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Lot 545

After Philip Boileau - portrait of a young woman (1903) inscribed with the artist's name and date; together with copyright details and a further date 1905, coloured print, 15.25" x 11.5" *The artist was a Canadian born Art Nouveau artist illustrator known for his watercolours and pastel drawings of the Victorian era women. Together with two further prints including one depicting the sculptor Auguste Rodin 'He thinks in marble' after the artist Julias Mendes Price, and finally an engraving after Thomas Landseer, 'The Lion Tiger Cubs' born at Windsor, 1824 inscribed and published by Moon, Boys & Graves, and dated June 1st 1830, 7.25" x 5.75" (3)

Lot 547

John Tookey (20th/21st century) - 'Letter Home', an interior scene with a lady writing a letter and another seated nearby, with a still life of flowers in the foreground, signed also inscribed on a gallery label verso with the original price of £90, pastel drawing, 11.5" x 8.75" *Provenance with The Newport Gallery, High Street, Newport, Essex CB11 3QZ

Lot 554

English School (19th/20th century) - portrait of a young girl seated wearing a cream dress and bonnet holding a doll, pastel drawing on canvas, 23" x 21"; together with a Victorian coloured lithograph after Sir John Everett Millais portrait of a small girl seated wearing a white dress and large cream bonnet decorated with pink ribbon, the original picture is said to have been titled 'The Reader' bearing the facsimile signature for the artist within a cut aperture of the mount, 26" x 17.5" (2)

Lot 235

Moila Powell (British 1895-1994), Harbour in Bantry Bay, Southern Ireland, 1939, signed 'M.P' (lower right), pastel, 22 x 28cm

Lot 246

Erica Macdonald, The Studio, evening at Greenhill, pastel, 33 x 23cm; and Sketch of sheep, graphite, 37 x 46cm (2)

Lot 262

John Edwin Noble, Rabbits, pastel and watercolour, signed bottom left, 62.5 x 50cm

Lot 303

§Patricia Crowther (British 1965-) Seymours, 2005 signed and dated 'P. Crowther '05' (lower right); further signed to the reverse oil, oil pastel, platinum and palladium leaf on canvas 51 x 50.5cm Provenance: With Shirley Crowther Contemporary Art where acquired by John Ady The John Ady Collection

Lot 377

Davina OWEN (Modern British) Milly - studies of a Norfolk Terrier signed and dated 1986 pastel approx 52 x 59cm

Lot 394

N*** Hutton - A bowl of fruit and a potted plant, signed and dated '84, oil pastel, 29.5 x 22cms, in mottle-painted softwood frame.

Lot 611

ENGLISH SCHOOL, MID 19TH C - PORTRAITS OF TWO YOUNG WOMEN, PERHAPS SISTERS, A PAIR, BUST LENGTH, PASTEL, OVAL, 59 X 50CM (2) Good, stable condition. Not stained or restored, in the original rectangular gilt mount and probably original frames that have been brown painted over gilt at later date

Lot 176

A SET OF THREE FRENCH PORCELAIN OYSTER PLATES,ENAMELLED AND GILT WITH THE INITIAL B AND A CORONET OF A MARQUIS OF FRANCE, LATE 19TH C, PAINTED IN PASTEL COLOURS AND PINK LUSTRE BY THE PARIS DECORATOR J MANSARD (see preceding lot), 24CM DIAM Good condition

Lot 1116

Norman Battershill, greenhouse interior, signed, oil on canvasboard, 29 x 39.5cm; together with Norman Battershill, 'Sussex Downs', signed, oil on card, 24 x 34cm; and another pastel by Leazell. (3)

Lot 1264

Marjorie Cox, three works, each signed, titled and dated, pastel, largest 52 x 48cm; together with another similar by different hand. (4)

Lot 1349

Barnett Freedman, four unframed works, comprising: a landscape, signed, ink and monochrome wash, 37.5 x 56cm, laid on card; 'Corf Castle' (sic), pastel and wash, 39 x 56.5cm; a landscape, signed, monochrome watercolour, 17 x 25cm; and 'Cain & Abel', ink and monochrome wash, on two joined pieces of paper, 38 x 45cm. (4)Provenance: from the estate of Vincent Freedman, son of Barnett Freedman.

Lot 1352

Barnett Freedman, head and shoulders portrait of Basil Creighton, unsigned, pastel and watercolour, 40 x 38cm, mounted but unframed.Provenance: from the estate of Vincent Freedman, son of Barnett Freedman.

Lot 1488

Adriana Zaefferer, 'Rugstone', signed and dated '74, pastel, 47 x 35.5cm; together with another by the same hand. (2)

Lot 1488A

Adriana Zaefferer, 'Pitcairn'; 'Scotish Rifle' (sic), a pair, each signed, titled and dated 79, pastel, 40.5 x 33cm. (2)

Lot 13

AN UNFRAMED MOUNTED PASTEL AND CHARCOAL OF A POLO PLAYER, SIZE 16 CM X 27 CM

Lot 368

Terence Shelbourne (1930-2020). Street scene, pastel, titled 'Chewksbury' and dated '92, 27cm x 17cm, framed and glazed.

