May 2012; and "The Broken Shop Window at Cleator Moor", 1950, sold for £50,000 in July 2020.When comparing these two works with Street Scene with Figures, 1947, it is evident that not only is Lowry’s handling, style and technique the same in all three works, but they are also all the same size, and use the same medium and support, i.e., pencil and pastel on blue paper.Lowry executed these pastels during his annual visits to Cumbria to stay with his friend, Reverend Geoffrey Bennett (1902-1991). Lowry and Bennett first met in 1926 when Bennett worked as a clerk with Lowry's cousin, Grace Shephard, at the London and County Westminster Bank in Manchester. The two men shared a lifelong friendship and over the years Bennett acquired many works from his friend and formed a very significant Lowry collection, which included the above mentioned, "Cowles Fish & Chips, Cleator Moor", 1948. When Bennett married after the War, he moved from Manchester with his wife Alice and son, also Geoffrey, to Cumbria as manager of the National Westminster Bank branch in Cleator Moor. Bennett was ordinated into the Anglican Church in 1962 and he became known to Lowry as the 'Reverend Gentleman'. When Lowry died in 1976, Reverend Bennett conducted the funeral service.Following Bennett’s death in 1991 his collection of works by Lowry was sold in 1995 for a total of £528,440, to benefit Carlisle Cathedral.We are grateful to Jonathan Horwich for his assistance with this catalogue entry.On blue buff paper. Slight cockling to the paper in places. Some very light surface dirt and debris trapped under the glass, mostly to the mount. Good colour depth. There are a number of small spots within the roof of the houses to the left hand side, these appear to be by design. Two pin holes top right corner. Not examined out of the frame.
Lot 137
David Blackburn MBE (1939-2016)"Yellow Coastline Form"Signed and dated 1976, pastel, 62cm by 51cm Slight cockling to the paper. Surface dirt and debris trapped under the glass. Grubby mount. There is a brown stain approximately 7cm in length above/to the left of the orange dot upper right, a large foxing spot upper left of the sky. A hair trapped within the pastel to the centre. The pastel has slightly bled into the margin. Not examined out of the frame.
Lot 276
Maurice Clarke ( British b. 1875)Three quarter length portrait of an attractive young lady with ribbon tied chestnut hair, wearing a lace trimmed white gown, seated in an open armchair. Pastel, highlighted with white. Signed and dated April 1917 lower right, 76 x 59cm. Artists label verso, identifying the sitter as Monica Bell. There was little known about her early life but Monica joined the army in her twenties commissioned in the WRAC. By the end of the war she was a Colonel and served in Cairo for five years. After the war she returned to the UK and lived in Pluckley, near Ashford in Kent
Lot 287
Barbara RAE (1943) Glenuig, 1979 Graphite, pastel and washSigned and dated48 x 65cmProvenance - Aitken Dott & Son (The Scottish Gallery), Edinburgh (label verso)Due to the age of the piece there could be signs of fading and yellowing present to the paper, yet it is difficult to confirm this as the piece has not been examined out of the frame. There are also possible signs of mount burn present in the top left hand corner of the piece (please see additional image).
Lot 247
Grace GARDNER (1920-2013) Soft Gardner, 2002 Soft pastel on paper, signed and inscribed, further signed, inscribed and dated to verso, 29 x 41cm.This piece has not been examined out of the frame. There are a number of areas where dirt is present, yet this appears to be located on the inside of the glazing and not the artwork itself. There are also some signs of light foxing to the mount. Please see additional images.
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