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Gaston Louis VUITTON (1883 - 1970), petit-fils de Louis Vuitton. Composition abstraite à la cruche, circa 1950. Exceptionnelle et rare peinture à l’huile et pastel gras, recto verso sur panneau bois. Représentant un paysage marin avec un voilier sur une face et de l’autre une cruche en terre. Signée des initiales « GLV » en bas à droite. Un certificat de Madame Masson-Vuitton, petite-fille de Monsieur Gaston-Louis Vuitton sera remis à l’acquéreur. Dimensions : 37,5 x 33 cm

‡ MURIEL DELAHAYE (Welsh, 1931 - 2021) large pastel on paper - scene from 'The Tempest' with nymphs underwater, entitled verso, 'Hourly Ring His Knell', signed, 103 x 83cmsProvenance: private collection CumbriaComments: framed and glazed, ready to hangDelivery: complimentary delivery can be arranged for all purchases over £4000 in this Welsh Sale auction (England and Wales only) please contact brj@rjauctions.co.uk for further details

‡ GWILYM PRICHARD (Welsh 1931-2015) pastel - entitled verso, 'Two Seagulls', signed, 15 x 29cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang

‡ KEITH BOWEN (Welsh b. 1950) pastel on paper - child and white horse, 70 x 50cmsProvenance: private collection DenbighshireComments: framed, ready to hang

‡ ALED PRICHARD-JONES (Welsh b.1945) pastel on paper - entitled verso, 'Crib y Ddysgl' on Oriel Tegfryn Gallery label, signed with initials, 52 x 72cmsProvenance: private collection CheshireComments: framed and glazed, ready to hang

‡ MURIEL DELAHAYE (Welsh, 1931 - 2021) charcoal and pastel - entitled verso, 'The Bag Lady', signed, 84 x 59cmsProvenance: private collection CumbriaComments: framed and glazed, ready to hang

Large Framed and Glazed Pastel of a Forest scene unsigned 58 x 45cm

Paul Braddon (1864-1938) - A street in Abbeville, pastel, 74 x 51cm

Assorted prints, to include topographical engraving of Bury St Edmunds; Joseph Hogdskinson - Survey map of Suffolk dated 1787, linen-backed; and a pastel study (4)

Early 20th century English school - Half-length portrait of a young woman wearing a lace blouse and gold pendant, pastel, signed with monogram EL and dated 1901 upper right, 46 x 39cm

Nancey McClennan - The Mill Stream, watercolour, signed lower right, 32 x 22.5cm; Jean Douglas - Peach carnations, pastel; and two topographical watercolours (4)

Elizabeth Ann Millar, framed pastel ‘Ruberslaw under Snow’ 54cm x 64cm

"Pencil and pastel drawing, unsigned. - Weight: 2.05 kg - Shipping available - Sizes: H 430MM X L 450MM AVEC CADRE - At first glance: good condition

"Young Girl with Dove" French school, pastel portrait, 18th-19th century. - Weight: 340 g - Shipping available - Region: France - Sizes: H 445MM X L 360MM - At first glance: good condition

Paul Kother(1878 Leipzig - 1963 Weimar)Vier Badende an einem SeeKaum deutlicher als in solchen expressionistischen Darstellungen mit badenden Frauenakten sichtbar, wird der Einfluss von Paul Cézanne, den "Brücke"-Malern Max Pechstein, Erich Heckel und Ernst Ludwig Kirchner sowie seinem Freund und Schwager Otto Mueller. 1912/13 hatte Kother erste erfolgreiche Einzel- und Gemeinschaftsausstellungen mit Pechstein und Beckmann. 1914 ging Kother von Dresden in die Kunstmetropole Berlin, wo ihn Herwarth Walden 1916 zusammen mit Pechstein und Lyonel Feininger in seiner "Sturm"-Galerie zeigte. 1921 widmete ihm die Galerie Moeller eine Einzelausstellung. In der Zeit des Nationalsozialismus gehörte auch Kother zu den verfemten modernen Künstlern. Pastell/Papier. Verso Etikett mit Nachlass-Stempel u. Wvz-Nr. P 47. 62,5 cm x 85 cm (Passepartoutausschnitt). Rahmen.Allgemeine Lit.: Ralf F. Hartmann (Hrsg.): "Paul Kother 1878-1963 (...)", Begleitbuch zu der Retrospektive in Berlin, Worms u. Bremen 2019/20.Provenienz: aus dem Nachlass des Künstlers.Pastel on paper.

