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Lot 210
† JOAN CAWLEY (1925-2015); a pair of oils on board, 'Fantastic Flowers' and 'Michaelmas Daisies', both signed, titled and with artist's biographical detail verso, 40 x 30cm, a further oil of sunflowers by the same artist and a pastel, framed and glazed (4).Provenance: Joan is an established artist who had nearly thirty solo exhibitions. Her work is in private collections in the UK, Europe, America and Japan. She has exhibited at the Cathedral Cloisters in Bury St Edmunds every year for nearly thirty years and the artist never made a print. All works are original.
Lot 30
*Mary Millar Watt (1924-2023) pastel, Duetto, depicting Zoltan and Gabor Jeney, performing Gemini variations, composed for them by Benjamin Brittain, and another accompanying sketch, both made when the twins were guests of sculptor Eric Winters in Lavenham, each inscribed and in glazed frames. (2) Provenance: From the Estate of Mary Millar Watt (1924-2023)
Lot 2249
Tigger from Winnie the Pooh animation cel, signed 'Jimbo' and dated 1994, framed and glazed, image size 29.5cm x 21cm, together with Derrick Russell (20th century), pastel, study of ballet dancers, signed lower right, framed and glazed, 51.5cm x 37.5cm, three Derrick Russell watercolour landscapes and a watercolour by Pat Edgcombe (6)
Lot 2190
Ella Moulding Triple Dog portrait with Labrador and two Dachshunds Pastel on paper, framed and glazed: 52 x 49 cm Signed and dated lower left 98 Rosie Latham Triple Dog Portrait with Springer Spaniel and two Dachshunds Pastel on paper, framed and glazed: 49 x 46 cm Signed and dated 92 With three other Pastel Dog Portraits and one Oil (6)
Lot 81
Jean Preston (20th Century, British), pastel, 'Waiting for Mother', two fox cubs, signed to the lower left, framed, mounted, and under glass, measuring 18.5cm x 24cm, & 32cm x 37cm overall, together with two coloured prints depicting an alley way, signed Dave Abbot (20th Century) and another of Brugge, Belgium (3)
Lot 597
Brian Irving (1931-2013) Gathering for the hunt, members of the Pendle Forest and Craven Hunt, near Skipton Watercolour with scratching out, together with a further charcoal study by the same hand depicting huntsmen and foxhounds, The Pendle Forest and Craven Hunt near Skipton, 19.5cm by 50cm and 15cm by 17.5cm respectively (2) Provenance: From the artist's sketchbook and estate, with label of authenticity by the artist's son/executor Born into a family of farmers in Bolton Abbey, Brian Irving farmed in Wharfdale, where he lived all his life. His days were split in the farming community, never far from the flocks of sheep, the working horses with the plough, the sheepdogs with their masters looking up at the fells, across the fields or walking along drystone walls. He sketched the myriad faces of the environment day in, day out, in pencil, charcoal and pastel. In watercolour he captured every nuance before him. Many of Irving's pictures depict an age when labour by hand and horse was still prevalent before mechanisation took over. An inspired, naturally gifted and self-taught artist, he captured as no other the essence of the Yorkshire Dales, its landscapes, the people and animals of the farming community.
Lot 598
Brian Irving (1931-2013) '' A Plain Sort of a Day!'' Inscribed, pencil, 17.5cm by 13cm Provenance: From the artist's sketchbook and estate, with label of authenticity by the artist's son/executor Born into a family of farmers in Bolton Abbey, Brian Irving farmed in Wharfdale, where he lived all his life. His days were split in the farming community, never far from the flocks of sheep, the working horses with the plough, the sheepdogs with their masters looking up at the fells, across the fields or walking along drystone walls. He sketched the myriad faces of the environment day in, day out, in pencil, charcoal and pastel. In watercolour he captured every nuance before him. Many of Irving's pictures depict an age when labour by hand and horse was still prevalent before mechanisation took over. An inspired, naturally gifted and self-taught artist, he captured as no other the essence of the Yorkshire Dales, its landscapes, the people and animals of the farming community.
