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Click here to subscribeCircle of Daniel Gardner - Oval Three-quarter Length Portrait of a Man wearing a Periwig, Grey Jacket, Blue Chemise and White Stock, seated in an Interior Setting, 18th century pastel, 39cm x 30.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
60s/70s BEAT/PSYCH/MOD/R&B/R&R UK 7" COLLECTION. 35 x killer 7" once again loaded with rarities. Artists/titles/cat. numbers include The Loot- She's A Winner (POF 095 - VG) and Whenever You're Ready (CBS 2938 - G/G+), Clefs Of Lavender Hill - Stop! Get A Ticket (CBS 202230 - VG+), Delroy Wilson - Dancing Mood (WI-3013 - G+), Phil Wainman - Hear Me A Dummer Man (DB 7615 - VG+), John Otway - Misty Mountain (COUN 214/5), The Transatlantics - Louie Go Home (King KG 1040 - VG+), The Adlibs - Neighbour Neighbour (Garage rarity, TF 584, please note collection filler Poor/Fair only), Strawberry Children (LBF 15012), The Pastel Six, The Passions, Cyril Davies, The Dartells and Creedence Clearwater Revival. Condition ranges from VG (and sometimes a little below) to Ex+.
Alan Reid Cook RSMA (1920 - 1974) : A View of Tynemouth and South Shields Lighthouse across the mouth of the Tyne, oil on board, 100cm by 38cm, Terrence McArdle Gallery label verso. CONDITION REPORT: Marine and landscape painter in oil, pastel and watercolour.Born at Gateshead. After WW2 he decided to become an art teacher and trained at Canterbury Art School. On completing his studies he taught art at Ralph Gardiner School and North Tyneside College.Exhibited at the Royal Society of Marine Artists and the Artists of the Northern Counties exhibitions at the Laing Art Gallery.In 1973 he was elected as a member of the Royal Society of Marine Artists (the only artist in that year elected as a member). In the same year he was elected a member of the Pastel Society.His work is represented in the National Maritime Museum, Shipley Art Gallery and in other public and private collections.
A. R. Penck (1939 Dresden - 2017 Zürich) (F)'Centro Spirituale!', Ölkreide und Bleistift auf angebranntem Papier, 70 cm x 82 cm Blattmaß, signiert, betitelt, Papier eingerissen, knickfaltig, teils angebrannt, gefaltet, fleckig, Provenienz: aus dem Besitz von Frank Breidenbruch, schriftliche Bestätigung der Authentizität von Frank Breidenbruch anbeiA. R. Penck (1939 Dresden - 2017 Zurich) (F)'Centro Spirituale!', oil pastel and pencil on burnt paper, 70 cm x 82 cm sheet dimension, signed, titled, paper torn, creased, partly burnt, folded, stained, Provenance: from the property of Frank Breidenbruch, written confirmation of authenticity from Frank Breidenbruch enclosed.
Wojciech Fangor (1922 Warschau - 2015 ebenda) (F)Circle, Pastellkreide auf Papier, 58,5 cm x 50 cm Blattmaß, signiert, 75 datiert, partiell leicht knickfaltig, montiert, verso Montierungsrückstände, Provenienz: Galerie Chalette, New York (verso Galerieetikett).Der aus Warschau stammende Künstler Wojciech Fangor arbeitete mit Farbe. Eben dies ist das Hauptelement seiner Kunst. Sicherlich wuchs der Künstler auch in politisch schwierigen Situationen auf, wie dem 2. Weltkrieg. Sein Kunstunterricht, den er beim Portraitmaler Tadeusz Pruszkowski und bei dem Maler und Bildhauer Felicjan Szczesny Kowarski erhielt, erlaubte ihm dafür den Zugang zu einer anderen Welt. Mit den Jahren wandte sich der Künstler den verschiedenen Kunststilen zu und entwickelte selbst eine Hinwendung zum sozialistischen Realismus. Die optische Kunst löste ihn jedoch von allen motivischen Geschehen und bewies sich in mehreren erfolgreichen Ausstellungen. Sein 'Positive Illusory Space' beinhaltete leuchtende Farben und kaum zu erkennende Konturen. An diesem 'Space' arbeitete der Künstler