Otto Herbig(1889 Dorndorf/Werra - 1971 Weilheim)SeifenblaseExpressives, wohl in den 1950er Jahren geschaffenes Werk Herbigs, der zum unmittelbaren "Brücke"-Umkreis gehörte. Der Künstler war 1911-1913 Schüler von Lovis Corinth und Albin Egger-Lienz in Berlin und Weimar und lernte während seines Sanitätsdienstes in Frankreich und Flandern Erich Heckel und James Ensor kennen. 1919 ging er nach Berlin, wo er im Atelier Heckels arbeitete und Freundschaften zu Otto Mueller und Karl Schmidt-Rottluff schloss. 1946-1955 wirkte Herbig, dessen Werke unter dem Nationalsozialistischen Regime als "entartet" verfemt wurden, als Professor an der Staatlichen Hochschule für Baukunst und bildende Künste in Weimar. Pastell bzw. Farbölkreide/Papier. L. u. sign.; Passepartoutausschnitt 51 cm x 40 cm. Rahmen. Pastel or coloured oil chalks on paper. Signed.

* Chapman, study of three Weimaraner dogs and a Labrador, pastel, framed

Henry 'Harry' Barker (Birmingham fl.1849-1875): Country Church, watercolour signed; still life pastel indistinctly signed, and contemporary watercolour indistinctly signed (3)

T Seymore: Cattle Watering, oil on panel signed and dated 1901; Manner of Corot: Landscape, pastel unsigned (2)

Property of the Late Countess Haig - Carmen Ambrozevich (Scottish), Brass Rock, pastel, signed pencil bottom left, framed. (14cmx20cm)

8 various paintings, inc. abstract watercolour by Nick Andrew, and a pastel landscape by Zara Bowles

19TH CENTURY SCHOOL. PORTRAIT OF A YOUNG LADY. PASTEL. 16.5 x 22 cm.

Lovely pastel colored pitcher with raised floral design continuing into blue base. Hull Art U.S.A. raised mark. W-19. Issued: 20th centuryDimensions: 8.25"L x 5"W x 14"HManufacturer: Hull ArtCountry of Origin: United StatesCondition: Age related wear.

Hand painted in traditional dress with light pastel colors and florals. Herend backstamp. 5502. Issued: 20th centuryDimensions: 2.75"L x 2"W x 6"HManufacturer: HerendCountry of Origin: HungaryCondition: Age related wear.

Ron Wagstaff (Northern British 20th Century): 'Heavy Lunch - Leopard', 'Cross County at Epworth', Draft Horses and The Farm, collection of four watercolours signed, variously titled verso; Dawn Ogel (British 20th Century): The Cockerel, pastel signed max 38cm x 35cm (5)

G H Yates (British 20th Century): 'From Sandsend to Whitby', watercolour signed, titled verso; Yolanda (British 20th Century): 'The Isle of Arran', oil on canvas signed, titled verso together with a Ron Wagstaff watercolour and another indistinctly signed pastel max 28cm x 38cm (4)

Paul R Koehler (American 1866-1909): 'When the Sun is Low', pastel, signed and titled verso (within the frame) 39cm x 64cm

Continental School (20th Century): Leopard's Head, pastel unsigned 31cm x 37cm

Fiona Ewan Rowett (South African 1948-): Reclining Female Nude, pastel and charcoal on paper signed and dated '01, 48cm x 68cm

Set of six 1920s silver-gilt and harlequin enamel coffee spoons, each decorated in pastel guilloche enamel, hallmarked William Suckling Ltd, Birmingham 1929, contained within fitted caseCondition Report: Approx 2.55 ozt (78.7 grams)General wear commensurate with age and use, in the form of surface scratches and small knocks. Some fading in parts to enamel particularly to tip of purple spoon, but no losses. Hallmarks with small amount of wear but generally legible.

Helen Kask, nude study, coloured pastel, signed, 25cm x 17cm, framed

Constance Stubbs (British 1927-2015), 'Gertrude', pastel, signed and dated 1962 lower right, inscribed on label verso, 52 x 49cm. Framed and glazed.Condition Report: Under glass, generally good appearance.

H. Gentle (British, 20th century), Three Yachts, A Futurist style study, signed, pastel on paper, 53cm x 36cm; another, Surreal school, signed, oil on board, 69cm x 27cm, (2).

J. Lincoln Rowe, Arctic and Mountain Warfare Centre, Norway, signed, gouache, 39cm x 69cm; another, Himalayas, signed, pastel, 30cm x 44cm, (2).

Continental school, ‘A Farm Worker’, indistinctly signed, pastel, dated 1954, 32cm x 25cm.

