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Lot 7
Garstin Cox (British 1892-1933) Sand dunes Signed, and another beach scene by J. Mitchell, pastel.20cm x 38.5cm (8in x 15.25in) and 24.5cm x 34cm (9.75in x 13.5in)Qty: 2The drawings are both in very good, original condition with no obvious faults to report. The drawings are both framed and glazed. The frames have some minor scuffs and knocks commensurate with age.
Lot 268
Studio of Johann Heinrich Schmidt (circa 1741-1821), Portrait of Generalissimo Alexander Suvorov (1730-1800), oil on panel with a feigned oval, 31.4 x 25.4 cm (12 3/8 x 10 ins), ornate gilded frame with moulded vine, honeysuckle and egg and dart motifs (48.5 x 42 cm) QTY: (1)NOTE:This work is a well-executed version in oil of the the pastel drawn from life in 1800, in Prague, by Johann Heinrich Schmidt, four months prior to the death of Alexander Suvorov, the last lifetime portrait of the commander. He is dressed in the white Austrian uniform of a field marshal. The original pastel portrait is now in the collection of the Hermitage (inventory no. ???-3766). For another version by Schmidt, also in oval format, see Neil Jeffares, pastellists.com online catalogue J662.227). Alexander Suvorov was a sickly child, due to this his father had assumed that as an adult Suvorov would work in the civil service. Suvorov learned to read French, German, Polish, and Italian, and devoted himself to intense study of several military authors including Plutarch, Quintus Curtius, Cornelius Nepos, Julius Caesar, and Charles XII. A meeting between Suvorov and General Gannibal persuaded Suvorov's father to allow him to pursue a career in the military. Suvorov entered the army in 1748 and served in the Semyonovsky Life Guard Regiment for six years. After repeatedly distinguishing himself in battle Suvorov became a colonel in 1762, aged around 33. He is traditionally remembered as an unbeated military leader managing 93 battles and never being beaten. His name lives on in numerous tributes to him such as the Suvorov museum in St Petersburg, The Order of Suvorov - a military award for successful offensive actions against superior enemy forces, the town of Suvorovo in Varna Province, Bulgaria, the Russian ship which discovered Suwarrow Island in the Pacific in 1814 and numerous monuments.
Lot 336
Mary Browning (20th/21st century) - 'Teal', study of a black retriever, signed and dated 97 (1997) also inscribed with the dog's name, pastel drawing on tinted paper, 18.25" x 14.5"; together with a further example by the same artist dated 72 (1972) also a pair of old engravings by C. R. Stock depicting fighting cocks and seven further photographs and decorative furnishing pictures including a leaping salmon dated 95 (1995), a print of a grouse, a watercolour and further picture of three chickens, initialled APC and dated 1993 entitled 'The Early Bird Catches The Worm!', another watercolour by Mark Huckenson study of a cockerel dated 93 (1993), a black and white print entitled 'The Bridge Party', etc., various sizes (a collection)
Lot 337
Juliet Pannett (20th century ) - portrait of a distinguished elderly gentleman, head and shoulders study wearing a grey coat, pinstripe shirt and red tie, signed and dated 1966, oil on canvas, 20" x 16",The work is contained within a J.J. Patrickson & Son Ltd. frame manufactured at Fulham Road, Chelsea, London and possibly dating to the 1960s or 70s; together with a pastel sketch of a young boy by Jane Adams dated 1980, a drawing by Marion Weaver entitled 'St. George', carved Miseri..., Wells Cathedral 1995, an old coloured engraving of Southawell, Nottinghamshire, an oil painting of William Stevens (1807-1887), seated three-quarter length at a desk reading a book inscribed with the sitter's name and his dates on an old label verso, oil on canvas, 12" x 7.5" also a Vanity Fair print of a jockey entitled 'The Baby by Spy' a signed artist's print by Wilfred Ball depicting Venetian fishing boat and a further black and white print of farm buildings, various sizes (a collection)