seit den 1950er Jahren und blieb dabei. Ebenso gehört auch die vorliegende Pastellzeichnung zu diesem Repertoire des Künstlers und zeigt in der eigenen Einfachheit die Schönheit und Eleganz abgestimmter kolorierter Linienführungen.Wojciech Fangor (1922 Warsaw - 2015 ibid.) (F)Circle, pastel crayon on paper, 58,5 cm x 50 cm sheet dimension, signed, dated 75, partly slightly creased, mounted, verso mounting residues, Provenance: Galerie Chalette, New York (verso gallery label)The Warsaw-born artist Wojciech Fangor worked with colour. This is the main element of his art. Certainly, the artist also grew up in politically difficult situations, such as the Second World War. His art lessons, which he received from the portrait painter Tadeusz Pruszkowski and the painter and sculptor Felicjan Szcz?sny Kowarski, allowed him access to another world. Over the years, the artist turned to different styles of art and developed a leaning towards socialist realism himself. Optical art, however, detached him from all motivic events and proved itself in several successful exhibitions. His 'Positive Illusory Space' included bright colours and barely discernible contours. The artist worked on this 'Space' since the 1950s and stuck to it. Likewise, the present pastel drawing also belongs to this repertoire of the artist and shows in its own simplicity the beauty and elegance of coordinated coloured lines.
HARTUNG, OTTO (19./20. Jh), "Marabu", Bronze, dunkelbraun patiniert, vollpastische Tierfigur auf naturalistischer Plinthe, auf der Plinthe signiert 'O. Hartung' und an der Kante Gießervermerk 'Akt-Ges Gladenbeck', auf bernsteinfarbenem Marmorsockel verschraubt, H: Figur ca. 13 cm, gesamt ca. 15 cm. Altersspuren, minim. Chips an den Sockelkanten. | HARTUNG, OTTO (19th/20th century), "Marabu", bronze, dark brown patina, full pastel animal figure on a naturalistic plinth, signed 'O. Hartung' and foundry mark 'Akt-Ges Gladenbeck' on the edge, screwed to an amber-colored marble base, H: figure approx. 13 cm, total approx. 15 cm. Signs of age, minimal. Chips on the base edges.
HUTSCHENREUTHER große Figur "Diana mit Reh", Mitte 20. Jh. Entwurf Karl Tutter, auf ovalem Landschaftssockel gehender Halbakt der Jagdgöttin Diana, neben Ihr ein springendes Reh, farbig staffiert in Pastelltönen, Sockel mit Spannungsrissen, Haarriss am li. Bein, min. besch. (Huf), ausgebesserte Glasurfehler am Rocksaum, Altersspuren, H 52 cmHUTSCHENREUTHER large figure "Diana with deer", mid 20th century. Design by Karl Tutter, half-nude of the goddess of hunting Diana walking on an oval landscape base, next to her a jumping deer, painted in pastel shades, base with stress cracks, left leg with hairline crack, min. dam. signs of age, H 52 cm
ROYAL COPENHAGEN 2-tlg Konvolut Tierfiguren, 1920er Jahre, bestehend aus dem Figurenpaar "Französische Bulldoggen-Welpen", Entwurf 1908 von Knud Kyhn (Frederiksberg 1880-Farum 1969), zwei Welpen, neugierig Ihren Kopf hervorstreckend, Presssignatur am Innenrand "K.K.", Stempelmarke von 1923-1935, gepresste Modell-nr. 957, H 15 cm, dazu eine stehende Bulldogge, Entwurf Knud Moller 1913, grüne Stempelmarke mit blauer Wellenmarke von 1923, L 13 cm, beide Figuren sind pastelltonig staffiert, leichte Altersspuren.| ROYAL COPENHAGEN 2 animal figures, 1920s, consisting of the pair of figures "French bulldog puppies", draft 1908 by Knud Kyhn (Frederiksberg 1880-Farum 1969), two puppies, curiously sticking out their heads, pressed signature on the inner edge "K.K.", stamp mark from 1923-1935, pressed model no. 957, H 15 cm, plus a standing bulldog, designed by Knud Moller 1913, green stamp with blue wave mark from 1923, L 13 cm, both figures are decorated in pastel colors, slight signs of age.