Henry Nicholas Almond (1918-2000)A verdant, pastel study of two sheep and three lambs beside a babbling brook before cottages nestled between rolling hills, oil on canvas, signed, in gilt slip and moulded frame, 65 cm x 44 cm overall[Almond trained at the Newcastle-upon-Tyne College of Art and was a past president and member of The Lake Artist's Society.]

After Peter Brook (1927-2009)"In a Pennine Valley", a chiaroscuro wintry study of rolling hills covered in a blanket of snow beneath a pastel pink sky, with a central figure and their dog standing almost camouflaged amongst leafless trees, limited edition artist-proof print, 1/20, signed, dated 1995 within print, in pen-lined card mount and moulded frame under glass, 43 cm x 52 cm overall[Brook was born in West Yorkshire drawing inspiration from the rugged beauty of the Pennines.]

Ken Spencer (Northumbria, Contemporary)"Low Tide, Alnmouth", an expansive, panoramic, pastel-toned study of a chilly and bright local beach, accented by looming stormy clouds as viewed from a bed of seagrasses towards the flats of Alnmouth sands at mid tide, acrylic on canvas, signed, titled on label verso, 62 cm x 122 cm overall[Spencer is best known for his landscapes which he creates through building up vigorous textures. Moving to Northumbria in 1974, the raw emptiness of the landscape there had a profound impact on his work. The natural world, and how light falls on it, continues to be an artistic preoccupation.]Biography (kenspencer.co.uk) ]

Late 18th Century British SchoolPortrait of a Young Boy Called George Richmond, pastel,22.5 x 18cms, in a gilt frame.

Walter Holmes(b.1936)"Sunset at North Shields Fish Quay, Winter 1973/4",signed and dated, further titled verso, pastel, 30 x 44cms, in frame.

Frank Prosser(1895-1950)"Lady Atalanta", (fox terrier)signed and dated 1928,pastel,27 x 34.5cms, in frame,together with;"Bess", (black labrador)signed and dated 1931,36.5 x 39cms, in frame. (2)

Jane Lewis (b. 1953), 'Diamonds', signed and dated 'Jane Lewis '00' (lower left), pastel on paper, 40 x 19 cm, framed and glazed 55 x 34 cm

λ&nbspMARIE LAURENCIN (FRENCH 1883-1956) L'ESPAGNOLE Oil on canvas, oval Signed (lower right) 53 x 43cm (20¾ x 16¾ in.)Provenance: Peter Meltzer, Canada, Private Collection, where purchased by Count Manfredi della Gherardesca Exhibited: Toronto, Art Gallery of Ontario, on loan in memory of Elise and David Meltzer, 1979 This work is recorded in the Marie Laurencin Archives.Marie Laurencin's exposure to avant-garde movements at the turn of the 20th century in Paris were integral to her artistic development and heavily influenced her journey to find her unique and distinctive style. Her relationship with the poet Guillaume Apollinaire and introduction to Georges Braque, Pablo Picasso and important figures of l'ecole de Paris introduced Laurencin to artistic movements such as Cubism and Fauvism. Laurencin rose to prominence in Paris as a notable figure within the Cubist group and exhibited with the Section d'Or at the Salon des Independents in 1910-11. Following this, Laurencin was represented by Paul Rosenberg from 1913-1940.  Despite this, Laurencin remained on the periphery of Cubism and Fauvism borrowing elements of stylisation such as simplified lines and segmenting the subject into planes of colour and shapes but with her own interpretation and approach, the image remained realistic and immediately familiar. Her dreamlike colour palettes became integral to her work and this contrasted with piercing eyes conjures an emotional response, melancholic and erotic.  Marie Laurencin's ethereal female figure of a Spanish lady fills the oval composition. Her elongated face is balanced by the dramatic head piece which drapes across her forehead. The viewer is immediately struck by the jet-black eyes which penetrate through the canvas. Laurencin has used her distinctive colour palette of muted colours, blue, pink and pastel tones juxtaposed against the bold black lines which appear to represent the figure's mantilla held high upon the head traditionally by a peineta. Laurencin was exiled to Spanish with her husband at the start of the First World War until 1919, it is possible that this period inspired the present lot.  By 1920, Laurencin settled back in Paris and rose to prominence as an established portrait painter and illustrator. The strong female figures which sat at the heart of her subject matter were also the driving force behind her art. Laurencin strove to promote creativity and artistic endeavours amongst women in a male dominated society. Laurencin supported the Société des Femmes Artistes Modernes and exhibited with the group on several occasions between 1931-1938.  The Marie Laurencin Museum was opened in Japan in 1983 becoming the first museum in the world dedicated to a female painter. Condition Report: The canvas has been relined. Evidence of old craquelure visible to the headdress and background. Ultraviolet light reveals infilling to the craquelure in addition to scattered spots of retouching throughout. Please see additional images for further information.Condition Report Disclaimer

