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SEIREY-VESTER (20th century); pastel, Continental evening street scene with chestnut seller and castle in the background, signed and dated to lower left, 1971, 48 x 33cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
IVA CHATTERTON; pastel, 'Hound Tor Dartmoor', moorland scene, signed lower right, 33 x 52.5cm, framed and glazed. (D)Additional InformationSpotting and foxing to the mount, picture itself appears ok. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
DEREK WILKINSON (1929-2001); pastel, rural scene with barn, signed and dated 1980 lower right, 45.5 x 65.5cm, and a limited edition signed 'Gate' print, both framed and glazed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
D E TALBOT; pastel, 'Three Kittens', signed with monogram lower right, 28.5 x 43cm, framed and glazed, also an oil on canvas depicting shepherd and sheep in winter scene by W. G. Buxton, 34.5 x 50cm, framed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Alexander Monro (British, 1802-1867) 'From the upper garden of the Plaiderie Guernsey 9th June 1842', with Castle Carey distant pencil drawing heightened with oil pastel and chalk on blue paper, inscribed verso, unframed 10¾ x 15in. (27.3 x 38.1cm.) *Condition:Unframed, not mounted. Small 5mm. tear to lower margin, minor corner curl. Very good overall.
Jenny Cowern (1943-2005) Nut and Quince, monochrome pastel study of foliage, signed and dated 1988, entitled verso with annotation "drawing used for felt", framed and mounted under glass, 38 x 50 cm Cowern was a visual, multi-media artist, who took inspiration from the natural surroundings of her adopted county; Cumbria, to produce some of the most dramatic and lasting images of nature. An acute observer of the continual change in the natural world, she took light and reflection, growth and decay, beaches and tides, pebbles and stones, clouds and shadows and manipulated them to capture a unique view of her surroundings. In addition to pen and ink, pencil, oils, watercolours, and pastels, a series of commissions enabled her to employ egg tempera murals, architectural designs, and industrial enamelling techniques.
Doug Hyde (b.1972), On Top of the World, pastel, signed lower left, inscribed by the artist to verso 'I wish all who see this much happiness, smiles and may it let you drift away to feel on top of the world, best wishes, Doug Hyde', 49.5x36.5cmProvenance: purchased by the vendor from DeMontford Fine Art
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46300 item(s)/page