We found 46080 price guide item(s) matching your search
There are 46080 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
46080 item(s)/page
§ Franco Matania (British, 1922-2006) Study of a nude signed upper left "Franco Matania" pastel on grey paper 32 x 22cm (12 x 9in) An Italian artist who specialised in pastels, Franco studied under the tutelage of his uncle, the illustrator and artist Fortunino Matania. Condition appears fine.
§ Diana Armfield, RA, RWS (British, b.1920) Umbrellas up in Venice signed lower left with initials "DMA" pastel 23 x 16cm (9 x 6in) Provenance: The Bankside Gallery, 48 Hopton Street, Blackfriars, London, SE1. Diana Armfield started her career in textile and wallpaper design in partnership with Roy Passano; they contributed to the 1951 Festival of Britain, and examples of their work are in the permanent collection at the V&A. In 2010 Browse and Darby held an exhibition to mark Armfield's 90th birthday and she was the featured artist in the Royal Watercolour Society Spring Show, 2011. Condition appears fine.
§ Walter Durac Barnett (British, 1876-1961) Laying electric cables, Ledbury Road; and Laying asphalt, Shepherds Bush both signed lower right "Barnett" and the first inscribed lower left with title pastel (a pair) 22 x 28cm (9 x 11in) Walter Durac Barnett was born in Leeds where he attended the School of Art, and later Wrexham and Lambeth Schools of Art, the latter under Innes Fripp,1896 - 1900, where he won a medal and scholarship. During World War I he served in The Artists' Rifles. He exhibited at the Royal Academy, the Goupil Gallery and in the provinces and he was a member of the Artists of Chelsea. Cartwright Hall Art Gallery, Bradford, holds his work. Condition appears fine.
József RIPPL-RÓNAI (Kaposvár, 1861 - 1927) Portrait du frère de l’artiste et de sa compagne Pastel sur papier 57 x 40 cm (à vue) Signé en haut à gauche Après avoir fait partie du groupe des Nabis avec Maurice Denis, Jozsef Rippl-Ronaï, délaissant la peinture à l’huile avec laquelle il avait tant travaillé sur les tonalités, se perfectionna à la fin de sa vie dans la technique du pastel et exécuta avec beaucoup de maîtrise des portraits de ses amis écrivains. Notre tableau se situe dans cette période, le pastel dégageant une atmosphère douce et apaisante.
Rob Piercy, after, The Naples Needle, Great Gable, signed planographic print, limited edition 82/500, framed; others J Davis (20th century) B. I .S Plant Messingham signed, pastel, 36cm x 57cm GELDART, after, Fox And The Pheasant, signed planographic print, limited edition 208/600, framed Sturgeon Church Green, photopraphic print, signed, framed (10)
JAMES HENRY MOSER (AMERICAN 1854 - 1913), THE FRUITSELLER watercolour on paper, signed and dated 1890 42cm x 30cm Mounted, framed and under glass Note: James Henry Moser was a multi-award-winning American artist known for his landscapes, portraits and also his celebrated illustrations in Uncle Remus: His Songs and His Sayings (1881). A prolific and versatile artist, he produced works in pen and ink, oil, pastel, and watercolour. Moser met and became friends with author Joel Chandler Harris, who hired him to provide illustrations for his book Uncle Remus. His style of post-Civil War illustrations of African-Americans became so identified with that book that similar future illustrations became known as "Remus style" or "Uncle Remus style." Uncle Remus brought him to national prominence and led to work supplying illustrations to major publications such as Harper's, Leslie's Weekly, Century, and Atlantic Monthly magazines. The resultant fame brought enormous demand for his paintings and very considerable financial success.
-
46080 item(s)/page