Lot 415

Terence Shelbourne (1930-2020). The Tennis Player, pastel and watercolour, signed and dated 12, 20cm x 20cm, mounted.

Lot 419

Terence Shelbourne (1930-2020). A group of watercolours, unframed, to include garden still lifes and coastal scenes, a sketch book of near Hough dated 98, Mediterranean type scene, pastel sketches, etc. (a quantity)

Lot 421

Terry Shelbourne (1930-2020). Female nude in stockings, in two medium, one pencil sketch, signed and dated '87, 34cm x 23cm, framed, and a pastel on board, signed, 41cm x 30cm. (2)

Lot 489

George Frederick Arthur Belcher (1875-1947). Punch London Charivari, pencil/pastel sketch, signed and dated, with later mounted inscription, 36cm x 36cm, framed and glazed.

Lot 11

Wyn Brocklebank: a framed pastel study of an owl - sold with an owl print and two box framed 3D pictures, one depicting a woodpecker, the other roses

Lot 20

H. C. Channon: a framed pastel drawing, depicting a tug and other vessels on a waterway - signed

Lot 63

A framed pastel drawing, depicting a beached and moored dinghies and other small craft

Lot 4

JAMES BARTHOLOMEW (b.1970) PASTEL ?Church at Foissy, Burgundy? Signed 19? x 39? (48.2cm x 99cm) C/R- image good, the frame with a small dent to the left side and a few very small nicks, otherwise good

Lot 5

JAMES BARTHOLOMEW (b.1970) PASTEL ?Clovelly From the Harbour? Signed 25? x 20? (63.5cm x 50.8cm) C/R-image good, the frame with a small mark and nick to the left side and a small mark to the lower right side otherwise good

Lot 6

JAMES BARTHOLOMEW (b.1970) PASTEL ?Storm Clearing, Langdales, Lake District? Signed 13? x 20? (33cm x 50.8cm) C/R-image good, the frae with small nick to right side and a couple of very small dents to the bottom edge otherwise good

Lot 68

FRANCES SEBA SMITH (MODERN) PASTEL DRAWING Men fishing Signed 20? x 29? (50.8cm x 73.7cm) C/R-good

Lot 5069

American quilt 1900-1935, cotton, "Wedding Band"design, scalloped edge,pastel colours,180cm x 220cm, overall good condition with some staining.

Lot 5073

American quilt 1900-1935, cotton, "Brick" design, pastel colours, geometric design, 200cm x 175 approx, some ware and staining in places

Lot 5075

American quilt 1900-1935, "Brick" design, strong pastel colours, some reds, mainly geometric patterns, 190cm x 165cm approx,, some ware and staining in places

Lot 5076

American quilt 1900-1935, cotton, "Hexagonal Floral" design, pastel colours, 180cm x 196cm approx, overall good condition, some staining.

Lot 18

Bloomsbury School, portrait of a lady, pastel, indistinctly signed, 47 x 30cms, framed

Lot 522

2 oval portraits of man and woman, circa 1800, pastel 25x20 cm, in wooden decorated gold-colored frames

Lot 310

JAMES BARTHOLOMEW (BRITISH CONTEMPORARY) 'OFF THE POINT KYNE' a coastal seascape, waves flowing over rocks, signed bottom right, pastel on paper, approximate sizes - image 44cm x 69cm, frame 75cm x 100cm (Condition:- frame damaged, remnants of sticky label on the glass) (ARR)

Lot 315

JAMES BARTHOLOMEW (BRITISH CONTEMPORARY) 'SENNEN BREAKWATER' an impressionist coastal seascape, signed bottom right, pastel on paper, approximate sizes - image 34cm x 95cm, frame 64cm x 125cm (Condition:- good condition) (ARR)

Lot 618

AN OIL ON BOARD OF 'DORIS CROFT FROM THE CANAL SIDE', a view of a redbrick building, initialled and dated January (19)76, size approximate 60cm x 120cm, together with a John Trickett limited edition print of a black labrador, limited edition print of three black labradors by Terence Macklin and pastel drawing of a hunter with a black labrador, signed B.Dye, dated 1987

Lot 621

Jean-Charles Millet (1892-1944), landscape with farmworker and sheep and another landscape with farm and oasthouses, the former in the manner of the Barbizon School, signed lower right, 'J. Ch. Millet', black crayon and pastel, the latter by Ronald Dean, signed lower centre, ink and watercolour heightened in white, 44 x 54.5cm; 36 x 50cm (2)

Lot 629

Early 20th century English School, pastel, Portrait of two sisters, oval, 51 x 71cm

Lot 389

TOOMEY 'Praying Nun', pastel on paper, signed and dated lower right, 60cm x 45cm, framed and glazed.

