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Lot 3050
Alan Turner (British, 20th Century), Flowers in a blue vase, signed and dated 'Alan Turner 1989' (lower right), watercolour, 30 x 23cm, together with a pencil drawing of The Strong and the Weak, 1976, by D H Smith, 26 x 19cm, and a pastel of a clock in a window by an unknown hand, 36 x 30cm, (3).ARR
Lot 240
1954 Jaguar XK120 SE Drophead CoupéRegistration no. 738 XVDChassis no. S678338•Rare and desirable Special Equipment (SE) version•One of only 1,472 left-hand drive XK120 SE drophead coupés built•Matching numbers•Only three owners from new•Professionally restored in the USA Footnotes:Its accompanying Jaguar Heritage Trust Certificate reveals that this rare and desirable XK120 SE (Special Equipment) drophead coupé (one of only 1,472 left-hand drive examples built) was delivered to Jaguar's West Coast distributor Charles Hornberg in Los Angeles in May 1954. Only its third owner in almost 70 years, the vendor was told by the second owner (Mr Oliver Farinholt, who acquired the XK in 1987) that the first owner continued to drive the car until his early 90s, albeit by then not on public roads. It is understood that in the early years of Mr Farinholt's ownership the Jaguar attended rallies and garnered the occasional prize in the South Eastern US. At that time the car was still in its original livery of Pastel Green with Suede Green interior and Sand coloured hood. The Jaguar was first registered in Virginia Beach and later in nearby Norfolk (registration documents on file). Around 2008, Mr Farinholt commenced a body-off restoration and the car was effectively off the road from then until December 2013. During restoration the livery was changed to Astral Silver with red interior and black hood. Work proceeded slowly until Mr Farinholt's health issues forced him to sell the car in late May 2013. By that time the body had been reunited with the chassis, and the engine and drive-train were in place, though many other components remained to be installed. By December 2013 the vendor had mostly completed the wiring harness and window installation, and arranged for the XK to be shipped to Brainerd's Garage in Stony Creek, Connecticut for a check over and re-commissioning. Recognising that installation of the hood was well beyond his capacities, the vendor entrusted the work to recognised marque specialists Bassett's Jaguar in Wyoming, Rhode Island, who also undertook a thorough check prior to completion of the project. Chasing fluid leaks resulted in the engine being dismantled, and a thorough check of the mechanicals was done, including replacement of the differential. Invoices totalling around $45,000 for Bassett's work are available. To the best of the vendor's knowledge this XK120 SE is a matching-numbers example, based on a comparison of its components and the aforementioned Jaguar Heritage Certificate. In addition to the latter, FIVA passports in the US and, more recently, the UK have been obtained. The only post-restoration issue encountered was a leak in the heater matrix; a replacement has been installed (original with car), while the most recent service was carried out by Elliott Engineering of Washington, West Sussex in May 2020. For further information on this lot please visit Bonhams.com
Lot 1041
Frederick Gore CBE, RA (1913-2009) ''Soldiers in the Trenches'' Pastel, together with a further pastel portrait of a soldier by the artist, 26cm by 30.5cm and 36cm by 24cm respectively (2) Provenance: Bonham's Leeds, anonymous sale Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 1045
Norman Stansfield Cornish MBE (1919-2014) ''Misty Street'' Signed, oil pastel on paper, 43.5cm by 63cm Provenance: University Gallery, University of Northumbria, Newcastle-upon-Tyne, no. NC121 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 7
FERNAND KHNOPFF (1858-1921)Étude de femme signed 'Fernand Khnopff' (lower right)pastel and pencil on paper16.6 x 10.4cm (6 9/16 x 4 1/8in).Executed circa 1919Footnotes:The authenticity of this work has kindly been confirmed by Madame Gisèle Ollinger-Zinque. This work will be included under no. 616 bis in the forthcoming Fernand Khnopff catalogue raisonne, currently being prepared.ProvenancePrivate collection, South Africa.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 27
ÉDOUARD VUILLARD (1868-1940)La Salle du Moyen ge dans le Musée des Arts Décoratifs (première étude) stamped with the artist's signature 'E Vuillard' (lower right)distemper, pastel and charcoal on buff paper laid on canvas98 x 114.5cm (38 9/16 x 45 1/16in).Executed in 1922Footnotes:ProvenanceThe artist's studio. Hallsborough Galleries, London. Anon. sale, Sotheby's, London, 29 April 1964, lot 73.Anon. sale, Sotheby's, London, 25 June 1996, lot 110.Brinkman Fine Art & Antiques, Amsterdam.Acquired from the above by the present owner on 18 December 1996. LiteratureA. Salomon & G. Cogeval, Vuillard, The Inexhaustible Glance. Critical Catalogue of the Paintings and Pastels, Vol. III, Milan, 2001, no. XI-176 (illustrated p. 1383).La Salle du Moyen Âge dans le Musée des Arts Décoratifs (première étude) forms part of a series of museum studies that Vuillard made in the years following World War I. In this atmospheric composition the main figure, clad with a purple overcoat and high toque, looks away from the spectator to observe the stained-glass windows, his profile neatly mirroring that of the bust behind him. Vuillard creates an intimate scene, whereby he invites the viewer to be another visitor at the museum. During the war Vuillard had been mobilised in Conflans-Sainte-Honorine near Paris. One of his comrades commissioned him to decorate the apartment of his sister Madame Bauer-Judin in Binningen, Switzerland. Vuillard painted four large panels and two overdoors for this commission, which resulted in a decorative ensemble of his studies of Paris galleries, and is regarded as an important work from the artist's later oeuvre. In preparation for the final compositions, Vuillard created over a hundred sketches and pastels of museum interiors from the newly reopened Louvre, the chapel of the Palace of Versailles and the Museum of Decorative Arts.For further information on this lot please visit Bonhams.com
Lot 56
Unsigned, a pair, pastel.Each 50.5cm x 42cm (20in x 16.5in)Qty: 2Condition report: The drawings are both in good, original condition with strong colours. There are some minor spots of foxing across the drawings. The drawings are both framed and glazed. The frames have some scuffs and knocks commensurate with age.
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