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Martin Bell after David Blackburn MBE (1939-2016) ''Tree and Wood'' Inscribed to artist's label verso and dated 1963, oil pastel, 24cm by 29cm Exhibited: Headrow Gallery, Leeds Sold together with a copy of ''David Blackburn and the Visionary Landscape Tradition'', by Sasha Grishin, Hart Gallery, Nottingham and London, a collection of exhibition catalogues relating to David Blackburn and a Aboriginal ball gifted to him in Australia The vendor's father, Derick Custance, was a prominent member of the Huddersfield Cine Club. In 1963 he made a film about David Blackburn and some of his paintingscalled ''Images'' as he was embarking shortly on a trip to Australia. Unfortunately, David left for Australia before the film was complete leaving a scene of him working on a tree unfinished. His friend Martin Bell agreed to step in and zooming the camera in from a distance no-one could tell who the artist was! Martin concluded by producing this painting and went on to become a successful freelance cameraman based in London. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
David Blackburn MBE (1939-2016) ''Cobweb Study No.1'' Inscribed and dated 1961 to artist's label verso, pastel, together with a further cobweb study by the artist 33cm by 23.5cm and 22.5cm by 17cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Paul Maze (1887-1979) French ''Trooping the Colour'' Signed, pastel, 43cm by 29.5cm Provenance: Gifted to a god-daughter of the artist's wife Anglo-French painter Paul Maze is arguably best known as being a close friend and artistic mentor to Sir Winston Churchill. The two men met on the Western Front in 1916 and became firm friends, partly through their shared love of painting. They often exchanged letters, and in a letter of 1936 Maze wrote to Churchill ''Paint like you write or speak. You can do it - every stroke of the brush must be a statement felt and seen.'' See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
David Blackburn MBE (1939-2016) ''Boulders and Trees - Holme Moss'' Signed and dated 1970, inscribed to artist's label verso, pastel, 24cm by 30cm Provenance: Gifted by the artist to the vendor as a wedding present in 1970 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Paul Maze (1887-1979) French ''Sussex Downs in Summer'' Signed, pastel, together with a further signed pastel, ''Sussex Downs in Winter'', 77cm by 53.5cm & 54.5cm by 74cm respectively (2) See illustration Provenance: Gifted to a god-daughter of the artist's wife Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
David Blackburn MBE (1939-2016) Cornfield Signed and numbered 11/15, woodblock print, 46cm by 98cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Lots 98-105 represent a collection of works by David Blackburn from the Custance family, West Yorkshire. The vendor's father, Derick Custance, was a great friend of Blackburn, who also made a film about the artist in 1963 called ''Images''. Many of the lots here were purchased directly from Blackburn or received as gifts. Born in Huddersfield in 1939, David Blackburn showed an aptitude for art from a young age. To the surprise of his teachers he left Huddersfield Grammar School aged 16 to study at the local art school as a textile artist, before receiving a scholarship to the Royal College of Art in 1959. Here he discovered his vocation for painting and the preferred medium of pastel influenced by his friend Gerhard Frankl. After graduation, he taught at the Royal Melbourne Institute of Technology. He found the outback so antithetical to European landscape that it completely freed him from traditional concepts of the genre. Of it's influence he stated: ''I think it's Paradise. At first…it was difficult to come to terms with…I couldn't understand how one could draw where there was no apparent foreground, middle distance and background - only space.'' The American landscape similarly had an effect on his work when, in 1981, he began a lectureship at Georgetown University. A great supporter of David's works Sir Kenneth Clark wrote: ''I don't know an artist to whom I can compare him. [Blackburn] is not a landscape painter, not an abstractionist in the ordinary sense… He is a painter of metamorphosis.''
19TH CENTURY ENGLISH SCHOOL A gathering of well dressed figures in a country garden acknowledging an airborne hot air balloon with two pilots, a country church in the distance, oil on canvas, 43 x 60cm The work also painted with presentation tablet verso by Daniel Nathaniel Walton, M.A. and inscribed in Latin to Reverend Thomas Lane Freer, M.A. and Rector of Handsworth (Staffs) dated June 30th 1832 The lot also includes an early 19th Century pastel portrait of Reverend Thomas Lane Freer (b.1778) 19 x 14cm; and a watercolour portrait of his daughter Mary Jane MacMichael (b.1801), 22 x 17cm oval (3)
Three 20th century oils, Jennifer Andrew pastel depicting two otters, approx 24 x 16 cms signed lower left, framed and glazed together with Thomas Rawling Bridgwater oil on board of a corner village scene, approx 23 x 17 cms, signed lower right, framed, together with A.Thomas (1929) oil on board of a country dwelling and colourful garden signed lower left 1929, approx 31 x 20 cms, in a gilt frame. (3)
Leda May (20th century British) - Still life with pears, pastel on paper, signed and inscribed verso Leda May, Bally Delob, County Cork, 29 x 20cm, a signed limited edition black and white etching of a basket of fruit, with initials MEU, 9 x 11cm, a Japanese coloured woodblock print of a mountain range, 24 x 37cm approx., two coloured prints after Frances Marsh - Still Life and Christoph; Chernobyl Expanses II, mixed media abstract on paper, signed with initials and dated 95, inscribed verso Boris Ivanov, 23 x 35cm, various sizes, all framed (8)
E Matthews (Early 20th century British) - Morning at Maidstone, pastel on paper, signed, with 'The Pastel Society' label verso, 29 x 39cm, together with Ellis Hills? (20th century British) - Landscape with red roofed buildings and farm worker, indistinctly signed, 24 x 32cm approx., a further collection of pictures and prints including a pair of small watercolour landscapes, etc, various sizes all framed (9)
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46298 item(s)/page