Lot 318

EUGÈNE SIBERDT (Belgian 1851-1931) A PAINTING, "Baroness Vaughan, Caroline Lacroix," 1906, oil on canvas, signed and dated L/L, "Eug. Siberdt Janu. 1906." 53" x 33" Note: The sitter is attributed as Caroline Lacroix, last confidant to King Leopold II of Belgium. The artist, Eugène Siberdt was appointed as a court painter some time in the late 1870's according to an entry by the Knohl Collection. The painting possesses clues and symbols to help identify the sitter. The viewer should note the 17th-century tapestry at the lady's back, which has a courting scene motif, at her side an old famille verte Chinese vase with chrysanthemums sits atop a two leg marble top console, and it is accompanied by a frame with portraits of two boys. Her fingers are covered in gold rings with emeralds, diamonds, an opal, and rubies; her wrists with pearl and diamond bangles. She wears a pastel blue silk day dress trimmed with embroidered lace, the dress pinned with a diamond and ruby dragonfly brooch at her breast, and at her neck a delicately strung pearl and jade cross necklace. She stands in chocolate silk beaded shoes on a parquetry floor laid with the pelt of a tiger, and her hand rests atop a lambs wool lined coat with an ermine collar. Layers of wealth and luxury surround the sitter setting her apart from bourgeois portraits by the artist, suggesting her identity could indeed be that of the Belgian, "Queen of the Congo." Provenance: Rau Antiques, New Orleans, Louisiana Condition: Some old repairs and inpainting, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

Lot 584

WILLIAM ANZALONE (American/Texas b. 1935) A DRAWING, "Untitled (Girl in Yellow with Reflection)," CIRCA 1982, pastel and watercolor on paper, signed L/R, "Anzalone," verso a paper gallery label and rubber stamp. 20" x 24" Provenance: Meredith Long & Company, Houston, Texas; The Adam L. Gimbel Gallery, New York, New York. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

Lot 136

British School (20th century): a half length portrait of a woman seated in a Victorian armchair, wearing a black dress and white necktie, unsigned, oil and pastel on canvas, 57 by 47cm, glazed and framed, 69 by 59cm.

Lot 159

Silloy (20th century): half length portrait, depicting a boy in naval uniform, pastel on paper, signed and dated 1932, 64 by 47cm, glazed and framed, 71 by 53.5cm.

Lot 167

JOHN CLIFFORD, BOAT ON SHORE, pastel, mounted, framed and under glass, 54cm x 76cm, along with a print of Robert Burns (2)

Lot 318

Pat Johnson, Lakeland farm scene, pastel chalks, carved mount and framed. 26 cm x 36 cm. CONDITION REPORT: Some minor marks to frame, otherwise good condition.

Lot 412

Eric Satchwell, "Seascape Approaching Storm, Seascape Dull Day", and three others, pastel, inscribed and titled on label verso, c.1970's (20cmx 29cm) and a similar study of Ilkley Moor 6

Lot 1565

Y S Wang, pastel portrait study of a young woman, signed lower right, 59 x 88 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 101

Ferdinand Zach (1868-1956) , pastel on paper signed, on the reverse geometrical drawings. 28x40 cm

Lot 160

Artist 20th Century , pastel on paper, signed upper right. 16x25 cm

Lot 228

A Framed Pastel Study of Bridge, 29x24cm

Lot 279

Pastel on paper, sailing boats moored in estuary, signed lower right indistinctly, 28cm x 45cm, framed and glazed

Lot 258

Ten vintage costume jewellery coloured paste brooches, a large Joan Rivers green and white paste brooch, 60mm, Joan Rivers enamel cobra brooch, 60mm, Jewel Crest pale blue and white paste floral spray 80mm, AM pastel coloured paste 45mm circular brooch set with marquise cut tones, red and white paste gilt and white metal floral sprig 90mm, pendant drop brooch with simulated pearls and four others.

Lot 287

Wartime austerity chic celluloid costume jewellery, 1940's vintage, a matching red plastic bell flower necklace and bracelet, 39cm, 16cm, chain necklace with five red and green sheet plastic flowers, 44cm, pearlised Dickie Bow brooch, 9cm, 40cm pastel floral necklace with matching earclips, four flower head necklace 42cm.

Lot 337

Henry Bird, pastel portrait of a young lady, signed in pencil, 23cm x 32cm; and Richard Barnard, "Die Zauberflote 1 and Die Zauberflote 2" (Scenes from The Magic Flute), watercolours, complete with an exhibition catalogue dated 2003 "Richard Barnard A Tribute to his Art".

Lot 162

A framed pastel of a ballerina, signed

Lot 175

*Dietz Edzard (German, 1893-1963) Téte de femme Signed and indistinctly dated l.r., titled on exhibition label verso, pastel 38.5 x 29.5cm Exhibited: The Leicester Galleries, July 1935. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper not flush under mount. A few black spots on surface.

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