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Lot 129
* MARION HARVEY (SCOTTISH 1886 - 1971),TERRIERpastel on paper, signedimage size 33cm x 24cm, overall size 52cm x 45cmMounted, framed and under glass.Label verso: Malcolm Innes Gallery, Edinburgh.Note: Marion Rodger Hamilton Harvey was a very accomplished animal painter born in Ayr in 1886. She lived and worked in Glasgow and specialised in dog and horse painting. Marion often worked in Kirkcudbright and enjoyed close friendships with Hornel, Taylor and King and the four became known as the “Close Coterie”. She exhibited frequently at the Royal Scottish Academy, the Royal Glasgow Institute of Fine Arts, the Society of Women Artists, the Royal Scottish Society of Watercolour Painters as well as the Walker Art Gallery in Liverpool. Her works are in many collections worldwide but most notably in the collections of HM The Queen and late Queen Mother. Her work occasionally surfaces at auction with the highest price recorded for a pastel by the artist of US$7000 (currently £5184).
Lot 37
* PAUL REID (SCOTTISH b. 1975),FIGURE STUDYpastel and pencil on paper, signedimage size 48cm x 25cm, overall size 70cm x 45cm Mounted, framed and under glass.Note: Paul Reid is undoubtedly one of the great figurative painters to have emerged out of Scotland in recent years. His personalized interpretations of ancient myths have attracted a growing and enthusiastic audience, with highly successful exhibitions recently held in Edinburgh and Harrogate. A major publication of his work was published by 108 Fine Art in 2006, with an introduction written by His Royal Highness The Prince of Wales and essay by Laura Gascoigne. Paul Reid studied at Duncan Of Jordanstone College Of Art, Dundee from 1994 – 1998. He was awarded a Carnegie Trust Vacation Scholarship and the John Kinross Scholarship. His work is held in numerous public and private collections including JK Rowling and HRH Prince of Wales. In 2002, The New Statesman named him as one of the "Best of New British under the age of 35". In 2004 Paul accompanied HRH The Prince of Wales on a trip to Turkey and Jordan, completing a series of paintings and drawings based on the landscape and people of the areas visited. In 2009 he again accompanied HRH on a visit to Canada. His first public art gallery exhibition was arranged by 108 Fine Art, and toured the UK in late 2007 / 2008. The exhibition charted the development of his work over the previous ten years, with the emphasis on his series of paintings, based on ‘The Minotaur’ and, ‘Circe’. In a review by Iain Gale, “Six of the best painters point the way forward”, in Scotland on Sunday: “Since he burst on to the British art scene three years ago, shaking up received notions of what contemporary art was about, Paul Reid has been gathering a loyal audience with his unique take on the apparently redundant tradition of neo-classical painting. His art is unlike anything else you will see on the contemporary scene. While some others might imitate the old masters, Reid creates his own vocabulary and towers over his rivals through his sheer draughtsmanship and feel for paint. But there is nothing reactionary about this work. Reid is not attempting single-handedly to subvert the current trend for conceptualism, some of which he admits is powerful and valid. Rather he sees himself as part of a bigger picture, using Greek myth as it was originally intended to be used, as a metaphor through which to tap into basic human truths and mysteries.” Paul Reid is represented by The Scottish Gallery and his next solo show there will take place in 2022.
Lot 4
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),NUDE DIPTYCHcharcoal and pastel on paper, signed (both)image size 63cm x 34cm each, overall size 107.5cm x 122cm Mounted, framed and under glass together.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 80
* KATHLEEN RUSSELL (SCOTTISH b. 1940),MESSING AROUND ON THE RIVERoil on canvas, signedimage size 100cm x 95cm, overall size 120cm x 115cm Framed.Note: Artist in gouache, watercolour, oil, pastel, pen and wash, and teacher, born in Edinburgh. Studied at Edinburgh College of Art 1958–63, her tutors including Robin Philipson and Sir William Gillies. She lectured there (ECA) full-time, 1963–72, then taught part-time in London schools until 1980, when she became a full-time painter. Had a long series of solo exhibitions, including French Institute, 1965, New 57 Gallery, 1969, and Douglas & Foulis, 1972, all in Edinburgh; Durham University, 1975; and at The Scottish Gallery, Edinburgh from 1981 onwards. Durham University, King’s College and Royal Botanic Gardens, Kew, hold examples of her work and twelve of her paintings are included in UK public collections. Numerous corporate collections including IBM.
