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Lot 660A
E CHILVERTON; a pair of acrylic on board, harbour scene with yachts and fishing boats, signed lower right and label verso, 24 x 29cm, framed, J WHEELER; watercolour, duck among reeds, signed lower right, 19 x 28cm, framed and glazed, RUTH MEACHIN; gouache 'Viola-Blueberry Cream', signed lower left, 18 x 17cm, framed and glazed, a print of a city street, UNATTRIBUTED; a pastel depicting a meadow scene, 18 x 26, framed and glazed, a photograph of a city street with cathedral in the background, 41 x 29cm, framed and glazed, and COLIN KINNCAR; a watercolour, 'Dusk, Yorkshire', signed verso, 21 x 28cm, unframed (7).
Lot 349
§ Willy Sluijter (Dutch, 1873-1949) Riders in Hyde Park, London signed lower right "Willy S" and inscribed "Hyde Park, London, 1916", circa 1924 pencil on paper, with some artist's annotations, unframed and mounted, with what may be a collector's stamp 11 x 17cm (4 x 7in) Exhibited: Veiling Atelier, Nov 1951 - old label reads "Schetsboek blaadjem, Potlood ('Leaves from a sketchbook'), 11 x 20 cm, "Hyde Park, London" (Verm. 1924) Veiling Atelier, Nov 1951". Other Notes: The present drawing may be a study for the background group of figures in Willy Sluijter's painting "Horse Riding in Hyde Park", pastel on paper, sold at Christie's, Amsterdam (lot 121, Tuesday May 24th 2011) for £9,613. Unframed.
Lot 345
*@Rosenkrantz (Arild, 1870-1964). Adoration, pastel, showing a standing male figure in a blue tunic with arms outstretched in worship before an elevated cross transfigured by light, with a lantern on the ground beside, signed lower right, 63.5 x 45.5cm (25 x 18ins), original architectural gilt frame (slight loss to upper right), with Horner Galleries, Sheffield, label on verso Baron Arild Rosenkrantz was a Danish painter, sculptor, stained glass artist and illustrator, who studied in Rome and Paris, and spent much of his working life in England. He was influenced by the Pre-Raphaelites, in particular Edward Burne-Jones, and also by William Blake, Turner and Monet. In 1894 and 1895 he travelled to New York where he started working with stained glass, carrying out work for The Decorative Stained Glass Company and Tiffany. In England he showed work in the final exhibitions of the New Gallery, the favoured gallery of Burne-Jones and his followers in the 1890s, which closed in 1909. He had many commissions, including twelve large panels for the ceiling in the dining room at Claridges Hotel in London. He made stained glass windows and bronze sculptures for a number of English churches, houses and castles, and also established himself as a portrait painter, as well as a book illustrator. Arild Rosenkrantz was a spiritual seeker throughout his life, meeting Rudolf Steiner in 1912, founder of the philosophy of anthroposophy, the connection of the human understanding with the spiritual world. This painting, in both technique and subject matter, is typical of the deeply emotive and otherworldly quality of his work. (1)
Lot 392
*Buhler (Robert, 1916-1989). Portrait of the author Robin Fedden, pastel on paper, head and shoulders portrait of a sandy-haired man half-turned to the right, wearing a white shirt, and blue jacket and tie, signed upper right, 53 x 41cm (20.75 x 16ins), framed and glazed Primarily a painter of places, Robert Buhler is also much praised for his portraits, which are characterised by simple and uncluttered design with the use of strong tones. He received many commissions but most of all enjoyed painting friends from London's artistic and literary circles. Among his sitters were Steven Spender, Ruskin Spear, Barnett Freedman, John Davenport, John Minton and Francis Bacon. Henry Robin Romilly Fedden, CBE, (1908-1977) was an English writer, diplomat and mountaineer. He was the son of artist Romilly Fedden and novelist Katherine Waldo Douglas, and cousin to artist Mary Fedden who taught at the Royal College of Art alongside Robert Buhler. He served as a diplomat in Athens and taught English Literature at Cairo University, where he became part of the literary group of Cairo poets, and co-edited the literary journal 'Personal Landscape' with Lawrence Durrell and Bernard Spencer. After the second world war he worked for the National Trust, rising to the post of Deputy Director-General. He wrote a number of books on a variety of different subjects, his best-known being 'The Enchanted Mountains: A Quest in the Pyrenees' and 'Chantemesle'. (1)
Lot 344
*Rogers (Jane Masters, fl. 1847-70, circa 1823-1909). Portrait of a young woman in a white dress, 1855, pastel and pencil on dark buff paper, half-length, seated, signed and dated 'J.M. Rogers, London, 1855' lower left, 66 x 51cm (26 x 20ins), framed and glazed Jane Masters Macdonald (circa 1823-1909) was born into a family of artists from Cork. Her father was James McDaniel/Macdonald (circa 1789-1865) and her brother Daniel Macdonald (1820-1853), who painted the only known painting of the Great Famine. The earliest records for Jane's works shown at the Cork Art Institute is 1841. She married William Richard Rogers and at some point moved to London. She worked as a portrait painter, exhibiting 16 works at the Royal Academy (including one in 1855 which may have been this painting), and others at the British Institute and Suffolk Street Gallery. A similar portrait of a woman in a blue dress from 1863 is held in the collection of the Geffrye Museum, London. (1)
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