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Lot 360
SIR FRANK BRANGWYN, RA, RWS, RBA (British, 1867 - 1956) Study for the Book of Job, 1948 Pastel and pencil 46cm x 54cm We are grateful to Dr Libby Horner for her assistance with the catalogue entry Condition Report : there has been significant water damage to the mount, which is warped and discoloured, but though the picture itself must have been exposed to damp, seems good. Looks to have slipped within the frame a little, only part of the monogram visible top left Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 357
A 19th century style three piece garniture mantle clock and candlestick set. The clock having a maiden feeding a lamb atop and putti and flowers surrounding the clock face. The candelabra featuring a courting scene and flowers all over. All three pieces being hand painted in pastel colours. Condition: several repairs and breaks to the china. Measures 47cm tall.
Lot 352
Three vintage mink coats comprising a honey mink three-quarter length coat with rear collar, a mink ginger three-quarter length swing jacket and a 1950s pastel mink three-quarter length coat, double breasted with silk buttons and satin floral embroidered lining with monogram (3). CONDITION REPORT The darkest of the coats has a tear to the lining by the right armpit, where the stitching has come away. Otherwise appear ok, with no damage, missing fur, etc. Slight musty smell throughout, but the fur remains soft.
Lot 427
DENNIS PAGE (BRITISH, B. 1926)Private View at the Royal Academysigned 'Dennis Page' (lower right) and inscribed (to backboard)grey wash and pastel heightened with white21.5 x 30.5cmtogether with two other grey wash works by the same hand, Burlington Arcade, 19.5 x 24.5; and Les deux Magots, St Germain-des-Pres, 21.5 x 30.5cm(3)
Lot 464
GEORGINA O'SULLIVAN (BRITISH, 20TH CENTURY)English Summer Flowerssigned and dated 'G O'SULLIVAN NOV '94' (lower right) and titled (lower left)watercolour heightened with white34.5 x 28cmtogether with an early 20th century watercolour of a beach scene, 27 x 41cm; a late 20th century oil on canvas-board of a coastal landscape, 24 x 29cm; a 20th century pastel of a white lily by Katie Thompson, 50 x 41cm; and a 20th century watercolour of a town scene, signed 'Barlow', 36.5 x 51cmARR(5)
Lot 218
20th century school - Shoulder length study of a brown eyed boy, oil on board, no visible signature, 32.5 x 20.5cm approx, together with two further oil paintings on board, shoulder length studies of young boys and a bust length pastel study of a boy in a smock, indistinctly signed M Grayson? with label verso 'Philip Mascie Donville Wynter, aged 5 and a half years, born September 2nd 1892,' 38 x 30cm, all framed (4)
Lot 242
RFC Waudby (Early 20th century British school) - Study of a baby sucking its thumb within a border incorporating flowers, birds, lamb, etc, watercolour and bodycolour, of circular form, signed and dated 22, in circular oak frame, 59cm diameter approx, together with further pictures and prints all of children including a circular pastel and charcoal study of a brown eyed baby with labels verso relating to Hermann Josef Hanatschek, pastel study of the head of a baby, signed Maria Grimm, a pair of humorous watercolour studies Alas for Love and A Stitch in Time, etc, a portrait of seated girl in a red pinafore dress, oil on canvas, signed Fornor? various sizes all framed (9)
Lot 247
20th century British school - Full length study of a boy holding a spade on a sandy beach, oil on board, possibly with photographic ground, no visible signature, 46.5 x 34.5cm approx, together with a pastel study of a child in sun hat and sandals, signed M Money, and a watercolour of a child with a shrimping net, signed P Handy, dated 2001, with label verso - Next Time, P Handy and with Frampton Cotterell address details, various sizes, all framed (3)
Lot 284
Louise-Jeanne Cottard-Fossey (French 1902-1983) - Shoulder length study of the actor Albert Lambert as Joad, red pastel and white chalk on paper, signed and inscribed, 46 x 34cm approx, together with two prints of old master studies - A Man Kneeling in Prayer after Jacob Jordaens and A Musical Gathering after Bernardio Barbatelli, a large coloured print of a 17th century style gentleman in profile in wide black and gilt frame and a further signed coloured print of a foggy street scene with horse and cart, indistinctly signed R Richards? Rudd? all framed (collection)
Lot 378
A collection of pictures and prints including FF Ogilvie (20th century British) - Desert scene in sandstorm with camel, donkey and riders, watercolour on paper, signed and dated 1972?, 14.5 x 29.5cm, together with various pictures and prints of local interest including a pastel of a river scene signed J Lampard, coloured prints after Brian Lancaster, Lynne Clarke, Rob Collins, etc, various sizes all framed (13)
Lot 58
Petakowski Ant, Sir Winston Churchill, head and shoulders portrait, pastel, signed and dated 1942, inscribed 'Presented to The Sergeants Mess Weeton by the Artist', 58x45cm. Generally good condition, no creases, holes or tears, some water staining ad browning to the mount, mounted under glass, original oak frame.
Lot 227
*Joan Warburton (1920-1996) Portugal inscribed 'Portugal' l.r., pastel 40.5 x 53.5cm Provenance: With Sally Hunter Fine Art label verso. *Artist's Resale Right may apply to this lot.Condition report: Some light discolouration to the paper. Tiny speckles of foxing throughout, and a few larger spots in places. A little light cockling to the paper in lower right corner and right edge. Not seen outside of glazed frame.
Lot 99
*Lucy Harwood (1893-1972) Portrait of Frederica pastel 52 x 37cm Provenance: Colchester Art Society (sold with old label). *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Speckles of light foxing throughout and a few light stains near upper edge. Very light wave to the paper. A small horizontal smudge to the face and another one above the head.
Lot 444
Jim Butcher (American, B. 1944) "Purple Mountains Majesty" Signed lower right. Original Oil Pastel on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood First Day Cover for the U.S. 6c & 18c America the Beautiful stamp issued April 24, 1981. Hailed as America's second national anthem, America the Beautiful first appeared in the Congregationalist magazine dated July 4, 1895. The song's poignant words -- descriptive of the nation's great natural beauty -- were written by American author Katharine Lee Bates. Its melody is the creation of Samuel Ward. Miss Bates, who taught English at Wellesley College, Wellesley, Massachusetts, wrote a number of fine literary works during her lifetime. Among these are The Pilgrim Ship, From Gretna Green to Land's End, and the scholarly studies English Religious Drama and History of American Literature. However Miss Bates' most celebrated work, without doubt, is the inspired America the Beautiful honored in a stamp and painting. The author's love of her homeland shines clearly through each line of the song and the reader gets a sense of the vastness, the richness and the beauty of America. It is a song close to the heart of everyone who loves his homeland. It is a song of peace, a song that calls Americans to give thanks for the rich blessings that are theirs and seek brotherhood among the people. For a host of reasons, America the Beautiful is a song as dear to the hearts of Americans as any song sung to honor this proud nation. Image Size: 16.75 x 14.75 in. Overall Size: 20.25 x 18.25 in. Unframed. (B07135)
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