Lot 116
Pastel on Windsor cardboard 29.5x23 cm, framed 42x49 cm Francesco Coppa, is a painter originally from Acireale, where he was born in 1954. Since he was a child his main interest is to express what he sees. From Acireale he moved to the baroque city of Noto. Many of his works are found at the Cathedral of Noto and in several Roman churches. He is an artist who mainly deals with genre scenes and landscapes. After an impressionist phase in the seventies, he deepens the neo-realistic experience until he arrives at a search for "synthesis" on the figure and architectural elements, with an absolute minimalist imprint. The work is signed on the back. This lot is subject to Artists Resale Rights
Lot 88
Oil painting applied to pressed cardboard 54x38 cm, framed 73x58 cm Angelo D'Agata n ato in 1842 was active until 1913, but the exact date of death is not known. Of the Florentine school, he was a painter of religious subjects and portraits, and distinguished himself in the pastel technique. Signed in the lower center A. D'Agata.
Lot 2370
Spitting Image (1989) Three Pastel Sketches screen-used in series sevens political special A Lot of MPs on the Telly. On board.In the episode, John Cole describes how a Parliament artist is thrown out of the House of Commons by the sergeant-at-arms, goes home to find his wife having an affair, and considers to take his life.Provenance: Originally from the collection of BAFTA Award-winning editor of Spitting Image John Baldwin.
Lot 736
Molly Bishop (British, 1911-1998), a collection of drawings, comprising portraits, fashion illustrations, still lifes, studies of hands, cats, rugby players, Highland dancer etc, some signed and dated, pencil, pastel, pen & ink and watercolour, various sizes mounted on eleven boards, unframed (55)
Lot 815
Frank Owen Dobson R.A. (British, 1886-1963), Study for Marble - 'Reclining Woman', signed and dated 1954 l.l., titled on Arts Council Frank Dobson Exhibition label and Kettles Yard, Cambridge University labels verso, pastel, 30 by 46cm, framed. Provenance: the Collection of Sir Michael Postan. Note: Artist Resale Rights apply
Lot 80
Laurence Stephen Lowry R.A. (British, 1887-1976)Peel Park Signed and dated 'L.S. Lowry 1920' (lower right)Pastel23cm x 37.8cm (9 1/16in x 14 7/8in).Footnotes:ProvenanceDavid Tomlinson Esq.Sale; Christie's, London, 13 November 1964, Lot 77ExhibitedSheffield, Graves Art Gallery, The Works of L.S. Lowry, September-October 1962, cat.no.168This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 326
A small quantity of pictures and prints depicting animals, including a pair of abstract pictures of horses, by F Kirkwood, signed and titled to the margin, 29 x 40cm, framed, a signed limited edition print of a fox, by Adrian C Rigby, signed and numbered 40/750 to the margin, 33 x 25cm, framed and glazed, a watercolour of a huntsman on horseback, indistinctly signed and dated lower right, 54 x 35cm, mounted, three signed limited edition prints, titled to the margin 'Waiting' and further inscribed 'Preparatory Drawing for a Bronze Sculpture of the Same Name Created for The Brook 2004', indistinctly signed lower left and numbered lower right, nos.10, 11 and 12 of 200, 37 x 50cm, framed and glazed (the glass on no.11 is cracked) and a pastel of a cat, signed and dated June '62 lower left, 29 x 29cm, framed and glazed (8).
Lot 354
Six trays of Royal Doulton 'Minden' dinner ware with stylised pastel coloured flowers on a cream ground to include dinner plates, side plates, dishes and lidded dishes, soup bowls and saucers, jugs, egg cups, etc. (6) (B.P. 21% + VAT) Soup bowls - cracks to two handles, one chipped, a little crazing. Saucers - 1 has slight crazing. Small signs of wear. Crazing to one plate, particularly. Generally, quite good. One egg cup cracked and one chipped.
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46080 item(s)/page