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![*Stunning Hand Embellished Pastel Real Mink Fur Roses Jacket- (Lot Subject To VAT) [LQD108]](https://cdn.globalauctionplatform.com/510a0c90-79a5-4529-aed7-ab2800f800aa/93fa2b0e-68a7-4298-b152-ab430157df04/468x382.jpg)
![*Stunning Pastel Real Mink Fur Jacket- (Lot Subject To VAT) [LQD108]](https://cdn.globalauctionplatform.com/510a0c90-79a5-4529-aed7-ab2800f800aa/de9a91a2-f93a-4255-8b13-ab430157dcdb/468x382.jpg)
Lot 1812
•JACOB KRAMER (1892-1962) PORTRAIT OF A LADY Half length, wearing a black dress with a green shawl, with illegible inscription on the stretcher (possibly Mrs Whatehead/ Hilda/ HM/ Whatehead Painting), oil on canvas, unframed 91.5 x 71cm.; with a pastel sketch of the same sitter, signed, identified on the mount as Hilda Mary Wilkinson, unframed, 47.5 x 40cm. (2) ++ Poor condition: the oil with flaked losses (substantial in the shawl), holes, wear, bloom etc; the pastel torn below the image and at edges
Lot 4020A
Field Marshal Douglas Haig, 1st Earl Haig, KT, GCB, OM, GCVO, KCIE (1861-1928) & Dorothy Maud Haig (née Vivian), Countess Haig (1879-1939) - a unique archive-collection of personal ephemera and manuscripts, including his post-1915 Book of Psalms, ?possibly his from World War One Western Front, Oxford: University Press, [n.d.], contemporary black leather, upper-cover lettered in gilt: The Book of Psalms/Field Marshal Haig, later association presentation inscription dated 1940, 8vo; correspondence to and from Dorothy Maud, the then Dowager Countess of Haig, including her invitation to the Coronation of George VI from the Earl Marshal - Bernard FitzAlan-Howard, 16th Duke of Norfolk - signed, dated 12th April 1937, the upper-margin ?inscribed/signed?: George R.I., 2 sketches for the countess's royal coronation robes of ermine, Form of Divine Service and Coronation Review of the Royal Fleet; S.R.N. Certificate and references for Miss Helen Burnett prior to and for her new position as secretary and companion to Lady Haig, (c. 1936-1939); Lawrence East (b. 1900), bust-length portrait, of Helen Margaret Bennett (née Burnett), S.R.N. (1909-2005) holding Fluffy, The Dowager Countess of Haig's Dog, signed and dated 38, pastel and crayon on paper, 40cm x 30cm; Lady Haig's Harrods Bank Book, c/o Miss H.M. Burnett, 1938; 3 letters from Dawyck Haig, 2nd Earl Haig; Royal Interest, Norway, a mourning card from Haaken VII to Lady Haig following the death of Queen Maud, 20th November 1938; etc., [archive of 17 articles]
Lot 464
ROBERT 'BOB' RICHARDSON (born 1938); pastel, 'Piazza San Marco, Venice', signed, 46 x 58cm, framed and glazed. (D) Purchased from the Unicorn Gallery in Wilmslow. Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk Picture appears in good condition, some minor marks to the mount and light wear to frame. Scratches to the glass.
Lot 474
JOAN BEMBRIDGE; pastel, the River Thames, with two boats to foreground and London Bridge to background, signed lower right and further inscribed 'original by A.FLEMMING', 25.6 X 35.6cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 83
§ S. McKay (Scottish Contemporary) The Necklace Signed and indistinctly inscribed, pastel and charcoal (Dimensions: 44cm x 63cm (17.25in x 24.75in))(44cm x 63cm (17.25in x 24.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
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