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Judith Bromley (Contemporary)"Sing a Song of Freshia 1997"Signed, mixed media; together with a further work by the same hand "Watergate", signed and dated 1981, pastel, and a further two watercolours by different hands, one by Cyril Kent of Staithes and the other by George "Griff" Griffiths of a rural landscape, 29cm by 21.5cm and various other sizes (4)
THE BAD AND THE BEAUTIFULItalian 4-Fogli (55" x 78")Very Fine+ on Linen; Artwork by Ercole Brini MGM, 1952Excellent condition, as the pastel colors Brini is noted for are entirely unfaded. The poster shows virtually no signs of restoration, as it's only been put on linen for preservation and display.This Vincente Minnelli-directed melodrama stars Kirk Douglas as a Hollywood producer whose problematic career is traced in flashback through the people he's estranged from along the way-including Lana Turner as a rising actress.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
James William Booth (1867-1953) Signed Original Pastel, on card stamped, Lechertier Barbe Ltd, Regent Street, London (traded 1880-1900). Image of young girl from the Manchester area. Image measures 50 cm x 40 cm, overall 65 cm x 55 cm. Framed and under glass. Middleton born artist who moved to Yorkshire in 1901 and shared a studio in Staithes with Laura and Harold Knight. Signed Original Pastel, on card stamped
Douglas Portway, South African 1922-1993 - Gouache, 1964; pastel on paper, signed and dated lower right 'Portway 64', 33 x 45.3 cmProvenance:The Royal Collage of Art, London (according to the partial label attached to the reverse); Paintings in Hospitals, LondonNote: Portway moved from South Africa to St Ives in 1957. He became part of the British abstract movement, associating with artists such as Ben Nicholson, Peter Lanyon and Patrick Heron. His work is held in many collections including Tate, the V&A Museum and the Scottish Gallery of Modern Art.
Sir Quentin Blake OBE, British b.1932 - The Big Draw, 2006; oil pastel and charcoal on paper, signed, titled and dated along right edge 'Quentin Blake The Big Draw Somerset House 2006', 185.5 x 406 cm (unframed) (ARR) Note:The Big Draw is the world's largest drawing festival which promotes visual literacy and an arts education charity of the same name. Blake is a patron. This is a remarkable, large scale piece by one of Britain’s most beloved and renowned illustrators. Best known for his work with Roald Dahl, Blakes use of bright colours imbue this artwork with the same sense of vitality and originality which make his illustrations so popular across generations. The artist's work is currently the subject of a major exhibition at Hastings Contemporary, 'Quentin Blake: A Hundred Portraits'.
Charles G. Hill (British, mid 19th Century), portrait of a young gentleman, half-length wearing a black tunic and bowtie, signed and dated 1840 l.r., oil on board, 30 by 25cm, with J. Hanshaw (?), portrait of a lady, half-length seated, signed and dated 1854 l.l., watercolour, 42 by 30cm and British School, 19th Century, portrait of a young lady, bust-length wearing a white dress and pearl hair ornament, pastel, 28 by 22cm, all framed (3)
BRITISH SCHOOL, STILL LIFE, DYING FLOWERS pastel on paper, signed indistinctly mounted, framed and under glassimage size 72cm x 48cm, overall size 100cm x 77cm Overall good condition some dust, residue, scratches and minor chips present to frame and glass however no major damage to the image itself
Pictures and Prints - English School (19th century), The Artist, oil on canvas, 56cm x 45cm; E. Buckley, Gentleman with Pipe, signed, watercolour, 27cm x 20cm; Continental School (19th century), Bearded Gentleman, oil on board, 33cm x 25cm; J. Grant, Portrait of a Gentleman, signed, pastel, 50cm x 38cm; other portraits, various media, qty
CENTRAL EUROPEAN SCHOOL 19TH CENTURY Portrait of a gentleman, wearing a blue coat and powdered wig; Portrait of a lady, wearing a red dress and a black lace headdress with flowers A pair, both pastel 59.7 x 49.7cm, 59.1 x 48.3cm (2)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
AFTER MAURICE-QUENTIN DE LA TOUR (1704-1788) Portrait of Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788), wearing armour Pastel, in a pressed gilt brass frame 49.1 x 38.5cmProvenanceParker & Morris: The Art of Decorating.LiteratureNeil Jeffares, "Maurice-Quentin de La Tour", Dictionary of pastellists before 1800, online edition, no.J.46.1463.Catalogue NoteIt has been suggested this may be an English copy, perhaps by John Saunders who made other Stuart portraits, similarly derived from other works. PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Group of four assorted portrait studies to include: Victorian pastel study of a pensive young woman, oval 33x29cm approx., full length portrait of a young girl, coloured print, 18x12cm approx., painted porcelain panel of the Virgin Mary, 12x9.5cm approx. and watercolour study, head and shoulder portrait of a man, 19x14cm approx. Framed. (4) (B.P. 21% + VAT)
MIXED GROUP OF THREE PICTURES, MOSS WILLIAMS oil pastel - entitled verso "Heulwen a glaw tros banan din bych", 54 x 64cms, J. O. WILLIAMS oil on board - entitled verso "Moel y Ci Bethel", 44.5 x 59.5cms and DAVID WOODFORD pen and watercolour - entitled verso "Ffynon Llugwy, signed lower right, 21.5 x 39.5cmsProvenance: private collection ConwyComments: oils framed, Woodford framed and glazed
Pair of Staffordshire dogs, modelled as seated King Charles Spaniels, 27cm; Staffordshire clock group; Staffordshire spill vase group; Staffordshire cottage pastel burner; fairing groups; set of four graduating jugs, pale blue ground, shallow relief panels of Royal Coat of Arms, Lions, and dog with snake,; pair of late Chinese blue and white dishes.
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46300 item(s)/page