(See English version below)Arcangelo Ianelli (1922 – São Paulo – 2009). Estudio a pastel. 1976Pastell und Grafit auf leichtem Karton. 22,5 × 17 cm ( 8 ⅞ × 6 ¾ in.). Unten links signiert und datiert: Ianelli 76. Rückseitig mit Bleistift bezeichnet, signiert und datiert: Estudio a pastel Ianelli- 1967. Auf einem Blatt hinter der Rückpappe mit einer datierten Widmung.[3434]Zustandsbericht: In gutem Zustand. Die Farbtöne frisch und kontrastreich. Oben mittig minimale Bereibungsspuren in der Farbe. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig umlaufend vom Künstler mit Kreppband hinter das Passepartout montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Arcangelo Ianelli (1922 – São Paulo – 2009). Estudio a pastel. 1976Pastel and graphite on light cardboard. 22,5 × 17 cm ( 8 ⅞ × 6 ¾ in.). Signed and dated lower left: Ianelli 76. Inscribed, signed and dated in pencil on the reverse: Estudio a pastel Ianelli- 1967. On a sheet behind the cardboard backing with a dated dedication.[3434]Condition report: In good condition. The colours fresh and rich in contrast. At the top in the centre minimal scuff marks in the paint. Ultraviolet light reveals no retouchings or repairs. On the reverse attached by the artist to the mount with masking tape (solved on three edges). Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
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(See English version below)Arcangelo Ianelli (1922 – São Paulo – 2009). Ohne Titel. 1983Pastell auf festem Papier. 47,7 × 35,4 cm ( 18 ¾ × 13 ⅞ in.). Unten rechts signiert und datiert: Ianelli 1983.[3434]Zustandsbericht: In gutem Zustand. Die intensiven Farebn fein differenziert und leuchtend. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig Reste alter Papiermontierungen. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Arcangelo Ianelli (1922 – São Paulo – 2009). Untitled. 1983Pastel on heavy paper. 47,7 × 35,4 cm ( 18 ¾ × 13 ⅞ in.). Signed and dated lower right: Ianelli 1983.[3434]Condition report: In good condition. The intensive colours fine differentiated and luminous. Ultraviolet light reveals no retouchings or repairs. On the reverse remains of former paper mountings. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Unsigned, ink and pastel.23cm x 13cm (9in x 5in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in fair, original condition. The ink has faded universally across the drawing and there are a few spots of browning across the paper. The drawing is framed and glazed. The frame has the odd minor scuff and scratch commensurate with age.
Signed, titled on gallery label - 'Colourfield Gallery' verso, pastel and chalk.39.5cm x 55.5cm (15.5in x 22in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.
** Burke (20th/21st century) - a Northern street scene in winter with a mother and child beside trees, a blue car and houses beyond signed Burke, pastel drawing, 13.75" x 17.5" *Possibly the work of Patrick Burke, a North East artist who specialised in industrial scenes and scenes depicting Northern Life
A. S. Finlayson (20th/21st century) - portrait sketch of a seated lady wearing a red dress, white shirt and black waistcoat, signed and dated 1962, also extensively inscribed on the artist's original label verso with her address 21 Chatham road, Manchester 16, numbered 1, pastel drawing, 19.5" x 14.5"; together with a further mixed media work depicting a Surrealist scene depicting head and shoulders study of a girl holding a white dove within a partial gilt plaster picture frame, a belly dancer in the foreground and a goldfish in a bowl with a seashell in the foreground, signed with the artist's initials RG, mixed media, 19" x 13.25" (2)
After Philip Boileau - portrait of a young woman (1903) inscribed with the artist's name and date; together with copyright details and a further date 1905, coloured print, 15.25" x 11.5" *The artist was a Canadian born Art Nouveau artist illustrator known for his watercolours and pastel drawings of the Victorian era women. Together with two further prints including one depicting the sculptor Auguste Rodin 'He thinks in marble' after the artist Julias Mendes Price, and finally an engraving after Thomas Landseer, 'The Lion Tiger Cubs' born at Windsor, 1824 inscribed and published by Moon, Boys & Graves, and dated June 1st 1830, 7.25" x 5.75" (3)
John Tookey (20th/21st century) - 'Letter Home', an interior scene with a lady writing a letter and another seated nearby, with a still life of flowers in the foreground, signed also inscribed on a gallery label verso with the original price of £90, pastel drawing, 11.5" x 8.75" *Provenance with The Newport Gallery, High Street, Newport, Essex CB11 3QZ
English School (19th/20th century) - portrait of a young girl seated wearing a cream dress and bonnet holding a doll, pastel drawing on canvas, 23" x 21"; together with a Victorian coloured lithograph after Sir John Everett Millais portrait of a small girl seated wearing a white dress and large cream bonnet decorated with pink ribbon, the original picture is said to have been titled 'The Reader' bearing the facsimile signature for the artist within a cut aperture of the mount, 26" x 17.5" (2)
§Patricia Crowther (British 1965-) Seymours, 2005 signed and dated 'P. Crowther '05' (lower right); further signed to the reverse oil, oil pastel, platinum and palladium leaf on canvas 51 x 50.5cm Provenance: With Shirley Crowther Contemporary Art where acquired by John Ady The John Ady Collection
ENGLISH SCHOOL, MID 19TH C - PORTRAITS OF TWO YOUNG WOMEN, PERHAPS SISTERS, A PAIR, BUST LENGTH, PASTEL, OVAL, 59 X 50CM (2) Good, stable condition. Not stained or restored, in the original rectangular gilt mount and probably original frames that have been brown painted over gilt at later date
Barnett Freedman, four unframed works, comprising: a landscape, signed, ink and monochrome wash, 37.5 x 56cm, laid on card; 'Corf Castle' (sic), pastel and wash, 39 x 56.5cm; a landscape, signed, monochrome watercolour, 17 x 25cm; and 'Cain & Abel', ink and monochrome wash, on two joined pieces of paper, 38 x 45cm. (4)Provenance: from the estate of Vincent Freedman, son of Barnett Freedman.
AN OIL ON BOARD OF 'DORIS CROFT FROM THE CANAL SIDE', a view of a redbrick building, initialled and dated January (19)76, size approximate 60cm x 120cm, together with a John Trickett limited edition print of a black labrador, limited edition print of three black labradors by Terence Macklin and pastel drawing of a hunter with a black labrador, signed B.Dye, dated 1987
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