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Lot 662
A pair of pastel drawings of an open landscape and an estuary scene with suspension bridge and figure, both signed bottom right Derek Williamson and dated 1982, 47 x 67 cm approx in wooden and silver coloured frame together with a coloured Pears print - Bubbles, 69 x 46 cm in reeded wooden frame and gilt slip
Lot 363
Nelson Makamo (South African 1982 -) TWO FIGURES; PORTRAIT; PORTRAIT, three a group of three drawings comprising one signed ink on paper; one signed and dated 13 charcoal, pastel, watercolour and coffee on paper, and one signed and dated 13 charcoal on paper (recto) and signed and dated 13 charcoal and watercolour on paper 19 by 18cm; 35 by 18cm and 33,5 by 23cm, all three unframed (3)
Lot 766
Norman Stansfield Cornish (1919-2014) ''Mare and foal'' Signed, pastel, 51.5cm by 72cm Provenance: From the artist's family Exhibited: University of Northmbria, NC488 Norman's paintings and drawings throughout his career are dominated by people and places, and the shapes they made, which fascinated him as an artist. Early in his career he was advised by Bill Farrel at the Spennymoor Settlement to ''paint the things around him and what he knew''. Animals occasionally feature in Norman's work; the tired pit pony, horses tethered near allotments, dogs in the streets and whippets and greyhounds with their owners in pubs. The South West Durham landscape in the post war years was dominated by the location of coal mines and their communities. The same environment also merged into areas of rural interest with farms and woodland. Norman would occasionally walk between the villages and towns observing the natural environment which was an antidote to life underground. This is a very rare an unusual example of his work and the shapes made by the mare and foal which engaged his interest. We are grateful to the Cornish family for providing the accompanying text for this lot. See illustration
Lot 1010
•CLAIRE HARRIGAN RSW (Scottish b. 1964) FLAMBOYANT TREE (MONTSERRAT, 1994) Acrylic, gouache and oil pastel, signed, 20 x 27cm (8 x 10 1/2") Macaulay Gallery label verso SYLVIA VON HARTMANN RSW (German b. 1942) Unhappy Angel Lithograph, signed, 30.5 x 33cm (12 x 13") The Scottish Gallery label verso (2)
Lot 1066
WILLIAM WALLS RSA, RSW (Scottish 1860 - 1942) WARY TIGER Pastel, charcoal and gouache, signed, 26 x 38.5cm (10 1/4 x 15 1/4") AN AFTERNOON NAP Gouache and wash, 23 x 34cm (9 x 13 1/4") A folio comprising 39 watercolour and drawing studies, some signed and the majority inscribed and dated A folio comprising 17 watercolour, charcoal and pencil studies, some signed, inscribed and dated A sketch book containing 24 pencil and one pencil and watercolour, landscape and anatomical studies (5)
Lot 632
An 18ct gold Scottish river pearl ring with matching earrings made by Cairncross of Perth, of abstract design set with pastel coloured river pearls, ring finger size I1/2 (I for India) earrings with clip fittings for non-pierced ears Sold under licence from the Scottish Natural Heritage, pearls gathered legally from the wild prior to the date 27th March 1991
Lot 333
Lt. Colonel Douglas Champion-Jones (British, b.1877) Sunset on the Blue Mountains, near Kingston, Jamaica, together with William Dewar (British, early 20th Century), Mango Trees, Warden Court, 47B South Camp Road, Kingston, Jamaica, pastel, signed lower right "Dewar" and inscribed with title to artist's label verso, 35 x 25cm signed and dated 1910 lower right (under mount), inscribed with title verso and further inscribed on the artist's label attached to backing watercolour (2) 25 x 45cm (10 x 18in) Watercolours by Douglas Champion-Jones of First World War scenes are held in the Royal Engineers Museum, Gillingham, Kent.
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