Keramikfigur "Madonna mit Kind", 20. Jh. rötlicher Scherben, weibliche Figur in wehendem Gewand auf Rundsockel stehend, in den Händen ein schlafender Säugling, zarte Ausformung der Gesichter, pastelltonig staffiert, ungemarkt, Altersspuren, H 34, 5 cm.| Ceramic figure "Madonna and Child", 20th century, reddish shards, female figure in flowing robe standing on a round base, holding a sleeping baby in her hands, delicate shaping of the faces, decorated in pastel tones, not marked, signs of age, H 34.5 cm.
ROSENTHAL sitzender Welpe, 1914-1918, Entwurf von Thekla Harth-Altmann (1887-1968), von 1913-1923 bei Rosenthal tätig, polychrom staffierte Pastelltöne, us. Kriegsmarke 1914-1918, schöner Erhalt, H 18, 5 cm.| ROSENTHAL sitting bulldog, 1914-1918, design by Thekla Harth-Altmann (1887-1968), worked for Rosenthal from 1913-1923, pastel shades with polychrome decoration, bottom with war stamp 1914-1918, nice condition, H 18.5 cm.
Gilbert Joseph Holiday (British 1879-1937): 'Almost a Fairy Tale' - Princess Chand of Bijapur, pastel signed titled and dated '32 verso (within the frame) 59cm x 46cm Provenance: an original commission for The Tatler magazine, stamped and numbered 1660 verso. Gilbert Holiday was an official war artist in the First World War, then later established himself as a prominent equestrian artist, and at one point shared a studio with Lionel Edwards. He worked as an illustrator for publications such as The Graphic, The Tatler, and the Illustrated London News, and competed in the art competition at the 1932 Summer Olympics.Condition Report:Some light foxing in the sky, fading along the bottom edge
ARCADIO MAS Y FONDEVILA (Barcelona, 1852-1934)"Interior scene".Watercolour on paper.Signed in the lower right corner.With a label on the back from the Dolors Junyent gallery, Barcelona.Measurements: 21 x 21 cm; 46 x 46 cm (frame).Painter and draughtsman, founder of the luminist school of Sitges, Arcadi Mas i Fondevila trained at the La Lonja School in Barcelona, where his teachers were Antonio Caba and Claudio Lorenzale. At the age of twenty he took part in his first group exhibition, organised in the hall of the Barcelona Artistic Association. In 1875 he won the first Fortuny scholarship from the Barcelona City Council, which enabled him to further his studies by travelling to Italy as a boarder between 1876 and 1886. During these years, Arcadi Mas i Fondevila visited Venice, Rome, Naples and Capri, while taking part in several group exhibitions at the Sala Parés in Barcelona. Ascribed to the Neapolitan naturalist school of Domenico Morelli, in 1885 he also took part in the exhibition of the Centre of Watercolourists in Barcelona. On his return to Catalonia, his friend Joan Roig Soler encouraged him to visit Sitges, and from this meeting and acquaintance the Sitges Luminist school was born, a pictorial current that brought together other artists such as Joaquim de Miró, Antoni Almirall and Joan Batlle. In 1887 he took part in the National Exhibition of Fine Arts in Madrid, and won a medal for his work "Corpus Christi Procession in Sitges". He also took part in the Universal Exhibition in Barcelona the following year, winning the first medal. In 1895 he travelled to Madrid again, this time accompanied by Santiago Rusiñol and Zuloaga, and later went to Granada with Rusiñol, Miguel Utrillo and Macari Oller, with the intention of illustrating some articles by Rusiñol for "La Vanguardia". Mas i Fondevila won two more medals at the Barcelona Fine Arts Exhibitions of 1894 and 1896, and in 1899 he became a member of the Círculo Artístico de Sant Lluc. In 1900 he opened the Rovira Salon in Barcelona with his first individual exhibition, a show that established him as a master of pastel painting. An example of the importance of this painter can be found in the fact that Picasso had copied a nude of his from 1895. At this time, moreover, Mas i Fondevila collaborated as a draughtsman in "La Ilustració Catalana". Thanks to a donation from the American patron Charles Deering, in 1913 he painted the tympanum of the portal of Santa Catalina in the church of San Bartolomé and Santa Tecla in Sitges. Today a copy can be admired "in situ", the original having been erased by the passage of time. In 1928 he was commissioned to paint one of the murals in the Sala de Sant Jordi in the Palace of the Generalitat in Barcelona, and in 1932 he again exhibited individually, this time in the La Pinacoteca room. On the occasion of the fiftieth anniversary of his death, the Sitges Study Group devoted an anthological exhibition to him at the Maricel Museum (1985). In his painting, Mas i Fondevila combined Catalan localism with his Neapolitan memories. He also painted portraits, with outstanding works such as those of Antonio Caba and Pitarra. He is represented in the Museu Nacional d'Art de Catalunya, the Maricel, the Cau Ferrat and Sitges Town Hall, as well as in other museums and private collections.