GABRIEL DURAND (FRENCH 1812 - 1882) AND CATERINA CANETTI (ITALIAN 20TH CENTURY) PORTRAIT OF A LADY Pastel Signed and dated '1847' (lower left) 109 x 83cm (42¾ x 32½ in.) Provenance: Sale, Beaussant Lefevre, Paris, Mobilier, Objects D'Art, where purchased by Count Manfredi della Gherardesca, 26 October 2016, lot 53Exhibited: Paris, Salon of 1847, No. 1759 The later addition of tattoos to the sitter by Canetti were applied after the 2016 sale.Caterina Canetti is a florentine base picture restorer who Count Manfredi approached to embellish the following historical portraits to comical effect. See lots 314,315,319 and 346   Condition Report: The presence of the protecting glass renders the examination of the pastel difficult. UV light reveals no evident retouches, except for what seems to be some slight restoration on one of the flowers at the centre of the sitter's dress. Condition Report Disclaimer

Ceramics to include a Minton dinner service decorated with flowers, a Staffordshire pastel burner, Swarovski eye baths and other itemsLocation:

English school (19th century), A half length portrait of a lady in blue dress with high lace collar, Pastel on paper applied to panel, Unsigned, 25cm x 21.5cm, Framed and glazed

ANDA PATERSON RSW RGI (SCOTTISH 1935-2022)  STUDY OF WOMAN WITH CATS  Carbon and pastel, signed lower left, 80 x 73cm  Provenance: The estate of The late Anda Paterson and James Spence Condition Report:Available upon request

ANDA PATERSON RSW RGI (SCOTTISH 1935-2022)  PORTUGUESE STUDY  Carbon and pastel, signed lower left, 76 x 56cm  Provenance: The estate of The late Anda Paterson and James Spence Condition Report:Available upon request

ANDA PATERSON RSW RGI (SCOTTISH 1935-2022)  PRISONERS  Carbon and pastel, signed lower left, 76 x 56cm  Together with 2 similar by the same hand (3)  Provenance: The estate of The late Anda Paterson and James Spence Condition Report:Available upon request

Rare 1908 Wales v Scotland Dinner Menu: Hugely desirable 115-yr-old decorative 4pp fold over card issue for the function at the Royal Hotel Swansea, following Wales's 6-5 win on Feb 1st, 1908, en route to a Grand Slam. Embossed floral pastel-toned cover, extensive menu within. Very minor foxing to top margin, otherwise remarkably good condition for its age. Lovely

A framed and glazed pastel painting of children by Vivien John, approx 95cm x 69.6cm. Shipping category D. NO RESERVE

KIERAN McGORAN PASTEL - CHURCH IN AUTUMN - 40CM X 32CM

KIERAN McGORAN PASTEL - CHURCH IN WINTER - 40CM X 31CM

A pair of Royal Dux figures, Fisherman and Companion, 16.5cm high, triangle mark;  a Coalport pastel burner, The Umbrella House, 12cm high, printed mark;   another Staffordshire

A set of five Japanese screen prints, of blossoming branches, from Odawara Shoten Imperial Hotel;  Russian Dolls;  Anchor Thread string box;  Ruth Lockwood The Window, Venice, pastel

A Swedish flat weave carpet, signed by Svensk Hemslöjd “SH” in pastel tones, 138cm wide x 200cm

Catherine, Countess of Aboyne (1771-1832)Emma, Lady Hamiltonafter Romneypastel71cm x 61cmwith a pastel portrait of the Madonna by the same hand (2)

After Angelica Kauffman (1741-1807)Lady Mary Arabella Foljambepastel38cm x 31cmwith another pastel portrait attributed to the same hand, in a Florentine giltwood frame (2) Both gilt frames bear signs of wear consistent with age and use. The pastel artworks themselves are generally in good condition, with few visible issues. The Florentine frame bears the following stencil to the reverse: 'Framed at Florentine cabinet d'arts No 3 Carrick Str. Covent Garden'.

A SylvaC tulip vase in mottled pastel colours, 15.5cm high, impressed marks and 749 beneath, a large ceramic fox, 27cm long and hound, 18cm long, 17cm high and other items.

Pastel of man, insigned, image 15" x 19.5", frame 18" x 22"