Lot 596
Brian Irving (1931-2013) Dalesmen and working horses, c.1960s Charcoal, together with a further sketch in the same hand depicting a confrontation between a ram and a sheepdog, 21.5cm by 12.5cm and 9.5cm by 13.5cm respectively (2) Provenance: From the artist's sketchbook and estate, with label of authenticity by the artist's son/executor Born into a family of farmers in Bolton Abbey, Brian Irving farmed in Wharfdale, where he lived all his life. His days were split in the farming community, never far from the flocks of sheep, the working horses with the plough, the sheepdogs with their masters looking up at the fells, across the fields or walking along drystone walls. He sketched the myriad faces of the environment day in, day out, in pencil, charcoal and pastel. In watercolour he captured every nuance before him. Many of Irving's pictures depict an age when labour by hand and horse was still prevalent before mechanisation took over. An inspired, naturally gifted and self-taught artist, he captured as no other the essence of the Yorkshire Dales, its landscapes, the people and animals of the farming community.
Lot 599
Brian Irving (1931-2013) "Dalesman kalling" Charcoal, together with a further charcoal sketch by the same hand depicting studies of dalesmen including a pigeon fancier, 17cm by 12.5cm and 19.5cm by 15.5cm respectively (2) Provenance: From the artist's sketchbook and estate, with label of authenticity by the artist's son/executor Born into a family of farmers in Bolton Abbey, Brian Irving farmed in Wharfdale, where he lived all his life. His days were split in the farming community, never far from the flocks of sheep, the working horses with the plough, the sheepdogs with their masters looking up at the fells, across the fields or walking along drystone walls. He sketched the myriad faces of the environment day in, day out, in pencil, charcoal and pastel. In watercolour he captured every nuance before him. Many of Irving's pictures depict an age when labour by hand and horse was still prevalent before mechanisation took over. An inspired, naturally gifted and self-taught artist, he captured as no other the essence of the Yorkshire Dales, its landscapes, the people and animals of the farming community.
Lot 600
Brian Irving (1931-2013) Dalesman at play - with tea Charcoal, 23cm by 16.5cm Provenance: From the artist's sketchbook and estate, with label of authenticity by the artist's son/executor Born into a family of farmers in Bolton Abbey, Brian Irving farmed in Wharfdale, where he lived all his life. His days were split in the farming community, never far from the flocks of sheep, the working horses with the plough, the sheepdogs with their masters looking up at the fells, across the fields or walking along drystone walls. He sketched the myriad faces of the environment day in, day out, in pencil, charcoal and pastel. In watercolour he captured every nuance before him. Many of Irving's pictures depict an age when labour by hand and horse was still prevalent before mechanisation took over. An inspired, naturally gifted and self-taught artist, he captured as no other the essence of the Yorkshire Dales, its landscapes, the people and animals of the farming community.
Lot 180
Wei Jia (Chinese, b.1975) 'No. 0775 Huang Tingjian', 2007signed and dated l.r., charcoal, pastel, ink, gouache, and paper collage on canvas132 x 132cm, unframed韦佳 黄庭坚 2007年Condition ReportThe canvas is unlined. Some fading. The paper collage is ripped and lifting in areas. A small area of paint loss to the right edge. Some small rips and tears to the paper along the edges, please see condition images.
Lot 365
D.M Alderson; Watercolour 'Shires At The Pond' signed and dated lower right (exhibited Royal Academy 1991) 40x30cm, together with watercolour 'Red Rum' signed and dated 1974, 38x30cm, a pastel 'Indian Tigers Cooling Down' signed Angela Holt lower left, 31x31cm, and other pictures and smaller framed watercolours.
Lot 587
A large early 20th century Turkish Islamic fine wool & vegetable dye floor carpet rug. The rug having a central panel decorated with intricate stylized floral & foliate motif. All enclosed in series of outer borders with further decorations. All in pastel light colours. Short tassels to ends. Measures approx. 280cm x 235cm.
Lot 437
William Conor RHA RUA ROI (1881–1968) - Girl with red cravat - Pastel on paper. An early 20th century 1910 pastel on paper drawing. Signed & dated top right. Framed, glazed & mounted. The pastel measuring approx. 19.5 x 16 cm. William Conor OBE RHA PPRUA ROI was a Belfast-born artist. Celebrated for his warm and sympathetic portrayals of working-class life in Ulster, William Conor studied at the Government School of Design in Belfast in the 1890s.
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46298 item(s)/page