Lot 350
After Archibald Thorburn photo print of grouse in flight above a moorland, inscribed on a plaque attached to the frame 'Barry Wookey, Tedwoth Pony Club 1962-1972', coloured print, 14.25" x 20.75"; together with a pastel portrait of a young boy, signed Hankinson and dated 72 (1972) and a watercolour of flowers and vegetation, signed Sharon Himes, various sizes (3)
Lot 412
W* Staples (20th century) - 'Bridge at Bradford on Avon', signed and dated 1988, also inscribed with the title verso and the original price of £80, pastel drawing, 10.25" x 15.5"; together with two further pen, ink and watercolour drawings by G.A. Renvoize (20th century) - 'Kennet & Avon Canal Near Horton', 'Semington Lock, Kennet & Avon Canal', various sizes (3)
Lot 537
A collection of artist designed miniature teddy bears, comprising Honey Hill Bears Misty designed by Maureen Frost, limited edition 5 of 6, Actually Bears by Jackie Pastel, limited edition 3 of 5, Jen's Teds Cherry by Jenny Dunkley, Jen's Teds Max by Jenny Dunkley, Teslington Bears grey mohair bear with bumble bee by Tracey Nelson-Turner, Bow Wood Bears Teasel by Jan Draper, and Bow Wood Bears Spot by Jan Draper. (7)
Lot 401
* PAUL LUCIEN MAZE (ANGLO-FRENCH 1887 - 1979),STILL LIFE WITH RED LILIESpastel on paper, signedimage size 37cm x 26cm, overall size 51cm x 39cm Mounted, framed and under glass.Label verso: The Midhurst Gallery, Midhurst. Note: Paul Lucien Maze was an Anglo-French painter. He is often known as “The last of the Post Impressionists" and was one of the great artists of his generation. His mediums included oil and watercolour although he was especially acclaimed for his pastels. Maze’s paintings include French maritime scenes, busy New York City scenes and the English countryside as well as Still Life. During the First World War, Maze met Winston Churchill in the trenches and their shared love of painting led to a lifelong friendship. Maze became Churchill's artistic mentor, encouraging him to develop his drawing and painting techniques.
Lot 9096
John Harlow (British 20th century): Red Squirrel in Winter Landscape, pastel signed and dated '95, 20cm x 31cm; After Tula Lota (AKA Lisa Wood) (Yorkshire Contemporary): 'Westworld' - depicting Dolores Abernathy saying: "I think there must be something wrong with this world", limited edition colour print signed in pencil 40cm x 28cm; Charles (British contemporary): Chestnut and Thoroughbred Horse Portrait, pair watercolours signed 34cm x 25cm;J Stephens (British contemporary): Portrait of an Alsatian, pastel signed and dated 2006, 35cm x 25cm; Continental School (mid 20th century): Portrait of Jesus, oil on canvas on board indistinctly signed and dated 1961; A Clarke (British 20th century): Still Life of Roses in Vase, oil on board signed max 40cm x 27cm (7)
Lot 9097
English School (20th century): Fishing Boat Coming into Large Dock, watercolour unsigned 28cm x 48cm; English School (19th/20th century): Ships Leaving Whitby Harbour, watercolour indistinctly signed; John E Parkin (British 20th century): Beach Scene, watercolour signed together with 'The Shipwreck' after Turner, colour print max 49cm x 69cm; After Braun and Hogenberg: 'Map of Krempe and Rendsburg', hand coloured engraving 18cm x 48cm, Edwin Sarp 'A Bit of Old Leeds (Moot Hall)' coloured print 36cm x 51cm Emanuel Bowen (British 1694-1767) and John Owen (British fl. 1720-1764) after John Ogilby (British 1600-1676): 'The Road from Whitby to Morton' 20cm x 15cm (15) (framed);Dennis Wood (British 20th century): Snowscape, watercolours signed together with etching and pastel max 29cm x 39cm (13)
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46300 item(s)/page