JULIO BORRELL PLA (Barcelona, 1877 - 1957)."Woman among jugs".Oil on canvas.Signed in the lower left corner.Size: 120 x 90 cm; 136 x 103 cm (frame).The laughing blonde portrayed by Borrell in this painting exudes sensuality but without any mannerism, her gaze being jovial and complicit with that of the painter. Borrell is also skilful in capturing her temperament, and does not neglect the casual arrangement of jugs and vases around the body cut out of the wooden door.The son and disciple of Pere Borrell del Caso, Julio Borrell trained at the Sant Jordi School of Fine Arts in Barcelona. From his father he was influenced by the Nazarenes Claudio Lorenzale and Pablo Milà i Fontanals. In 1888, at the age of eleven, he entered a canvas in the Barcelona competition for the Universal Exhibition, together with his brother Ramón, also a painter. From 1894 onwards he took part in almost all the official exhibitions held in Barcelona and Madrid, and was awarded an honourable mention in 1897. That same year he was awarded a second medal at the exhibition in Arcachon, France. His name had a special resonance throughout his exhibitions at the Sala Parés in Barcelona between 1915 and 1920. His extensive output included both oil and pastel works, and covered a wide range of subjects. The theme he most cultivated was that of the classic Spanish maja, the women in mantilla and comb, depicted in his personal sensorial style, with extraordinary skill and great mastery of draughtsmanship. Among his many paintings, some of which have been widely reproduced, mention should be made of "El viático al Liceo", "Lavapiés en Jueves Santo", "Bodas reales", which he painted on behalf of King Alfonso XIII, "Luna de miel", "El triunfo del cristianismo", etc. He also devoted himself to decorative painting, producing religious murals for the church of San Francisco in Buenos Aires and the dome of the Basílica de la Merced in Barcelona, which was destroyed in 1936. Throughout his career, Borrell held numerous solo exhibitions in various Barcelona galleries and took part in group exhibitions and competitions. Many of his works are on display at the MACBA, as well as at the National Art Museum of Catalonia and others.
Yiannis Tsarouchis (Greek, 1910-1989)Erossigné en grec (en bas à gauche et en haut à gauche) et daté '28-5-88' (au centre à droite)pastel et mine de plomb sur papier193 x 70cm (76 x 27 9/16in).Peint en 1988.signed in Greek (lower left and upper left) and dated (middle right)pastels and pencil on paperFootnotes:Provenance Acquired directly from the artist by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Yiannis Tsarouchis (Greek, 1910-1989)Portrait d'un jeune homme signé en grec (en bas à droite)aquarelle et pastel sur papier36 x 30cm (14 3/16 x 11 13/16in). 44,5 x 31cm (17 5/16 x 12 3/16in). (dimensions du papier)signed in Greek (lower right)watercolour and pastel on paperThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Italian School (19th century) - figurative study of a young girl seated upon a balcony wearing a decorative head scarf, green dress and gold coloured jacket, indistinctly signed possibly Pauman, pastel drawing, heightened with white chalk on tinted paper, 15.75" x 12" - * The work bears a Parisian frame maker's label and is inscribed verso with the name Grecy and numbered 1038
Paul Deacon (b.1953) - "Olive Terrace and Mas, 1994" signed also inscribed the artist original label verso with the title and the date, Oil Bar and Pastel, 21" x 28.75" - * The artist was born in Dartmouth to a family of seafaring and nautical art background, joined the merchant navy in his youth and has since become a successful exhibiting artist with various galleries.
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